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As a child, I really didn't have a relationship with my Father. As a matter of fact, I didn't care for him very much, because I thought he was so mean. It wasn't until I was grown that I found out "e;who"e; my Father "e;really"e; was. I made many judgements that was not accurate and many things I had to ask the Lord for forgiveness. I had to realize that He wasn't a "e;perfect man"e; but He was the Father that was given to me. I saw my Mother go through many things with him. I couldn't understand and sometimes wondered, WHY? Now, I can see her strength. Today, I'm grateful because she's still teaching me , how to be strong. Even though she's deceased, some days I can still hear her voice. Years later, I was sitting and talking with my Father about his life. He shared many things. I found out that he wasn't the "e;boogey-man"e; that Satan displayed in my head. So many stories he shared and they were good, as well as funny. I've shared some of them with you. Now, You share them with Your Family. I often say, "e;Leave a Legacy!"e; I HOPE YOU ENJOY THE CONVERSATION!

During her short life, Ruby Doris Smith Robinson became one of the most important leaders in the black struggle for equality.

In her first collection in five years, Anne Carson contemplates 'decreation' - an activity described by Simone Weil as 'undoing the creature in us' - an undoing of self. But how can we undo self without moving through self, to the very inside of its definition? Where else can we start?Anne Carson's Decreation starts with form - the undoing of form. Form is various here: opera libretto, screenplay, poem, oratorio, essay, list, montage. The undoing is tender, but tenderness can change everything, or so the author appears to believe.By turns exhilarating and bewildering, lucid and hermetic, Anne Carson is a maverick with a thrilling range of skills. As Charles Simic says, 'Carson takes risks, subverts literary conventions, and plays havoc with our expectations. She is a wonder: an unconventional, often difficult poet who has a huge following among today's readers of poetry and whose work has been honoured with our most prestigious literary awards.'

THE EXTRAORDINARY #1 BESTSELLER 'Fiercely feminist, fascinating. I have recommended this to several people. And I'm doing the same here' Sunday Times 'Do not read this book in public: it will make you cry' Anne Enright'I am afraid of being the disruptive woman. And of not being disruptive enough. I am afraid. But I am doing it anyway.'In this dazzling debut, Emilie Pine speaks to the business of living as a woman in the 21st century - its extraordinary pain and its extraordinary joy. Courageous, humane and uncompromising, she writes with radical honesty on birth and death, on the grief of infertility, on caring for her alcoholic father, on taboos around female bodies and female pain, on sexual violence and violence against the self. Devastatingly poignant and profoundly wise - and joyful against the odds - Notes to Self offers a portrait not just of its author but of a whole generation.'Unsparing, formidable, raw. The kind of book you want to give everyone' Irish Times'Complex, accessible, thoughtful... You will love these essays' Pandora Sykes, The High Low'Every line pulses with the pain and joy and complexity of an extraordinary life' Mark O'ConnellRUTH & PEN, EMILIE PINE'S FIRST NOVEL, IS OUT ON THE 5TH OF MAY 2022

‘Brilliantly researched, lovingly written, a wonderful behind-the-scenes look at some of the magnificent, unsung queer artists who worked on the iconic franchise.’ - Tom Rob SmithAn original, warm-witted and illuminating chronicle about the queer talents that have shaped the James Bond phenomenon in all its forms.Blending historical insight with new observations and interviews, Bond commentator and author Mark O’Connell presents a dynamic and entertaining James Bond compendium full of new perspectives and imagery, as well as an alternative timeline of 007 history few know exists.In Bond, Queer Bond, what might begin as a thoughtful dive into an adjacent world of 007 fast becomes a rich, colourful and compelling manifesto about the queer DNA of a cultural icon– with LGBTQ names and beats, such as Lionel Bart, Richard Chopping, Truman Capote, Peter Hunt, Tom Ford, Doris Fish, Harvey Milk, John Sex, the AIDS crisis, the ballroom scene, pop art icons, and many more, forming the rainbow crosshairs of this book.Joining O’Connell are guest contributions from the likes of Barbara Broccoli, David Arnold, Mark Gatiss, Putter Smith, Peaches Christ, John Glen, Ann Magnuson, Jon Lys Turner, Jany Temime, Maud Adams and more. The other history of a spy has never been so fabulous.

The Penguin Book of Modern British Short Stories, edited by novelist and critic Malcolm Bradbury, is a collection of the finest short stories from our best loved authors, including Samuel Beckett, Graham Greene, William Golding, Kingsley Amis, Doris Lessing, Muriel Spark, J. G. Ballard, William Trevor, Ian McEwan, Martin Amis, Rose Tremain, Salman Rushdie, Graham Swift and Kazuo Ishiguro.'The short story has become one of the major forms of modern literary expression - in some ways the most modern of them all.'The story of the British short story since the Second World War is one of change and revolution and this powerful and moving collection brilliantly demonstrates the evolution of the form. Containing thirty-four of the most widely regarded postwar British writers, it features tales of love and crime, comedy and the supernatural, the traditional as well as the experimental. This many-storied, many-splendored collection is a brilliant portrait of the generation of writers who have immediately influenced the brightest, sharpest and most intriguing writers who continue to emerge today.Malcolm Bradbury was a novelist, critic, television dramatist and professor of American studies and creative writing. He was awarded the CBE in 1991 for his services to Literature and was knighted in the 2000 New Year's Honours List. He died in 2000.