ACC Art Books - Böcker

"Terry was everywhere in the 60s - he knew everything and everyone that was happening" Keith Richards"Terry O'Neill rates rightly as one of the best photographers in the world. He captures something special" Sir Michael Caine "When it comes to photographic legends there can be few more prolific or revered than Terry O'Neill, the man who shot the greats." VOGUE"This sumptuous collection of portraits, taken over six decades, represents the best of his memorable career and should grace every coffee table in the land" The Daily Mail "I've been repeatedly asked to write my autobiography - I have seen an awful lot of famous people at their best and worst - but I'm not interested in making money trading their secrets or mine. I want my pictures to tell a story not sell a story." Terry O'Neill Terry O'Neill is one of the world's most celebrated and collected photographers. No one has captured the frontline of fame so broadly - and for so long. For more than 50 years, he has photographed rock stars and presidents, royals and movie stars, at work, at play, in private. He pioneered backstage reportage photography with the likes of Frank Sinatra, David Bowie, Sir Elton John and Chuck Berry and his work comprises a vital chronicle of rock and roll history. Now, for the first time, an exhaustive cataloguing of his archive conducted over the last three years has revisited more than 2 million negatives and has unearthed unseen images that escaped the eye over a career spanning 53 years. Similarly, his use of 35mm cameras on film sets and the early pop music shows of the 60s opened up a new visual art form using photojournalism, to revolutionise formal portraiture. His work captured the iconic, candid, and unguarded moments of the famous and the notorious - from Ava Gardner to Amy Winehouse, from Churchill to Nelson Mandela, from the earliest photographs of young emerging bands such as the Beatles and the Rolling Stones to her Majesty the Queen at Buckingham Palace. O' Neill spent more than 30 years photographing Frank Sinatra, amassing a unique archive of more than 3,000 Sinatra negatives. Add to that the magazine covers, album sleeves, film poster and fashion shoots of 1,000 stars, and Terry O'Neill - comprises the most compelling and epic catalogue of the age of celebrity. Terry O'Neill has worked for the most prestigious magazines in the world including Time, Newsweek, Stern, Bunte, Figaro, The Sunday Times, Vanity Fair, People, Parade, Vogue and many others. And his award launched to showcase the work of young emerging photographers is now one of the most highly prized global competitions in art. The Royal Society of Arts has honoured him with the rare Centenary Medal for his lifetime achievement. Only a dozen have ever been awarded in recognition of 'outstanding contributions to the art and science of photography.'

"Understanding Jewellery is a love letter to glorious pieces from the last hundred years." —M. J. Rose, The Adventurine"An enjoyably scholarly romp through the past and a feast for the eyes for the novice and the consummate jewelry fan and collector."—Beth Bernstein, Forbes"A must-have coffee table book for jewellery aficionados..." —Elisa Vallata, Departures International"As with stocks, education is the way to begin. There are many excellent books on the jewelry market, but start with Understanding Jewellery, the industry bible by two former Sotheby’s jewelry executives, David Bennett and Daniela Mascetti." —Bloomberg"Speaking of classic books, one that I recommend to friends who want a readable, educational and beautifully illustrated book about antique and vintage jewelry is Understanding Jewellery, by David Bennett and Daniela Mascetti..." — InstoreUnderstanding Jewellery, by authors David Bennett and Daniela Mascetti, is often described as the must-have jewellery book of our time – a ‘Bible’ in the jewellery trade. First published in 1989, it has remained in print ever since, amassing a loyal following of devotees who admire its detailed information and stunning imagery. In this new work, Bennett and Mascetti have taken the original concept of Understanding Jewellery a stage further. Now, with the benefit of 20 years of hindsight, they have concentrated on the 20th century alone by conducting a detailed survey of each decade, identifying the key players, trends and movements. The book is an encyclopedic history of the various forms, techniques and materials employed by the companies and individuals who defined jewellery in the 20th century. Most significantly, this book includes a new set of photographs, which make Understanding Jewellery: The Twentieth Century one of the most dazzling, absorbing and varied collections of jewellery images ever assembled in a book. This large format hardback volume is a perfect gift for all lovers of jewellery and the definitive guide for those who desire a deeper understanding of the subject.

