Anthem Brazilian Studies – serie

‘Music Scenes and Migrations’ brings together new work from Brazilian and European scholars around the themes of musical place and transnationalism across the Atlantic triangle connecting Brazil, Africa and Europe. Moving beyond now-contested models for conceptualizing international musical relations and hierarchies of powers and influence, such as global/local or centre/periphery, the volume draws attention instead to the role of the city, in particular, in producing, signifying and mediating music-making in the colonial and post-colonial Portuguese-speaking world. In considering the roles played by cities as hubs of cultural intersection, socialization, exchange and transformation; as sites of political intervention and contestation; and as homes to large concentrations of consumers, technologies and media, Rio de Janeiro necessarily figures prominently, given its historical importance as an international port at the centre of the Lusophone Atlantic world. The volume also gives attention to other urban centres, within Brazil and abroad, towards which musicians and musical traditions have migrated and converged – such as São Paulo, Lisbon and Madrid – where they have reinvented themselves; where notions of Brazilian and Lusophone identity have been reconfigured; and where independent, peripheral and underground scenes have contested the hegemony of the musical ‘mainstream’.

Although published as part of a series on Brazilian studies, central to this collection are not the concepts of nation or nationhood but those of transnational networks and cross-cultural exchanges. The concept of nation is of limited value to account for the periodical print culture as a global phenomenon marked by transnational movements such as those involving capital flows, commodities, people, ideas and editorial models. In this vein, what these chapters explore is not so much the concept of influence – which often plays a central role in Eurocentric analyses – but those of circulation and interaction. The notion of “circulation” here emphasised is more appropriate to the study of cultural exchanges, focusing on the movements of and engagements with ideas and concepts, as well as the appropriated models and the people involved in the publication and consumption of magazines. What the reader will find in these essays are analysis of numerous processes of transnational cultural negotiations.

This book is about contemporary Brazilian fiction from the past two decades and concerned with the possibilities of literary intervention in the reality of the historical moment. Thus, an understanding of the actual role of literature is strategic in the definition of the contemporary, and the book shows an optimism among current writers and artists with respect to the aesthetic, ethical, and political role of literature and art in the twentieth century. In contemporary Brazilian prose, two simultaneous ambitions are often reconciled. The commitment to individual or social reality is a challenge that is assumed without thereby necessarily accepting and following the molds of the traditional search for national or cultural identities. This foundation is one of the constants of contemporary prose, without thereby eliminating the continuous existence of a formal experimentalism that is the clearest heir of the modernist project.

This book aims to use soccer as a tool to understand key elements of Brazil’s history from the overthrown of the Monarchy in 1889 to the 1930 Revolution that brought Getulio Vargas to power—the so called First Republic. More specifically, this book will show that the advent of soccer and the reactions of the elites toward this sport can be understood primarily as a consequence of the desire of the new Republic—crucially influenced by racist attitudes integral to Social Darwinism—to be included within the white civilized world. Thus, racism during the early years of football in that country was influenced by the eurocentric views of the world in racial terms and the Brazilian elites desire to be accepted by the civilized white world.

Under the governments of Lula da Silva and Dilma Rousseff, Brazil aimed at creating a global market for ethanol as a green transport fuel, and ethanol diplomacy became a signature component of Brazil’s international insertion at the time. This study examines Brazil’s international ethanol strategy and creates a comprehensive overview of the theoretical and practical approaches that Brazil undertook to promote ethanol as a tool to achieve energy security and combat climate change in a framework of South-South cooperation.

The book discusses the representation of Amazonian indigenous cultures in art and anthropological exhibitions through the analysis of a series of case studies of temporary exhibitions taking place in museums and biennials in Brazil, Europe and the United States spanning a period of 25 years from the mid-1980s. The book puts forward the concept of ‘minor curating’ as a strategy to amplify access to collections of historical relevance for indigenous peoples and to enable them to develop projects that are politically, historically and culturally meaningful for their own societies through curatorial authorship.

Grand Duchess Elena Pavlovna of Russia and Princess Isabel of Brazil were active participants in the struggle to end servile labor in their respective countries. They acted in defiance of political conventions which excluded women from any political activity. Both women were determined to do all in their power to further the cause of emancipation and to determine the terms under which serfs and slaves were emancipated. This book examines the political activities of the two royal women within the context of their respective societies and adopts a comparative approach.

This book addresses a neglected aspect of the history of Britain’s centuries-long involvement with transatlantic slavery. For a half century after the Slavery Abolition Act of 1833, individual Britons and British enterprises continued to own enslaved people and invest in slavery in Brazil. This book explores the material basis of this entanglement, in the context of British anti-slavery policy, to explain how the last vestiges of British slaveholding in the Americas were only extinguished by abolition in Brazil in 1888.

