Visar resultat för..."Small Island Andrea Levy"

Winner of the Orange Prize for Fiction, the Orange Prize 'Best of the Best', the Commonwealth Writers' Prize and the Whitbread AwardWith an introduction by Monique Roffey________I did not dare to dream that it would one day be I that would go to England. It would one day be I that would sail on a ship as big as a world and feel the sun's heat on my face gradually change from roasting to caressing. But there was I! Standing at the door of a house in London and ringing the bell. Pushing my finger to hear the ding-a-ling, ding-a-ling. Oh, Celia Langley, where were you then with your big ideas and your nose in the air? Could you see me? Could you see me there in London? Hortense Roberts married with a gold ring and a wedding dress in a trunk. Mrs Joseph. Mrs Gilbert Joseph. What you think of that, Celia Langley? There was I in England ringing the door bell on one of the tallest houses I had ever seen.________'A great read . . . honest, skilful, thoughtful and important'Guardian'An engrossing read - slyly funny, passionately angry and wholly involving'Daily Mail'Gives us a new urgent take on our past' Vogue

Hortense yearns for a new life away from rural Jamaica. Gilbert dreams of becoming a lawyer. Queenie longs to escape her Lincolnshire roots. Three intimately connected stories, tracing the tangled history of Jamaica and Britain.Andrea Levy's epic novel, adapted for the stage by Helen Edmundson, journeys from Jamaica to Britain in 1948 – the year that HMT Empire Windrush docked at Tilbury.Small Island was first performed at the National Theatre, London, in 2019, in an acclaimed production directed by Rufus Norris. This revised edition of the play was published alongside the revival of the production in 2022.

This edition is the prescribed text for the English Mastery Secondary programme.Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots. In these three intimately connected stories, hope and humanity meet stubborn reality, tracing the tangled history of Jamaica and Britain.Andrea Levy's epic novel Small Island, adapted for the stage by Helen Edmundson, journeys from Jamaica to Britain in 1948 – the year that HMT Empire Windrush docked at Tilbury. It premiered at the National Theatre, London, in April 2019, directed by Rufus Norris.'Honest, skilful, thoughtful and important. This is Andrea Levy's big book' Guardian on Andrea Levy's Small Island

Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2,00, University of Gottingen (Seminar fur Englische Philologie ), course: Multiethnic Britain, language: English, abstract: 1. Introduction1.1. Brief introduction to home and belonging as a general ideaHome has a significant function in our lives. Thinking of home we associate notions like shelter and comfort and when we come home we want to feel safe and welcome. John McLeod argues in this sense that to be at home is to occupy a location where we are welcome, where we can be with people very much like ourselves. We are looking for who we are, where we come from and try to find our place in life. When one is born in a country but moves to another where is one s home country then? This question is hard to answer, because migration is always a process which implies a struggle of identities. When the 2nd generation is born in the host country- where do they belong if the host country does not accept them as full members? The term home is highly complicated in a complex and multicultural world like ours. 1.2. Procedure and approach of my analysesI have centered my term paper on an attempt to identify and characterize the concepts of home and belonging in postcolonial literature. Comparing how the idea of home and belonging is presented in the novels White Teeth by Zadie Smith and Small Island by Andrea Levy, I have tried a text- extrinsic approach. Furthermore, I have analysed the authors intentions with regard to the time of publication and the time of the narrative. However, the main aspect of my analyses is which concepts of home and belonging exist and which of them can be found in the novels of my comparison. I have chosen White Teeth because it is a novel that deals with the colonial past and the postcolonial present and I have selected Small Island because it is a novel that deals with migration in the past. Small Island is set at the beginning of migration when many colonized people came to England. Andrea Levy presents different views, the White and Black British point of view at the beginning of migration. My motivation to compare both novels is to go back to the beginning of colonial migration and to show the difference between the concepts from the past to the present. John McLeod, Beginning Postcolonialism (Manchester, New York: Manchester University Press, 2000) p. 210. 2 Zadie Smith, White Teeth (London: Penguin Books, 2001).

