Audio Engineering Society Presents – serie

Modern Recording Techniques is the bestselling, authoritative guide to sound and music recording. Whether you’re just starting out or are looking to improve your skills, this book provides an in-depth guide to the art and technologies of music production and is a must-have reference for all audio bookshelves. Using its familiar and accessible writing style, this new edition has been fully updated, presenting the latest production technologies and including detailed coverage of digital audio workstations (DAWs), networked audio, musical instrument digital interface (MIDI), signal processing and much more. Modern Recording Techniques is supported by a host of video tutorials, which provide additional listening and visual examples, making this text essential reading for students, instructors and professionals.This updated tenth edition includes:Newly expanded "Art and Technology" chapters, providing more tips, tricks and insights for getting the best out of your recording, mixing, monitoring and masteringAn expanded MIDI chapter to include MIDI 2.0More in-depth coverage of digital audio and the digital audio workstationGreater coverage of immersive audio, including Dolby Atmos Production

Providing vital reading for audio students and trainee engineers, Sound and Recording is the essential guide for anyone who wants a solid grounding in both theory and industry practices in audio, sound, and recording. This updated and comprehensively restructured edition includes new content on DAW configuration, effects processing, 3D/immersive audio systems, object-based audio, and VR audio technology.This bestselling book introduces you to the principles of sound, perception, audio technology, and systems. Sound and Recording is the ideal audio engineering text for students, an accessible reference for professionals, and a comprehensive introduction for hobbyists.

Every session, every gig, every day, recording engineers strive to make the most of their audio signal processing devices. EQ, Compression, Delay, Distortion, Reverb and all those other FX are the well-worn tools of the audio trade. Recording and mixing, live and in the studio, engineers must thoroughly master these devices to stay competitive sonically. Its not enough to just know what each effect is supposed to do. Sound FX explains the basic and advanced signal processing techniques used in professional music production, describing real world techniques used by experienced engineers, and referencing popular music examples released internationally. The reader learns not just how to, but also what if, so they can better achieve what they already hear in the productions they admire and chase what they only hear in their imaginative minds ear. Sound FX will immediately help you make more thorough, more musical use of your sound FX.The accompanying website www.soundfx-companion.com includes audio exaples of FX featured in the book.Features: A chapter dedicated to each key effect: DistortionCompression & LimitingExpansion & GatingReverbEqualizationDelayPitch ShiftVolumeMore than 100 line drawings and illustrations. Accompanying website featuring examples of all FX covered in the book. Discography of FX at the end of each relevant chapter. From the Sound FX Intro:The most important music of our time is recorded music. The recording studio is its principle musical instrument. The recording engineers and music producers who create the music we love know how to use signal processing equipment to capture the work of artists, preserving realism or altering things wildly, as appropriate. While the talented, persistent, self-taught engineer can create sound recordings of artistic merit, more productive use of the studio is achieved through study, experience and collaboration. This book defines the technical basis of the most important signal processing effects used in the modern recording studio, highlights the key drivers of sound quality associated with each, shares common production techniques used by recording engineers with significant experience in the field, references many of the touchstone recordings of our time, and equips the reader with the knowledge needed to comfortably use effects devices correctly, and, more importantly, to apply these tools creatively.

The MIDI Manual is a complete reference on MIDI, written by a well-respected sound engineer and author. This best-selling guide provides a clear explanation of what MIDI is, how to use electronic instruments and an explanation of sequencers and how to use them. You will learn how to set up an efficient MIDI system and how to get the best out of your music.The MIDI Manual is packed full of useful tips and practical examples on sequencing and mixing techniques. It also covers editors/librarians, working with a score, MIDI in mass media and multimedia and synchronisation. The MIDI spec is set out in detail along with the helpful guidelines on using the implementation chart.Illustrated throughout with helpful photos and screengrabs, this is the most readable and clear book on MIDI available.

Eargle's Microphone Book is the only guide you will ever need for the latest in microphone technology, application and technique. This new edition features more on microphone arrays and wireless microphones, new material on digital models; the latest developments in surround; expanded advice on studio set up, recording and mic selection. Ray A. Rayburn provides detailed analysis of the different types of microphones available and addresses their application through practical examples of actual recording sessions and studio operations. The book takes you into the studio or concert hall to see how performers are positioned and how the best microphone array is determined. Problem areas such as reflections, studio leakage and isolation are analyzed from practical viewpoints. Creative solutions to stereo sound staging, perspective, and balance are covered in detail. Eargle's Microphone Book is an invaluable resource for learning the 'why' as well as the 'how' of choosing and placing a microphone for any situation.

