Abbeville Press – serie

Savour the changing seasons with this beautifully illustrated collection of classic haiku.Perhaps no poetic form evokes nature so effectively as the haiku. Made up of just 17 syllables, it conveys an impression with almost the same immediacy as our own senses—it can be as ephemeral as a breath and as powerful as lightning.This delightful volume presents some 140 haiku by masters of every period—including Basho, Buson, Issa, and Shiki—arranged according to the kigo (or word linked to a particular season) that each haiku traditionally contains. Each poem is presented three ways, for the fullest possible enjoyment: in its original Japanese characters, in Japanese transliterated to Latin characters, and in an English translation. Original artwork by the contemporary Japanese illustrator Kaori Yamaguchi adorns this contemplative journey from the first buds of spring to the falling snow of winter.Bound in the traditional Japanese style and housed in a handsome slipcase, Haiku: Japanese Poems for the Four Seasons will be the perfect gift for anyone who loves poetry, Japanese culture, or the natural world.Text in English and Japanese.

Both literal and highly lyrical, hieroglyphics bring alive a distant world, with descriptions of the natural environment, the art, the society, the religious beliefs, and even the philosophical basis of a culture that flourished 5,000 years ago. Presenting and explaining almost 600 of the figures used in the classic phase of Egypt's "sacred writing," this fascinating volume traces the origins and the meaning of each sign, as well as its graphic stylisation. An opening essay reveals the secrets of the hieroglyphic system, including its development and its structural characteristics, and emphasises the sacred, evocative, even magical power of the form, which  -  unlike our own abstract alphabet  -  is immediate and expressive. Concluding the book are a complete glossary, a bibliography, and an index, designed to make this book invaluable to the casual reader as well as the student and specialist.

Intrigued by the mysterious, vast continent at the bottom of the world, Sir Ernest Shackleton fearlessly led 27 men to explore Antarctica - but on their way to its shore, their ship Endurance was crushed by the relentless ice! The shipwrecked team braved many months stranded on an ice floe (through an Antarctic winter), facing extreme hunger, frostbite, illness, and exhaustion. But through Shackleton's heroic effort to sail in an open wooden lifeboat to the nearest inhabited land - hundreds of miles away through the treacherous ocean - everyone was eventually rescued and this amazing true story began to be told again and again. Accompanying this tale for young readers are lovely watercolour paintings that capture the beauty of the Antarctic landscape and the team's heroic determination to survive. Young readers and adults alike will also be fascinated by the maps, chronology, and further background this book provides on one of history's most extraordinary expeditions.

With its lavish colour illustrations - the paintings and sculptures are all reproduced in full colour - and numerous documentary pictures of the artists themselves, Women Artists: An Illustrated History provides an unprecedented wealth of visual material on the subject. With coverage of the 1990s and the beginning of the new millennium, nearly half of this new edition of Women Artists is now devoted to the remarkable period from 1960 to the present, when women artists emerged as the most dynamic force in contemporary art. New to this edition are innovative contemporary American artists, such as Janine Antoni and Renee Cox, as well as major international figures, including Iran's Shirin Neshat, Shahzia Sikander from Pakistan, and the Icelandic sculptor and performance artist Katrín Sigurdardóttir. As in past editions, all the artists works are represented in large-format colour reproductions, and the artists careers are examined in concise critical biographies.

Women have had a special relationship with the camera since the advent of photographic technology in the mid-nineteenth century. Photographers celebrated women as their subjects, from intimate family portraits and fashion spreads to artistic photography and nude studies, including Man Ray's Violon d'Ingres. Featuring more than 300 illustrations, A History of Women Photographers is the only comprehensive survey of women photographers from the age of the daguerreotype to the present day. In this edition, author Naomi Rosenblum expands the book's coverage to include additional photographers and fourteen new images. The text and the appendix of photographer biographies have been revised throughout, and Rosenblum also provides a new afterword, in which she evaluates the influence of rapidly changing digital technology on the field of photography and the standing of women photographers in the twenty-first century.

