CIPHER PRESS – serie

When a TERF bombs Frankie's workplace, she blows up Frankie's life with it. As the media descends like vultures, Frankie tries to cope with the carnage: binge-drinking, sleeping with strangers, pushing away her friends. Then, she meets Vanya. Mysterious, beautiful, terrifying Vanya. The two hit it off immediately, but as their relationship intensifies, so too does Frankie's feeling that Vanya is hiding something from her. When Vanya's secrets threaten to tear them apart, Frankie starts digging, and unearths a sinister, depraved conspiracy, the roots of which go deeper than she ever imagined. Shocking, grotesque, and downright filthy, Brainwyrms confronts the creeping reality of political terrorism while exploring the depths of love, pain, and identity.

BIG MAN follows the life of Big, a middle-aged, Black British gay man who lives a gentle life with his boyfriend, Little, in their home in East London. Big and Little enjoy evenings out and group holidays with friends, as much as practising yoga together at home, and running side by side along the Hackney canals. Big came of age in the club scene under the watchful eye of Mother, an African American trans woman who made a home and a name for herself in London, her house a refuge for wayward queer youth like Big. When he finds out Mother is releasing a memoir, the two reconnect after decades of distance, and Big finds himself having to confront a long-repressed assault that opens old – and new – wounds. A tender, daring novel full of gentle humour, BIG MAN explores themes of identity, aging, sex, family, and trauma, turning a lens on what it means to age as a queer person, while being a double-edged love letter to the people and places that make us.

A twisty thriller about the fate of a sprawling family in Lagos, Lakiriboto is a queer, feminist revenge thriller like no other, in which murder, betrayal, and witchcraft collide - with explosive results. When her grandmother dies in the night, Moremi's fate falls to her uncle, the grasping family chief who sends her off to work as a housemaid in Lagos. On arriving there, Moremi finds that the big city is not all she thought it would be. But she's not alone. After another family death, Kudirat, accused of bringing misfortune to her close family, has also been sent to live as a maid in the same house, scrubbing floors and folding laundry for long-suffering Tola, whose abusive doctor husband refuses to treat. Together, with the help of her queer aunt Morieba, the four women must wrestle back control of their lives as the patriarchal traditions that govern the family push back against their freedoms. When Tola's condition worsens, someone new emerges, someone with revenge and redemption in mind. Mixing family saga, mobster pulp, and queer coming-of-age, Lakiriboto is a staggeringly original and surprising novel about Nigeria's queer and feminist communities, the struggles they face, and the lengths they will go to to overcome them.

After a decade-long relationship with a dominatrix he called Daddy, Emerson Whitney began to crave something besides submission. It came as a full surprise: submission had been so central to his early adulthood. Now what? Dizzied by new questions of transness and aging, living in a tent while his relationship ends, Emerson stumbles upon an advertisement for a storm chasing tour. 'For thrill seekers,' it says. Unsure what else to do, he signs up. Daddy Boy follows Emerson as he packs into a van with a group of strangers and drives up and down America - staying in Days Inns and eating bags of carrots from Walmart and hunting down storms like so many white whales. Steeped in the prairie landscape of his childhood, Emerson recalls his adoptive dad, Hank, unflinching and extremely Texan; and his biological dad who, with his cowboy hats and puppies, always seemed so sweet and absent. From the van's trash-strewn backseat, and in the face of these looming figures, Emerson begins to wonder: Did he want to be Daddy now?

In Ten Bridges I've Burnt, Brontez Purnell - the bard of the underloved and overlooked - turns his gaze inward. A storyteller with a musical eye for the absurdity of his own existence, he is peerless in his ability to find the levity within the stormiest of crises. Here, in his first collection of genre-defying verse, Purnell reflects on his peripatetic life, whose ups and downs have nothing on the turmoil within. 'The most high-risk homosexual behavior I engage in,' Purnell writes, 'is simply existing.' The thirty-eight autobiographical pieces pulsing in Ten Bridges Ive Burnt find Purnell at his no-holds-barred best. He remembers a vicious brawl he participated in at a poetry conference and reckons with packaging his trauma for TV writers' rooms; wrestles with the curses, and gifts, passed down from generations of family members; and chronicles, with breathless verve, a list of hell-raising misadventures and sexcapades. Through it all, he muses on everything from love and loneliness to capitalism and Blackness to jogging and the ethics of art, always with unpredictable clarity and movement. With the same balance of wit and wisdom that made 100 Boyfriends a sensation, Purnell unleashes another collection of boundary-pushing writing with Ten Bridges Ive Burnt, a book as original and thrilling as the author himself.

