Visar resultat för..."Hoppla"

Staffan Westerberg reser genom tiden på väg mot slutstationen, men med det skälvande livet i bagaget. Det lekfulla samsas med det allvarsamma, det stillsamma med det passionerade som det alltid varit i Staffan Westerbergs liv.Två centimeter kvar. Det är inte mycket.- Det beror på hur lång vägen är,påminner måttbandet.- Sånt vet man inte, svarar snigeln.En decimeter, en meter, eller rent av en helkilometer?Men det är kanske att begäraför mycket av livet.Att veta.

The plays collected within this volume are social dramas and tragedies. They bear witness to human suffering, and to fine yet vain struggles to vanquish this suffering.Four of these plays were written in prison, others were banned.This early work by Ernst Toller was originally published in 1934, we are now republishing it with a brand new introductory biography.

The tale is simple, if grim: a disenfranchised teenage boy from the housing projects on the outskirts of Paris rapes and murders the manager of the supermarket where his mother works. But Gerard Gavarry is a writer who knows how literary inventiveness can shed new light on a serious subject, and Hoppla! tells its story three times, in three separate sections, each in a different tone or mode and with different sets of images and vocabularies. The first relies on tropical images and the characters speak in a lexicon borrowed from the coconut industry--as if the Parisian suburbs had been transported to an exotic shore; the second is nautical in nature; the third invokes the mythology of the centaur, and ancient Greece butts up against modern-day France. Gavarry's bloody and poetic narrative takes dead aim at the social, political, and personal roots of violence, and argues for the transformative power of fiction.

Includes the plays Transformation, Masses Man, Hoppla, We're Alive! Preface by Charles Wood. Ernst Toller (1893-1939) was a formative figure in the development of theatrical modernism, yet his plays have not been available in English since the 1920s and '30s. He was also a revolutionary activist who experienced fully the unbearable cataclysms of his times: war, revolution, imprisonment, the chaos of Weimar life, Nazi persecution, exile and the Holocaust. His revolutionary intensity infuses these three innovative plays, all of which inspired landmark productions and substantially extended the language of theatricality. These stage-worthy new translations capture that spirit of artistic and political combustion and should help to restore Toller's rightful place in the modern repertoire. Twenty-seven rarely seen production and design photographs are brought together here for the first time and, with the extensive supplementary material, they create a vivid sense of modern theatre in the making. Essential reading for the contemporary theatre student, scholar, spectator and practitioner.