Tempo: A Rowman & Littlefield Music Series on Rock, Pop, and Culture – serie

Tempo: A Scarecrow Press Music Series on Rock, Pop, and Culture offers titles that explore rock and popular music through the lens of social and cultural history, revealing the dynamic relationship between musicians, music, and their milieu. Like other major art forms, rock and pop music comment on their cultural, political, and even economic situation, reflecting technological advances, psychological concerns, religious feelings, and artistic trends of the times. Like other major musical artists, Bruce Springsteen’s work has reflected, revealed, and reacted to modern American realities over the course of his forty-year career. Since releasing his first record in 1973, Springsteen has sold more than a hundred million albums worldwide, played thousands of concerts, and won Grammy, Golden Globe, Emmy, and Academy awards. More importantly, however, he is one of the few twentieth-century singer-songwriters to serve as the voice of his generation, a defining artist whose works reflect the values, dreams, and concerns of many Americans. In Bruce Springsteen: American Poet and Prophet,Donald L. Deardorff II explores the works of “The Boss,” defining the exact nature of Springsteen’s cultural influence.With the release of seventeen studio albums, Springsteen’s influence and popularity spans multiple generations. Deardorff classifies and explains Springsteen’s remarkable reception as it evolved from small beginnings in the Jersey shore bars of the 1970s to worldwide fame today. This book thoughtfully considers the trenchant commentary Springsteen’s albums make on the mythology of the American Dream, working-class concerns, the changing character of American masculinity, the relationship between Americans and their government, the importance of social justice, and the evocation of an American spirit. Bruce Springsteen: American Poet and Prophet will appeal to more than just Springsteen fans. It describes Springsteen as an apt critic of his own culture, whose music paints literary portraits that uncover the realities of an American society constantly evolving, while striving toward its own betterment.

Tempo: A Scarecrow Press Music Series on Rock, Pop, and Culture offers titles that explore rock and popular music through the lens of social and cultural history, revealing the dynamic relationship between musicians, music, and their milieu. Like other major art forms, rock and pop music comment on their cultural, political, and even economic situation, reflecting technological advances, psychological concerns, religious feelings, and artistic trends of the times. Like other major musical artists, Bruce Springsteen’s work has reflected, revealed, and reacted to modern American realities over the course of his forty-year career. Since releasing his first record in 1973, Springsteen has sold more than a hundred million albums worldwide, played thousands of concerts, and won Grammy, Golden Globe, Emmy, and Academy awards. More importantly, however, he is one of the few twentieth-century singer-songwriters to serve as the voice of his generation, a defining artist whose works reflect the values, dreams, and concerns of many Americans. In Bruce Springsteen: American Poet and Prophet,Donald L. Deardorff II explores the works of “The Boss,” defining the exact nature of Springsteen’s cultural influence.With the release of seventeen studio albums, Springsteen’s influence and popularity spans multiple generations. Deardorff classifies and explains Springsteen’s remarkable reception as it evolved from small beginnings in the Jersey shore bars of the 1970s to worldwide fame today. This book thoughtfully considers the trenchant commentary Springsteen’s albums make on the mythology of the American Dream, working-class concerns, the changing character of American masculinity, the relationship between Americans and their government, the importance of social justice, and the evocation of an American spirit. Bruce Springsteen: American Poet and Prophet will appeal to more than just Springsteen fans. It describes Springsteen as an apt critic of his own culture, whose music paints literary portraits that uncover the realities of an American society constantly evolving, while striving toward its own betterment.

Like other major music genres, ska reflects, reveals, and reacts to the genesis and migration from its Afro-Caribbean roots and colonial origins to the shores of England and back across the Atlantic to the United States. Without ska music, there would be no reggae or Bob Marley, no British punk and pop blends, no American soundtrack to its various subcultures. In Ska: The Rhythm of Liberation, Heather Augustyn examines how ska music first emerged in Jamaica as a fusion of popular, traditional, and even classical musical forms. As a genre, it was a connection to Africa, a means of expression and protest, and a respite from the struggles of colonization and grinding poverty. Ska would later travel with West Indian immigrants to the United Kingdom, where British youth embraced the music, blending it with punk and pop and working its origins as a music of protest and escape into their present lives. The fervor of the music matched the energy of the streets as racism, poverty, and violence ran rampant. But ska called for brotherhood and unity. As series editor and pop music scholar Scott Calhoun notes: “Like a cultural barometer, the rise of ska indicates when and where social, political, and economic institutions disappoint their people and push them to re-invent the process for making meaning out of life. When a people or group embark on this process, it becomes even more necessary to embrace expressive, liberating forms of art for help during the struggle. In its history as a music of freedom, ska has itself flowed freely to wherever people are celebrating the rhythms and sounds of hope.”Ska: The Rhythm Liberation should appeal to fans and scholars alike—indeed, any enthusiast of popular music and Caribbean, American, and British history seeking to understand the fascinating relationship between indigenous popular music and cultural and political history. Devotees of reggae, jazz, pop, Latin music, hip hop, rock, techno, dance, and world beat will find their appreciation of this remarkable genre deepened by this survey of the origins and spread of ska.

