Brother Athelstan Mysteries – serie

A terrible power struggle threatens the very core of BritainIn 1376, the Black Prince dies of a terrible sickness, closely followed by his father, King Edward III in 1377. The crown of England is left in the hands of a mere boy, and the great nobles gather like hungry wolves round the empty throne.Soon the prelates of the church and the powerful Merchant Princes of London are drawn in. One of these, Sir Thomas Springall, is foully murdered within a few days of the old king's death.Sir John Cranston, the coroner of London, is ordered to investigate. He is assisted by Brother Athelstan, a penitent Dominican monk. From the sinister slums of Whitefriars to the barbaric splendour of the English Court, Cranston and Athelstan are drawn into a dark and terrifying web of intrigueThe first in a scintillating historical mystery series, perfect for fans of C. J. Sansom, Susanna Gregory and S. J. Parris.Praise for The Nightingale Gallery 'The best of its kind since the death of Ellis Peters' Time Out'If you like Inspector Morse, you'll love Brother Athelstan' Prima'Evocative and lyrical descriptions' New Statesman

In a city seething with discontent, an ancient grudge is about to be settled.December, 1377. As London prepares for Christmas, a great frost has the city in its icy grip; even the Thames is frozen from bank to bank.The Constable of the Tower of London, Sir Ralph Whitton, is found murdered in a cold bleak chamber. The door is still locked from the inside and guarded by trusted retainers. So how did the assassin get in?Brother Athelstan and Sir John Cranston are ordered to investigate. They soon discover that the murder is only the first in a series of macabre killings, which have their roots in a terrible act of betrayalA vivid, blood-curdling portrayal of medieval London, this is historical mystery writing at its best, perfect for fans of C. J. Sansom and S. J. Parris.Praise for Paul Doherty'A vivid, intricately crafted whodunnit' Publishers Weekly'Paul Doherty has a lively sense of history' New Statesman