Bison Classic Editions - Böcker

Hunter, trapper, resourceful fighter, and scout, Hugh Glass was just a rugged man among other rugged American frontiersmen until he was mauled by a grizzly bear and left for dead by his best friends. Hugh's rage drove him to crawl two hundred miles across dangerous territory to seek revenge until he was no longer Hugh Glass but had become Lord Grizzly. Lord Grizzly is the second volume of Frederick Manfred's acclaimed five-volume series, The Buckskin Man Tales. For this Bison Books edition, poet Freya Manfred provides a new introduction.

In 1862 the largest Indian uprising in American history occurred in southern Minnesota. Enraged Sioux attempted to throw off the broken treaties that still bound them and to avenge the insults and depredations they had been forced to bear. Hundreds of whites were killed. Women were taken captive.Told from the point of view of Judith Raveling, a young woman widowed by the uprising, Scarlet Plume draws on the brutal history of the conflict from beginning to end. Taken captive by the Sioux, Judith is given to Scarlet Plume, one of the many warriors who know their cause is lost. Caught between the men who would wage war ruthlessly and his own judgment, which tells him how dearly the Sioux will pay for every white person killed, Scarlet Plume tries to save as many as he can. Defying the dangers of a pitiless war, he returns Judith to the safety of her people. Soon she must try to save him. Scarlet Plume is the third of Frederick Manfred's five-volume series, The Buckskin Man Tales.

High on a remote butte, a young Sioux waits. Though daring in battle, skillful, and strong, he cannot be a man until his spiritual vision comes. When it appears, he must interpret it correctly to know who he is, and he must deserve it or continue to be called No Name. No Name has his vision, a glowing white mare who walks among the stars. She tells No Name his destiny and how to achieve it. He must pass through hostile camps, storm, and fire, risking his life many times to become Conquering Horse, chief of the Sioux.Conquering Horse is the first of Frederick Manfred's five-volume series, The Buckskin Man Tales.

Hailed by reviewers and readers for its originality, vitality, and truth, this novel secured Willa Cather a place in the first rank of American writers. Cather called My Ántonia “the best thing I’ve done.” For Oliver Wendell Holmes, My Ántonia had “unfailing charm, perhaps not to be defined; a beautiful tenderness, a vivifying imagination that transforms but does not distort or exaggerate.” H. L. Mencken declared it “one of the best [novels] any American has ever done.”Cather drew deeply on her childhood days in frontier Nebraska for this, her fourth novel, published in 1918. Old immigrant neighbors inspired many of the characters, particularly the heroine. Ántonia Shimerda is memorable as the warmhearted daughter of Bohemians who must adapt to a hard life on the desolate prairie. She survives and matures, a pioneer woman made radiant by spirit.W. T. Benda’s illustrations further illuminate the fiction of a writer who drew so extensively on actual experience.

Willa Cather said that O Pioneers! was her first authentic novel, “the first time I walked off on my own feet-everything before was half real and half an imitation of writers whom I admired.” Cather’s novel of life on the Nebraska frontier established her reputation as a writer of great note and marked a significant turning point in her artistic development. No longer would she let literary convention guide the form of her writing; the materials themselves would dictate the structure.Cather’s O Pioneers! is the sentimental and somewhat controversial story of the Bergsons, a family of Swedish pioneers that settles for life on the American prairie. While Alexandra, the family matriarch, is able to turn the family farm into a financial success, her brother Emil must grapple with the solace and tragedy of forbidden love. A novel surprisingly ahead of its time, this protofeminist work touches on a wide range of enduring themes, including love, marriage, temptation, and isolation.

When Martha Summerhayes (1844–1926) came as a bride to Fort Russell in Wyoming Territory in 1874, she "saw not much in those first few days besides bright buttons, blue uniforms, and shining swords," but soon enough the hard facts of army life began to intrude. Remonstrating with her husband, Jack Wyder Summerhayes, that she had only three rooms and a kitchen instead of "a whole house," she was informed that "women are not reckoned in at all in the War Department."  Although Martha Summerhayes's recollections span a quarter of a century and recount life at a dozen army posts, the heart of this book concerns her experiences during the 1870s in Arizona, where the harsh climate, rattlesnakes, cactus thorns, white desperadoes, and other inconveniences all made for a less-than-desirable posting for the Summerhayeses. First printed in 1908, Vanished Arizona is Summerhayes's memoir of her years as a military wife as her husband's Eighth Regiment conducted Gen. George Crook's expedition against the Apaches. It was so well received that she became an instant celebrity and the book a timeless classic. The book retains its place securely among the essential primary records of the frontier-military West because of the narrative skill of the author and her delight in life.

Here is a rich and serious novel of the violent West. Full of the authentic sounds and colors of Wyoming cattle country in the late nineteenth century, it tells the true story of a long-vanished time—the era of the cowhands and the bloody Johnson County range wars. Riders of Judgment centers on the three Hammett brothers and their cousin Rosemary, whom all three love. To the oldest brother, Cain, falls the lot of avenging the murder of his father, grandfather, and brother. Cain—who is in a sense a cowboy Hamlet—is torn by conflicts within himself. He desires peace yet is forced to wear a gun. He is a law-abiding man by instinct yet has to take the law into his own hands. He is loved by a woman but rejects her because he feels unworthy of her love.Then one spring morning the cattle barons invade his territory, and Cain's hesitancy vanishes. One man's inner struggle becomes a fight to turn the cattle kingdom into a free country for the small stockman. Riders of Judgment is the final book in Frederick Manfred's five-volume series, The Buckskin Man Tales.