Small Island by bestselling author Andrea Levy won the Orange Prize for Fiction and the Orange Prize 'Best of the Best' as well as the Commonwealth Writers' Prize and the Whitbread. Possibly the definitive fictional account of the experiences of the Empire Windrush generation, it was selected by the BBC as one of its '100 Novels That Shaped Our World'.'A great read... honest, skilful, thoughtful and important' GuardianIt is 1948, and England is recovering from a war. But at 21 Nevern Street, London, the conflict has only just begun.Queenie Bligh's neighbours don't approve when she agrees to take in Jamaican lodgers, but with her husband, Bernard, not back from the war, she has little choice in the matter.Gilbert Joseph was one of the many Jamaican men who joined the RAF to fight Hitler. But when he returns to England as a civilian he doesn't receive the welcome he was expecting, and it's desperation that drives him to knock at Queenie's door. Gilbert's wife Hortense, who for years has longer for a better life in England, soon joins him. But London is far from the golden city of her dreams, and even Gilbert is not the man she thought he was.Small Island explores a point in England's past when the country began to change. In this delicately wrought and profoundly moving novel, Andrea Levy handles the weighty themes of empire, prejudice, war and love, with a superb lightness of touch and generosity of spirit.'An engrossing read - slyly funny, passionately angry and wholly involving' Daily Mail'Gives us a new urgent take on our past' Vogue

Longlisted for the Orange Prize for FictionIntroduction by Kit de Waal_______My dad was a man - most dads are. But my dad had been taught or was shown or picked up that a man was certain things and a woman was others. He was head of a family - a breadwinner. He should go out to work in the morning and come home at night. He had to discipline children and occasionally do things around the home that required some degree of physical strength. A man did not have to be loving and affectionate. A man had to know everything and never be seen not to understand the world. A man would help around the house only when asked but a man always emptied the bins.My dad was a man and he did what he thought was expected of him. But he couldn't understand when more was demanded. 'What!' he'd say if he had to take any of us to the dentist. 'Cha,' if expected to wash up. And 'Oh my God!' if my mum ever announced that she would not be in so he'd have to look after us._______'Humorous and moving, unflinching and without sentiment'Independent'Well told, does not dodge complexity and rings true' The Times

A SPECIAL EDITION OF THE 2015 BOOKER PRIZE WINNER, WITH A BRAND-NEW FOREWORD AND A Q&A WITH THE AUTHOR * With a new foreword by Bernardine Evaristo ** One of the New York Times' '100 Best Books of the 21st Century' *Jamaica, 1976. Seven gunmen storm Bob Marley's house, machine guns blazing.The reggae superstar survives, but the gunmen are never caught. In A Brief History of Seven Killings, Marlon James reimagines the story behind this near-mythical event, chronicling the lives of a host of unforgettable characters from street kids, drug lords and journalists, to prostitutes and secret service agents. Gripping, inventive and ambitious, it is one of the most mesmerising and influential novels of the twenty-first century.'Showcases the extraordinary capabilities of a writer whose importance can scarcely be questioned' Independent

'A gift I didn't know I needed' Leone Ross'Jamaica Road exudes love . . . with a wisdom and warmth that jumps off the page' Vanessa ChanSouth London, 1981: Daphne is the only Black girl in her class. All she wants is to keep her head down, preferably in a book. The easiest way to survive is to go unnoticed. Daphne's attempts at invisibility are upended when a boy named Connie Small arrives from Jamaica. Connie is the opposite of small in every way: lanky, outgoing, and unapologetically himself. Daphne tries to keep her distance, but Connie is magnetic, and they form an intense bond. As they navigate growing up in a volatile, rapidly changing city, their families become close, and their friendship begins to shift into something more complicated. But when Connie reveals that he is 'nuh land' - meaning he's in England illegally - Daphne realizes that she is dangerously entangled in Connie's fragile home life. Soon, long-buried secrets in both families threaten to tear them apart permanently.Spanning one tumultuous decade, Jamaica Road is an emotionally expansive debut novel about race and class, the family you're born with, the family you choose and the limits of what true love can really conquer.READERS ARE SAYING:'A love story for the ages!' ⭐⭐⭐⭐⭐'WHAT. A. BOOK . . . Made me feel ALL the feels' ⭐⭐⭐⭐⭐'Beautifully rich . . . Book clubs are going to love this book' ⭐⭐⭐⭐⭐'A beautiful coming-of-age love story that flows so effortlessly . . . This book spoke to my heart' ⭐⭐⭐⭐⭐'Urgent, warm, romantic . . . Truly excellent' ⭐⭐⭐⭐⭐

