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The first book to consider Kiefer’s photography and use of photographs in his wider artistic practice. Known for his monumental painting and installations, the internationally celebrated artist Anselm Kiefer's works are marked by a constant questioning of history and collective memory. Born in Germany two months before the Nazi capitulation in 1945, Kiefer's reflections on post-war identity, loss, and shared experience, nourished by myths and literature, create an unparalleled breadth of imagery. The use of photography as both practice and source material is a little-known aspect of Kiefer’s art that has played a central role throughout his career. This book presents over 130 works charting the artist's relationship with photography, and his investigations into what images reveal.
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Ever since winning a travel grant as a 17-year-old to travel from the Netherlands through Belgium and Paris to Arles in Van Gogh’s footsteps, the contemporary master painter and sculptor Anselm Kiefer has been inspired by the Dutchman’s art. Van Gogh has been a profound influence upon the subjects and techniques of Kiefer’s monumental paintings and sculptures, which draw on history, mythology, literature, philosophy and science. Published to coincide with Kiefer’s 80th birthday in 2025, this book celebrates the power and luminous intensity of both artists’ work.
- Nyhet
330 kr
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A layered and lyrical collaboration between two great artists—Anselm Kiefer and Alexander Kluge—that explores what it means to remain faithful amid the shifting forces of power, love, truth, and money.What holds us together in times of uncertainty? For decades, artist Anselm Kiefer and filmmaker-writer Alexander Kluge have explored this question—both as friends and collaborators. This latest volume is a bold and poetic exchange of images and texts in which they delve into the idea of reliability and its relationship to the four great forces that shape our lives: power, love, truth, and money.Moving across history, myth, and the present day, Kiefer and Kluge ask: What is time? In a world of endless change, how do we hold on to what endures? Inspired by Hölderlin’s call “to remain faithful under shifting circumstances,” they use art to keep memory alive, invite the past into the present, and welcome the future before it arrives. Layered, provocative, and profoundly human, this new collaboration is a powerful meditation on what connects us—and what makes us endure.
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A painterly dialogue with humanist values at the Doge’s Palace in VeniceCan there be such a thing as a public art founded on universal values? This was the question that the German artist Anselm Kiefer (born 1945) tackled while conceiving his installation for the Doge’s Palace in Venice. Invited to participate in the celebration of the city’s 1600th anniversary, Kiefer developed a project specifically for the Chamber of the Ballot, an immense room inside the Gothic palace: a series of paintings in dialogue with the heroic values inscribed in the chamber’s 33 artworks by the Italian masters Tintoretto, Andrea Vicentino and Palma the Giovane. The series, These writings, when burned, will finally cast a little light, takes its title from the writings of the Venetian philosopher Andrea Emo.This volume gathers a series of philosophical and art historical responses to Kiefer’s installation, featuring essays by Janne Sirén, Gabriella Belli and Hans Ulrich Obrist, among others.
Anselm Kiefer
Das Balder-Lied
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497 kr
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251 kr
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The Christian hermits, ascetics, and monks of early history had deep insight into the nature and aspirations of humankind. Drawing on their experiences in the cloisters of the desert they became sought after mentors, teachers, and spiritual guides. This book is filled with poignant wisdom stories relating their message to modern daily life.
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This book accompanies a major exhibition in the Ashmolean Museum on the early work of internationally acclaimed German artist Anselm Kiefer. It focuses on his paintings, drawings, photographs and artist books created between 1969 and 1982, in the private collections of the Hall Art Foundation. Anselm Kiefer: Early Works is the first institutional show and publication in the UK dedicated to Kiefer’s early practice. The book introduces themes, subjects and styles that have become signature to Kiefer’s work, while providing a more intimate and complementary context for his large-scale installations that he is best known for today. The early works are accompanied by three recent paintings from the artist’s own collections and White Cube, chosen by the artist himself.Art historians, artists, curators and experts of Kiefer’s art from Germany, Austria, Belgium, Britain and the US have contributed 46 original texts on individual works, organised in a chronological structure. An illustrated chronology at the end of the book compiled by Stephanie Biron from the Hall Art Foundation provides an overview of the artist’s early practice and life, to contextualise the works.The book begins with Kiefer’s iconic Occupations and Heroische Sinnbilder series, created in 1969 and 1970, which Kiefer views as his first serious works. Kiefer was among the first generation of German post-war artists to directly confront the country’s troubled past and identity. Full of complex references to German socio-political history but also to culture, literature and his personal life, Kiefer’s early works carry a unique iconography, linking classic ideas of great art with a distinctive understanding of concrete artistic materiality. The landscapes in his watercolours are historically charged; hand-written words on paintings are closely linked with poetry well known to most German viewers; motifs and symbols point at Nazi ideologies and a collective feeling of guilt.
224 kr
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Del 27 - Studies in the History of Philosophy of Mind
Animal Minds in Medieval Latin Philosophy
A Sourcebook from Augustine to Wodeham
Häftad, Engelska, 2022
323 kr
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A general introduction to the entire volume presents the basic concepts and questions of the philosophy of animal minds and explains how the medieval discussion relates to the contemporary debate. This sourcebook is valuable for anyone interested in the history of philosophy, especially medieval philosophy of mind.
92 kr
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140 kr
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Since the late 1960s, Anselm Kiefer has explored the profound depths of human history through his work. For his first American retrospective in twenty years, he takes the river as a metaphor for the flux of life and passage of time. Breathtaking new landscapes join iconic works to celebrate the achievements of his nearly sixty-year career. Becoming the Sea explores Kiefer’s remarkable body of work. From his early evocative landscapes of postwar Europe to his later, monumental canvases on themes of destruction and regeneration, Kiefer’s oeuvre challenges our understanding of history and memory. Catalogue highlights include previously unpublished artist writings, lavish illustrations and contributions by writers who inspired Kiefer’s famously literary art.
