Visar resultat för..."Sånger bergen"
Sökningen "Sånger mellan bergen Gustav Björkman" gav inga träffar.4 produkter
4 produkter
342 kr
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521 kr
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"Nineties Spirit is comprehensive, compelling and at times emotional. It's a must-have for any fan of music." — Amateur Photographer"As a time capsule of the music industry in the 1990s… Nineties Spirit is comprehensive, compelling and at times emotional. It's a must-have for any fan of music." — Amateur Photography“If photographs could sing, Paul Bergen’s would be chart toppers.” — SquareMileDavid Bowie and Bruce Springsteen, Nirvana and Oasis, Pete Doherty and Phil Collins, Prince and Motörhead — the internationally acclaimed and renowned music photographer Paul Bergen has seen all the stars of the 1990s through his lens, both on stage and backstage.His photo archives are among the world’s largest in the music industry. In Nineties Spirit, he is now sharing these treasures with a large audience for the very first time.The artists themselves also get a chance to have their say. In short passages, interviews, and commentaries, the authors bring the iconic decade alive again. They make Nineties Spirit a one-of-a-kind chronicle of the times that captures an entire generation's attitude toward life.
222 kr
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184 kr
'Superb and timely' KATE MOSSE'Impressive, important, deeply moving' SARAH WATERS'Brilliant' ANTHONY HOROWITZWhat role could music play in a death camp? What was the effect on those women who owed their survival to their participation in a Nazi propaganda project? And how did it feel to be forced to provide solace to the perpetrators of a genocide that claimed the lives of their family and friends? In 1943, German SS officers in charge of Auschwitz-Birkenau ordered that an orchestra should be formed among the female prisoners. Almost fifty women and girls from eleven nations were assembled to play marching music to other inmates - forced labourers who left each morning and returned, exhausted and often broken, at the end of the day - and give weekly concerts for Nazi officers. Individual members were sometimes summoned to give solo performances of an officer's favourite piece of music. It was the only entirely female orchestra in any of the Nazi prison camps and, for almost all of the musicians chosen to take part, being in the orchestra was to save their lives. In The Women's Orchestra of Auschwitz, award-winning historian Anne Sebba tells their astonishing story with sensitivity and care.
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