This powerful novel by Mo Yan - one of contemporary China's most famous and prolific writers - is both a stirring love story and an unsparing critique of political corruption during the final years of the Qing Dynasty, China's last imperial epoch.Sandalwood Death is set during the Boxer Rebellion (1898-1901) - an anti-imperialist struggle waged by North China's farmers and craftsmen in opposition to Western influence. Against a broad historical canvas, the novel centers on the interplay between its female protagonist, Sun Meiniang, and the three paternal figures in her life. One of these men is her biological father, Sun Bing, an opera virtuoso and a leader of the Boxer Rebellion. As the bitter events surrounding the revolt unfold, we watch Sun Bing march toward his cruel fate, the gruesome ""sandalwood punishment,"" whose purpose, as in crucifixions, is to keep the condemned individual alive in mind-numbing pain as long as possible.Filled with the sensual imagery and lacerating expressions for which Mo Yan is so celebrated, Sandalwood Death brilliantly exhibits a range of artistic styles, from stylized arias and poetry to the antiquated idiom of late Imperial China to contemporary prose. Its starkly beautiful language is here masterfully rendered into English by renowned translator Howard Goldblatt.

Li Er, whose innovative works of fiction have earned the admiration of scholars and critics - and a passionate fan base of readers - is one of China's most prominent writers. This landmark publication of his Coloratura, a tour de force of literary innovation, marks the first translation of the author's novels into English.Set against the turbulent backdrop of the Chinese Civil War, Coloratura revolves around the mysterious Ge Ren, whose story is told by three narrators and a host of other voices. Who was Ge Ren really? Just about the only thing anyone can agree on is that he is dead. But how he died, and who he was when alive, are less than certain. Was Ge Ren a hero, a Nationalist or Communist, a poet, translator, scholar, or spy - or some combination of all these identities? And how much of his story is merely fanciful ""coloratura"" nonsense?As different factions fight for control of China, Ge Ren traverses the political and intellectual life of the country, managing to affect countless lives. Years later, in the present day, his final surviving descendant, the intriguing ""compiler"" of the novel, pieces together the stories of her enigmatic ancestor from a patchwork of narrators, reliable or otherwise, and historical documents, real or invented. But readers also will wonder if she has an agenda of her own.The search for Ge Ren takes us from Chairman Mao's stronghold at Yan'an to a barren People's Commune, and then farther afield, with excursions into Russia, Japan, and even a small town in England. Many of the characters and incidents are actual historical figures and events, woven seamlessly into the fictional storyline. Told with swashbuckling brio and painstaking historical detail, Coloratura is both an illuminating journey through twentieth-century Chinese history and a profound exploration of the elusive nature of truth.

An indigenous poet of the Nuosu (Yi) people of mountainous southwestern China, Jidi Majia is well known and celebrated among the Chinese. But his lyrical and worldly work, though widely published and honored, has not found its voice in English translation in the West. The poems in Rhapsody in Black, presented in Chinese and deftly translated by the gifted and respected Denis Mair, at long last introduce the English-speaking world to this remarkable Chinese writer.The poetry of Jidi Majia is deeply grounded in the myths and oral traditions of the Nuosu minority. It evokes times past but also speaks with eloquence of our global moment. Replete with cultural textures and local idiom, the poems provide an exquisite opening into the Nuosu world. In their ethnic richness, they also resonate with the voices of the indigenous and the dispossessed, from Native American and South American Indian poets to the African American and aboriginal Australian writers preserving and reshaping cultural identity.Jidi Majia's voice sounds the depths of natural, cultural, and spiritual reality. In his poem ""Voice of the Bimo,"" the power of a Nuosu ritualist's expression is reflected in his own: ""In tones both human and divine, it utters // A praise song for birth and death // When it invokes sun, stars, rivers, and ancient heroes // When it summons deities and surreal powers // Departed beings commence their resurrection!""The poems in this volume broaden and deepen our experience of the world - Jidi Majia's and our own.