Like other major music genres, ska reflects, reveals, and reacts to the genesis and migration from its Afro-Caribbean roots and colonial origins to the shores of England and back across the Atlantic to the United States. Without ska music, there would be no reggae or Bob Marley, no British punk and pop blends, no American soundtrack to its various subcultures. In Ska: The Rhythm of Liberation, Heather Augustyn examines how ska music first emerged in Jamaica as a fusion of popular, traditional, and even classical musical forms. As a genre, it was a connection to Africa, a means of expression and protest, and a respite from the struggles of colonization and grinding poverty. Ska would later travel with West Indian immigrants to the United Kingdom, where British youth embraced the music, blending it with punk and pop and working its origins as a music of protest and escape into their present lives. The fervor of the music matched the energy of the streets as racism, poverty, and violence ran rampant. But ska called for brotherhood and unity. As series editor and pop music scholar Scott Calhoun notes: “Like a cultural barometer, the rise of ska indicates when and where social, political, and economic institutions disappoint their people and push them to re-invent the process for making meaning out of life. When a people or group embark on this process, it becomes even more necessary to embrace expressive, liberating forms of art for help during the struggle. In its history as a music of freedom, ska has itself flowed freely to wherever people are celebrating the rhythms and sounds of hope.”Ska: The Rhythm Liberation should appeal to fans and scholars alike—indeed, any enthusiast of popular music and Caribbean, American, and British history seeking to understand the fascinating relationship between indigenous popular music and cultural and political history. Devotees of reggae, jazz, pop, Latin music, hip hop, rock, techno, dance, and world beat will find their appreciation of this remarkable genre deepened by this survey of the origins and spread of ska.

Paul Simon: An American Tune is the first full-scale survey of the career of one of the most honored musicians and songwriters in American history. Starting out as a teeny-bopper rocker in the late 1950s, Paul Simon went on to form the most influential pop duo of the 1960s—Simon & Garfunkel—and after their break-up in 1970, launch one of the most successful, varied, and surprising solo careers of our time. In Paul Simon: An American Tune, Cornel Bonca considers Simon’s vast trove of songs in the biographical and cultural context in which he wrote them: from the pop cultural revolution of the 1960s which Simon himself helped to create, the singer-songwriter movement of the 1970s, the turn toward world music in the 1980s that gave the world the monumental Graceland, to the intimate personal turn his music took in the millennial era. Analyzing Simon’s albums one by one, often song by song, Bonca provides a deep and artful exploration of the work of one of today’s major songwriters.Offering a lucid and vivid portrait of an astonishing decades-long career, Paul Simon: An American Tune will interest a wide audience, from Simon fans to students and scholars of American popular culture.

During the 1980s, when pop icons like Madonna, Bruce Springsteen, Michael Jackson, and U2 reigned supreme, many regarded The Police as the biggest band in the world. Yet after only five albums—and at the peak of their popularity—The Police disbanded and Sting began a solo career that made him a global pop star. Today, artists from Puff Daddy to Gwen Stefani credit The Police and Sting as major influences on their own work, reflecting that The Police were not only a popular, polished rock act, but a powerfully influential one as well.In Sting and The Police: Walking in Their Footsteps,Aaron J. West explores the cultural and musical impact of Stewart Copeland, Andy Summers, and Sting. West details the distinctive hybrid character of The Police’s musical output, which would also characterize Sting’s post-Police career. Sting’s long-lived solo career embodies the power of the artful appropriation of musical styles, while capitalizing on the modern realities of pop music consumption. The Police—and Sting in particular—were pioneers in music video, modern label marketing, global activism, and the internationalization of pop music. Sting and The Police: Walking in Their Footsteps will interest more than just fans. By placing the band within its various musical, cultural, commercial, and historic contexts, Sting and The Police: Walking in Their Footsteps will appeal to anyone interested in global popular music culture.