Sometimes It’s Grandmas and Grandpas shares a child’s experience living with and being cared for by grandparents through the eyes of a cheerful and delightful little girl. Uplifting watercolor illustrations give extra warmth to this caring and loving story, to which a growing number of children can identify—over 4.5 million children in the United States are primarily cared for by a grandparent. Poignant moments expressing the child’s curiosity and questions give way to comforting and playful exchanges at home with Nonnie and Poppy. Spending the day with this grandparent–led family, we see that it’s not always Mommies or Daddies that care for children, and that’s okay!Sometimes It’s Grandmas and Grandpas is the winner of the 2012 Book Award for Best Children’s Literature on Aging in the primary reader category from the The K-12 Committee of the Association for Gerontology in Higher Education (AGHE). It provides a great resource for children who seek reassurance about their particular experience. This unique book will appeal to any grandparent raising or providing long–term care for a grandchild, as well as any teacher who wants to educate children about nontraditional families. Sometimes It’s Grandmas and Grandpas sensitively addresses a topic that has been nearly absent in the children’s book market, until now.

Herculaneum, located on the picturesque Bay of Naples, was buried in the same volcanic eruption as its larger neighbour, Pompeii. But while Pompeii was covered by a relatively shallow layer of loose volcanic ash, Herculaneum was submerged in deep flows of hot volcanic mud, which preserved the upper stories of buildings, as well as organic materials like wooden furnishings and foodstuffs.This oversized volume opens with an account of the city's catastrophic destruction in AD 79, and of the excavations, underway since 1738, that have brought at least a part of its treasures back to light. It then surveys the principal public buildings and private residences that have been uncovered, including the famous Villa of the Papyri, perched to the northwest of the town.The splendid decoration of these ancient structures - in particular, their wall paintings - is presented as never before, thanks to an extensive photographic campaign carried out especially for this book. With these superb illustrations complementing an authoritative text, Herculaneum is sure to be welcomed by all students and enthusiasts of archaeology.

In this beautifully illustrated story with a timeless message, a feared and cruel king learns of a wise magician in his kingdom who is rumored to be even more powerful than himself. The magician can predict the future, and even worse, he is more popular than the fearsome king. Jealous and insecure, the enraged king plots to destroy this enemy. But, being a magician, he has a trick up his sleeve that saves his own life and the king's. With help from an unexpected friend, the king transforms from a feared and brutal monarch to a beloved leader. Enduring messages about the power of wisdom and compassion are conveyed in a classic storytelling style and outstanding, original artwork.

Naomi Rosenblum's classic history of photography traces the evolution of this young art form chronologically and thematically. Exploring the diverse roles that photography has played in the communication of ideas, Rosenblum devotes special attention to topics such as portraiture, documentation, advertising, and photojournalism, and to the camera as a means of personal artistic expression. Her text is illustrated with nearly 900 images by photographers both celebrated and little known, arranged in stimulating juxtapositions that illuminate their visual power.This fifth edition of A World History of Photography is substantively revised and updated. The photography of the past several decades is reevaluated from a contemporary perspective, and international developments are covered in greater detail. The main strands of today's complex universe of digital image-making are masterfully summarised and placed in their historical context, and the careers of representative contemporary photographers are studied in depth. Thoughtfully written, carefully and abundantly illustrated, and provided with a full apparatus - including a chronology, glossary, and annotated bibliography - Rosenblum's volume remains the indispensable work on its subject.

Wine from Grape to Glass is the essential guidebook for wine lovers who want to understand how their favourite wines are grown, how they are produced, and how best to savour them. The first half of the book is devoted to the process of winemaking and wine appreciation. The mysteries of the vineyard and terroir, the grape harvest, fermentation, and aging are all explained in full, as are the intricacies of serving, tasting, and storing wine. The second half of the book examines the best wines of the world, country by country, in a level of detail that is satisfying without being overwhelming. More than one thousand colour illustrations, including numerous maps, make this a visual as well as a textual guide. This fourth edition of Wine from Grape to Glass is revised and updated throughout. It includes new sections on recent trends in winemaking - including rosés and natural wines - and expanded coverage of many winemaking regions, including Eastern Europe, the Middle East, South America, China, and Japan.