375 kr
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Anselm Kiefer (b. 1945) is one of the most important and controversial artists at work in the world today. Through such diverse mediums as painting, photography, artist’s books, installations and sculpture, he has interpreted the great political and cultural issues at the heart of the modern European sensibility: the connections among memory, history and mythology; war; the Holocaust; and ethnic and national identity. In this extensively illustrated volume, available again in a new, compact format, Arasse analyses Kiefer’s education, influences, philosophy and art, while demonstrating the unity and continuity of his work. Arasse takes as his starting point the 1980 Venice Biennale, a key moment in the artist’s career that marked the birth of both his international reputation and the controversy over the ‘Germanness’ of his work. Organized both chronologically and according to the artist’s recurrent motifs, the book’s approximately 250 full-colour images trace Kiefer’s creative evolution, and present his great themes in their full scope and power.
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“For a long time, it was not clear if I would become a writer or an artist,” says Anselm Kiefer, whose paintings and sculptures have made him one of the most significant and influential artists of our time. Since he was awarded the Peace Prize by the German Book Trade in 2008, his essays, speeches, and lectures have gradually received more attention, but until now his diary accounts have been almost completely unknown. The power in Kiefer’s images, however, is rivaled by his writings on nature and history, literature and antiquity, and mysticism and mythology.The first volume of Notebooks spans the years 1998-1999 and traces the origins and creative process of Kiefer’s visual works during this period. In this volume, Kiefer returns constantly to his touchstones: sixteenth-century alchemist Robert Fludd, German romantic poet Novalis, Martin Heidegger, Ingeborg Bachmann, Robert Musil, and many other writers and thinkers. The entries reveal the process by which his artworks are informed by his reading—and vice versa—and track the development of the works he created in the late 1990s. Translated into English for the first time by Tess Lewis, the diaries reveal Kiefer’s strong affinity for language and let readers witness the process of thoughts, experiences, and adventures slowly transcending the limits of art, achieving meaning in and beyond their medium.
107 kr
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Anselm of Canterbury (1033-1109) was the outstanding philosopher-theologian of the Latin West between Augustine and the thirteenth century. As a public figure, especially as Archbishop of Canterbury, he corresponded with kings and nobles, popes and bishops, in letters that reveal a fascinating personality and flesh out the practical dimensions of his theoretical philosophy. He wrote at a time when a renewed interest in logic encouraged careful and rigorous argumentation, but before the recovery of Aristotle filled the philosophical discourse with difficult technical jargon, making for writing that is unrivalled for its lucidity and accessibility. He offers the first clear account of what we now call a libertarian view of free will, according to which free choices cannot be determined by the agent's internal states or by external influences. His famous 'ontological argument' for the existence of God continues to generate discussion, debate, and puzzlement. His understanding of God is rightly regarded as one of the definitive expressions of classical theism or perfect-being theology, which remains influential in philosophy of religion and analytic theology. His account of the Atonement is one that every theologian to this day still grapples with.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
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Mostly written between 1070 and 1080, before he became Archbishop of Canterbury, the prayers and meditations of Anselm of Aosta created a tradition of intimate, intensely personal devotional works written in subtle and theologically daring prose. While the Prayer to God is based on the Lord's Prayer, the Prayer to Christ is inspired by ardent private emotion and other prayers invest saints with individual attributes, with John the Baptist as the friend, Peter as the shepherd and Mary Magdalene as the forgiving lover, among many others. The meditations include a searching exploration of the state of the soul and a lament on the loss of purity, and the Proslogion discusses the mysteries of faith. With their bright imagery, beautiful language and highly original thought, the works of Anselm have secured a lasting place in both religious and secular literature.
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Looks at ancient and oriental music and traces the history of western music from medieval times to the twentieth century.
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Sandra Visser and Thomas Williams offer a brief, accessible introduction to the life and thought of St. Anselm (c. 1033-1109). Anselm, who was Archbishop of Canterbury for the last 16 years of his life, is unquestionably one of the foremost philosopher-theologians of the Middle Ages. Indeed he may have been the greatest Christian thinker in the 800 years between Augustine and Aquinas. His keen and rigorous thinking earned him the title 'The Father of Scholasticism.' The influence of his contributions to ethics and philosophical theology is clearly discernible in figures as various as Thomas Aquinas, John Duns Scotus, the voluntarists of the late-thirteenth and fourteenth centuries, and the Protestant Reformers. The prevalence of self-identified Anselmians - and anti-Anselmians - in contemporary philosophy of religion attests to the enduring importance of his approach to the divine nature. Visser and Williams's book falls into two main parts. The first will elucidate Anselm's metaphysics, concluding with an examination of Anselm's account of truth, which serves as a capstone for his metaphysical system. The second part focuses on Anselm's theory of knowledge. Topics considered include Anselm's general account of cognition and his odd but compelling theory of language-acquisition and the role it plays in discourse about the divine. The third section of the book is devoted to the moral life. Anselm's account of the foundations of ethics is philosophically of great interest, the authors show, because it effectively combines insights that contemporary philosophers have thought to be antithetical. In the fourth and last section, they turn to Anselm's philosophical explorations of Christian doctrine, including Redemption, the Trinity, and the Incarnation. They show how Anselm puts his metaphysical system to work in establishing the coherence of Christian doctrine and explain how his philosophical theology rests on his theory of knowledge.
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