Before The Beatles landed on American shores in February 1964 only two British acts had topped the Billboard singles chart. In the first quarter of 1964, however, the Beatles alone accounted for sixty percent of all recorded music sold in the United States; in 1964 and 1965 British acts occupied the number one position for 52 of the 104 weeks; and from 1964 through to 1970, the Rolling Stones, Herman’s Hermits, the Dave Clark Five, the Animals, the Kinks, the Hollies, the Yardbirds and the Who placed more than one hundred and thirty songs on the American Top Forty. In The British Invasion: The Crosscurrents of Musical Influence, Simon Philo illustrates how this remarkable event in cultural history disrupted and even reversed pop culture’s flow of influence, goods, and ideas—orchestrating a dramatic turn-around in the commercial fortunes of British pop in North America that turned the 1960s into “The Sixties.” Focusing on key works and performers, The British Invasion tracks the journey of this musical phenomenon from peripheral irrelevance through exotic novelty into the heart of mainstream rock. Throughout, Philo explores how and why British music from the period came to achieve such unprecedented heights of commercial, artistic, and cultural dominance. The British Invasion: The Crosscurrents of Musical Influence will appeal to fans, students and scholars of popular music history—indeed anyone interested in understanding the fascinating relationship between popular music and culture.

In 1986, when Bon Jovi’s third studio album, Slippery When Wet, was released, America had found its next superband. In Bon Jovi: America’s Ultimate Band, Margaret Olson chronicles the history and music of the band from its inception to present day. She closely examines Bon Jovi’s musical and social relevance to listeners past and present, exploring the remarkable ways the band has emerged as the expression and product of deep cultural needs and how, within a few years of commercial success, it has made a lasting impact on Generation X, the music business, and American culture. Through opportunities offered by cable television (particularly MTV), Hollywood, and corporate brands, Bon Jovi has been able to influence not only the music, film, and television industries but also the worlds of fashion, musical theater, art, philanthropy, and politics.Like any megaband, its members have struggled with addiction, the demands of fame, and a lack of critical respect. They have persevered, however, to become one of the United States’ world’s best-selling touring bands. Bon Jovi is a testament to the way modern culture and entertainment can become intertwined, and its success underscores the length of the band’s career, the professionalism of its management, the recognition of what audiences want, and the unique way the music—more than anything else—both reflects and shapes the social and musical American landscape it inhabits.Titles in the Tempo series are ideal introductions to major pop and rock artists, the music they produce, and their cultural and musical impact on society. Bon Jovi: America’s Ultimate Band should interest fans, students, and scholars alike.

In 1986, when Bon Jovi’s third studio album, Slippery When Wet, was released, America had found its next superband. In Bon Jovi: America’s Ultimate Band, Margaret Olson chronicles the history and music of the band from its inception to present day. She closely examines Bon Jovi’s musical and social relevance to listeners past and present, exploring the remarkable ways the band has emerged as the expression and product of deep cultural needs and how, within a few years of commercial success, it has made a lasting impact on Generation X, the music business, and American culture. Through opportunities offered by cable television (particularly MTV), Hollywood, and corporate brands, Bon Jovi has been able to influence not only the music, film, and television industries but also the worlds of fashion, musical theater, art, philanthropy, and politics.Like any megaband, its members have struggled with addiction, the demands of fame, and a lack of critical respect. They have persevered, however, to become one of the United States’ world’s best-selling touring bands. Bon Jovi is a testament to the way modern culture and entertainment can become intertwined, and its success underscores the length of the band’s career, the professionalism of its management, the recognition of what audiences want, and the unique way the music—more than anything else—both reflects and shapes the social and musical American landscape it inhabits.Titles in the Tempo series are ideal introductions to major pop and rock artists, the music they produce, and their cultural and musical impact on society. Bon Jovi: America’s Ultimate Band should interest fans, students, and scholars alike.