As a senior at Yale, Brian Hoefling realised that his classmates were about to enter the real world with an imperfect knowledge of how to order, prepare, and enjoy cocktails. To remedy this dangerous deficiency, he devised and taught The Cocktail Seminars.  In his subsequent career as a cocktail teacher and writer, Hoefling has developed and refined The Cocktail Seminars into the present book. Each of the five seminars herein (from beginner to advanced) covers 30 different drinks, which are arranged so as to progressively introduce the ingredients of mixology, as well as its history and its core principles - souring, bittering, sweetening, aromatising, drying, lengthening, and mouthfeel. Problem sets and exams challenge readers to apply what they’ve learned to the creation of new and variant drinks.   Those who are less serious about their cocktail education may also consult The Cocktail Seminars for drink recipes as needed, or display it as a handsome accessory on their bar cart - but they are only robbing themselves of a brighter future through the gift of education.   The Cocktail Seminars is handsomely bound in vegan leather and furnished with all the charts and photographs one would expect from a proper textbook. It will make an excellent gift for all but teetotalers.

Japanese screens (byobu) are made of wooden lattices with two to twelve panels, covered with a canvas of paper or fabric. Artists, embracing the dynamic format of screens, incorporated shadows and other elements on the canvas to direct the viewer’s eye from one panel to the next. Screens are unique for being beautiful artworks as well as lightweight, portable objects, acting as backdrops for court ceremonies or partitions for intimate tea services.This sumptuous book explores the 1,300-year history of screens created in Japan. In the text, leading experts on Japanese art and culture describe how screens developed from the 8th to the 21st century, from their ceremonial use in royal residences and Buddhist temples to their functional and decorative use in the homes of samurai and aristocracy. The authors examines the stylistic evolution of screens and the wide variety of subjects depicted, such as flying dragons, the passing of seasons, monumental battles, and The Tale of Genji.This book includes 250 colour illustrations, many that are reproduced to full page, and shows the screens to their best advantage with a landscape orientation and large-format size. It features Japanese-sewn binding and is kept in a clamshell box, which contains foldout poster reproductions of six screens housed in a separate pocket inside the box. This volume is an elegant addition to the library of any admirer of Japanese art.

"...Moon pays tribute to these endangered succulents, with dozens of breathtaking duotone portraits of some of the oldest baobab trees in Madagascar, Botswana, South Africa, and Senegal." — Architectural Digest"Baobab is photographer Beth Moon’s tribute to the magnificent, threatened trees upon which cultures and ecosystems depend. . . In the face of such monumental losses, the photographs in Baobab amount to an 'act of defiance.'" — Foreword Reviews, starred reviewA spectacular oversize photo book celebrating Africa’s most majestic trees―which are now facing an unprecedented ecological threatBaobabs are one of Africa’s natural wonders: they can live more than 2,000 years, and their massive, water-storing trunks can grow to more than one hundred feet in circumference. They serve as a renewable source of food, fiber, and fuel, as well as a focus of spiritual life. But now, suddenly, the largest baobabs are dying off , literally collapsing under their own weight. Scientists believe these ancient giants are being dehydrated by drought and higher temperatures, likely the result of climate change.Photographer Beth Moon, already responsible for some of the most indelible images of Africa’s oldest and largest baobabs, has undertaken a new photographic pilgrimage to bear witness to this environmental catastrophe and document the baobabs that still survive. In this oversize volume, Moon presents breathtaking new duotone tree portraits of the baobabs of Madagascar, Botswana, South Africa, and Senegal. She recounts her eventful journey to visit these monumental trees in a moving diaristic text studded with color travel photos.This book also includes an essay by Adrian Patrut, leader of a research team that has studied Africa's largest baobabs and alerted the world to the threat these majestic trees are facing. Baobab is not only a compelling photo book and travel narrative, but also a timely ecological warning.