Emerson Whitney writes, "Really, I can't explain myself without making a mess." What follows is that mess-electrifying, gorgeous, defiant.At Heaven's center, Whitney seeks to understand his relationship to his mother and grandmother, those first windows into womanhood and all its consequences. Whitney retraces a roving youth in deeply observant, psychedelic prose-all the while folding in the work of thinkers like Judith Butler, Donna Haraway, and C. Riley Snorton-to engage transness and the breathing, morphing nature of selfhood.An expansive examination of what makes us up, Heaven wonders what role our childhood plays in who we are. Can we escape the discussion of causality? Is the story of our body just ours? With extraordinary emotional force, Whitney sways between theory and memory in order to explore these brazen questions and write this unforgettable book.

A raw, dirty, hilarious, and often poignant cult classic, Johnny Would You Love Me If My Dick Were Bigger paved the way for a new kind of queer writing that changed how we talk about sex, relationships, drugs, identity, race, HIV, and what it means to be gay in the 21st Century. Recounting the life of an artist and 'old school homosexual' who bears more than a small resemblance to author Brontez Purnell, Johnny Would You Love Me takes us cruising in late night parks and bath houses, searching for sex and intimacy in a newly gentrified city where even the gays are getting fancy. A collection of short, hilarious, profound, and filthy vignettes, Johnny Would You Love Me is a radical thrill ride through the nuances of queer sex and queer love that shows truly what it means to live on the fringes of a conservative society as a black, working-class gay man.

The histories of the trans and sex worker rights movements are closely intertwined and, particularly in the UK, it's rare to find a carceral feminist who isn't also a rabid transphobe. What does it mean to write as part of a community that is under attack? Where, in fiction, is the line between exploring harmful ideology and humanising it? In Morbid Obsessions Alison Rumfitt and Frankie Miren explore these questions and talk about the crossover in the ways they chose to approach them in their novels Tell Me I'm Worthless (Cipher Press) and The Service (Influx Press), covering the pornographic interest in sex workers and trans women, online violence, moral panic, creative representation, and paying tribute to sex worker and trans activism through fiction. Frank, funny, and hopeful, and featuring two new stories, an introduction by writer and historian Morgan M. Page, and an interview with Natalia Santana Mendes, Morbid Obsessions is an urgent and vital conversation about making art as collective struggle. All proceeds (after production costs) from the sale of this book will be donated to Babeworld, a collective which seeks to create a more representative art world, and will go into direct grants to marginalised artists.

Part hallucination, part queer bildungsroman, Never Was is a beautifully strange novel about grief, addiction and working-class masculinity, taking us from a limbo of lost dreams to a small salt-mining town and exploring the way identity is both inherited and re-invented. Daniel sits on a clifftop in the aftermath of a party at Fin's mansion, looking out over a junky sea. Daniel's not sure why they're there, or who Fin is, even though Fin seems to be somebody famous. To find out, Daniel must tell Fin the story of their childhood, going back to a small salt-mining town in The North, a visit from their now-estranged cousin Crystal, and the life and losses of their salt-miner father, Mika. Taking us from bus shelters to playgrounds to McDonalds, from the depth of a salt mine to a nightclub toilet, Daniel describes their world of soap operas, sunglasses, newspaper clippings and Princess Diana, steering Fin through the events that led up to The Great Subsidence, when their town and the mine that sustained it collapsed. As Daniel tells their story, they come to learn they're in a place called Never Was, a limbo for lost dreams and disappointments, a landfill for things that never came to be, but also a place of change and transition. Dreamy, poignant, and revelatory, Never Was is a bold and inventive novel by an inimitable voice in literary fiction.