Digital Audio Forensics Fundamentals offers an accessible introduction to both the theory and practical skills behind this emerging field of forensic science. Beginning with an overview of the history of the discipline, the reader is guided through forensic principles and key audio concepts, before being introduced to practical areas such as audio enhancement, audio authentication, and the presentation of reports. Covering all aspects of audio forensics from the capture to the courtroom, this book is pivotal reading for beginners entering the field, as well as experienced professionals looking to develop their knowledge of the practice.

Digital Audio Forensics Fundamentals offers an accessible introduction to both the theory and practical skills behind this emerging field of forensic science. Beginning with an overview of the history of the discipline, the reader is guided through forensic principles and key audio concepts, before being introduced to practical areas such as audio enhancement, audio authentication, and the presentation of reports. Covering all aspects of audio forensics from the capture to the courtroom, this book is pivotal reading for beginners entering the field, as well as experienced professionals looking to develop their knowledge of the practice.

Immersive Sound Volume II: The Design and Practice of Binaural and Multi-Channel Experiences is a collection of interviews and essays providing a comprehensive guide to the history, theory, and creative applications of 3D and spatial audio across music, production, theater, installations, and film.Offering both foundational knowledge and practical insights into the design and implementation of immersive sound experiences, expert contributors present each topic in depth, with chapters structured for both sequential learning and standalone reference. By combining historical context, cognitive perspectives, and real-world applications, this book connects theory with practice and helps readers expand their technical, academic, and creative potential in the rapidly evolving field of spatial audio.This is a valuable resource for all spatial audio content creators, including audio engineers, sound designers, researchers, educators, composers, performers, and students seeking a comprehensive understanding of immersive sound and its applications across different disciplines. This book serves as a companion to Immersive Sound: The Art and Science of Binaural and Multi-Channel Audio.

Immersive Sound Volume II: The Design and Practice of Binaural and Multi-Channel Experiences is a collection of interviews and essays providing a comprehensive guide to the history, theory, and creative applications of 3D and spatial audio across music, production, theater, installations, and film.Offering both foundational knowledge and practical insights into the design and implementation of immersive sound experiences, expert contributors present each topic in depth, with chapters structured for both sequential learning and standalone reference. By combining historical context, cognitive perspectives, and real-world applications, this book connects theory with practice and helps readers expand their technical, academic, and creative potential in the rapidly evolving field of spatial audio.This is a valuable resource for all spatial audio content creators, including audio engineers, sound designers, researchers, educators, composers, performers, and students seeking a comprehensive understanding of immersive sound and its applications across different disciplines. This book serves as a companion to Immersive Sound: The Art and Science of Binaural and Multi-Channel Audio.

Performing Electronic Music Live lays out conceptual approaches, tools, and techniques for electronic music performance, from DJing, DAWs, MIDI controllers, traditional instruments, live sound design, hardware setups, custom software and hardware, to live visuals, venue acoustics, and live show promotion. Through case studies and contrasting tutorials by successful artists, Kirsten Hermes explores the many different ways in which you can create memorable experiences on stage. Featuring interviews with highly accomplished musicians and practitioners, readers can also expand on their knowledge with hands-on video tutorials for each chapter via the companion website, performingelectronicmusic.live. Performing Electronic Music Live is an essential, all-encompassing resource for professionals, students of music production courses, and researchers in the field of creative-focused performance technology.

Performing Electronic Music Live lays out conceptual approaches, tools, and techniques for electronic music performance, from DJing, DAWs, MIDI controllers, traditional instruments, live sound design, hardware setups, custom software and hardware, to live visuals, venue acoustics, and live show promotion. Through case studies and contrasting tutorials by successful artists, Kirsten Hermes explores the many different ways in which you can create memorable experiences on stage. Featuring interviews with highly accomplished musicians and practitioners, readers can also expand on their knowledge with hands-on video tutorials for each chapter via the companion website, performingelectronicmusic.live. Performing Electronic Music Live is an essential, all-encompassing resource for professionals, students of music production courses, and researchers in the field of creative-focused performance technology.