From the author of Miss Garnet's Angel and the forthcoming The Cleaner of Chartres comes a relatable short story about family holidays.When Beth decides to treat her husband Hamish to a short holiday in the Scottish Highlands, his paternal home, she does not bet on the arrival of Una, her oddball mother-in-law. Una's quirks - swimming outdoors (naked) in the freezing cold, her St Tropez perma-tan and breaking into song- naturally put a strain on the holiday, and on their relationship.On the remote, windswept isle, surrounded by the idyllic Scottish countryside, it is almost possible to forget that they are accompanied by her.But when Hamish is called away on business, leaving his wife and mother together in the cottage, he fears that all hell may break loose...Vacation includes a four chapter preview of Salley Vickers' fantastic new novel The Cleaner of Chartres, a charming and timeless novel about motherhood, love and community.Salley Vickers is the author of the word-of-mouth bestseller Miss Garnet's Angel and several other bestselling novels including Mr Golightly's Holiday, The Other Side of You and Dancing Backwards as well as a collection of short stories Aphrodite's Hat. She has worked as a cleaner, a dancer, a university teacher of literature and a psychoanalyst. She is currently a RLF fellow at Newnham College Cambridge and she divides her time between Cambridge and London.

'A gift I didn't know I needed' Leone Ross'Jamaica Road exudes love . . . with a wisdom and warmth that jumps off the page' Vanessa ChanSouth London, 1981: Daphne is the only Black girl in her class. All she wants is to keep her head down, preferably in a book. The easiest way to survive is to go unnoticed.Daphne's attempts at invisibility are upended when a boy named Connie Small arrives from Jamaica. Connie is the opposite of small in every way: lanky, outgoing, and unapologetically himself. Daphne tries to keep her distance, but Connie is magnetic, and they form an intense bond. As they navigate growing up in a volatile, rapidly changing city, their families become close, and their friendship begins to shift into something more complicated. But when Connie reveals that he is 'nuh land' - meaning he's in England illegally - Daphne realizes that she is dangerously entangled in Connie's fragile home life. Soon, long-buried secrets in both families threaten to tear them apart permanently.Spanning one tumultuous decade, from the industrial docklands of the Thames to the sandy beaches of Calabash Bay, Jamaica Road is a deftly plotted and emotionally expansive debut novel about race and class, the family you're born with and the family you choose and the limits of what true love can really conquer.READERS ARE SAYING:'A love story for the ages!' ⭐⭐⭐⭐⭐'WHAT. A. BOOK . . . Made me feel ALL the feels' ⭐⭐⭐⭐⭐'Beautifully rich . . . Book clubs are going to love this book' ⭐⭐⭐⭐⭐'A beautiful coming-of-age love story that flows so effortlessly . . . This book spoke to my heart' ⭐⭐⭐⭐⭐'Urgent, warm, romantic . . . Truly excellent' ⭐⭐⭐⭐⭐

'A gift I didn't know I needed' Leone Ross'Wonderful' Marcia Hutchinson'Jamaica Road exudes love . . . with a wisdom and warmth that jumps off the page' Vanessa ChanSouth London, 1981: Daphne is the only Black girl in her class. All she wants is to keep her head down, preferably in a book. The easiest way to survive is to go unnoticed.Daphne's attempts at invisibility are upended when a boy named Connie Small arrives from Jamaica. Connie is the opposite of small in every way: lanky, outgoing, and unapologetically himself. Daphne tries to keep her distance, but Connie is magnetic. As they navigate growing up in a volatile, rapidly changing city, their families become close, and their friendship begins to shift into something more complicated. But when Connie reveals that he is 'nuh land' - meaning he's in England illegally - Daphne realises that she is dangerously entangled in Connie's fragile home life. Soon, long-buried secrets in both families threaten to tear them apart permanently.Spanning one tumultuous decade, Jamaica Road is an emotionally expansive debut novel about race and class, the family you're born into, the family you choose and the limits of what true love can really conquer.READERS ARE SAYING:'A love story for the ages!' ⭐⭐⭐⭐⭐'WHAT. A. BOOK . . . Made me feel ALL the feels' ⭐⭐⭐⭐⭐'Beautifully rich . . . Book clubs are going to love this book' ⭐⭐⭐⭐⭐'A beautiful coming-of-age love story that flows so effortlessly . . . This book spoke to my heart' ⭐⭐⭐⭐⭐'Urgent, warm, romantic . . . Truly excellent' ⭐⭐⭐⭐⭐