Nicknamed the “Godmother of Punk,” Patti Smith rose to fame during the 1970s New York counterculture movement where she welcomed a new breed of rock and roll. Smith sanctioned the presence of a strong-willed woman in the mainstream rock community by breaking not only the fragile glass ceiling, but also the “rules” about women on the rock stage. Smith pushed right up to the front of the punk scene, stripping down sexual, religious, and emotional barriers to create a raw, viscerally personal message.In Patti Smith: America’s Punk Rock Rhapsodist,musician and historian Eric Wendell delves into the volatile mix of religious upbringing and musical and literary influences that gave shape to Smith’s lyrics, music, and artistic output. Wendell explores how Smith’s androgynous stage presence pulled the various societal triggers, adding a new layer of meaning to popular music performance. Songwriter and singer, performance artist and poet, Smith created work that drew together biography, history, and music into a powerful collage of an artist who shaped a generation of musicians. For poets and performers, as well as fans of Patti Smith and punk rock history, Patti Smith: America’s Punk Rock Rhapsodist is the perfect introduction to Smith’s achievements and the politics and art of a generation that is still felt.

Singer-songwriter Kris Kristofferson has maintained a career in music and film for more than forty years. He was the oldest son in a military family that planned for him to continue the tradition of military service, but he resigned his commission to pursue a career in songwriting. In Nashville, where he spent five years working menial jobs and learning to write songs, he combined his loneliness and alienation with countercultural directness to produce raw, emotional songs and generated eight studio albums through the 1970s that regularly joined the top 100 on U.S. country charts—four of which broke into the top ten. A fallow period followed in the 1980s and 1990s, but when Kristofferson re-emerged in the mid-2000s at age 70 with new studio albums, he again broke through both country and indie charts. In Kris Kristofferson: Country Highwayman, Mary G. Hurd surveys the life and works of this highly respected American songwriter. For many, Kristofferson’s songs remain the gold standard of modern songwriters, and Kris Kristofferson follows the commitment to freedom of expression that has characterized his songwriting and struggles with the music industry. The author also explores his film career, work with the Highwaymen, liberal activism, decision to write and record two albums of material protesting the U.S. government’s intrusion in Central America, and reflowering as a musical artist with the release of This Old Road in 2006 and other studio albums. Kris Kristofferson: Country Highwayman should appeal not only to dedicated fans of Kristofferson’s work as an artist but also to anyone interested in country music and its influence on modern Americana and the roots of music traditions.

When considered in a broader social context, The Clash stand as one of the most important musical acts in rock history. Original punks who transcended the music’s minimalist origins, The Clash lived and breathed the idea that they could change the world with their art. In The Clash: The Only Band That Mattered,respected music critic Sean Egan examines The Clash’s career and art through the prism of the uniquely interesting and fractious UK politics of the 1970s and ’80s, without which they simply would not have existed. Tackling such subjects as The Clash’s self-conscious tussles with their record label, the accusations of selling out that dogged their footsteps, their rivalry with the similarly leaning but less purist Jam, the paradoxical quality of their achieving multiplatinum success, and even whether their denunciations of Thatcherism were proven wrong, Egan has come up with new insights into a much discussed group. Clash fans, Clash haters, social historians, and political students will all find themselves entertained by his thought-provoking conclusions.

Before The Beatles landed on American shores in February 1964 only two British acts had topped the Billboard singles chart. In the first quarter of 1964, however, the Beatles alone accounted for sixty percent of all recorded music sold in the United States; in 1964 and 1965 British acts occupied the number one position for 52 of the 104 weeks; and from 1964 through to 1970, the Rolling Stones, Herman’s Hermits, the Dave Clark Five, the Animals, the Kinks, the Hollies, the Yardbirds and the Who placed more than one hundred and thirty songs on the American Top Forty. In The British Invasion: The Crosscurrents of Musical Influence, Simon Philo illustrates how this remarkable event in cultural history disrupted and even reversed pop culture’s flow of influence, goods, and ideas—orchestrating a dramatic turn-around in the commercial fortunes of British pop in North America that turned the 1960s into “The Sixties.” Focusing on key works and performers, The British Invasion tracks the journey of this musical phenomenon from peripheral irrelevance through exotic novelty into the heart of mainstream rock. Throughout, Philo explores how and why British music from the period came to achieve such unprecedented heights of commercial, artistic, and cultural dominance. The British Invasion: The Crosscurrents of Musical Influence will appeal to fans, students and scholars of popular music history—indeed anyone interested in understanding the fascinating relationship between popular music and culture.