When originally published in 1993, Ruined City (Fei Du) was promptly banned by China's State Publishing Administration, ostensibly for its explicit sexual content. Since then, award-winning author Jia Pingwa's vivid portrayal of contemporary China's social and economic transformation has become a classic, viewed by critics and scholars of Chinese literature as one of the most important novels of the twentieth century. Howard Goldblatt's deft translation now gives English-speaking readers their first chance to enjoy this masterpiece of social satire by one of China's most provocative writers.While eroticism, exoticism, and esoteric minutiae - the ""pornography"" that earned the opprobrium of Chinese officials - pervade Ruined City, this tale of a famous contemporary writer's sexual and legal imbroglios is an incisive portrait of politics and culture in a rapidly changing China. In a narrative that ranges from political allegory to parody, Jia Pingwa tracks his antihero Zhuang Zhidie through progressively more involved and inevitably disappointing sexual liaisons. Set in a modern metropolis rife with power politics, corruption, and capitalist schemes, the novel evokes an unrequited romantic longing for China's premodern, rural past, even as unfolding events caution against the trap of nostalgia. Amid comedy and chaos, the author subtly injects his concerns about the place of intellectual seriousness, censorship, and artistic integrity in the changing conditions of Chinese society.Rich with detailed description and vivid imagery, Ruined City transports readers into a world abounding with the absurdities and harshness of modern life.

The novella, as the editors of this volume explain, is in many ways the ""native habitat"" of modern Chinese literary production - the ideal fictional form for revealing the various facets of contemporary Chinese culture. The seven novellas collected here resoundingly support their claim. Featuring works by award winners and rising stars, women and men, By the River presents a confluence of some of the most compelling voices in China today. Together, their narratives reflect the rich diversity of Chinese experience in the modern era.These novellas are stories of coming of age in the countryside, of romance in the shadow of an electrical power station or in the watery landscape of a lost love, of a daughter's epic journey to find her estranged mother. Whether telling of love or loss, of work or play along the river of experience, the narratives are replete with details that bring literary depth to the everyday - the mark of the novella. These details and the novellas into which they are woven defy simple answers to moral and political questions about modern life, leaving readers with the feeling that their world has been made larger, that they have seen through different eyes for a moment, if not forever.Reflecting modern Chinese life in the city and in the country, and among diverse regional cultures, By the River showcases the best of contemporary Chinese long-form fiction.

This powerful novel by Mo Yan - one of contemporary China's most famous and prolific writers - is both a stirring love story and an unsparing critique of political corruption during the final years of the Qing Dynasty, China's last imperial epoch.Sandalwood Death is set during the Boxer Rebellion (1898-1901) - an anti-imperialist struggle waged by North China's farmers and craftsmen in opposition to Western influence. Against a broad historical canvas, the novel centers on the interplay between its female protagonist, Sun Meiniang, and the three paternal figures in her life. One of these men is her biological father, Sun Bing, an opera virtuoso and a leader of the Boxer Rebellion. As the bitter events surrounding the revolt unfold, we watch Sun Bing march toward his cruel fate, the gruesome ""sandalwood punishment,"" whose purpose, as in crucifixions, is to keep the condemned individual alive in mind-numbing pain as long as possible.Filled with the sensual imagery and lacerating expressions for which Mo Yan is so celebrated, Sandalwood Death brilliantly exhibits a range of artistic styles, from stylized arias and poetry to the antiquated idiom of late Imperial China to contemporary prose. Its starkly beautiful language is here masterfully rendered into English by renowned translator Howard Goldblatt.

Li Er, whose innovative works of fiction have earned the admiration of scholars and critics - and a passionate fan base of readers - is one of China's most prominent writers. This landmark publication of his Coloratura, a tour de force of literary innovation, marks the first translation of the author's novels into English.Set against the turbulent backdrop of the Chinese Civil War, Coloratura revolves around the mysterious Ge Ren, whose story is told by three narrators and a host of other voices. Who was Ge Ren really? Just about the only thing anyone can agree on is that he is dead. But how he died, and who he was when alive, are less than certain. Was Ge Ren a hero, a Nationalist or Communist, a poet, translator, scholar, or spy - or some combination of all these identities? And how much of his story is merely fanciful ""coloratura"" nonsense?As different factions fight for control of China, Ge Ren traverses the political and intellectual life of the country, managing to affect countless lives. Years later, in the present day, his final surviving descendant, the intriguing ""compiler"" of the novel, pieces together the stories of her enigmatic ancestor from a patchwork of narrators, reliable or otherwise, and historical documents, real or invented. But readers also will wonder if she has an agenda of her own.The search for Ge Ren takes us from Chairman Mao's stronghold at Yan'an to a barren People's Commune, and then farther afield, with excursions into Russia, Japan, and even a small town in England. Many of the characters and incidents are actual historical figures and events, woven seamlessly into the fictional storyline. Told with swashbuckling brio and painstaking historical detail, Coloratura is both an illuminating journey through twentieth-century Chinese history and a profound exploration of the elusive nature of truth.

