Classic Criticism – serie
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7 produkter
7 produkter
Häftad, Engelska, 2007
455 kr
Skickas inom 10-15 vardagar
This book offers a classic survey of modern English poetry from the new tradition established by Yeats in the 1890s through to Eliot, including a reassessment of the Georgians and the influence of Pound. Reading T. S. Eliot and reading about T. S. Eliot were equally formative experiences for my generation. One of the books about him which greatly appealed to me when I first read it...was "The New Poetic" by the New Zealand poet and critic, C. K. Stead.
Häftad, Engelska, 2007
327 kr
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Roland Barthes (1915-1980) was a major French writer, literary theorist and critic of French culture and society. His classic works include "Mythologies" and "Camera Lucida". "Criticism and Truth" is a brilliant discussion of the language of literary criticism and a key work in the Barthes canon. It is a cultural, linguistic and intellectual challenge to those who believe in the clarity, flexibility and neutrality of language, couched in Barthes' own inimitable and provocative style.
Häftad, Engelska, 2007
375 kr
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"Literature, Politics and Culture in Postwar Britain" is a landmark work in contemporary literary and cultural analysis. It offers a provocative and brilliant account of political change since 1945, and how such change shaped the cultural output of our time. It also looks at how and when literature intersects with other cultural forms - including jazz and rock music, television, journalism, commercial and "mass" cultures - and the growth of American cultural dominance. This edition includes a new foreword by the author.
E-bok
PDF, Engelska, 2007336 kr
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Roland Barthes (1915-1980) was a major French writer, literary theorist and critic of French culture and society. His classic works include Mythologies and Camera Lucida. Criticism and Truth is a brilliant discussion of the language of literary criticism and a key work in the Barthes canon. It is a cultural, linguistic and intellectual challenge to those who believe in the clarity, flexibility and neutrality of language, couched in Barthes' own inimitable and provocative style.
E-bok
PDF, Engelska, 2007400 kr
Läs direkt efter köp
Literature, Politics and Culture in Postwar Britain is a landmark work in contemporary literary and cultural analysis. It offers a provocative and brilliant account of political change since 1945 and how such change shaped the cultural output of our time. It also looks at how and when literature intersects with other cultural forms - including jazz and rock music, television, journalism, commercial and "mass" cultures - and the growth of American cultural dominance. This edition includes a new foreword by the author.
E-bok
Engelska, 2007386 kr
Läs direkt efter köp
Literature, Politics and Culture in Postwar Britain is a landmark work in contemporary literary and cultural analysis. It offers a provocative and brilliant account of political change since 1945 and how such change shaped the cultural output of our time. It also looks at how and when literature intersects with other cultural forms - including jazz and rock music, television, journalism, commercial and "mass" cultures - and the growth of American cultural dominance. This edition includes a new foreword by the author.
E-bok
PDF, Engelska, 2007487 kr
Läs direkt efter köp
A classic survey of modern English poetry from the new tradition established by Yeats in the 1890s through to Eliot, including a reassessment of the Georgians and the influence of Pound.'A short but brilliant history. Essential to anyone interested in the development of modern poetry.' The Guardian'Reading T. S. Eliot and reading about T. S. Eliot were equally formative experiences for my generation. One of the books about him which greatly appealed to me when I first read it ... was The New Poetic by the New Zealand poet and critic, C. K. Stead...'The Waste Land in Stead's reading is the vindication of a poetry of image, texture and suggestiveness; of inspiration; of poetry which writes itself. It represents a defeat of the will, an emergence of the ungainsayable and symbolically radiant out of the subconscious deeps. Rational structure has been overtaken or gone through like the sound barrier. The poem does not disdain intellect, yet poetry, having to do with feelings and emotions, must not submit to the intellect's eagerness to foreclose. It must wait for a music to occur, an image to discover itself. Stead thus rehabilitated Eliot as a Romantic poet, every bit as faithful to the process of dream and susceptible to gifts of the unconscious as Coleridge was before he received the person from Porlock. And so the figure of Old Possum, netted for years in skeins of finely-drawn commentary upon his sources, his ideas, his criticism of the modern world and so on, this figure was helped to rise again like Gulliver in Lilliput, no longer a hazy contour of philosophy and literary allusion, but a living principle, a far more natural force than had been recognized until then.' - Seamus Heaney, The Government of the Tongue (1986)