Buddha – serie

The first book in the classic eight volume graphic novel series from the godfather of the genre – an irreverent and humourous rendition of the life and times of Buddha.In book one, Kapilavastu, Chapra, an ambitious slave, spurns the caste system into which he was born and tries to become a nobleman, Tatta, the wild pariah child, communes with animals, and the monk, Naradatta, strives to uncover the meaning of strange portents surrounding the Buddha’s birth.Originated in the 1970s, Buddha is Osamu Tezuka's unparalleled rendition of the life and times of Prince Siddhartha.Tezuka's storytelling genius and consummate skill at visual expression blossom fully as he contextualizes the Buddha's ideas; with an emphasis on action, emotion, humour and conflict as Prince Siddhartha runs away from home, travels across India and questions Hindu practices such as ascetic self-mutilation and caste oppression.Rather than recommend resignation and impassivity, Tezuka's Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one's life sensibly, his approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humour.

The fourth book in the classic eight volume graphic novel series retelling the story of Buddha, from the godfather of the genre.In book four, unfulfilled by the teachings of renowned ascetics, Siddhartha agrees to follow Dhepa into the forest of trials. But the final ordeal of little Assjai proves to be his most poignant lesson.As Siddhartha searches his heart and yearns for his family, the Kosalans discover the true caste of their queen – a despised shudra, disguised as a noble kshatriya. For the insult, the Buddha’s homeland will pay dearly.Originated in the 1970s, Buddha is Osamu Tezuka's unparalleled rendition of the life and times of Prince Siddhartha.Tezuka's storytelling genius and consummate skill at visual expression blossom fully as he contextualizes the Buddha's ideas; with an emphasis on, action, emotion, humour and conflict as Prince Siddhartha runs away from home, travels across India and questions Hindu practices such as ascetic self-mutilation and caste oppression.Rather than recommend resignation and impassivity, Tezuka's Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one's life sensibly, his approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humour.

The second book in the classic eight volume graphic novel series retelling the story of Buddha, from the godfather of the genre – an irreverent and humourous rendition of the life and times of Prince Siddhartha.In book two, The Four Encounters, Prince Siddartha – fated to become the Buddha – is confronted by the harsh penalties of social injustice within his own kingdom, fuelled by selfish warlords and villains like the depraved warrior, Bandaka. The tragic fortunes of his loved-ones, such as Tatta the rogue and Migalia the fierce female bandit, force the Prince to choose between love and destiny; Siddartha must forsake his heart and begin his pilgrimage.Originated in the 1970s, Buddha is Osamu Tezuka's unparalleled rendition of the life and times of Prince Siddhartha.Tezuka's storytelling genius and consummate skill at visual expression blossom fully as he contextualizes the Buddha's ideas; with an emphasis on, action, emotion, humour and conflict as Prince Siddhartha runs away from home, travels across India and questions Hindu practices such as ascetic self-mutilation and caste oppression.Rather than recommend resignation and impassivity, Tezuka's Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one's life sensibly, his approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humour.

The third book in the classic eight volume graphic novel series retelling the story of Buddha, from the godfather of the genre.In the third of the Buddha series, as Siddhartha embarks on his journey towards enlightenment, he encounters many influences; some forceful, like the monk Dhepa who believes that purity is only attained through ordeals of the flesh, and some inspirational, like the strange young acolyte, Assaji.Meanwhile, Devadatta, the young orphaned son of Bandaka, is forced along a cruel path. Choosing to reject humanity and compassion, Devadatta’s journey will mould him into Buddha’s greatest adversary.Originated in the 1970s, Buddha is Osamu Tezuka's unparalleled rendition of the life and times of Prince Siddhartha.Tezuka's storytelling genius and consummate skill at visual expression blossom fully as he contextualizes the Buddha's ideas; with an emphasis on, action, emotion, humour and conflict as Prince Siddhartha runs away from home, travels across India and questions Hindu practices such as ascetic self-mutilation and caste oppression.Rather than recommend resignation and impassivity, Tezuka's Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one's life sensibly, his approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humour.

The sixth book in the classic eight volume graphic novel series retelling the story of Buddha, from the godfather of the genre.In book six, as Kapiluvastu burns and it's people are hunted down, an infant refugee – Ananda – is granted the gift of invincibility by Mara, an evil demon. Nurtured by the she-devil, Ananda learns to use his power to become a fearsome bandit, honing his cruelty and selfishness before he is unleashed upon the demon's enemy: Buddha.Originated in the 1970s, Buddha is Osamu Tezuka's unparalleled rendition of the life and times of Prince Siddhartha. Tezuka's storytelling genius and consummate skill at visual expression blossom fully as he contextualizes the Buddha's ideas, with an emphasis on action, emotion, humour and conflict as Prince Siddhartha runs away from home, travels across India and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka's Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one's life sensibly. Furthermore, his approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humour.