Cornish mermaids take to the football pitch to protest warming seas. Trans students in Manchester searching for the perfect dick accidentally warp the fabric of spacetime. England's worst pogrom comes for York's particle collider, powered by bread and gender energy. On Bournemouth beach, a storm delivers an ancestor across oceans of time to sire a drowning descendant. The devil stands a drink at London's famous gay pub, The Black Cap, while Artemis, in the guise of Joan of Arc, roams a life-or-death night in East Sussex. Remember the Witchcraft Act of 1927, and the refugees that fled via cinema to defend the Republic of Catalunya? Of course not, it's been written out of history. This is England, (but not?) as we know it. A queer quantum tour through what was, what is, what could have been and may yet still come to pass, in a collection that braids high-wire believe-it-or-not memoir with cutting-edge science fiction from alternate timelines that vibrate very close to ours. Truth or dare? Both, always.

When Deshawn hears news of his uncle's death, his riotous big-city life in San Francisco is abruptly put on hold while he travels back to his Alabama hometown for the funeral. While there, he's hit by flashbacks of growing up queer and black in the '80s South, of a youth filled with strong women, bewildered boys, and messed up queers. Wading through prickly reminders of his childhood, of sweltering Sundays, church, family, and the men he once knew, Deshawn reconnects with his old self and the ghosts of his past. A raw, dirty, hilarious, and heart-breaking novel about the experiences that shape us, Since I Laid My Burden Down asks the intimate question: who deserves love?

Three years ago, Alice spent one night in an abandoned house with her friends Ila and Hannah. Since then, things have not been going well. Alice is living a haunted existence, selling videos of herself cleaning for money, drinking herself to sleep. She hasn't spoken to Ila since they went into the House. She hasn't seen Hannah either. Memories of that night torment her mind and her flesh, but when Ila asks her to return to the House, past the KEEP OUT sign, over the sick earth where teenagers dare each other to venture, she knows she must go. Together Alice and Ila must face the horrifying occurrences that happened there, must pull themselves apart from the inside out, put their differences aside, and try to rescue Hannah, who the House has chosen to make its own.Cutting, disruptive, and darkly funny, Tell Me I'm Worthless is a vital work of trans fiction that confronts both supernatural and real-world horrors as it examines the devastating effects of trauma and the way fascism makes us destroy ourselves and each other.

Limbic is Peter Scalpello's glittering ode to sex, intimacy, and queer discovery. Taking us on slippery nights out fuelled by chemsex, on drunken lads' holidays, and into the quiet violence of small domestic moments, this is a world where tracksuits hide queer desire, where shame masks vulnerability, where wallets hide wraps of crystal meth. From the eager trepidation of teenage sex, to the ecstasy of parties, to the stigma around HIV, Limbic is at once a therapy and a celebration, showing how queer learning can be both soft-edged and brutal at once. An exploration of masculinity, addiction and trauma, this is a revelatory collection of poems; wise, tender, and vital.

Juliet Jacques was one of the first trans writers in the UK to contribute broadly to both British and foreign media, writing widely about the trans experience. Spanning over a decade, Jacques' ground-breaking journalism about selfhood, society, art, politics, freedom, and gender identity, tracks the backlash against emerging trans rights and the rise of a new and more explicit form of media transphobia. Front Lines is a seminal collection of writings on trans and queer art, politics, and media, from a period in which the relationship between trans and non-binary people and the British media was exceptionally turbulent. Jacques navigates the tension between wanting to simply write about art and culture and needing to counter the dishonest, damaging rhetoric being published about trans people in virtually every national newspaper in the UK. 'I never believed any journalism was objective, nor that there was any point in even trying to be,' writes Jacques in her introduction. 'Above all, activism is needed to fight this, with journalism to support it: there is no point in pretending to be objective in our work, as the stakes remain just as high as they were back in 2010, perhaps even higher... We're entering a new phase of collective struggle, with new fronts and new tactics needed: I hope this book can help to inform that.' This crucial collection asks what we can learn from the last decade and, importantly, what we can do now. How can new writers take up the struggle for trans liberation? And what will the future of trans writing look like?