"An ode to the architectural wonders of Iran." — AD Middle East"A book that you enjoy picking up because there are always new and exciting things to discover in the photos. A very special kind of eye journey and absolutely worth reading!" — Lovely BooksIran, the former Persia, lies at an interface between West-East and North-South. Several early trade routes crossed the country, connecting Asia, Africa and Europe, and the cultural wealth and scenic beauty of this region has attracted travellers for over 2,000 years. This rich past makes Iran one of the most culturally interesting countries of Asia.The art of building has a special significance here. In contrast to other fields of knowledge, visual communication is particularly important in architecture. Much cannot be fully described; it must be made visible.In his book, Sohrab Sardashti immerses us in the dreamlike world of Iranian architecture. At the beginning of the book, the history of Iranian architecture is briefly described. Then an impressive variety of buildings is presented, divided according to their different functions. Mosques, tombs, madrassas, hammams, castles, palaces and more are all covered. The text at the beginning of each chapter briefly explains the nature and history of that type of building, followed by a series of examples with a short text on each, and an abundance of photos taken especially for this book.  The book allows one to experience the great diversity and fascination of Iranian architecture and is a visual treat for the reader.

Time is a great mystery. A changeable element, which expands or vanishes, but that appears concrete as it is marked by the passing of seconds, minutes, hours, days, and years. The path toward the capture of minutes and seconds coincided with the phases of scientific evolution that allowed man to manufacture watches that are increasingly reliable, but that are also in tune with changes in customs, social needs, and aesthetic canons.This book covers the art of watch manufactory as well as 60 great models, covering both their technical evolution and style trends. In each chapter in-depth studies will guide the reader to the history of the most important manufacturers, the personalities linked to the models treated, technical innovations, styles of the period, or records achieved by the wristwatches: from the watch that helped Charles Lindbergh during the first transatlantic solo flight, to the one worn by Sir Edmund Hillary on the top of Mount Everest, the most iconic models will be discussed in detail.

An assessment of the life and work of Leader since 1901. It uncovers previously unused material and for its sources used the artists diaries, records of paintings sold, his letters, exhibition catalogues, review and archive material.

The catalogues of the Paris Salons at the turn of the 19th to the 20th century provide a unique archive of illustrations of the decorative arts at a pivotal time in their development, the five previous volumes covering Jewellery, Furniture, Ceramics and Glass, and Objets d'Art.The fabric designers of the Art Nouveau style who exhibited at the Paris Salons produced a remarkable oeuvre in printed and woven fabric, silk, lace, embroidery and tapestry.Bookbinding was, and still is, a well-established French tradition, and bibliophiles commissioned unique bindings from artist-designers who, at the same time, were also creating and exhibiting non-bound leather goods - handbags, blotters, upholstery.This volume is probably the most important in the series. Because of wear and tear, practically none of the approximate 1,200 textile and leatherware pieces illustrated have survived outside museum collections or appeared at auction, unlike the items covered by the earlier volumes.

Spode Transfer Printed Ware has been extensively enlarged and revised since it was first published in 1983. With over 100 newly discovered prints, the volume now illustrates every known transfer print issued by the Spode family at their works in Stoke-on-Trent. The book's 1000 illustrations allow the reader to understand the great variety of shapes produced by Spode, as well as the imprints that they marked their decorated wares with. Crucially, the volume also outlines the difference between methods of manufacture used in the past and those practiced today, with detailed texts discussing early ceramic printing techniques such as bat printing and pluck and dust printing.

This is the first publication in a single work of all known Chester punch marks, and continues the tradition of the standard volumes of Jackson, Grimwade, Culme and Pickford. It is also the first time that the twentieth-century Chester marks have been published. It is produced in dictionary format, in alphabetical order from 1570, the date of the earliest known mark, to 1962 at which time the Chester assay office was closed. The authors, both members of the Silver Society, were given unlimited access to the Chester Assay Office records covering 1686 to 1962, and to the Chester Goldsmiths' Company records dating from the 16th century. The compendium has four sections. The preface provides an historical background and details of all extant records and copper plates. Part 1 is devoted to assay office marks, with a full set of date letter tables to assist the reader in dating wares. Part 2 covers nearly 10,000 entries for makers' marks, including pictograms and monograms. Finally, the appendices include items on assay volumes and charges, thimble makers, and Liverpool watchcase makers. Since over 2,000 of the entries have Birmingham addresses, the new work will also enhance available information on jewellers and silversmiths working in this important trade centre. The format of the marks' tables and the extensive index will also allow future research into the relationships between companies and agents.