Before Norman Rockwell put paintbrush to canvas, he had a precise idea of what he wanted to create. A perfectionist and analytical thinker, Rockwell completed numerous preparatory drawings in the process of developing his paintings, much like the Old Masters before him. He worked in several stages, including thumbnail sketches and studies of particular details - culminating in a meticulous tonal drawing that served as a basis for the final painting. But Rockwell’s drawing was not only in the service of his painting: he also executed finished illustrations in pencil and charcoal; kept travel sketchbooks; and shared illustrated letters, caricatures, and comics with his family and friends.This abundantly illustrated book reveals the entire scope of Rockwell’s work as a draftsman. It reproduces the full sequence of preliminary drawings (and reference photographs) that led up to some of his most famous Saturday Evening Post covers - and it also presents a generous sampling of his standalone drawings, many of them rarely published. The text, by curators at the Norman Rockwell Museum, illuminates and contextualises the different aspects of Rockwell’s drawing practice.Norman Rockwell: Drawings, which accompanies an exhibition at the Norman Rockwell Museum, will be a must-have reference for artists and illustrators, and a delight for art lovers.

Erotic encounters have been celebrated by artists from the beginning of time. This irresistible volume presents 120 of the most engagingly erotic paintings, sculptures, prints, and drawings from diverse eras and cultures, coupled with revealing commentaries about their sexual and aesthetic content.Organised unlike any other collection of erotic images, The Art of Arousal traces the course of a sensual relationship. It begins by examining the elements of eroticism, and then progresses from flirtation and seduction through kisses and other foreplay before ultimately arriving at consummation and blissful exhaustion. The irrepressible Dr. Ruth explores every element of sexuality in these provocative works of art, including the pleasures of looking, creative fantasising, and the effects on male and female pleasure of the various positions depicted.All the works in this book have been chosen to meet two essential criteria: everyone portrayed must be having a good time, and each image must satisfy the high aesthetic standards of Dr. Ruth and an art historian friend, who writes with witty scholarship about the artistic and biographical aspects of these remarkable images.Now available in a revised edition that includes stimulating new works by contemporary creators, The Art of Arousal is the perfect gift for your lover who loves art.

In Edo Japan, woodblock prints known as ukiyo-e (“pictures of the Floating World”) captured the entertainment culture of the urban elite and eventually many other subjects as well. These beautiful prints were the result of a meticulous craft process, in which an artist’s initial drawing was translated by expert carvers into multiple printing blocks for different colours. In this attractive volume, Sarah E. Thompson, curator of Japanese art at the Museum of Fine Arts, Boston, provides a highly readable overview of the cultural and artistic history of ukiyo-e, showcasing 120 exceptional prints from the museum’s world-class collection, by masters including Utamaro, Hokusai, and Hiroshige. She explores each of the principal genres in turn: beauty and fashion, the kabuki theatre, landscape, nature, history and literature, and fantasy. Pictures of the Floating World features a traditional Japanese stab binding and is housed in a durable slipcase together with three remarkable prints, suitable for framing. It will be a must-have for all art lovers.

The classic photo book portraying the denizens of the Chelsea Hotel in all their eccentric, bohemian glory — back in print in a revised and expanded edition.When the young Brazilian photographer Claudio Edinger moved into the Chelsea Hotel in the late 1970s, on the recommendation of a friend, he was just looking for a place to live. He had little idea that this twelve-story Victorian Gothic pile at 222 West 23rd Street had been, for almost a century, one of Manhattan’s chief bohemian enclaves, where authors, writers, and musicians lived, played, and sometimes even worked. But Edinger was quickly fascinated by his new surroundings, and turned his lens on hotel residents both celebrated — like Warhol superstar Viva, stylist and nightlife impresario Susanne Bartsch, and composer Virgil Thomson — and obscure, from Dan the mime to Corey the porn starlet. Together, these portraits — taken in their subjects’ memorably decorated living quarters — form an invaluable record of the Chelsea Hotel community at one of the peaks of its flourishing, under legendary owner-manager Stanley Bard.Chelsea Hotel met with immediate acclaim on its original publication in 1983; Edinger’s absorbing black-and-white photographs were wonderfully complemented by an introduction from Pete Hamill, dean of New York newsmen, and contributions from such legendary hotel residents as William Burroughs and Arthur C. Clarke. Now this highly collectible and sought-after book is back in print for the first time in decades, with additional, previously unseen photos from Edinger’s archives and intriguing where-are-they-now updates. The revised and expanded Chelsea Hotel will be a must-have for anyone who loves the creative side of New York.

