Black Atlantic Cultural Series: Revisioning Artistic, Historical, Literary, Psychological, and Sociological Perspectives – serie

Archetypes of Transition in Diaspora Art and Ritual examines residually oral conventions that shape the black diaspora imaginary in the Caribbean and America. Colonial humanist violations and inverse issues of black cultural and psychological affirmation are indexed in terms of a visionary gestalt according to which inner and outer realities unify creatively in natural and metaphysical orders. Paul Griffith’s central focus is hermeneutical, examining the way in which religious and secular symbols inherent in rite and word as in vodun, limbo, the spirituals, puttin’ on ole massa, and dramatic and narrative structures, for example, are made basic to the liberating post-colonial struggle. This evident interpenetration of political and religious visions looks back to death-rebirth traditions through which African groups made sense of the intervention of evil into social order. Herein, moreover, the explanatory, epistemic, and therapeutic structures of art and ritual share correspondences with the mythic archetypes that Carl Jung posits as a psychological inheritance of human beings universally.

Afro and Indigenous Intersectionality in America as Nomen broadens the historical narrative of Indigenous, Autochthonous, and First World people who have been classified historically as Negro, Black, Colored, Afro, and African American. By addressing the ways in which the singular narrative of "slavery" codifies identity, this work moves beyond binary racial classifications and proposes the possibility of utilizing holistic historical narratives to foster group and personal identity.

Edited by Eric M. Bridges, Sheila Smith McKoy, and LaJuan Simpson-Wilkey, The Wisdom of Ifá: An Ancient Paradigm for the Twenty-First Century and Beyond explores Yoruba spirituality and the complex ways in which the acknowledgement of Ifá as a wisdom source can be used to address the needs of humanity in the twenty-first century and beyond. Through rituals and practices that honor nature's rhythms, the contributors explore how Ifá guides us towards sustainable coexistence with our environment, recognizing that our well-being is intricately linked to the health of the planet. The contributors also show how, in the realm of environmental stewardship, Ifá offers a holistic worldview that recognizes the interconnectedness of all life forms. This book offers discussions on environmentalism, gender, and politics that connect across the bounds of time, through the history, mythology, and lived realities of the tradition. As an ancient wisdom tradition that has enriched West African cultures, Ifá offers a roadmap for modern civilization to charter new paths for humanity and the challenges that we face.

From slavery to present day, the narratives of Black fatherhood have been fraught with biases and stereotypes, failing to accurately capture the voices and lived experiences of Black fathers. Contrary to these narratives, Black fathers play an important role in the lives of their children and families. Health, Parenting, and Community Perspectives on Black Fatherhood: Defying Stereotypes and Amplifying Strengths, edited by Tasha L. Alston, Brianna P. Lemmons, and Latrice S. Rollins, celebrates Black fatherhood and highlights the ways Black men defy stereotypes and embrace their role as fathers with unwavering resilience. Drawing on the expertise of well-regarded experts in the field and using a strengths-based perspective, this comprehensive book provides insight into the experiences of Black fathers in three key areas: health, parenting, and community. The contributors explore the salience of the co-parenting relationship for Black fathers, community-based participatory research with Black fathers, the Black father-daughter relationship, the male in-law relationship in Black families, support systems for Black fathers parenting autistic children, and more. This volume is an essential resource for scholars in social work, psychology, sociology, child development, allied health, and similar disciplines and professions.

During the era of slavery in the Danish West Indies, a distinct Africana heritage religion was developed by the enslaved population that relied on performative expression, and Gregory Carter traces this heritage. This spiritualty shared many attributes with other African heritage religions throughout the African Atlantic, including belief in spirit powers, the veneration of ancestors, polyrhythmic music, dance, costumed masquerade performance, reliance on herbalism and spirit mediumship. Simultaneously, they also incorporated Evangelical Lutheran/Moravian Christianity and the practice of altaration. Backtime Religion in the Danish West Indies: Africana Heritage Religion Beyond Obeah contends that the altaration of the human body is key to conceptualizing how enslaved Africans and their descendants contended with the terrible conditions inherent to slavery, the dislocation of spiritual connections from Africa, and built a renewed and living spiritual understanding on the Danish islands. To prevent loss of cultural knowledge and spirituality, the Danish West Indian enslaved community adapted to life on the islands with immediate pragmatism and took in every available means to regain connection to spiritual power available, containing and hiding this spirituality within living human bodies. Through in-depth research, Carter provides insight into how this religious practice, African heritage, and culture continue to impact the present-day Virgin Islands.

Philosophy and the Modern African American Freedom Struggle: A Freedom Gaze describes the ideas that defined the movement and struggle to be free by Black people in the United States during their Modern Era. Using a historical perspective, this work engages the question of how the historical experience of oppression and the denial of humanity created space for the development of a certain consciousness. The existence and demonstration of agency within the ideas of the African diaspora and the creation of an intentional community with the aim of defining and attaining freedom are dissected in order to understand the Black community as a whole during the modern era.This book was nominated for ?the 2023 Mississippi Institute of Arts and Letters Award in nonfiction.

Philosophy and the Modern African American Freedom Struggle: A Freedom Gaze describes the ideas that defined the movement and struggle to be free by Black people in the United States during their Modern Era. Using a historical perspective, this work engages the question of how the historical experience of oppression and the denial of humanity created space for the development of a certain consciousness. The existence and demonstration of agency within the ideas of the African diaspora and the creation of an intentional community with the aim of defining and attaining freedom are dissected in order to understand the Black community as a whole during the modern era.This book was nominated for ?the 2023 Mississippi Institute of Arts and Letters Award in nonfiction.

Recovering the African Feminine Divine in Literature, the Arts, and Practice: Yemonja Awakening provides context to the myriad ways in which the African feminine divine is being reclaimed by scholars, practitioners, and cultural scholars worldwide. This volume addresses the complex ways in which the reclamation of and recognition of Yemonja, the African female deity who is the mother of the entire world of the Orisha, facilitates cultural survival and the formation of African-centric identity. Also known as Yemaya, Iemanya and Yemaya-Olokun, Yemonja is the deity whose province is the ocean and, given that the Middle Passage was the cultural and spatial crossroad to Africa’s numerous diasporas, this deity links the shared histories of African and African descent cultural praxis worldwide. This work provides the context for understanding how the spiritual conceptualizations of the African feminine divine underpin critical cultural forms, even when it has been previously unacknowledged and despite the cultural encounters with European and Western models of being. Scholars of African diaspora studies and the arts will find this book particularly interesting.