Acta Hyperborea – serie

Text in English & German. This book contains 19 articles dealing with various aspects of the Greek goddess Artemis and the Roman goddess Diana. The themes presented in the volume deal with the Near Eastern equivalents of Artemis, the Bronze Age Linear B testimonies, and Artemis in Homer and in the Greek tragedies. Sanctuaries and cult, and regional aspects are also dealt with -- encompassing Cyprus, the Black Sea region, Greece and Italy. Pedimental sculpture, mosaics and sculpture form the basis of investigations of the iconography of the Roman Diana; the role of the cult of Diana in a dynastic setting is also examined. A single section deals with the reception of the iconography of the Ephesian Artemis during the Renaissance and later periods.

Addressing topics of production and distribution, iconography, regional studies, and museum collections, this volume sheds new and important light on perspectives in the fields of ancient pottery studies. The articles, substantial and well-illustrated, cover a wide span of time from the Geometric period and into the Roman period, including new results and material from excavations as well as new methodological approaches. The range of vessels and their varieties discussed include Campana A pottery from the southern Levant and the Black Sea areas; Oinotrian-Euboian pottery in a sanctuary context in Timpone della Motta near Sybaris in the Middle to Late Geometric periods; Early Proto Corinthian aryballos in the western Mediterranean; Greek imported and local pottery from the earliest times in Crotone's history; iconographic history of the myth of Iphigenia from Athens to southern Italian vase-painting; small terracotta figurines from eloponnesian sanctuaries; anthropomorphic and zoomorphic figures on Etruscan impasto vessels; Cypro-Arcaic pottery; and objects -- red-gloss relief decorated sherds and Geometric pottery -- housed in Danish museum collections.

Tradition from the Latin tradere, literally to hand over or hand down has many meanings and as a concept has a long history in Western culture. When using archaeological remains to interpret the social relations of people of Antiquity, tradition becomes an important concept. We cannot explain change without knowing and being conscious of la longue durée of material culture. Thus, over a long-term perspective archaeologists seek to trace a record of continual change. This lavishly illustrated book takes readers from prehistoric Santorini to Late Antique Rome and discusses the role of tradition in the transmission of culture and the creation, maintenance and negotiation of identity in the ancient world. Covering a wide array of subjects, including cultic rituals and the use of magical objects and symbols, votive traditions in Greek sanctuaries, funerary portraits, and Iron Age pottery, Tradition reveals how culture inheres in each and how actions and objects alike play a role in the continuation and change of culture. With its thoroughly interdisciplinary approach, Tradition breaks new ground in the studies of the classical and ancient world.

This volume is the outcome of a Collegium Hyperboreum seminar entitled Families in the Ancient World held in November 2015, where scholars from the Nordic countries came together across disciplines and academic levels to discuss aspects of ancient families in the widest terms. The volume does not attempt to cover this broad field in its entirety, but examines facets of the ancient family and its many constellations through such diverse phenomena as life and death, religion, social status, age, and gender, in the context of both the public and the private spheres of ancient society. In this way, it sheds light on a wide range of aspects pertaining to the family, including the family in the oikos/domus, in theatre performances, and in burial contexts; reflections of families in votive practices, in political propaganda, in the Roman navy, and in negotiations; and manifestations of gender roles both in private and in public. The contributions cover a broad geographical and cultural range within the wider ancient Mediterranean area.