'Will stick with you long after you've left the page. A triumph!' Yomi Adegoke, author of THE LIST'Combined my favourite things, art and Caribbean food, with beautiful, nuanced characters that I could have spent a lifetime with.' Nathan Bryon, screenwriter of RYE LANEIn one tiny Caribbean restaurant, three friends try to build a future in a country that refuses to see them.Judith came to Britain believing that hard work and respectability would keep her safe. Now a nurse, she keeps her head down and sends money home, quietly hoping her sacrifices will mean something.Mikey is angry, restless and unafraid to speak truth to power - whether through protest or paint.And Frank? Frank's just trying to find joy wherever he can, even if everything around him is falling apart.Their worlds collide in a small Caribbean restaurant in North West London, where the smell of Scotch bonnet drifts out the windows and life-altering decisions are made between shifts and shared meals.Across the decades, as new generations find their way in a city that changes around them, what remains is community, memory and the pulse of something unbreakable.Soon Come is a rich, moving debut about migration, friendship and the spaces we create when the world gives us none. Inspired by true stories, this is a celebration of the everyday defiance and quiet dreams of London's Caribbean community - and what it means to belong.'A captivating work of art by one of Britain's most imaginative minds.' Kelechi Okafor, author of EDGE OF HERE'The reader is in safe hands with this writer . . . She is a humanist storyteller, an authoritative author.' Hugh Quarshie

'A triumph!' Yomi Adegoke, author of The List'Sparkling . . . A beautiful celebration of the everyday defiance and quiet dreams of London's Caribbean community, and what it means to belong.' Service95'Beautiful, nuanced characters that I could have spent a lifetime with.' Nathan Bryon, screenwriter of Rye LaneIn one tiny Caribbean restaurant, three friends try to build a future in a country that refuses to see them.Judith came to Britain believing that hard work and respectability would keep her safe. Now a nurse, she keeps her head down and sends money home, quietly hoping her sacrifices will mean something.Mikey is angry, restless and unafraid to speak truth to power - whether through protest or paint.And Frank? Frank's just trying to find joy wherever he can, even if everything around him is falling apart.Their worlds collide in a small Caribbean restaurant in North West London, where the smell of Scotch bonnet drifts out the windows and life-altering decisions are made between shifts and shared meals.Across the decades, as new generations make their way in a city that changes around them, what remains is community, memory and the pulse of something unbreakable.Soon Come is a rich, moving debut about migration, friendship and the spaces we create when the world gives us none.

The visionary masterpiece, tracing a riverboat crew's dreamlike jungle voyage ...'My new all time favourite book ... A magnificent, breathtaking and terrifying novel.' Tsitsi Dangarembga'An exhilarating experience ... Makes visions real and reality visions ... Genius.' Jamaica Kincaid'A masterpiece: I love this book for its language, adventure and wisdoms.' Monique Roffey'Revel in the inviolate, ever-deepening mystery of Wilson Harris's work.' Jeet Thayil'The Guyanese William Blake . Such poetic intensity.' Angela CarterI dreamt I awoke with one dead seeing eye and one living closed eye ...A crew of men are embarking on a voyage up a turbulent river through the rainforests of Guyana. Their domineering leader, Donne, is the spirit of a conquistador, obsessed with hunting for a mysterious woman and exploiting indigenous people as plantation labour. But their expedition is plagued by tragedies, haunted by drowned ghosts: spectres of the crew themselves, inhabiting a blurred shadowland between life and death. As their journey into the interior - their own hearts of darkness - deepens, it assumes a spiritual dimension, guiding them towards a new destination: the Palace of the Peacock ... A modernist fever dream; prose poem; modern myth; elegy to victims of colonial conquest: Wilson Harris' masterpiece has defied definition for over sixty years, and is reissued for a new generation of readers.'One of the great originals ... Visionary ... Dazzlingly illuminating.' Guardian'Amazing ... Masterly ... Near-miraculous.' Observer'Staggering ... Both brilliant and terrifying.' The Times'The most inimitable [writer] produced in the English-speaking Caribbean.' Fred D'Aguiar'Extraordinary ... Courageous and visionary ... It speaks to us in tongues.' Pauline Melville