Welcome to your new favourite genre: the fucking fantastic. In these ten stories, everything is sex: walls, wax, the past, your future, your neighbours, hankies, candles, circuit boards, petri dishes, scrap metal – and language itself. Conjuring experiences for which there are no words, our amazing queer authors generate new tongues from the heat of their communing with a wild variety of lifeforms. From Diriye Osman’s spiritualised Peckham to Jem Nash’s time-travelling trans multiverse, these stories transport you to new ways of being and feeling. In a word, it’s CruiserShimmeringLipophilicNeckingerCircuitGirlboss. Whether you get horny from aliens, ghosts, robots, utopia, possession, ritual, or the completely surreal, there’s a story here for you. But why stop at one when you can taste pleasure in each and every one?

Transgressive, foulmouthed, and wildly funny, Brontez Purnell's 100 Boyfriends is a filthy, unforgettable, and brutally profound ode to queer love in its most messy of variations. From one-night stands to recurring lovers, Purnell's characters sleep with their co-worker's husbands, expose themselves to racist neighbours, date Satanists, and drink their way out of trouble, all the while fighting - and often losing - the urge to self-sabotage. A horny, punk love song full of imperfect intimacies, 100 Boyfriends takes readers on a riotous journey through dirty warehouses and gentrified bars, from dysfunctional houseshares to desolate farming towns in Alabama. Drawing us into a community of glorious misfits living on the margins of a white supremacist, heteronormative society, iconoclastic storyteller Brontez Purnell gives us an uncompromising vision of desire, desperation, race, loneliness, and queerness that will devastate as much as it entertains.

Boyfriends masquerade as straight bros to have fun on an early internet porn site. Sex on Viagra; sex on acid. A lesbian bar sells out, turning barflies into doms for hire. In Spain, an exchange student lets two young men flip a coin to see who will have her. A stranger on a train. A collegiate lesbian ‘it’ couple. A trans woman bashes back. Post-apocalyptic punk crushes. Slut eras. An American intellectual in Austria fucks and talks attachment styles with a Viennese queer. A jaded Black queen ponders race, apps and what the sex we have says about us. Taking us from the awkwardness of middle school to the transcendence of a sex club, SLUTS: Anthology presents an inspiringly diverse collection of writing – fiction and non-fiction, pro and con, philosophical and compulsive – exploring the eternally controversial word. Whether an insult or badge of honor, an identity or a state of mind, SLUTS engages some of the hottest minds of the moment to riff on the subject, exploring the nature of desire and its cultural consequences, creating a collection bound to become a classic of sex writing. Featuring work by: DL Alvarez * Jeremy Atherton Lin * Vera Blossom * Chloe Caldwell * Cristy Road Carrera * Sam Cohen * Tom Cole * Lydia Conklin * jimmy cooper * Lyn Corelle * Jenny Fran Davis * Cyrus Dunham * Hedi El Kholti * Robert Gluck * Miguel Gutierrez * Gary Indiana * Taleen Kali * Cheryl Klein * Gabrielle Korn * Nate Lippens * Meredith Maran * Carta Monir * Amanda Montell * Carely Moore * Bradford Nordeen * Baruch Porras-Hernandez * Kamala Puligandla * Brontez Purnell * Liara Roux * Andrea Sands * Daviel Shy * Jen Silverman * Anna Joy Springer * Laurie Stone * McKenzie Wark & Zoe Whittal

In 1920's Berlin, the recovered diaries of transgender model Heike expose her as the mysterious muse and subject behind Christian Schad's best-known painting. After signing her Gender Recognition Certificate, a trans woman channels the offbeat glamour of a forgotten movie star at a Brighton gay bar. A well-known journalist finds herself under public scrutiny after taking a private BDSM game out onto the streets of Soho. Transfixed by the psychic power of monuments, an artist crowdfunds to build a tribute to victims of austerity, only to find himself the subject of a political backlash.Taking us on a smart, funny, and deeply political ride through art, sex, and discovery, The Woman in the Portrait collects the short fiction of ground-breaking transgender writer Juliet Jacques. Showcasing both previously published and unpublished works, these stories offer an era-spanning tour through culture, politics, and community, presented with Jacques' trademark originality, insight, and humour.