Virtual Reality Audio: A Guide to Immersive Sound in Virtual Experiences takes you inside the world of immersive sound in VR, revealing how it transforms music, film sound, and game audio through practical examples and rich aesthetic, technical, and historical insights. Readers will discover the perceptual foundations of immersive sound and its development into an inextricable part of virtual experiences today, before diving into hands-on examples that explore cutting-edge applications of VR audio across multiple disciplines. This book is accessible for a wide range of readers, including audio professionals looking to expand into VR, visual and interactive media specialists seeking to harness the power of immersive sound, and multidisciplinary VR creators eager to build their skills in audio implementation.With a blend of theory and applied practice, Virtual Reality Audio offers a comprehensive roadmap for anyone interested in the future of sound in virtual worlds.

Virtual Reality Audio: A Guide to Immersive Sound in Virtual Experiences takes you inside the world of immersive sound in VR, revealing how it transforms music, film sound, and game audio through practical examples and rich aesthetic, technical, and historical insights. Readers will discover the perceptual foundations of immersive sound and its development into an inextricable part of virtual experiences today, before diving into hands-on examples that explore cutting-edge applications of VR audio across multiple disciplines. This book is accessible for a wide range of readers, including audio professionals looking to expand into VR, visual and interactive media specialists seeking to harness the power of immersive sound, and multidisciplinary VR creators eager to build their skills in audio implementation.With a blend of theory and applied practice, Virtual Reality Audio offers a comprehensive roadmap for anyone interested in the future of sound in virtual worlds.

The MIDI Manual: A Practical Guide to MIDI within Modern Music Production, Fourth Edition, is a complete reference on MIDI. Written by David Miles Huber (a 4x Grammy-nominated musician, producer and author), this best-selling guide provides clear explanations of what MIDI 1.0 and 2.0 are, acting as a guide for electronic instruments, the DAW, MIDI sequencing and how to make best use of them. You will learn how to set up an efficient MIDI system and how to get the most out of your production room and ultimately … your music.Packed full of useful tips and practical examples on sequencing and mixing techniques, The MIDI Manual also covers in-depth information on system interconnections, controllers, groove tools, the DAW, synchronization and more. For the first time, the MIDI 2.0 spec is explained in light of the latest developments and is accompanied with helpful guidelines for the long-established MIDI 1.0 spec and its implementation chart.Illustrated throughout with helpful photos and screenshots, this is the most readable and clearly explained book on MIDI available.

The MIDI Manual: A Practical Guide to MIDI within Modern Music Production, Fourth Edition, is a complete reference on MIDI. Written by David Miles Huber (a 4x Grammy-nominated musician, producer and author), this best-selling guide provides clear explanations of what MIDI 1.0 and 2.0 are, acting as a guide for electronic instruments, the DAW, MIDI sequencing and how to make best use of them. You will learn how to set up an efficient MIDI system and how to get the most out of your production room and ultimately … your music.Packed full of useful tips and practical examples on sequencing and mixing techniques, The MIDI Manual also covers in-depth information on system interconnections, controllers, groove tools, the DAW, synchronization and more. For the first time, the MIDI 2.0 spec is explained in light of the latest developments and is accompanied with helpful guidelines for the long-established MIDI 1.0 spec and its implementation chart.Illustrated throughout with helpful photos and screenshots, this is the most readable and clearly explained book on MIDI available.

Providing vital reading for audio students and trainee engineers, Sound and Recording is the essential guide for anyone who wants a solid grounding in both theory and industry practices in audio, sound, and recording. This updated and comprehensively restructured edition includes new content on DAW configuration, effects processing, 3D/immersive audio systems, object-based audio, and VR audio technology.This bestselling book introduces you to the principles of sound, perception, audio technology, and systems. Sound and Recording is the ideal audio engineering text for students, an accessible reference for professionals, and a comprehensive introduction for hobbyists.

