Thomas L. Berger is Piskor Professor Emeritus of St Lawrence University and is currently Scholar in Residence at Mary Baldwin College. His research interests are focused on early modern English drama, with a concentration on textual and bibliographical matters, and his publications include Which Shakespeare? A User's Guide to Editions (1991) with Ann Thompson, A. R. Braunmuller, Philip Edwards and Lois Potter, and An Index of Characters in Early Modern English Printed Drama (1999) with William Bradford and Sidney Sondergard. He is also the co-editor, with Laurie E. Maguire, of Textual Formations and Reformations (1999). His articles and reviews have been published in Shakespeare Quarterly, Renaissance Quarterly and Shakespeare Studies. Sonia Massai is Reader in Shakespeare Studies at King's College London. She is the author of Shakespeare and the Rise of the Editor (2007) and contributor to and editor of World-Wide Shakespeare: Local Appropriations in Film and Performance (2005). Her publications on early modern print history have appeared in Shakespeare Survey, The Oxford Handbook to Shakespeare, Renaissance Paratexts, Shakespeare and the Arts, The Blackwell Companion to Shakespeare and the Text and Textual Performances. She has edited 'Tis Pity She's a Whore for the Arden Early Modern Drama series, The Wise Woman of Hoxton for the Globe Quarto series and Titus Andronicus for the New Penguin Shakespeare. She is currently writing a new book on Shakespeare and Global Modernity and co-editing The Cambridge Handbook to Shakespeare and Textual Studies with Margaret Jane Kidnie.

'The value of these volumes lies in the fact that they lend themselves to a different kind of browsing from a search engine, which requires you to ask the right question in order to get what you already know you want. Reading through the pages of the Berger–Massai collection is like reading an anthology of sixteenth- and seventeenth-century writing chosen, not for its quality, but simply because it happens to be part of a playbook … There is much to please readers who didn't know they wanted it until they read it.' Lois Potter, The Times Literary Supplement

• Volume 1: List of figures; Acknowledgements; Introduction; A user's guide; The Paratexts: Single-text editions (to 1623); Collected editions (to 1623). Volume 2: A user's guide; The Paratexts: Single-text editions (1624–42); Collected editions (1624–42); Indices to Volumes 1 and 2; Finding list to Volumes 1 and 2.

Thomas L. Berger is Piskor Professor Emeritus of St Lawrence University and is currently Scholar in Residence at Mary Baldwin College. His research interests are focused on early modern English drama, with a concentration on textual and bibliographical matters, and his publications include Which Shakespeare? A User's Guide to Editions (1991) with Ann Thompson, A. R. Braunmuller, Philip Edwards and Lois Potter, and An Index of Characters in Early Modern English Printed Drama (1999) with William Bradford and Sidney Sondergard. He is also the co-editor, with Laurie E. Maguire, of Textual Formations and Reformations (1999). His articles and reviews have been published in Shakespeare Quarterly, Renaissance Quarterly and Shakespeare Studies. Sonia Massai is Reader in Shakespeare Studies at King's College London. She is the author of Shakespeare and the Rise of the Editor (2007) and contributor to and editor of World-Wide Shakespeare: Local Appropriations in Film and Performance (2005). Her publications on early modern print history have appeared in Shakespeare Survey, The Oxford Handbook to Shakespeare, Renaissance Paratexts, Shakespeare and the Arts, The Blackwell Companion to Shakespeare and the Text and Textual Performances. She has edited 'Tis Pity She's a Whore for the Arden Early Modern Drama series, The Wise Woman of Hoxton for the Globe Quarto series and Titus Andronicus for the New Penguin Shakespeare. She is currently writing a new book on Shakespeare and Global Modernity and co-editing The Cambridge Handbook to Shakespeare and Textual Studies with Margaret Jane Kidnie.

'The value of these volumes lies in the fact that they lend themselves to a different kind of browsing from a search engine, which requires you to ask the right question in order to get what you already know you want. Reading through the pages of the Berger–Massai collection is like reading an anthology of sixteenth- and seventeenth-century writing chosen, not for its quality, but simply because it happens to be part of a playbook … There is much to please readers who didn't know they wanted it until they read it.' Lois Potter, The Times Literary Supplement

• Volume 1: List of figures; Acknowledgements; Introduction; A user's guide; The Paratexts: Single-text editions (to 1623); Collected editions (to 1623). Volume 2: A user's guide; The Paratexts: Single-text editions (1624–42); Collected editions (1624–42); Indices to Volumes 1 and 2; Finding list to Volumes 1 and 2.

Thomas L. Berger is Piskor Professor Emeritus of St Lawrence University and is currently Scholar in Residence at Mary Baldwin College. His research interests are focused on early modern English drama, with a concentration on textual and bibliographical matters, and his publications include Which Shakespeare? A User's Guide to Editions (1991) with Ann Thompson, A. R. Braunmuller, Philip Edwards and Lois Potter, and An Index of Characters in Early Modern English Printed Drama (1999) with William Bradford and Sidney Sondergard. He is also the co-editor, with Laurie E. Maguire, of Textual Formations and Reformations (1999). His articles and reviews have been published in Shakespeare Quarterly, Renaissance Quarterly and Shakespeare Studies. Sonia Massai is Reader in Shakespeare Studies at King's College London. She is the author of Shakespeare and the Rise of the Editor (2007) and contributor to and editor of World-Wide Shakespeare: Local Appropriations in Film and Performance (2005). Her publications on early modern print history have appeared in Shakespeare Survey, The Oxford Handbook to Shakespeare, Renaissance Paratexts, Shakespeare and the Arts, The Blackwell Companion to Shakespeare and the Text and Textual Performances. She has edited 'Tis Pity She's a Whore for the Arden Early Modern Drama series, The Wise Woman of Hoxton for the Globe Quarto series and Titus Andronicus for the New Penguin Shakespeare. She is currently writing a new book on Shakespeare and Global Modernity and co-editing The Cambridge Handbook to Shakespeare and Textual Studies with Margaret Jane Kidnie.

'The value of these volumes lies in the fact that they lend themselves to a different kind of browsing from a search engine, which requires you to ask the right question in order to get what you already know you want. Reading through the pages of the Berger–Massai collection is like reading an anthology of sixteenth- and seventeenth-century writing chosen, not for its quality, but simply because it happens to be part of a playbook … There is much to please readers who didn't know they wanted it until they read it.' Lois Potter, The Times Literary Supplement

• Volume 1: List of figures; Acknowledgements; Introduction; A user's guide; The Paratexts: Single-text editions (to 1623); Collected editions (to 1623). Volume 2: A user's guide; The Paratexts: Single-text editions (1624–42); Collected editions (1624–42); Indices to Volumes 1 and 2; Finding list to Volumes 1 and 2.