American Radicals – serie

In this provocative biographical portrait, Robert A. Gorman examines the political and intellectual life of this engaging radical thinker while looking ahead to the ways in which the work and example he has left us can affect political life in the twenty-first century.Michael Harrington's major attempt to Americanize socialism plays a big part in Gorman's analysis. He tells readers how it is possible to be both radical and patriotic and how an unjust system can be transformed without being destroyed.

Williams' controversial volumes, The Tragedy of AmericanDiplomacy, Contours of American History, and other works have established him as the foremost interpreter of US foreign policy. Both Williams and others deeply influenced by him have recast not only diplomatic history but also the story of pioneer America's westward movement, and studies in the culture of imperialism.At the end of the Cold War, when the US no longer faces any great enemy, the lessons of William Appleman Williams' life and scholarship have become more urgent than ever before. This study of his life and major works offers readers an opportunity to introduce, or re-introduce, themselves to a major figure of the last half-century.

The Spirit of the Sixties explains how and why the personal became political when Sixties activists confronted the institutions of American postwar culture.The Spirit of the Sixties uses political personalism to explain how and why the personal became political when Sixties activists confronted the institutions of American postwar culture. After establishing its origins in the Catholic Worker movement, the Beat generation, the civil rights movement, and Ban-the-Bomb protests, James Farrell demonstrates the impact of personalism on Sixties radicalism.Students, antiwar activists and counterculturalists all used personalist perspectives in the "here and now revolution" of the decade. These perspectives also persisted in American politics after the Sixties. Exploring the Sixties not just as history but as current affairs, Farrell revisits the perennial questions of human purpose and cultural practice contested in the decade.