Drum Sound and Drum Tuning assists drummers, sound engineers, and music students in learning critical skills related to drum sound and achieving an optimised and personalised drum kit set-up. The book covers the essential theories of percussion acoustics and develops this knowledge in order to facilitate creative approaches to drum tuning and professional-level recording and mixing of drums. All aspects of drumhead vibration, drumhead equalisation, and resonant drumhead coupling are de-mystified, alongside discussions relating to drumhead types, drum shell vibration, and tuning to musical intervals for different performance genres. The book develops drum sound theory and creative analysis into a detailed dissection of recording and production techniques specifically for drums, including discussions on studio technologies, room acoustics, microphone techniques, phase coherence, and mixing drums with advanced digital audio workstation (DAW) techniques and creative processing tools. Drum Sound and Drum Tuning includes many practical hands-on exercises that incorporate example tutorials with Logic Pro and iDrumTune Pro software, encouraging the reader to put theory into immediate creative practice and to develop their own listening skills in an informed and reflective manner. The book also documents primary interviews and opinion from some of the world’s most celebrated drummers, music producers, and sound engineers, enabling the reader to connect the relevant theories with real-world context, whilst refining their own personalised approach to mastering drum sound.

Drum Sound and Drum Tuning assists drummers, sound engineers, and music students in learning critical skills related to drum sound and achieving an optimised and personalised drum kit set-up. The book covers the essential theories of percussion acoustics and develops this knowledge in order to facilitate creative approaches to drum tuning and professional-level recording and mixing of drums. All aspects of drumhead vibration, drumhead equalisation, and resonant drumhead coupling are de-mystified, alongside discussions relating to drumhead types, drum shell vibration, and tuning to musical intervals for different performance genres. The book develops drum sound theory and creative analysis into a detailed dissection of recording and production techniques specifically for drums, including discussions on studio technologies, room acoustics, microphone techniques, phase coherence, and mixing drums with advanced digital audio workstation (DAW) techniques and creative processing tools. Drum Sound and Drum Tuning includes many practical hands-on exercises that incorporate example tutorials with Logic Pro and iDrumTune Pro software, encouraging the reader to put theory into immediate creative practice and to develop their own listening skills in an informed and reflective manner. The book also documents primary interviews and opinion from some of the world’s most celebrated drummers, music producers, and sound engineers, enabling the reader to connect the relevant theories with real-world context, whilst refining their own personalised approach to mastering drum sound.

Recording Orchestra and Other Classical Music Ensembles explores techniques and methodologies specific to recording classical music. Whether the reader is a newcomer or a seasoned engineer looking to refine their skills, this book speaks to all levels of expertise and covers every aspect of recording symphonic and concerto repertoire, opera, chamber music and solo piano.With a focus on the orchestra as an instrument and sound source, Recording Orchestra and Other Classical Music Ensembles features sections on how to listen, understanding microphones, concert halls, orchestra seating arrangements, how to set up the monitoring environment and how to approach recording each section of the orchestra. Offering concise information on preparing for a recording session, the role of the producer and mixing techniques, whilst a "quick-start" reference guide with suggested setups also helps to introduce the reader to the recording process. Online Instructor and Student Resources, featuring audio and video examples of various techniques, further reinforces the concepts discussed throughout the book.This new edition has updated and expanded material, including new chapters on classical crossover projects, film score recording and immersive/3D recording and mixing, as well as a number of new case studies, making this an essential guide for students, researchers and professionals recording classical music.

Working with the Web Audio API is the definitive and instructive guide to understanding and using the Web Audio API. The Web Audio API provides a powerful and versatile system for controlling audio on the Web. It allows developers to generate sounds, select sources, add effects, create visualizations and render audio scenes in an immersive environment.This book covers all essential features, with easy to implement code examples for every aspect. All the theory behind it is explained, so that one can understand the design choices as well as the core audio processing concepts. Advanced concepts are also covered, so that the reader will gain the skills to build complex audio applications running in the browser.Aimed at a wide audience of potential students, researchers and coders, this is a comprehensive guide to the functionality of this industry-standard tool for creating audio applications for the web.

Working with the Web Audio API is the definitive and instructive guide to understanding and using the Web Audio API. The Web Audio API provides a powerful and versatile system for controlling audio on the Web. It allows developers to generate sounds, select sources, add effects, create visualizations and render audio scenes in an immersive environment.This book covers all essential features, with easy to implement code examples for every aspect. All the theory behind it is explained, so that one can understand the design choices as well as the core audio processing concepts. Advanced concepts are also covered, so that the reader will gain the skills to build complex audio applications running in the browser.Aimed at a wide audience of potential students, researchers and coders, this is a comprehensive guide to the functionality of this industry-standard tool for creating audio applications for the web.

