Calvin Institute of Christian Worship Liturgical Studies – serie

While the average person rarely sees it, the visual arts play a subtle yet profound role in the teaching and formation of faith, both for individuals and religious communities. The Substance of Things Seen explores the intersection of art and faith, offering thoughtful reflections on the way art functions in Christian life and practice. Highly readable and featuring instructive illustrations, this book is meant to engage church leaders as well as artists in constructive conversation about the critical role that art can play in the renewal of Christian education, worship, and study. It also challenges anyone who thinks the arts are only of marginal importance to the religious life. Robin Jensen considers here a broad range of topics relevant to Christian faith and culture, including the construction of sacred space, the use of art in worship and spiritual formation, the way that visual art interprets sacred texts, and the power and danger of art from a historical and contemporary perspective.

What does it mean to be in the presence of God's holiness? How can it affect us whether we seek it out or stumble upon it? Can it truly change our very reality to encounter it? The essayists in this volume explore these questions at the heart of Christian worship, considering the oft-neglected Old Testament as essential to understand our purpose in worship. Following the structure of the Hebrew canon -- beginning with the Pentateuch, moving through to the Psalms, then wisdom literature -- each chapter considers a separate aspect of worship, from theater to the Sabbath to sacred space, offering new inspiration. In the final essay Carol Bechtel "rereads the book of Job through the lens of our human limitations (as opposed to the usual theme of theodicy)," with compelling applications for both life and worship. Each of these essays concludes with two appropriately themed hymns and a "For Further Reading" list. Five of the seven contain sidebars that illustrate and enrich key points. Evocative woodcut artwork by Margaret Adams Parker provides a striking backdrop to the text. Taken together, these essays testify powerfully to the belief that the Old Testament is not only valuable but also essential to "whole" and fully foundational preaching and worship. Written primarily by Old Testament professors, Touching the Altar will make an engaging supplemental text for introductory or elective Old Testament courses and will also go far toward providing deeper worship for any Christian.Contributors: Carol M. Bechtel Thomas A. Boogaart Corrine L. Carvalho Ellen F. Davis J. Clinton McCann Jr. Dennis T. Olson Margaret Adams Parker John D. Witvliet

This volume outlines a Christian theology that takes worship as its basic framework, as the occasion of not only an approach toward God in piety but also separation from God in sin. Drawing on Luther, Calvin, and especially Karl Barth, Matthew Myer Boulton builds a Reformed liturgical theology, maintaining that the God of Jesus Christ is a “God against religion,” one who saves human beings from religion by entering it, transforming it, and ultimately ending it.  

In this book Mark Torgerson shows how modern architecture has heavily influenced the construction of new sacred spaces, producing a new way of building that emphasizes God's coming near to us. Torgerson begins by discussing God's transcendence and immanence and showing how church architecture has traditionally interpreted these key concepts. He then traces the theological roots of immanence's priority from liberal theology and liturgical innovation to modern architecture. Next, Torgerson illustrates this new architecture of immanence through particular practitioners, focusing especially on the work of theologically savvy architect Edward Anders Sövik. Finally, he addresses the future of church architecture as congregations are buffeted by the twin forces of liturgical change and postmodernism.An Architecture of Immanence will interest architects, liturgists, and all Christians who seek to read the sacred spaces of the recent past.

What language is most appropriate for worship? Should it lean toward the colloquial, perhaps targeting those attending a worship service for the first time? Or should it be a language with deeper roots, the language of a community that, for the most part, already loves the God to whom worship is offered? Ronald Byars argues that the communal speech that truly honors God is, in fact, biblical language, which encompasses a vast range of forms -- poetry and prose, song and proverb, parable and narrative. Byars explains how biblical language becomes liturgical language that pushes us beyond what we already think we know, requiring us to think anew about death and resurrection, beginnings and endings, and the life of faith. What Language Shall I Borrow? is an instructive, eloquent reminder not to retreat from biblical language and images but to fully embrace them in our worship today.

Worshiping communities today have access to more arts and styles from more times and places than ever before. In this volume Frank Burch Brown explores how Christians can navigate this increasingly diverse world of worship. / Brown combines an abiding admiration of classical idioms with an appreciation of new possibilities for the arts in worship. Interacting with a wide range of religious thinkers and leaders - from Augustine and John Calvin to Rick Warren, Marcus Borg, and the Pope - he addresses questions concerning "good" art and "good" music for worship. / A lively and thought-provoking book, Inclusive yet Discerning is permeated by Brown's wide-ranging knowledge and deep love of the arts and his desire to articulate a theological aesthetic that, as he says, "will have teeth but not fangs."