The definitive volume on one of New York’s most iconic residential architects.The long list of apartment buildings and hotels designed by Emery Roth in the 1920s and 1930s includes names that will be familiar to any aficionado of Manhattan real estate: the Ritz Tower, the Beresford, the San Remo, the Ardsley. Roth’s buildings, which ranged across Beaux Arts, Art Deco, and historical revival styles, shaped the ideal of residential luxury that is still called to mind by the phrase “prewar building.” Emery Roth’s New York Apartment Buildings, the first book to be published on this essential architect in nearly 40 years, has two parts. The first is a meticulously researched catalogue raisonné of Roth’s work (including unbuilt and demolished projects), illustrated with new colour photography. The second is a facsimile reproduction of Steven Ruttenbaum’s long out-of-print monograph on Roth, Mansions in the Clouds, whose invaluable text is illustrated with copious black-and-white photography of the architect’s interiors and exteriors.

These beautifully reproduced postcards, whose images are among those included in The World Trade Center Remembered paperback book, portray the majesty of the Twin Towers from all directions. For New Yorkers and visitors alike, the Trade Center was a compass point rising dramatically above other skyscrapers at the tip of Manhattan. For more than two decades, practically since the Twin Towers were erected, Sonja Bullaty and Angelo Lomeo photographed these awesome buildings. There are captivating panoramas from Brooklyn, Lower Manhattan, New Jersey, and uptown, taken in all seasons, as well as a section showing the vibrant life in the grand plaza at the centre of the buildings. A portion of the book's proceeds are donated to the Twin Towers Scholarship Program care of Scholarship America.

Mary Cassatt's paintings and prints have long been treasured as some of the finest examples of Impressionist art. A rebel by the Victorian standards of her time, Mary Cassatt moved from the art schools of staid Philadelphia to the boulevards of Paris, where the young Impressionist movement was flourishing. Degas, her friend and mentor, encouraged her involvement in the new art movement.Cassatt's luminous, observant, and innovative works-chiefly interiors with women and children-helped define Impressionism and have been compared to Raphael's paintings for their beauty and dignity. Frank Getlein, noted art critic and historian, has selected 72 of Cassatt's finest works, each reproduced here in full colour. His accompanying text relates the intimate details of her life to her paintings while clearly defining her relation to fellow artists and her place in modern art.

Carolyn Jones's vivid and life-affirming portraits capture people from all backgrounds—children and grandmothers, men and women of all races—living with HIV and AIDS.It is estimated that over one million people in the United States would test positive for the Human Immune Virus, and many others are already suffering from Acquired Immune Deficiency Syndrome. A common-and harmful-misconception holds that AIDS is an instant death sentence but, in fact, testing positive for HIV does not mean immediate illness. Carolyn Jones has collaborated with George DeSipio, Jr., and Michael Liberatore (co-founders of the project), and the seventy-three people who volunteered to pose for these photographs in an inspiring effort to change the way we think about AIDS. Jones's compelling portraits have the power to profoundly alter perceptions about this disease, and about the way we all live and die. AIDS poses challenging questions that we must each grapple with, whether healthy or not. These captivating pictures illustrate the self-confidence and wisdom of ordinary people coping with an extraordinary fate, facing their mortality, questioning their priorities, and living life to the fullest. Their energy, courage, and dignity in the face of such adversity offer a vital lesson in how to embrace life, day by day. Their faces and their stories are proof that AIDS doesn't look like anyone—it looks like, and ultimately is, all of us.Design Industries Foundation for AIDS (DIFFA) is the sole recipient of the royalties from the sale of Living Proof. For additional information regarding Living Proof and the Design Industries Foundation for AIDS, please call DIFFA: (212) 727-3100.