Modern Recording Techniques is the bestselling, authoritative guide to sound and music recording. Whether you’re just starting out or are looking to improve your skills, this book provides an in-depth guide to the art and technologies of music production and is a must-have reference for all audio bookshelves. Using its familiar and accessible writing style, this new edition has been fully updated, presenting the latest production technologies and including detailed coverage of digital audio workstations (DAWs), networked audio, musical instrument digital interface (MIDI), signal processing and much more. Modern Recording Techniques is supported by a host of video tutorials, which provide additional listening and visual examples, making this text essential reading for students, instructors and professionals.This updated tenth edition includes:Newly expanded "Art and Technology" chapters, providing more tips, tricks and insights for getting the best out of your recording, mixing, monitoring and masteringAn expanded MIDI chapter to include MIDI 2.0More in-depth coverage of digital audio and the digital audio workstationGreater coverage of immersive audio, including Dolby Atmos Production

Recording Orchestra and Other Classical Music Ensembles explores techniques and methodologies specific to recording classical music. Whether the reader is a newcomer or a seasoned engineer looking to refine their skills, this book speaks to all levels of expertise and covers every aspect of recording symphonic and concerto repertoire, opera, chamber music and solo piano.With a focus on the orchestra as an instrument and sound source, Recording Orchestra and Other Classical Music Ensembles features sections on how to listen, understanding microphones, concert halls, orchestra seating arrangements, how to set up the monitoring environment and how to approach recording each section of the orchestra. Offering concise information on preparing for a recording session, the role of the producer and mixing techniques, whilst a "quick-start" reference guide with suggested setups also helps to introduce the reader to the recording process. Online Instructor and Student Resources, featuring audio and video examples of various techniques, further reinforces the concepts discussed throughout the book.This new edition has updated and expanded material, including new chapters on classical crossover projects, film score recording and immersive/3D recording and mixing, as well as a number of new case studies, making this an essential guide for students, researchers and professionals recording classical music.

Handbook for Sound Engineers is the most comprehensive reference available for audio engineers, and is a must read for all who work in audio. This sixth edition has been thoroughly revised and updated to reflect changes in the industry, and includes nine new chapters on networked audio, sound system design, sound system verification, emergency sound and communication systems, assisted listening systems, sound masking, cinema sound, theater sound, and sound for touring systems.The handbook features contributions from many of the top professionals in the field, with this new edition now incorporating chapters by Brian Christ, Aaron Johnson, John Loufik, Dr. Heather Malyuk, Rob Miller, Dan Mead, Ray Nardelli, Tom Ruhling, Dale Shirk, Hadi Sumoro, Xian Yu, Dr. Stefan Weinzierl, and Harry Witz. The chapters cover an extensive range of topics, from audio and acoustic DNA, MIDI, audio transformers, grounding and interfacing, room-acoustical fundamentals for auditoriums and concert halls, and speech intelligibility, to microphones, resistors, capacitors, inductors, tubes, solid state devices, wire and cable, and power supplies.Covering everything from historical perspectives to modern technologies, Handbook for Sound Engineers is an essential text for serious audio and acoustic engineers.

Audio Production and Critical Listening: Technical Ear Training develops your critical and expert listening skills, enabling you to listen to audio like an award-winning engineer.Featuring an accessible writing style, this revised edition includes substantial new content on parametric equalization and tonal balance, spatial audio and reverberation, dynamics processing, distortion and noise, analysis of sound recordings, as well as updated sections on headphone recommendations, hearing conservation, and new everyday ear training exercises. The interactive web browser-based technical ear training software modules provide endless opportunities to practice identifying various types of signal processing and manipulations across a range of difficulties. Working alongside the clear and detailed explanations in the book, this software completes the learning package that will help you train your ears to listen and really “hear” the technical details of your recordings through each stage of production and post-production. This all-new edition has been updated to include access to integrated software that promotes listening skills development through audio examples found in actual recording and production work, suggestions for progressive equalizer training exercises, and new analyses of recordings examples in a range of diverse genres.This is an ideal textbook for undergraduate students in music production, audio engineering, and sound design courses, as well as novice producers and engineers honing their critical listening skills for audio.