Under the veil of one of the oldest and most tragic myths known to humankind, a king is born. Magnus King, the son of a well-born English woman, continues his family's aristocratic legacy on the frontier of the American West until the night a deadly shooting changes everything. Young Earl Ransom, a man found long ago on the Cheyenne prairie with no memory of his past or of how his destiny is linked to that of Magnus King, finds his way through a tale as old and tragic as the Greek myth of Oedipus.King of Spades is the final volume of Frederick Manfred's acclaimed five-volume series, The Buckskin Man Tales. For this Bison Books Classic edition, Joel Johnson provides a new introduction.

The Killing of Chief Crazy Horse is a story of envy, greed, and treachery. In the year after the Battle of the Little Big Horn, the great Oglala Sioux chief Crazy Horse and his half-starved followers finally surrendered to the U.S. Army near Camp Robinson, Nebraska. Chiefs who had already surrendered resented the favors he received in doing so. When the army asked for his help rounding up the the Nez PercÉs, Crazy Horse’s reply was allegedly mistranslated by Frank Grouard, a scout for General George Crook. By August rumors had spread that Crazy Horse was planning another uprising. Tension continued to mount, and Crazy Horse was arrested at Fort Robinson on September 5. During a scuffle Crazy Horse was fatally wounded by a bayonet in front of several witnesses.Here the killing of Crazy Horse is viewed from three widely differing perspectives-that of Chief He Dog, the victim’s friend and lifelong companion; that of William Garnett, the guide and interpreter for Lieutenant William P. Clark, on special assignment to General Crook; and that of Valentine McGillycuddy, the medical officer who attended Crazy Horse in his last hours. Their eyewitness accounts, edited and introduced by Robert A. Clark, combine to give The Killing of Chief Crazy Horse all the starkness and horror of classical tragedy.

In Saga of Chief Joseph, Helen Addison Howard has written the definitive biography of the great Nez Perce chief, a diplomat among warriors. In times of war and peace, Chief Joseph exhibited gifts of the first rank as a leader for peace and tribal liberty. Following his people’s internment in Indian Territory in 1877, Chief Joseph secured their release in 1885 and led them back to their home country. Fiercely principled, he never abandoned his quest to have his country, the Wallowa Valley, returned to its rightful owners. The struggle of the Nez Perces for the freedom they considered paramount in life constitutes one of the most dramatic episodes in Indian history.This completely revised edition of the author’s 1941 version (titled War Chief Joseph) presents in exciting detail the full story of Chief Joseph, with a reevaluation of the five bands engaged in the Nez Perce War, told from the Indian, the white military, and the settler points of view. Especially valuable is the reappraisal, based on significant new material from Indian sources, of Joseph as a war leader.The new introduction by Nicole Tonkovich explores the continuing relevance of Chief Joseph and the lasting significance of Howard’s work during the era of Angie Debo, Alice Marriott, and Muriel H. Wright.

The Soul of the Indian is Charles A. Eastman’s exploration and documentation of religion as he experienced it during the late nineteenth century. A Dakota physician and writer who sought to bring understanding between Native and non-Native Americans, Eastman (1858–1939) became one of the best-known Native Americans of his time and a significant intellectual figure whose clarity of vision endures today.In a straightforward manner Eastman emphasizes the universal quality and personal appeal of his Dakota religious heritage. First published in 1911, The Soul of the Indian draws on his childhood teaching and ancestral ideals to counter the research written by outsiders who treated the Dakotas’ ancient worldviews chiefly as a matter of curiosity. Eastman writes with deep respect for his ancestors and their culture and history, including a profound reverence for the environment, animals, and plants. Though written more than a century ago, Eastman could be speaking to our own time with its spiritual confusion and environmental degradation. The new introduction by Brenda J. Child grounds this important book in contemporary studies.

With a simplicity as disarming as it is frank, Left Handed tells of his birth in the spring of 1868 “when the cottonwood leaves were about the size of [his] thumbnail,” of family chores such as guarding the sheep near the hogan, and of his sexual awakening. As he grows older, his account turns to life in the open: nomadic cattle-raising, farming, trading, communal enterprises, tribal dances and ceremonies, lovemaking, and marriage.As Left Handed grows in understanding and stature, the accumulated wisdom of his people is revealed to him. He learns the Navajo lifeway, which is founded on the principles of honesty, foresightedness, and self-discipline. The style of the narrative is almost biblical in its rhythms, but biblical, too, in many respects, is the traditional way of life it recounts.

A Cycle of the West rewards its readers with a sweeping saga of the American West and John G. Neihardt’s exhilarating vision of frontier history. It is infused with wonder, nostalgia, and a keen appreciation of epic history.Unquestionably the masterpiece of the poet who has been called the “American Homer,” A Cycle of the West celebrates the land and legends of the Old West in five narrative poems: The Song of Three Friends (1919), The Song of Hugh Glass (1915), The Song of Jed Smith (1941), The Song of the Indian Wars (1925), and The Song of the Messiah (1935). This unforgettable epic of discovery, conquest, courage, and tragedy speaks movingly and resoundingly of a unique American experience.The new introduction by former Texas poet laureate Alan Birkelbach and annotations by Joe Green present fresh views of Neihardt’s iconic work.