An artist born is the phrase that introduces the painter Joanna Carrington (1931-2003) in this fully illustrated survey of her life. Joanna was the daughter of Noel Carrington, who created Puffin books, and niece of the famous Bloomsbury artist Dora Carrington. At just seventeen years old she was described by Cedric Morris as 'really exceptional' and 'a born painter' . Joanna wrote and illustrated hundreds of letters, which, together with witty caricatures and photographs of the artist, provided her husband, Christopher Mason, with material for this memoir. The chief glory of this beautiful book is in the sixty colour illustrations of Joanna Carrington's still lifes, interiors and landscapes. The book also deals with her alter ego Reginald Pepper, whose na

Parian - a high-quality, unglazed porcelain - was developed in the early 1840s by Copeland & Garrett, which was the first company to exhibit it in 1845. Its purpose was to provide small sculptures for the public at a time when full size marble statues were gracing the homes of wealthy people.Parian - Copeland's Statuary Porcelain tells this fascinating story in detail, beginning with its origin and introduction. The book goes on to describe the manufacturing processes of mould-making and the casting of the figures. Also included is a comprehensive catalogue of Copeland's productions of statuettes, groups and portrait busts.

Boxes are beguiling because they can have the double delight of an enticing exterior and the anticipation and satisfaction of a fully fitted interior. This comprehensive guide to the decoration, style, use and contents of all types of boxes from diverse cultures is the first book to cover both these aspects. The coverage of decoration and styles of boxes is remarkably complete and includes the traditional, the exotic and the eccentric. Folk art to Faberge, tea caddies to tinder boxes, medicine chests to music boxes, ditty to document, voting to vampire, painting, sewing and writing boxes are just some of the topics that are included. The result is a pictorial treat, the text lavishly illustrated with images of nearly 2,000 boxes. It is a most valuable reference book for the dealer and the collector alike.

Edward McKnight Kauffer (1890-1954) was the most celebrated graphic designer working in Britain in the twentieth century. Born in Montana, he left America before the first world war to travel throughout Europe absorbing the influences of the Cubists and the German poster artist Ludwig Hohlwein. At the onset of war he settled in London. Seeing himself as a painter, he allied himself with the London Group and the Vorticists. He worked at Roger Fry's Omega Workshops with Vanessa Bell and Duncan Grant, and in 1915 was commissioned by Frank Pick, then the publicity manager at London Underground. This was the beginning of a client-designer relationship that lasted throughout the 1920s and '30s, only ending when Kauffer returned to New York in 1940. His posters, brilliantly coloured and strikingly modern, struck London like a Cubist thunderbolt. Soon other clients, Jack Beddington at Shell, Sir Colin Anderson at the Orient Shipping line, the Daily Herald (the instantly recognisable Birds in Flight pos

This book traces for the first time a length of green heritage in English art. During the past two centuries especially, English artists have envisioned the pastoral mode. Their pastoral art uses landscapes of home - often quite specific localities - to shape vision. The history begins with Samuel Palmer, who transplanted the act of vision from his mentor William Blake s heroic figures into the soil of English landscape art. Palmer s landscape vision was more influential than has yet been recognised. His tradition has been enriched by artists of every subsequent generation, from Nash via Sutherland, Piper and Minton, to the current group of artists working under the name of Ruralists. It is a history of constant challenge and renewing response - a continuing story of intensely private men and women seeking and finding materials and sustenance for their visions in the nature and climate of their country. The end of the book shows fresh renewal against internationalist odds. In a country whose art

Inspired by the Great Exhibition of 1851, the Festival of Britain followed soon after the austerity of the war years. The major events were focused around the twenty-seven-acre bomb site around Waterloo Station, although events happened throughout the UK. The Festival was almost immediately unfashionable amongst commentators. It was viewed with suspicion by political conservatives and quickly dismantled. An establishment orthodoxy quickly emerged that called into question the Festival's objectives. This political ambivalence towards the Festival is confounded by the popularity of the Festival amongst collectors, social historians and anybody interested in post-war British culture and society. This book is the first to present the story of the Festival of Britain, held in 1951, through its souvenirs. These objects were produced to commemorate The Tonic to the Nation. Retrospectively, they testify to the enormous popular appeal of the Festival. Festival of Britain 1951, the most recent addition to