The visionary masterpiece, tracing a riverboat crew's dreamlike jungle voyage ...'My new all time favourite book ... A magnificent, breathtaking and terrifying novel.' Tsitsi Dangarembga'An exhilarating experience ... Makes visions real and reality visions ... Genius.' Jamaica Kincaid'A masterpiece: I love this book for its language, adventure and wisdoms.' Monique Roffey'Revel in the inviolate, ever-deepening mystery of Wilson Harris's work.' Jeet Thayil'The Guyanese William Blake . Such poetic intensity.' Angela CarterI dreamt I awoke with one dead seeing eye and one living closed eye ...A crew of men are embarking on a voyage up a turbulent river through the rainforests of Guyana. Their domineering leader, Donne, is the spirit of a conquistador, obsessed with hunting for a mysterious woman and exploiting indigenous people as plantation labour. But their expedition is plagued by tragedies, haunted by drowned ghosts: spectres of the crew themselves, inhabiting a blurred shadowland between life and death. As their journey into the interior - their own hearts of darkness - deepens, it assumes a spiritual dimension, guiding them towards a new destination: the Palace of the Peacock ...A modernist fever dream; prose poem; modern myth; elegy to victims of colonial conquest: Wilson Harris' masterpiece has defied definition for over sixty years, and is reissued for a new generation of readers.'One of the great originals ... Visionary ... Dazzlingly illuminating.' Guardian'Amazing ... Masterly ... Near-miraculous.' Observer'Staggering ... Both brilliant and terrifying.' The Times'The most inimitable [writer] produced in the English-speaking Caribbean.' Fred D'Aguiar'Extraordinary ... Courageous and visionary ... It speaks to us in tongues.' Pauline Melville

'The forerunner of an entire school of African literary art.' Sunday TimesThose men who are history now; did they feel like this?A 1950s Hampstead pub; a freezing night. Lois can't tear her eyes away from the haunted, restless African man in the corner. Over brandy and stew, she discovers he is in awe of her friend, Panafrica's greatest political writer and fighter. Their meeting inducts this stranger, Udomo, into London's revolutionary community of exiled African activists: the start of a life-changing journey. Amidst the internal politics and love affairs, Udomo is inspired by other leaders' independence uprisings; but when he returns to his native land to overthrow the colonial oppressors, his idealism is put to the ultimate test ... Inspired by Peter Abrahams' befriending of future African heads of state in mid-century London, A Wreath for Udomo (1956) is a radical lost classic, unforgettably exploring the nature of freedom, power, leadership and love.

'The forerunner of an entire school of African literary art.' Sunday TimesThose men who are history now; did they feel like this?A 1950s Hampstead pub; a freezing night. Lois can't tear her eyes away from the haunted, restless African man in the corner. Over brandy and stew, she discovers he is in awe of her friend, Panafrica's greatest political writer and fighter. Their meeting inducts this stranger, Udomo, into London's revolutionary community of exiled African activists: the start of a life-changing journey. Amidst the internal politics and love affairs, Udomo is inspired by other leaders' independence uprisings; but when he returns to his native land to overthrow the colonial oppressors, his idealism is put to the ultimate test ...Inspired by Peter Abrahams' befriending of future African heads of state in mid-century London, A Wreath for Udomo (1956) is a radical lost classic, unforgettably exploring the nature of freedom, power, leadership and love.