An indigenous poet of the Nuosu (Yi) people of mountainous southwestern China, Jidi Majia is well known and celebrated among the Chinese. But his lyrical and worldly work, though widely published and honored, has not found its voice in English translation in the West. The poems in Rhapsody in Black, presented in Chinese and deftly translated by the gifted and respected Denis Mair, at long last introduce the English-speaking world to this remarkable Chinese writer.The poetry of Jidi Majia is deeply grounded in the myths and oral traditions of the Nuosu minority. It evokes times past but also speaks with eloquence of our global moment. Replete with cultural textures and local idiom, the poems provide an exquisite opening into the Nuosu world. In their ethnic richness, they also resonate with the voices of the indigenous and the dispossessed, from Native American and South American Indian poets to the African American and aboriginal Australian writers preserving and reshaping cultural identity.Jidi Majia's voice sounds the depths of natural, cultural, and spiritual reality. In his poem ""Voice of the Bimo,"" the power of a Nuosu ritualist's expression is reflected in his own: ""In tones both human and divine, it utters // A praise song for birth and death // When it invokes sun, stars, rivers, and ancient heroes // When it summons deities and surreal powers // Departed beings commence their resurrection!""The poems in this volume broaden and deepen our experience of the world - Jidi Majia's and our own.

When originally published in 1993, Ruined City (Fei Du) was promptly banned by China's State Publishing Administration, ostensibly for its explicit sexual content. Since then, award-winning author Jia Pingwa's vivid portrayal of contemporary China's social and economic transformation has become a classic, viewed by critics and scholars of Chinese literature as one of the most important novels of the twentieth century. Howard Goldblatt's deft translation now gives English-speaking readers their first chance to enjoy this masterpiece of social satire by one of China's most provocative writers.While eroticism, exoticism, and esoteric minutiae - the ""pornography"" that earned the opprobrium of Chinese officials - pervade Ruined City, this tale of a famous contemporary writer's sexual and legal imbroglios is an incisive portrait of politics and culture in a rapidly changing China. In a narrative that ranges from political allegory to parody, Jia Pingwa tracks his antihero Zhuang Zhidie through progressively more involved and inevitably disappointing sexual liaisons. Set in a modern metropolis rife with power politics, corruption, and capitalist schemes, the novel evokes an unrequited romantic longing for China's premodern, rural past, even as unfolding events caution against the trap of nostalgia. Amid comedy and chaos, the author subtly injects his concerns about the place of intellectual seriousness, censorship, and artistic integrity in the changing conditions of Chinese society.Rich with detailed description and vivid imagery, Ruined City transports readers into a world abounding with the absurdities and harshness of modern life.

The novella, as the editors of this volume explain, is in many ways the ""native habitat"" of modern Chinese literary production - the ideal fictional form for revealing the various facets of contemporary Chinese culture. The seven novellas collected here resoundingly support their claim. Featuring works by award winners and rising stars, women and men, By the River presents a confluence of some of the most compelling voices in China today. Together, their narratives reflect the rich diversity of Chinese experience in the modern era.These novellas are stories of coming of age in the countryside, of romance in the shadow of an electrical power station or in the watery landscape of a lost love, of a daughter's epic journey to find her estranged mother. Whether telling of love or loss, of work or play along the river of experience, the narratives are replete with details that bring literary depth to the everyday - the mark of the novella. These details and the novellas into which they are woven defy simple answers to moral and political questions about modern life, leaving readers with the feeling that their world has been made larger, that they have seen through different eyes for a moment, if not forever.Reflecting modern Chinese life in the city and in the country, and among diverse regional cultures, By the River showcases the best of contemporary Chinese long-form fiction.