This is the first comprehensive book on Venetian mosaics of the nineteenth century. It illustrates work by both the Salviati Company and the Venice and Murano Glass and Mosaic Company. A carefully researched work, Venetian Glass Mosaics addresses the revival of the art of Venetian mosaic making in the mid-nineteenth century and discusses the complicity of both Antonio Salviati and Sir Austen Henry Layard in that revival. It is a comprehensive work, illustrating Salviati's earliest surviving mosaics, the 1860 mosaic decoration of the Royal Mausoleum at Frogmore and continuing through his company's last commission, the Stanford Memorial Church in Palo Alto, California. The recovered art of Venetian mosaic in the late-nineteenth- and early twentieth-century is now seen as one of the most important aesthetic achievements of the Victorian-Edwardian era. Neglected and unappreciated for decades, surviving mosaics are being cleaned and restored worldwide. Whether highly visible monuments in major cities or small achievements of Venetian manufacturers are now treasured for the splendid masterpieces they are.

Presents a selection of more than 100 furnishing textiles and designs that range from a spectacular printed hanging designed by the Wiener Werkstätte artist, Dagobert Peche, between 1911 and 1918, to a series of dramatic woven, silk and metal wall coverings Les Colombes designed by Henri Stephany for the 1925 Exposition Internationale des Arts Decoratifs et Industriels Modernes. The Art Deco period is well represented by the works of Raoul Dufy, Alberto Lorenzi, Robert Bonfils, Alfred Latour, Emile Alain Seguy and Paul Dumas. Although the majority of pre-Second World War textiles are of French origin, the exhibition also includes some rare British furnishing fabrics from the 1930s, in particular the iconic and very elegant Magnolia Leaf by Marion Dorn, woven in off-white and silver viscut by Warner & Sons in 1936. During this period, Britain attracted talented European designers, such as Jacqueline Groag and Marian Mahler who had trained with Josef Hoffmann at the Vienna Kunstgewerbeschule. They became highly influential in creating a 'New Look' that took hold of Britain after the austerities of the Second World War. 'The Festival of Britain,' held in 1951, was epitomised by Calyx which launched the career of its designer, Lucienne Day and is now considered to be a landmark of post-War design. So great was its success that several versions were produced as well as contemporary copies, all of which are reproduced here in spectacular colour. Two great textiles from the 1950s - Seaweed designed by Ashley Havinden in 1954 for Arthur Sanderson and Grecian by Alec Hunter in 1956 for Warner & Sons - bridge the gap between the spirit and elegance of the inter-War period and the new 'contemporary' look of the 1950s. Britain maintained its pre-eminent position in textile design throughout the 1950s, 1960s and early 1970s. This was because firms like Edinburgh Weavers, Heal & Sons and Hull Traders and museums such as the Whitworth Art Gallery in Manchester (the centre of the British textile industry) worked hard at integrating and promoting great design, often by well-known artists within the industry. Among the artists who worked with Edinburgh Weavers were Marino Marini, Victor Vasarely and Alan Reynolds. Britain was not alone in applying art to industry. An elegant example of Op Art is the work of the German artist, Wolf Bauer, whose 1969/70 designs for one of the leading American manufacturers, Knoll Textiles, is a highlight of this book.

Expedition Naga is a multisensory trip into one of the world's most remote and least accessible regions. Diaries written by British administrators/explorers during punitive expeditions in the 1920s and '30s against the Naga, a people once notorious for their headhunting activities, are compared with contemporary notes written during the last 5 years when the authors were given special permission to do fieldwork in the long-forbidden border areas between India and Myanmar (Burma). Four hundred contemporary and historic photographs, most of which are published here for the first time ever, along with film and sound material on the enclosed free DVD, allow the reader to explore both the present and the past of one of the least known, yet most interesting cultural realms as it has never been possible before. The book will appeal to travellers, anthropologists, people interested in exploration and photography. Furthermore, the subject is spectacular in that many rituals, such as headhunting and other rites associated with fertility, are still taking place, the area having been closed for such a long time. The culture of the Naga people is amazing to witness in the twenty-first century when such cultural traits rarely exist. Furthermore, they are not associated with Indian culture, but rather with African or Indonesian.

This new book in the "Design" series is based on the poster collection of the British Postal Museum and Archive, London. It tells the story of the Post Office and the use of design in its visual communications. The Post Office depends on effective communication to alert the wider population of the whole variety of services that it provides. Before the age of the internet and of television, the post office pioneered the use of graphic design and of cinema as tools of public relations. Accordingly, it placed itself at the heart of a global community that spanned the British Empire. The idea of community as a flow of information and defined as communication is at the heart of the Post Office and what it means to people throughout Britain and the world. This book is a celebration of communication and identity as important parts of design in Britain during the twentieth century. "E. McKnight Kauffer, Design" contains over 150 illustrations, many from original artworks, and work not before reproduced. With descriptions by Brian Webb and an introductory essay by Peyton Skipwith.The "Design" series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: 'A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb.'