Resonant Witness gathers together a wide, harmonious chorus of voices from across the musical and theological spectrum to show that music and theology can each learn much from the other -- and that the majesty and power of both are profoundly amplified when they do.  With essays touching on J. S. Bach, Hildegard of Bingen, Martin Luther, Karl Barth, Olivier Messiaen, jazz improvisation, South African freedom songs, and more, this volume encourages musicians and theologians to pursue a more fruitful and sustained engagement with one another. Contributors:Jeremy S. BegbieBruce Ellis BensonAlastair BorthwickDaniel K. L. ChuaNancy van DeusenMargot FasslerSteven R. GuthrieCarol HarrisonTrevor HartC. Michael HawnJoyce IrwinJohn Paul ItoAnthony MontiDavid J. R. S. MoseleyMichael O'ConnorCatherine PickstockRichard J. PlantingaRobert ShollNancy van DeusenJohn D. Witvliet

Handel's oratorio Messiah is a phenomenon with no parallel in music history. No other work of music has been so popular for so long. Yet familiarity can sometimes breed contempt - and also misunderstanding.This book by music expert Calvin Stapert will greatly increase understanding and appreciation of Handel's majestic Messiah, whether readers are old friends of this remarkable work or have only just discovered its magnificence.Stapert provides fascinating historical background, tracing not only Messiah's unlikely inception but also its amazing reception throughout history. The bulk of the book offers scene-by-scene musical and theological commentary on the whole work, focusing on the way Handel's music beautifully interprets and illuminates the biblical text.For anyone seeking to appreciate Handel's Messiah more, this informed yet accessible guide is the book to have and read.(Handel's Messiah: Comfort for God's People is the newest volume in the flourishing Calvin Institute of Christian Worship Liturgical Studies Series, edited by John D. Witvliet.)

This book samples the rich variety of worship practices in American history to show how worship can be a fruitful subject for historians to study and, alternatively, how past case studies can enrich our understanding of worship today.By the Vision of Another World gathers highly regarded historians and other scholars who usually are not read together because of the widely different subject areas in which they typically work. Yet their essays all fit together here as they address how worship, work, and worldview converge and reinforce each other no matter what particular place, era, denomination, or ethnic group is under consideration. The variety of methodologies and voices will appeal to a breadth of critical interests, while the consistently high quality of historical narrative will keep readers engaged.Contributors Dorothy C. Bass James D. Bratt Ruth Alden Doan Paul Harvey George M. Marsden Timothy Matovina Harry S. Stout Leslie Woodcock Tentler Michael Woods Joyce Ann Zimmerman

Although numerous studies have examined biblical and theological rationales for using the visual arts in worship, this book by Lisa J. DeBoer fills in a piece of the picture missing so far — the social dimensions of both our churches and the various art worlds represented in our congregations.   The first part of the book looks at Orthodoxy, Catholicism, and Protestantism in turn — including case studies of specific congregations — showing how each tradition’s use of the visual arts reveals an underlying ecclesiology. DeBoer then focuses on six themes that emerge when Orthodox, Catholic, and Protestant uses of the visual arts are examined together — the arts as expressions of the church’s local and universal character, the meanings attributed to particular styles of art for the church, the role of the arts in enculturating the gospel, and more.   DeBoer’s Visual Arts in the Worshiping Church will focus and deepen the thinking of pastors, worship leaders, artists, students, and laypeople regarding what the arts might do in the midst of their congregations.  

In this invitingly written, deeply joyful book, Joyce Ann Zimmerman makes Scripture her foundation as she explores the meaning and purpose of authentic Christian worship today. Intended for Christian communities across the denominational spectrum, Worship with Gladness will appeal to a wide audience of pastors, worship leaders, college students, and lay readers.Zimmerman discusses such subjects as the common elements of worship that transcend denominational boundaries, what Scripture tells us about participating in worship, and how authentic worship expresses itself in daily living. Each section concludes with thoughtful prompts that will encourage readers to reflect on and apply what Zimmerman discusses. Throughout the book she encourages readers not only to better understand worship but to better understand -- and rejoice in -- the One we worship.

Why is there such a deep divide between evangelical and liturgical churches, especially when it comes to worship? How did this unfortunate evangelical-liturgical dichotomy develop, and what can be done about it?In this book Melanie Ross draws on historical analysis, systematic theology, and the worship life of two vibrant congregations to argue that the common ground shared by evangelical and liturgical churches is much more important than the differences than divide them.As a longtime evangelical church member who is at the same time a teacher of liturgical studies, Ross is well qualified to address this subject, and she does so with passion and intelligence. Evangelical versus Liturgical? is an important addition to the scant literature explaining nondenominational worship practices to those from more historically established liturgical traditions.