Romeo has Hepatitis again. It's no surprise, and when you haven't slept for days staying awake is easy. And anyway, there's the promise of more drugs, more sex. Leaving his boyfriend at home he heads out for hookups, getting abjectly high and pushing his body to grotesque extremes in an urgent but dissociated quest for romance. What follows is a delirious trip through squalid rooms, hospital wards, and nighttime parks, broken by memories of first loves, European travels, and meditations on what it means to be a Romeo. With chaotic chemsex escapades and musings on romantic love, art and belonging, Romeo & Seahorse takes us to places not often explored in fiction. Written in a relentless, frenzied first-person narrative with moments of mind-bending wisdom and poignancy, this is a one-of-a-kind novel about addiction, desire, belonging, and want that's destined to become a queer classic.

'To be blunt: I must escape.' 1893. Henry Nettleblack has to act fast or she'll be married off by her elder sister. But leaving the safety of her wealthy life isn't as simple as she thought. Ambushed, robbed, and then saved by a mysterious organisation - part detective agency, part neighbourhood watch - a desperate Henry disguises herself and enlists. Sent out to investigate a string of crimes, she soon realises that she is living in a small rural town with surprisingly big problems. When the net starts to close around Henry, and sinister forces threaten to expose her as the missing Nettleblack sister, the new people in her life seem to offer her a way out, and a way forward. Is the world she's lost in also a place she can find herself? Told through journal entries and letters, Nettleblack is a subversive and playful ride through the perils and joys of finding your place in the world, challenging myths about queerness - particularly transness - as a modern phenomenon, while exploring the practicalities of articulating queer perspectives when you're struggling for words.

In this extraordinary novel, Laurie Weeks captures the exuberance and mortification of a lesbian junkie as she navigates the chaos and horror of everyday life. Through longing monologues to Vivian Leigh, ranting letters to Sylvia Plath and to-do lists that never get done, Zipper Mouth gives us an unforgettable protagonist caught in a spiral of addiction, unrequited love, and mental health crises, and the effortlessly hilarious and strange inner workings of her mind. A messy and raw depiction of striving to live in a world that doesn’t cater to your brain chemistry, Zipper Mouth is an outstanding work of queer fiction. Come for the exalted nightclub epiphanies, stay for the devastating morning-after hangovers.

Gertrude Stein and Alice B Toklas are the most famous married couple of Modernism, icons of literary queer history. But what if Alice had a secret? What if, underneath her thickly cultivated fringe and low brimmed hats, there was something sinister growing? What if, as Picasso claimed, Alice B. Toklas really did have a horn? This is what the mysterious voice on the phone is asking of her. And she’s in no position to hang up; a newly registered Private Investigator, she recently walked away from an exploitative job in academia, is bereaved following the sudden death of her partner, and has a kid to support. The case sounds ridiculous, but she needs the money. Okay, she tells the voice. I’ll find the horn. The job takes her from London to Paris to San Francisco, from a Hemingway’s kitchen table to a Beat-inspired hotel run by an investment bank. Just when she thinks the case is dead, that no horn exists, she finds herself knee-deep in trouble with someone hot on her heels…At once a reimagining of the lone wolf detective and a hilarious take down of self-important scholarship, Bone Horn is a smart, hilarious, sexy, and poignant mystery novel about queerness, unbearable grief, and the question of stories, and which are ours to tell.

An adult woman haunted by her childhood muses on the foster system, institutions, and the medieval tale of a girl given to a witch. A genderqueer Brooklynite learns of their past life as a murdered sorceress. An uptight participant at a Northern California witch camp finds community in the kitchen. A professor uses magic to help students under attack by right-wing politicians.In this collection of manifesto, poetry, playscripts, and prose, the archetype of the Witch is honoured and unpacked, poked and prodded, owned and othered. From work centred in antiquity to writing that illustrates how primordial occult energies continue to enliven our world today, WITCH lays bare a wilderness of myth, magic, trickery, and power swarming beneath the surface of contemporary life. With work from CAConrad, Frankie Miren, Sarah Shin, Edgar Fabian Frias, Amanda Yates Garcia, Ashley Ray, Brooke Palmieri, Yumi Sakugawa, Kai Cheng Thom, Ariel Gore, Myriam Gurba, Fariha Roisin, and many others.