"...a great resource for the art and textile enthusiast..." Classic Stitches, 2010. The most gifted textile designer of her generation, Shirley Craven won a string of awards during the 1960's. This book celebrates her remarkable achievements at Hull Traders and documents her arresting hand screen-printed furnishing fabrics in full. Big bold abstracts were her speciality, striking in colour and breathtakingly original in style. A visionary small company with high ideals, Hull Traders made its mark initially with designs by artists Eduardo Paolozzi, Nigel Henderson and Ivon Hitchens. Under Craven's direction Hull Traders issued a string of ground-breaking textiles during the 1960's by forty artist-designers, recorded here in their entirety for the first time. Contributors included Althea McNish, John Drummond, Peter McCulloch, Doreen Dyall, Roger Limbrick, Cliff Holden, Richard Allen and Dorothy Carr. In 1966 Hull Traders branched out into furniture with the launch of Bernard Holdaway's revolutionary tomotom range made of painted cardboard tubes - an icon of the Swinging Sixties, based entirely on circular forms, sold all over the world. Drawing on pioneering new research by leading post-war design historian Lesley Jackson, this book traces the fascinating, hitherto untold story of Hull Traders and its unique creative alliance with Shirley Craven and Bernard Holdaway. Featuring stunning new photography and rare archive photographs, it captures the explosion of creativity during the 1960's and provides a visual feast of inspirational post-war pattern and form.

"One unputdownable book" Grazia"A great fashion's-eye view" VogueIain R Webb's Postcards from the Edge of the Catwalk documents the glittering brouhaha surrounding ready-to-wear and haute couture fashion collections of New York, London, Paris and Milan. Spanning three decades, this fantastic photographic portfolio captures the show-stopping creativity and individual style of the world's leading fashion designers. Indeed, Webb's photographs give an insight into the exclusive world of catwalk shows and invitation-only parties, portraying the designers, supermodels, style icons and celebrities that frequent them. The book's designer roll call includes John Galliano, Marc Jacobs, Ralph Lauren, Jean Paul Gaultier, Vivienne Westwood, Anna Sui, Valentino, Donatella Versace, Oscar de la Renta, Yves Saint Laurent and Alexander McQueen. Photographs of the following supermodels, style icons and celebrities are also included in Webb's extraordinary portfolio: Linda Evangelista, Catherine Deneuve, Isabella Blow, Naomi Campbell, Natalia Vodianova, Erin O'Connor, Kate Moss, Anna Piaggi, Anna Wintour, Shalom Harlow and Björk, Gwyneth Paltrow, Grace Jones, George Michael, Kate Winslet, Sean Combs, Liz Hurley, Tilda Swinton, Paris Hilton, Bernadette Peters, Nick Cave, Ivana Trump, Roman Polanski and RuPaul.

"This is an enchanting and absorbing book that captures many facets of the fashion industry...Pure glamour" My Creative Diva"I am rarely front of house, I am always backstage. The adrenaline is amazing; placing the hats just-so, tweaking a veil, shoving in another flower, crossing my fingers and praying that my confections don't fall off! Those last moments as the girls line up backstage is the most exciting time of the entire creative process; six months condensed into a few seconds; like bolts of lightning speeding onto the runway. This book captures that moment." Stephen Jones OBEThrough a series of candid photographs taken over the last seven years A Front Row Seat offers an insight into the chaos that makes up the extraordinary world of fashion shows. Covering all the elements that make up the catwalk shows - Backstage, Front Row, Catwalk and Street Style - the book allows the reader to be a 'fly on the wall' and see the reality of the fashion world. With quotations from industry professionals - make up artists, hair stylists, models, editors, designers and bloggers - this title examines how fashion is expressed and recorded in today's world of social networking and blogging, the popularity of which has facilitated the layperson's ability to break into the fashion world. Firmly in tune with the current vibe and with a definite London edginess, A Front Row Seat is a sensational design statement in itself.

