Amethyst Editions – serie

A trans woman sets out to exploit a group of wealthy roommates, only to fall under the spell of their glamorous, hedonistic lifestyle in tech-bubble San Francisco.

Years after fleeing San Francisco and getting sober, Jhanvi has made a life for herself working at a grocery co-op and saving for her surgeries. But when her friend (and sometimes more) Henry mentions that he and his techie festival-goer friends spent $100,000 to transform a warehouse basement into a sex dungeon, Jhanvi starts wondering if there’s a way to exploit these gullible idiots. She returns to San Francisco, hatching a plan to marry Henry for his company’s generous healthcare benefits.

Jhanvi enters a world of beautiful, decadent fire-eaters and their lavish sex parties. But as her pretensions to cynicism and control start to fade, she develops a Gatsbyesque attraction to these happy young people and their bold claims of unconditional love. But do any of her privileged new friends really like or accept her? Her financial needs expose the limits of a community built on limitless self-expression, and soon she has to choose between doing what’s right, and doing what’s right for her.

This darkly funny novel skewers privileged leftist millennial tech culture, and asks whether "found family" is just another of the twenty-first century's broken promises.

An expansive, darkly funny, and deeply personal reflection on the reality of living with—and dying from—metastatic breast cancer.

Deena stepped out of the shower and opened her towel in the steam. “Does my breast look weird?” These words irrevocably change the lives of writer Ariel Gore and her wife. As they descend into a world of doctors and tests, medications and insurance, sickness and treatments and hope and pain and more, they discover just how little they truly knew—despite the awareness campaigns and hyper-visible pink ribbons—about the reality of breast cancer. Over the four years following Deena’s terminal diagnosis, Gore does what she always does, no matter how difficult or personal the subject: she writes about it. 

With keen insights, empathy, and humor, Ariel Gore braids together the story of Deena’s experience, her own role as a caretaker, narratives from others living with breast cancer, literary reflections on illness, and reportage on the history of breast cancer and the $200 billion industry that capitalizes on and profits from breast cancer screenings and treatments. Rehearsals for Dying investigates and challenges everything we think we know about breast cancer. It goes beyond awareness to knowledge, presenting a rich, nuanced, heartbreaking, and hopeful portrait of what it is to be diagnosed with, treat, and live with breast cancer in the twenty-first century.

Cult author Alice Stoehr’s debut short fiction collection about the messy, intersecting lives of a community of Midwestern trans women. 

Again, Harder gathers the uncompromising short fiction of Alice Stoehr, which investigates the inner lives, evolving relationships, and often violent marginalization of a community of trans women in a large Midwestern town.

In these stories, a commune of trans separatists seduces a suicidal writer. An obsessive TERF and the trans woman she’s fixated on circle one another with building intensity. Polyamorous triads bloom and wilt, hookup app messages fly, friends sit for post-surgical care, and women fall to the toxic allure of Dorothy Lipko, the worst ex-girlfriend you have ever known.

Among this, there is regret, there is poverty, there is depression and sexual anxiety and despair; there is also fleeting, shared joy. Again, Harder is the sardonic heartbeat of a new generation of American trans women.