Paul Simon: An American Tune is the first full-scale survey of the career of one of the most honored musicians and songwriters in American history. Starting out as a teeny-bopper rocker in the late 1950s, Paul Simon went on to form the most influential pop duo of the 1960s—Simon & Garfunkel—and after their break-up in 1970, launch one of the most successful, varied, and surprising solo careers of our time. In Paul Simon: An American Tune, Cornel Bonca considers Simon’s vast trove of songs in the biographical and cultural context in which he wrote them: from the pop cultural revolution of the 1960s which Simon himself helped to create, the singer-songwriter movement of the 1970s, the turn toward world music in the 1980s that gave the world the monumental Graceland, to the intimate personal turn his music took in the millennial era. Analyzing Simon’s albums one by one, often song by song, Bonca provides a deep and artful exploration of the work of one of today’s major songwriters.Offering a lucid and vivid portrait of an astonishing decades-long career, Paul Simon: An American Tune will interest a wide audience, from Simon fans to students and scholars of American popular culture.

Warren Zevon was one of the most original songwriters to emerge from the prolific 1970s Los Angeles music scene. Beyond his most familiar song—the rollicking 1978 hit “Werewolves of London”—Zevon’s smart, often satirical songbook is rich with cinematic, literary, and comic qualities; dark narratives; complex characters; popular culture references; and tender, romantic ballads of parting and longing.Warren Zevon: Desperado of Los Angeles is the first book-length, critical exploration of one of popular music’s most talented and tormented antiheroes. George Plasketes provides a comprehensive chronicle of Zevon’s 40-year, 20-record career and his enduring cultural significance. Beginning with Zevon’s classical training and encounters as a youth with composers Robert Craft and Igor Stravinsky, Plasketes surveys Zevon’s initiation into the 1960s through the Everly Brothers, the Turtles, and the film Midnight Cowboy. Plasketes then follows Zevon from his debut album with Asylum Records in 1976, produced by mentor Jackson Browne, through his successes and struggles from a Top Ten album to record label limbo during the 1980s, through a variety of music projects in the 1990s, including soundtracks and scores, culminating with a striking trio of albums in the early 2000s. Despite his reckless lifestyle and personal demons, Zevon made friends and alliances with talk show host David Letterman and such literary figures as Hunter S. Thompson and Carl Hiaasen. It was only after his death in 2003 that Zevon received Grammy recognition for his work. Throughout this book, Plasketes explores the musical, cinematic, and literary influences that shaped Zevon’s distinctive style and songwriting themes and continue to make Zevon’s work a telling portrait of Los Angeles and American culture.

Warren Zevon was one of the most original songwriters to emerge from the prolific 1970s Los Angeles music scene. Beyond his most familiar song—the rollicking 1978 hit “Werewolves of London”—Zevon’s smart, often satirical songbook is rich with cinematic, literary, and comic qualities; dark narratives; complex characters; popular culture references; and tender, romantic ballads of parting and longing.Warren Zevon: Desperado of Los Angeles is the first book-length, critical exploration of one of popular music’s most talented and tormented antiheroes. George Plasketes provides a comprehensive chronicle of Zevon’s 40-year, 20-record career and his enduring cultural significance. Beginning with Zevon’s classical training and encounters as a youth with composers Robert Craft and Igor Stravinsky, Plasketes surveys Zevon’s initiation into the 1960s through the Everly Brothers, the Turtles, and the film Midnight Cowboy. Plasketes then follows Zevon from his debut album with Asylum Records in 1976, produced by mentor Jackson Browne, through his successes and struggles from a Top Ten album to record label limbo during the 1980s, through a variety of music projects in the 1990s, including soundtracks and scores, culminating with a striking trio of albums in the early 2000s. Despite his reckless lifestyle and personal demons, Zevon made friends and alliances with talk show host David Letterman and such literary figures as Hunter S. Thompson and Carl Hiaasen. It was only after his death in 2003 that Zevon received Grammy recognition for his work. Throughout this book, Plasketes explores the musical, cinematic, and literary influences that shaped Zevon’s distinctive style and songwriting themes and continue to make Zevon’s work a telling portrait of Los Angeles and American culture.