Lost Worlds: Ruins of the Americas is a unique visual exploration that vividly captures the haunting mystery and visual poetry of historic ruins throughout the Americas. This extraordinary collection perfectly portrays the architectural, geographic and historical significance of ruins that are considered world wonders and also little known gems. Included are monumental temples of Mexico's Mayan civilization, a Colonial era palace on the island of Haiti, earthquake-ravaged cathedrals in Guatemala, and astonishing Incan citadels in Peru's Sacred Valley - culminating with the breathtaking beauty of Machu Picchu. This unprecedented publication transports the reader on a journey to ancient temples, abandoned palaces and lofty citadels. Evocative and enlightening, Lost Worlds will stir the imagination of those with a passion for photography, travel, history, architecture, and archaeology. Shot in infra red format on a specially adapted digital camera, these images expose crumbling, overgrown walls, broken columns, and cracked arches in ways most readers have never seen. They will offer readers a new way of viewing the landscape as well as an enhanced vision of the collective identity of the Americas.Includes a foreword by noted travel writer Pico Iyer and text by Arthur Drooker explaining each site's rise, fall and lasting significance. Published to accompany a travelling exhibition in the USA opening at the Art Museum of the Americas in Washington, DC., and touring a further seven venues.

Jessie and the Dolphins is a delightful children's story about a five year old fisherman's daughter who wants her father to take her to sea on his boat. Her father says that a fishing boat is much too dangerous for a little girl, and she can go with him when she is older and bigger. But Jessie cannot wait and on the next fishing trip she hides very queitly on deck behind a coil of rope. However, things go horribly wrong for poor Jessie and drama unfolds when she finds herself struggling in the water. Happily, she is rescued by three dolphins and safely returned to the beach. The unusual illustrations are hand crafted collage pictures consisting of a variety of fabrics and textures. The author has used patchwork and applique techniques to create wonderfully evocative pictures which have an almost three-dimensional effect. Jessie and the Dolphins is a work of art as well as a children's story and will be loved and treasured by children and parents alike.

This special edition includes a signed original print, reproducing one of Marc Rosen's design drawings. A survey of the biggest names and most famous bottles throughout the history of perfume bottle design. Conceived of and written by seven-time FiFi Award winner and internationally renowned packaging designer Marc Rosen, Glamour Icons is a book that both recognizes and celebrates perfume bottle design as an art form. Rosen calls them "small pieces of glass architecture" Glamour Icons is a collection of the most iconic and spectacular perfume bottle designs of the last century. Written by designer Marc Rosen, the book offers an insight into the history of perfume bottles, their place in society and their inspirations. The first designer to write a book about his craft, Rosen considers every aspect of perfume bottle production, from sketches and models, to working with glass manufacturers to realize the designer's aims. He also reveals the important processes behind developing logos, graphics, colors, boxes and counter displays.The book includes never published before stories about Rosen's career including his first job with Revlon founder Charles Revson, his work with Elizabeth Arden, and his collaborations with the fashion houses of Chloe, Karl Lagerfeld, Fendi, Perry Ellis, Ellen Tracy, and Jill Stuart. The author also recounts his work with celebrities Joan Rivers, Christina Aguilera and Celine Dion, as well his intriguing relationship with Arlene Dahl, whom he would eventually marry. Illustrated with marvelous photographs by Vincent Ricardel, the book contains many of Rosen's remarkable designs as well as iconic pieces by other designers. Including his personal photographs and artwork given to him by many of the people he worked with, this volume is truly wonderful review of Rosen's career and this compelling area of design. Contents: Foreword: Harold Koda; Introduction: Fleur Cowles; Chapter 1: Glamour Icons; Chapter 2: My Perfume Bottles; - At Revlon, - The Arden Years, - Kaiser Karl, - Carnivale Fendi, - On My Own; Chapter 3: The Art of Designing a Perfume Bottle; Chapter 4: A Designer's Eye: Icons of the Past; Chapter 5: Enduring Glamour; A Conversation with Hamish Bowles.

This delightful book presents the history and development of the Auricula to both the casual reader and enthusiast. It sets out both traditional and more recent methods of cultivation, how to exhibit the plants, how they are judged, breeding new varieties and how to deal with pests and diseases. More than 200 varieties both old and new are discussed in some detail and numerous coloured illustrations are included.In writing the book, Allan Guest has drawn on over thirty years experience of growing, showing, breeding and judging the plants. Having known and exchanged views with many of the leading personalities of the time, he is able to provide insights into both plants and breeders. He currently sits on the committees of both the Midlands and West and the Northern Sections of the National Auricula and Primula Society. "If you want to grow, show or know the great range of auriculas now available you have to have Guest's fine book." Robin Lane Fox, Financial Times