Audio Production and Critical Listening: Technical Ear Training develops your critical and expert listening skills, enabling you to listen to audio like an award-winning engineer.Featuring an accessible writing style, this revised edition includes substantial new content on parametric equalization and tonal balance, spatial audio and reverberation, dynamics processing, distortion and noise, analysis of sound recordings, as well as updated sections on headphone recommendations, hearing conservation, and new everyday ear training exercises. The interactive web browser-based technical ear training software modules provide endless opportunities to practice identifying various types of signal processing and manipulations across a range of difficulties. Working alongside the clear and detailed explanations in the book, this software completes the learning package that will help you train your ears to listen and really “hear” the technical details of your recordings through each stage of production and post-production. This all-new edition has been updated to include access to integrated software that promotes listening skills development through audio examples found in actual recording and production work, suggestions for progressive equalizer training exercises, and new analyses of recordings examples in a range of diverse genres.This is an ideal textbook for undergraduate students in music production, audio engineering, and sound design courses, as well as novice producers and engineers honing their critical listening skills for audio.

This fourth edition of Sound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers, Rooms and Headphones explains the physical and perceptual processes that are involved in sound reproduction and demonstrates how to use these processes to create high-quality listening experiences in stereo and multichannel formats.Understanding the principles of sound production is necessary to achieve the goals of sound reproduction in spaces ranging from recording control rooms and home listening rooms to large cinemas. This revised edition includes:Sections on 2-channel stereo, headphones, binaural listening and DIY multiple-subwoofer solutions to room resonance problemsMeasurable performance guidelines for loudspeaker designersCriteria for the selection of timbrally neutral loudspeakers and headphones using industry-standard measurementsGuidance for how best to employ loudspeakers in stereo and multichannel formats in small rooms with problematic bass resonancesAdvice on identifying and separating the recording and playback factors that influence sound quality and the spatial/enveloping perceptions that contribute to our satisfactionThis is essential reading for loudspeaker designers, recording professionals and educators, and aspiring professionals learning in and out of the classroom, as well as being accessible for audio enthusiasts looking to enrich their hobby.

This fourth edition of Sound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers, Rooms and Headphones explains the physical and perceptual processes that are involved in sound reproduction and demonstrates how to use these processes to create high-quality listening experiences in stereo and multichannel formats.Understanding the principles of sound production is necessary to achieve the goals of sound reproduction in spaces ranging from recording control rooms and home listening rooms to large cinemas. This revised edition includes:Sections on 2-channel stereo, headphones, binaural listening and DIY multiple-subwoofer solutions to room resonance problemsMeasurable performance guidelines for loudspeaker designersCriteria for the selection of timbrally neutral loudspeakers and headphones using industry-standard measurementsGuidance for how best to employ loudspeakers in stereo and multichannel formats in small rooms with problematic bass resonancesAdvice on identifying and separating the recording and playback factors that influence sound quality and the spatial/enveloping perceptions that contribute to our satisfactionThis is essential reading for loudspeaker designers, recording professionals and educators, and aspiring professionals learning in and out of the classroom, as well as being accessible for audio enthusiasts looking to enrich their hobby.

Classical Recording: A Practical Guide in the Decca Tradition is the authoritative guide to all aspects of recording acoustic classical music, providing detailed descriptions, diagrams, and photographs of fundamental recording techniques such as the Decca Tree, post-production workflow, and the practicalities of working on location.This updated and revised second edition has expanded sections on critical listening and microphone placement troubleshooting, as well as two new chapters on overdubbing and the audiovisual considerations of filming a classical music performance. The book gives practical advice on the other essential skills involved in successfully producing a classical recording, including: the practicalities of running a recording session on location, the skills needed as producer, working in imperfect surroundings, using artificial reverberation alongside the real thing, dealing with overdubs, working with sound and picture, workflow from session to edit suite, and creating a seamless edited master.Written by engineers with years of experience working for Decca and Abbey Road Studios and as freelancers, Classical Recording equips the student, the interested amateur, and the practising professional with the required knowledge and confidence to tackle everything from a solo piano to opera.