Emerging from the same British music boom that birthed the Beatles and the Rolling Stones, Dave and Ray Davies’s band, the Kinks, became one of England’s most influential groups. Remembered best for such singles as “You Really Got Me,” “Lola,” and “Sunny Afternoon,” the Kinks produced 24 studio albums between 1964 and 1996. The Kinks’ prolific and varied catalog have made them both a mirror of and a counterfoil to nearly five decades of British and American culture.The Kinks: A Thoroughly English Phenomenon examines the music and performance of this quintessentially English band and shows how aspects of everyday life such as work, play, buying a house, driving a car, drinking tea, getting drunk, and getting laid, affected and shaped their creative output. Through an investigation of their music, lyrics, and image, Carey Fleiner shows how the Kinks reflected both the ordinary and the absurd, sometimes confronting topics with anger and sometimes with self-deprecating humor. The Kinks follows the band’s trajectory more or less chronologically and explores themes such as growing up in post-war Britain, the packaging and exploitation of the “British Invasion” bands, satire and self-consciousness, sexuality and gender-bending, social and political pessimism, the comforts of family, and the effects of fame and fandom.Fleiner’s investigation into the influences on and impact of the Kinks’ music takes readers on an engaging adventure through the musical culture of the ‘60s, ‘70s, and ‘80s, revealing how the Kinks created an undeniable sound and image that still attracts new followers today.

Despite his tremendous success, Billy Joel’s gifts as a composer and commentator on American life are long overdue for a thorough investigation. In Billy Joel: America’s Piano Man, music historian Joshua S. Duchan looks at the career and music of this remarkable singer-songwriter, exploring the unique ways Joel channels and transforms the cultural life of a changing America over four decades into bestselling song after song and album after album.Billy Joel has not always enjoyed the acclaim of music critics, who have characterized his music as inauthentic and lacking a uniqueness of style. Duchan corrects this misunderstanding by exploring the depth and degree to which Joel’s songs engage with social, cultural, political, and economic issues. Organized by major themes and including original interviews with Joel himself, Duchan’s book delves into Joel’s endeavors as a musician, lyricist, and commentator on questions of geography and regionalism, politics, working- and middle-class culture, human relationships, and the history of music itself. Duchan draws on key songs from Joel’s career to explore each theme, from his folk-like lament for Long Island’s changing industry and lifestyle in “The Downeaster ‘Alexa’” to his emotional ode to Vietnam veterans in “Goodnight Saigon.”Original interviews with Billy Joel blend with Duchan’s engaging analysis to provide readers of all backgrounds and ages a new look at these unforgettable songs. Music lovers and historians of both the academic and armchair variety will find this exploration of Joel’s work a rewarding adventure into America’s social, cultural, political, economic, and—above all—musical history.

With their unforgettable melodies, timeless messages, and stylistic indebtedness to both jazz and Broadway, American popular standards have proven to be among the most widely performed and enjoyed songs of the past century. Shaped in many ways by the technological and cultural developments of the early twentieth century, they have also managed to transcend these origins and become an enduring part of the American musical landscape.Ann van der Merwe explores how and why American songbook standards developed in the early twentieth century and how these standards have shaped American—and even global—musical culture ever since. The American Songbook explores key aspects of individual songs, including the musical and lyrical reasons for their broad appeal and applicability over the years.The American songbook continues to permeate the fabric of our daily lives. It is a repertoire that spans generations, from Fred Astaire to Tony Bennett and Lady Gaga. As a result, music lovers both young and old will enjoy discovering how these beloved songs emerged and why they remain relevant a century later.

U2’s significant career far exceeds that of most average successful rock bands, with a prolific output of thirteen well-received studio albums and a sometimes relentless touring schedule. The band is famous for uniquely drawing together music, art, faith, and activism, all within a lucrative career that has given each of these elements an unusual degree of social and cultural resonance. Broad-minded musically and intellectually, U2’soutput is thematically rich, addressing a slew of topics, from questions of faith to anxieties about commercialism to outright political statements. With one of the largest fan bases in the history of rock music, U2 and their work require contextualization and exploration. In U2: Rock ’n’ Roll to Change the World, Timothy D. Neufeld takes up this challenge. Neufeld explores U2’s move from the youthful idealism of a band barely able to play instruments through its many phases of artistic expression and cultural engagement to its employment of faith and activism as a foundation for its success. This book outlines how U2 reshaped the very musical and even political culture that had originally shaped it, demonstrating through close readings of its musical work the dynamic interplay of artistic expression and social engagement.