Introduction by Kit de Waal______I looked at the old photograph of Olive and me on the wall. Two little girls with identical yellow bows in our hair and happy, smiling chubby cheeks. But now Olive's arms were folded on the world. She was angry with everything, with everyone. And I had grown too big for our council flat, but not sure where else I would fit. Where did we belong? I answered my mum the only way I could. I said, 'I don't know'.______'As much about the painful, messy reality of family life - too much envy, too little love - as it is about race and identity. In this lively, crisp, raw voice, young black Londoners may have found their Roddy Doyle'Independent on Sunday'An inspired coming-of-age novel with a mature grasp of generational conflict, pressure to conform, and the fraught process of discovering one's identity' Scotsman

Introduction by Kit de Waal_______We're thinking of going home to Jamaica.'And my reaction was, 'For a holiday. Fantastic! How long for?''Not for a holiday, Faith,' Dad said hesitantly. 'Your mum and me are thinking . . .' He held up his hand, 'Only thinking, mind, of going back there to live. To get a little place and live.'I stared at my dad and thought about Fondant Fancies. My mind involuntarily remembered the price of them and I worked out if I could afford to buy my own. I looked at Carl as he tapped his fingers on the chair, desperate to get to somewhere he could smoke. I went to smile but I couldn't. 'Going home to Jamaica,' I eventually said. I had then intended to say, 'Fantastic! I can come and visit,' but instead I said, 'Why?''Your dad and me are getting old now,' Mum started, 'and we feel that you and Carl are grown-up, so we can go home and . . .'I'd stopped listening. Because what I meant by why, the question I wanted answering was, why Jamaica? Why is Jamaica home?_______'Reinforces Levy's reputation as an astute observer of modern British life'Financial Times'Bright and inventive, brought alive by the loving and humorous creation of Faith's colourful extended family, and its extraordinary history'Independent'Andrea Levy's third novel is easily her most powerful . . . from the first page you're caught up'Elle

THE PIRATE'S DAUGHTER by Margaret Cezair-Thompson is an unforgettable story of love and adventure, spanning three decades of Jamaican history.Jamaica, 1946. Errol Flynn washes up on in the Zaca, his storm-wrecked yacht. Ida Joseph, the teenaged daughter of Port Antonio's Justice of the Peace, is intrigued to learn that the 'World's Handsomest Man' is on the island, and makes it her business to meet him. For the jaded swashbuckler, Jamaica is a tropical paradise that Ida, unfazed by his celebrity, seems to share. Soon Flynn has made a home for himself on Navy Island, where he entertains the cream of Hollywood at parties that become a byword for decadence - and Ida has set her heart on marrying this charismatic older man who has singled her out for his attention. Flynn and Ida do not marry, but Ida bears Flynn a daughter, May, who will meet her father but once. The Pirate's Daughter is a tale of passion and recklessness, of two generations of women and their battles for love and survival, and of a nation struggling to rise to the challenge of hard-won independence.

From the acclaimed author of THE PIRATE'S DAUGHTER comes a story of three women born into the divided, troubled paradise of Jamaica.Easter, 1981. With Jamaica in a state of emergency, the Landing family gathers to bury one of its own. For Monica Landing, who had not spoken to her daughter for fifteen years, the death of Lana is the cruellest kind of loss. For Lana's youngest sister, Jean, it is an imcomprehensible tragedy. All she knows is that her beloved homeland holds no future for her. But flight means crossing a landscape where soldiers turned executioners and armed gangs rule. It means making her way through the memories that engulf her, with perhaps the only man she has ever loved by her side. THE TRUE HISTORY OF PARADISE captures the grace, beauty and brutality that are indelible parts of the Jamaican experience.

An unforgettable story of three women born into a divided, troubled paradise, that is also a history of a nation.Easter, 1981. With Jamaica in a state of emergency, the Landing family gathers to bury one of its own. For Monica Landing, who had not spoken to her daughter in fifteen years, the death of Lana is the cruellest kind of loss. For Lana's younger sister, Jean, it is an incomprehensible tragedy. All she knows it that her beloved homeland holds no future for her. But flight means crossing a landscape where soldiers turned executioners and armed gangs rule. It means making her way through the memories that engulf her, with perhaps the only man she has ever loved by her side. THE TRUE HISTORY OF PARADISE captures all the grace, beauty and brutality that are indelible parts of the Jamaican experience.