Terry Dactyl has lived many lives. Raised by boisterous lesbian mothers in Seattle, she comes of age as a trans girl in the 1980s in a world of dancing queens and late-night house parties just as the AIDS crisis ravages their world. After moving to New York City, Terry finds a new family among gender-bending club kids bonded by pageantry and drugs, fiercely loyal and unapologetic. She lands a job at a Soho gallery, where, after partying all night, she spends her days bringing club culture to the elite art world. Twenty years later, in a panic during the COVID-19 lockdown, Terry returns to a Seattle stifled by gentrification and pandemic isolation until resistance erupts following the murder of George Floyd, and her search for community ignites once again. In propulsive, intoxicating prose, Terry Dactyl traces an extraordinary journey from adolescence to adulthood, delivering a vital portrait of queer identity in all its peril and possibility.

Herb and Lara are busy slinging coffees in their hometown – of Watford! While Herb dreams of leaving to write big gay plays for a big gay world, Lara’s dedication to being in the here and now keeps her firmly rooted. Plus she’s fallen madly in love with Cynthia, a high-femme roboteer here to finish her PhD, teaching her way through robot post-doc hell, stamping on the brains of robo-boys as she goes. Soon Watford will use Cynthia’s inventions to reinvent itself into the communised Watford Underburg, but not yet. Meanwhile, Lazarus is back at her mum’s. Her attempt at city life didn’t exactly go to plan, and now she spends her days working on a Yiddish translation of Kurt Vonnegut’s Cat’s Cradle and playing video games. With no capacity to think about her future and trying to forget her past, what will happen? Local football coach Butch Lichenstein, that’s what. A Pizza Hut, A Pizza Hut, Kentucky Fried Chicken and a Pizza Hut is a wildly inventive and funny novel that counters the idea of the suburbs as a place queers leave and plays out the radical implications of staying put.

It's the end of 2015. For our narrator, every day is mostly the same; a visit to the local corner shop to retrieve a blue plastic bag of wine and off-brand cheese puffs before falling into the sofa crevice to get drunk, get high, and stare at the television. He was 'normal' once - he held up a job at a fashion magazine (that his mother got him) and wore nice clothes and showered and cleaned his teeth and bitched about his boss. Now, the only people who visit are his busy, narcissistic mother, his annoying stepsister, Olivia, and the men he finds on Grindr to pay for his meals. When one of his dates leads to assault, he finds himself suddenly sober and back at his mother's, a fancy suburban townhouse that betrays her Scouse roots. As weeks go by, he starts to slowly unravel, along with their already complicated relationship, and when, months later, he's asked to perform his duty as her son at a Women of the Year party in her honour, his past and present collide with catastrophic consequences. At once a propulsive and hilarious debut that charges towards oblivion, and a dissociated depiction of queer loneliness and self-destruction, In Out gives us a new kind of antihero grappling with life in the runup to the Brexit referendum, exploring what it means to be untethered along with ideas of masculinity, class, family, and addiction.

When Leila meets Silvia during a booking with Silvia's longtime client, the infatuation is instant. Silvia is older, glamorous, charming, and has been working for a lot longer than Leila, who is still new to sex work. Later that evening the two run into each other at a hotel bar, and after a messy night of drugs and sex, begin a romantic relationship that takes a turn when they start murdering clients together. Traversing the spaces of queer East London and the corporate city, Choke is a propulsive and sexy revenge fantasy mash up of black comedy, psychological (un)realism and literary essay that bends tropes and explores the essence of fantasy, from BDSM and kink to wealth and class to bodies and transness. A wild, fun, smart, and pulpy novella that transforms literary traditions and elevates queer writing.