The Sex Pistols exploded onto the music scene in 1976, paving the way for the deluge of punk rock that would change the face of modern rock music forever. Their debut album, Never Mind the Bollocks, Here’s The Sex Pistols, proved one of the most important rock albums of all time, fusingslammed rock chords with searing vocals. The Sex Pistols simply, and seemingly effortlessly, blew awayall that had come before them, setting an entirely new bar for rock acts that followed in their wake.In Sex Pistols: The Pride of Punk, Peter Smith explores the impact the band had on launching the punk movement, beginning in 1976 with their debut single and ending in 1978 with their American tour. Despite their brief career, the Sex Pistols illustrate an important set of political and cultural elements of 1970s UK and US culture: disaffected youth, strained international relations, and rapid changes in culture. Peter Smith digs deep to collate the factors that fueled the Sex Pistols and the punk revolution.

The Sex Pistols exploded onto the music scene in 1976, paving the way for the deluge of punk rock that would change the face of modern rock music forever. Their debut album, Never Mind the Bollocks, Here’s The Sex Pistols, proved one of the most important rock albums of all time, fusingslammed rock chords with searing vocals. The Sex Pistols simply, and seemingly effortlessly, blew awayall that had come before them, setting an entirely new bar for rock acts that followed in their wake.In Sex Pistols: The Pride of Punk, Peter Smith explores the impact the band had on launching the punk movement, beginning in 1976 with their debut single and ending in 1978 with their American tour. Despite their brief career, the Sex Pistols illustrate an important set of political and cultural elements of 1970s UK and US culture: disaffected youth, strained international relations, and rapid changes in culture. Peter Smith digs deep to collate the factors that fueled the Sex Pistols and the punk revolution.

Phil Spector is a musician, songwriter and producer whose musical ability and visionary foresight as a producer charted the future of popular music and culture of the late 20th century. He revolutionized recording processes and re-shaped the business and marketing approach of the music industry. While he raised the bar for other musicians and producers to follow and gave a voice to groups struggling to achieve equality during the 60s, Spector was, however, a complex character whose need for control brought much damage and confusion into the lives of those around him as well as into his own career and life.Phil Spector: Sound of the Sixties follows the ups and downs of Spector’s career as an entrepreneur and businessman, technical wizard and musical visionary, record label master and collaborator with the biggest bands of the age. Spector left an indelible mark on American pop music, creating an iconic soundtrack that still attracts new listeners today.

Until recently, glam rock has been a mere footnote in popular music history: a style-over-substance lark in an otherwise serious industry. Glam Rock: Music in Sound and Vision reveals the true story of how glam carved out a place as a diverse musical style and how it related to the artistic, political, economic, emotional, sexual, and commercial scenes of the late twentieth century. Committed to spectacle but also to musical ingenuity, glam delivered an exhilarating burst of color that offered a joyful reboot for pop culture—“a total blam blam!”Glam swept through Britain to North America in the early 1970s with the foundational stardom of T Rex and David Bowie, offering an alternative to the established rock and pop styles that had started to bore a segment of young listeners. As Alice Cooper and KISS filled concert arenas, British acts as diverse as the Rolling Stones, Elton John, and Queen consciously adopted glam’s flair for drama. Refreshing and reinvigorating, glam influenced later musical movements and moments from glitterfunk to punk, from new wave to new romanticism, and from hair metal to the synth-pop of self-conscious changelings like Marilyn Manson and Lady Gaga.In Simon Philo’s engaging history, glam finally gets the spotlight it deserves. As an essential force in the history of popular music, glam offers a prism through which to explore ’70s pop culture in all its glitter and charm.

Since Radiohead’s formation in the mid-1980s, the band has celebrated three decades of creative collaboration and achieved critical acclaim across music genres as cultural icons. Recognized not only for their musical talent and daring experimentation, Radiohead is also known for its work’s engagement with cultural and political issues. Phil Rose dissects Radiohead’s entire catalog to reveal how the music directs our attention toward themes like cyber technology, the environment, terrorism, and the inevitability of the apocalypse. With each new album, Radiohead has sought to reinvent its sound and position in the music industry. Abandoning traditional distribution for their 2007 In Rainbows album, Radiohead experimented with a pay-what-you-want model that embraced the crowd-sourced commerce that has continued to gain prominence in modern consumer culture. In addition to chronicling the band members’ various solo projects, Rose outlines Radiohead’s political and civic activism. As the most up-to-date and thorough discussion of this landmark body of musical multimedia, Radiohead: Music for a Global Future recounts the band’s triumphs and tragedies along with their role at the forefront of adaptation both to a changing music industry and a rapidly changing world.