Now a major BBC TV drama, starring Tamara Lawrance, Lenny Henry and Hayley Atwell.A Sunday Times bestseller (2011), shortlisted for the Man Booker Prize, The Long Song by Andrea Levy is a hauntingly beautiful, heartbreaking and unputdownable novel of the last days of slavery in Jamaica, for those who loved Homegoing, The Underground Railroad, or the film 12 Years a Slave.'A marvel of luminous storytelling' Financial TimesYou do not know me yet. My son Thomas, who is publishing this book, tells me, it is customary at this place in a novel to give the reader a little taste of the story that is held within these pages. As your storyteller, I am to convey that this tale is set in Jamaica during the last turbulent years of slavery and the early years of freedom that followed.July is a slave girl who lives upon a sugar plantation named Amity and it is her life that is the subject of this tale. She was there when the Baptist War raged in 1831, and she was present when slavery was declared no more. My son says I must convey how the story tells also of July's mama Kitty, of the negroes that worked the plantation land, of Caroline Mortimer the white woman who owned the plantation and many more persons besides - far too many for me to list here. But what befalls them all is carefully chronicled upon these pages for you to peruse.Perhaps, my son suggests, I might write that it is a thrilling journey through that time in the company of people who lived it. All this he wishes me to pen so the reader can decide if this is a novel they might care to consider. Cha, I tell my son, what fuss-fuss. Come, let them just read it for themselves.

This significant contribution to the study of the live and recorded broadcasting of stage plays focuses on National Theatre Live a decade after its launch in 2009. Assessing livecasting through the concepts of spectacle, materiality and engagement, it examines the role played by audiences in livecasting. Illustrated by in-depth analyses of recent NT Live shows, including A Midsummer Night‘s Dream (2019), Antony and Cleopatra (2018) and Small Island (2019), the book is complemented by insights from practitioners involved in the making of the livecasts. Finally, livecasting is contextualized within recently emerged forms of Covidian (virtual) theatre during the pandemic in order to offer some thoughts on the future of the genre of theatrical performance.Combining lively analyses of recent theatre performances with auto-ethnographic accounts, Heidi Lucja Liedke turns to 20th-century thinkers such as Walter Benjamin and Bertolt Brecht in order to understand livecasting’s place in a continuum of developments taking place on the borders of media, film and performance for the past 100 years.As well as embedding livecasting in its historical context of 19th-century electrophone technology, Liedke assesses its position in contemporary discourses on the meaning of theatre for spectators in the pre- and post-pandemic moment, and points towards the form’s future.

This significant contribution to the study of the live and recorded broadcasting of stage plays focuses on National Theatre Live a decade after its launch in 2009. Assessing livecasting through the concepts of spectacle, materiality and engagement, it examines the role played by audiences in livecasting. Illustrated by in-depth analyses of recent NT Live shows, including A Midsummer Night‘s Dream (2019), Antony and Cleopatra (2018) and Small Island (2019), the book is complemented by insights from practitioners involved in the making of the livecasts. Finally, livecasting is contextualized within recently emerged forms of Covidian (virtual) theatre during the pandemic in order to offer some thoughts on the future of the genre of theatrical performance.Combining lively analyses of recent theatre performances with auto-ethnographic accounts, Heidi Lucja Liedke turns to 20th-century thinkers such as Walter Benjamin and Bertolt Brecht in order to understand livecasting’s place in a continuum of developments taking place on the borders of media, film and performance for the past 100 years.As well as embedding livecasting in its historical context of 19th-century electrophone technology, Liedke assesses its position in contemporary discourses on the meaning of theatre for spectators in the pre- and post-pandemic moment, and points towards the form’s future.

Andrea Levy's final publication - a collection of short stories she had written over her career________'None of my books is just about race,' Levy has said.'They're about people and history.' Her novels have triumphantly given voice to the people and stories that might have slipped through the cracks in history. From Jamaican slave society in the nineteenth century, through post-war immigration into Britain, to the children of migrants growing up in '60s London, her books are acclaimed for skilful storytelling and vivid characters. And her unique voice, unflinching but filled with humour, compassion and wisdom, has made her one of the most significant and exciting contemporary authors.This collection opens with an essay about how writing has helped Andrea Levy to explore and understand her heritage. She explains the context of each piece within the chronology of her career and finishes with a new story, written to mark the centenary of the outbreak of the Great War in 1914. As with her novels, these stories are at once moving and honest, deft and humane, filled with insight, anger at injustice and her trademark lightness of touch.________'Moving, funny, gloriously well-written'The Times'Subtle and compelling . . . full of important insights'The Independent