Bloomsbury Modern Novelists Series – serie

From his first novel, This Side of Paradise, which brought him a blaze of youthful fame, to his last, unfinished novel, The Last Tycoon, F. Scott Fitzgerald''s appeal as one of America''s most quintessential artists has continued to maintain its hold on twenty-first century readers.In this reader-friendly study of Fitzgerald''s major fiction, Michael K. Glenday:- Offers new readings of the author''s canonical works, including The Great Gatsby and Tender Is the Night- Draws on the very latest research in his reassessment of the ideas and significance of Fitzgerald''s major novels- Explores the core themes of the novels, as well as their considerable contribution to the spirit and complexity of modern-day American cultureAssuming no prior knowledge, this book is ideal for those seeking a lively, informed introduction to Fitzgerald''s fiction, as well as those looking for fresh and original insights into his extraordinary work.

The Missing Person, The Trial and The Castle are known throughout the world as great works of modern fiction, admired for the originality of their technique, subtlety of language and multiple suggestiveness. The present study takes power in its social, psychological and moral complexity and follows this thematic thread through the labyrinth of imagery and motif in each novel. The detailed analyses of the novel are preceded by an account of Kafka's life and a survey of critical approaches to his work.

Vladimir Nabakov considers the novelist's aesthetic precepts and practice and the distinctive character of his work and the book also gives consideration of his fiction in the larger context of the modernist and postmodernist enterprise. It analyses the importance of the novels' challenges to all sorts of aesthetic and moral presumptions (including some of Nabakov's own). Readers are thus encouraged to draw their own conclusions about the issues raised in Nabakov's work.

From his first novel, This Side of Paradise, which brought him a blaze of youthful fame, to his last, unfinished novel, The Last Tycoon, F. Scott Fitzgerald's appeal as one of America's most quintessential artists has continued to maintain its hold on twenty-first century readers.In this reader-friendly study of Fitzgerald's major fiction, Michael K. Glenday:- Offers new readings of the author's canonical works, including The Great Gatsby and Tender Is the Night- Draws on the very latest research in his reassessment of the ideas and significance of Fitzgerald's major novels- Explores the core themes of the novels, as well as their considerable contribution to the spirit and complexity of modern-day American cultureAssuming no prior knowledge, this book is ideal for those seeking a lively, informed introduction to Fitzgerald's fiction, as well as those looking for fresh and original insights into his extraordinary work.

From his first novel, This Side of Paradise, which brought him a blaze of youthful fame, to his last, unfinished novel, The Last Tycoon, F. Scott Fitzgerald's appeal as one of America's most quintessential artists has continued to maintain its hold on twenty-first century readers.In this reader-friendly study of Fitzgerald's major fiction, Michael K. Glenday:- Offers new readings of the author's canonical works, including The Great Gatsby and Tender Is the Night- Draws on the very latest research in his reassessment of the ideas and significance of Fitzgerald's major novels- Explores the core themes of the novels, as well as their considerable contribution to the spirit and complexity of modern-day American cultureAssuming no prior knowledge, this book is ideal for those seeking a lively, informed introduction to Fitzgerald's fiction, as well as those looking for fresh and original insights into his extraordinary work.

Vladimir Nabakov considers the novelist''s aesthetic precepts and practice and the distinctive character of his work and the book also gives consideration of his fiction in the larger context of the modernist and postmodernist enterprise. It analyses the importance of the novels'' challenges to all sorts of aesthetic and moral presumptions (including some of Nabakov''s own). Readers are thus encouraged to draw their own conclusions about the issues raised in Nabakov''s work.