This work analyses the impact of the publications written by the economist, jurist, administrator and historian José da Silva Lisboa, the future Viscount of Cairu, from 1821 to 1822, on the events that led to the Independence of Brazil in 1822. It reassesses the many interpretations of his role throughout the period, repositioning him among those who are part of the broad reformist Catholic Enlightenment. Although a supporter of Brazilian autonomy, a fierce critic of the Cortes of Lisbon and an important figure in the events that unfolded after the departure of Dom João VI from Rio de Janeiro in 1821, he would not openly embrace the Independence from the United Kingdom with Portugal and would instead work towards a solution that would encompass Brazil’s autonomy within a Portuguese Empire, which did not take place.

This book is about contemporary Brazilian fiction from the past two decades and concerned with the possibilities of literary intervention in the reality of the historical moment. Thus, an understanding of the actual role of literature is strategic in the definition of the contemporary, and the book shows an optimism among current writers and artists with respect to the aesthetic, ethical, and political role of literature and art in the twentieth century. In contemporary Brazilian prose, two simultaneous ambitions are often reconciled. The commitment to individual or social reality is a challenge that is assumed without thereby necessarily accepting and following the molds of the traditional search for national or cultural identities. This foundation is one of the constants of contemporary prose, without thereby eliminating the continuous existence of a formal experimentalism that is the clearest heir of the modernist project.

Brazil and Transnational Human Rights Movement, 1964–1985 explores how solidarity for Brazil contributed to the global human rights movement of the 1970s. Through protests, petitions, posters, and numerous other cultural, artistic, and media-based campaigns, solidarity for Brazil popularised the language of human rights and prompted the international community to join the fight against the country’s military regime. But solidarity for Brazil also reframed the debate on human rights itself, stretching the concept beyond mainstream interpretations that emphasised the violation of ‘basic’ individual rights, such as the use of torture and political imprisonment, to also incorporate social and economic rights, inequality, indigenous minorities, and the human rights responsibilities of multinational companies and development projects. Crucial to this process were multiple networks of exiles, catholic activists, journalists, and academics between Brazil and Western Europe, who drew from the Latin American experience to challenge mainstream narratives of human rights from below.

What do you think when someone mentions “Brazil”? Probably the first ideas that come to your mind are samba and football. Maybe you think of Pelé, Neymar, Ayrton Senna and Giselle Bundchen. Maybe you think of the rainforest and Rio. But have you ever thought Brazil to be a country afraid of becoming more international? Written by a Brazilian expert in foreign affairs, this book describes Brazilian position in the international scenario and presents an authentic and provocative point of view on the Brazilian international relations. You will read a little about football and samba, but you will also be presented to a comprehensive set of themes, such as the impact of COVID-19, regional agreements, bilateral relations, finances and migration.

This book investigates the Brazilian health cooperation in Mozambique looking at the interests of both actors and different power relations within this initiative. It counts with a case study looking at the implementation of SociedadeMocambicana de Medicamentos – a pharmaceutical factory that was implemented in Maputo as a result of the cooperation between the countries.

The Exhibition of Modern Brazilian Paintings, held at the Royal Academy of Arts of London and seven other major venues throughout the United Kingdom in 1944 and 1945, was the first collective display of Brazil’s art shown in the United Kingdom and the largest ever sent abroad until then. It resulted from an initiative championed by the Brazilian Foreign Ministry and envisioned by 70 Modernist painters who donated 168 artworks as a contribution to the Allied War effort. Notwithstanding its historical relevance and unmatched scale, this event had never been academically investigated. Through exploring why and how successfully the Brazilian government devoted superlative efforts to this enterprise in the midst of World War II, this book is intended to fill this gap and gain an understanding of a largely neglected public aspect of a deeply studied period of Brazilian foreign policy. The research unearthed abundant firsthand documents to reconstruct the episode, adopting the hermeneutic method and a theoretical framework from the Public Diplomacy and Cultural Diplomacy fields in order to interpret the circumstances that made possible this improbable and challenging endeavor. It contends that the Exhibition was a remarkably innovative action of Public Diplomacy avant la lettre, which aimed at engaging with British society and enhancing the image of Brazil and its culture. Its motivations must be understood within the broader foreign policy, focused on obtaining prestige and repositioning Brazil in the postwar international order, which encompassed the deployment of 25,000 troops to fight in Europe. The research further claims that the initiative was intended and managed to achieve a substantial impact on views about Brazil, by means of conveying a well-planned message.