Since Radiohead’s formation in the mid-1980s, the band has celebrated three decades of creative collaboration and achieved critical acclaim across music genres as cultural icons. Recognized not only for their musical talent and daring experimentation, Radiohead is also known for its work’s engagement with cultural and political issues. Phil Rose dissects Radiohead’s entire catalog to reveal how the music directs our attention toward themes like cyber technology, the environment, terrorism, and the inevitability of the apocalypse. With each new album, Radiohead has sought to reinvent its sound and position in the music industry. Abandoning traditional distribution for their 2007 In Rainbows album, Radiohead experimented with a pay-what-you-want model that embraced the crowd-sourced commerce that has continued to gain prominence in modern consumer culture. In addition to chronicling the band members’ various solo projects, Rose outlines Radiohead’s political and civic activism. As the most up-to-date and thorough discussion of this landmark body of musical multimedia, Radiohead: Music for a Global Future recounts the band’s triumphs and tragedies along with their role at the forefront of adaptation both to a changing music industry and a rapidly changing world.

With Bob Dylan’s receipt of the Nobel Prize in Literature, his iconic status as an American musical, cultural, and poetic giant has never been more apparent.Bob Dylan: American Troubadour is the first book to look at Dylan’s career, from his first album to his late masterpiece Tempest. Donald Brown provides insightful critical commentary on Dylan’s prolific body of work, placing Dylan’s career in the context of its time in order to assess the relationship of Dylan’s music to contemporary American culture.Each chapter follows the shifting versions of Dylan, from his songs of conscientious social involvement to more personal exploratory songs; from his influential rock albums of the mid-1960s to his adaptations of country music; from his three very different tours in the 1970s to his “born again” period as a proselytizer for Christ and his frustrations as a recording and performing artist in the 1980s; from his retrospective importance in the 1990s to the refreshingly vital albums he has been producing in the twenty-first century.Bob Dylan: American Troubadour will engage not only Dylan fans and students of his work but also those interested in American popular music, history, and culture. Anyone who has been touched, challenged, or surprised by a Dylan song will enjoy this concise and informed critical exploration of Dylan’s music and his place in the American musical landscape.

Despite his tremendous success, Billy Joel’s gifts as a composer and commentator on American life are long overdue for a thorough investigation. In Billy Joel: America’s Piano Man, music historian Joshua S. Duchan looks at the career and music of this remarkable singer-songwriter, exploring the unique ways Joel channels and transforms the cultural life of a changing America over four decades into bestselling song after song and album after album.Billy Joel has not always enjoyed the acclaim of music critics, who have characterized his music as inauthentic and lacking a uniqueness of style. Duchan corrects this misunderstanding by exploring the depth and degree to which Joel’s songs engage with social, cultural, political, and economic issues. Organized by major themes and including original interviews with Joel himself, Duchan’s book delves into Joel’s endeavors as a musician, lyricist, and commentator on questions of geography and regionalism, politics, working- and middle-class culture, human relationships, and the history of music itself. Duchan draws on key songs from Joel’s career to explore each theme, from his folk-like lament for Long Island’s changing industry and lifestyle in “The Downeaster ‘Alexa’” to his emotional ode to Vietnam veterans in “Goodnight Saigon.”Original interviews with Billy Joel blend with Duchan’s engaging analysis to provide readers of all backgrounds and ages a new look at these unforgettable songs. Music lovers and historians of both the academic and armchair variety will find this exploration of Joel’s work a rewarding adventure into America’s social, cultural, political, economic, and—above all—musical history.

U2’s significant career far exceeds that of most average successful rock bands, with a prolific output of thirteen well-received studio albums and a sometimes relentless touring schedule. The band is famous for uniquely drawing together music, art, faith, and activism, all within a lucrative career that has given each of these elements an unusual degree of social and cultural resonance. Broad-minded musically and intellectually, U2’soutput is thematically rich, addressing a slew of topics, from questions of faith to anxieties about commercialism to outright political statements. With one of the largest fan bases in the history of rock music, U2 and their work require contextualization and exploration. In U2: Rock ’n’ Roll to Change the World, Timothy D. Neufeld takes up this challenge. Neufeld explores U2’s move from the youthful idealism of a band barely able to play instruments through its many phases of artistic expression and cultural engagement to its employment of faith and activism as a foundation for its success. This book outlines how U2 reshaped the very musical and even political culture that had originally shaped it, demonstrating through close readings of its musical work the dynamic interplay of artistic expression and social engagement.