Collected Works of Samuel Taylor Coleridge – serie

Poetry in its many guises is at the center of Coleridge's multifarious interests, and this long-awaited new edition of his complete poetical works marks the pinnacle of the Bollingen Collected Coleridge. The three parts of Volume 16 confirm and expand the sense of the Coleridge who has emerged over the past half-century, with implications for English Romantic writing as a whole. Setting new standards of comprehensiveness in the presentation of Romantic texts, they will interest historians and editorial theorists, as well as readers and students of poetry. They represent a work of truly monumental importance. The first part presents the reading texts of 706 poems in chronological sequence. Its blend of newly discovered and newly collected poems, presented in light of all known evidence and where practicable in unrevised forms, offers a fresh and original Coleridge: less inhibited by Victorian ideas about what poetry should be, moving easily and productively between genres and levels of seriousness. In texts that remained fluid and exploratory to the end, Coleridge alternates between lyric and satire, prophecy and conversation, symbol and allegory.Each poem is accompanied by a headnote and commentary that together provide its historical-biographical context and offer key textual variants. The book opens with an introduction and chronological tables. The three appendixes position individual poems in the contexts in which they appeared during Coleridge's lifetime. Illustrations such as contemporary scenes and portraits bring this rich collection, like the companion volumes, all the more to life.

Poetry in its many guises is at the center of Coleridge's multifarious interests, and this long-awaited new edition of his complete poetical works marks the pinnacle of the Bollingen Collected Coleridge. The three parts of Volume 16 confirm and expand the sense of the Coleridge who has emerged over the past half-century, with implications for English Romantic writing as a whole. Setting new standards of comprehensiveness in the presentation of Romantic texts, they will interest historians and editorial theorists, as well as readers and students of poetry. They represent a work of truly monumental importance. The second part presents the same 706 poems as the first, in the same chronological sequence, but differently records in each case all known textual information in collated form--allowing for alternative construals of the reading texts. An additional 135 items are inserted into the same sequence, comprising poems mistakenly ascribed to Coleridge or of dubious authenticity and poems that remained only in the planning stage or that are referred to but have not been recovered. The index of titles and first lines incorporates the full range of variants.All told, the Collected Coleridge variorum sequence collates over a third more additional texts--in more detailed and accurate form--than those found in the previous standard edition, by E.H. Coleridge. The presentation method in this second part will interest editorial theorists as well as those interested primarily in Coleridge and/or the making of poetry. The unusually detailed textual information also reveals changes in such areas as linguistic and grammatical usage, patterns of transcription and circulation among anthologists, and contemporary publishers' house styles.

Poetry in its many guises is at the center of Coleridge's multifarious interests, and this long-awaited new edition of his complete poetical works marks the pinnacle of the Bollingen Collected Coleridge. The three parts of Volume 16 confirm and expand the sense of the Coleridge who has emerged over the past half-century, with implications for English Romantic writing as a whole. Setting new standards of comprehensiveness in the presentation of Romantic texts, they will interest historians and editorial theorists, as well as readers and students of poetry. They represent a work of truly monumental importance. Coleridge's plays form a vital part of his poetic achievement. This part covers all of them--twelve altogether, including collaborations, adaptations, and plays left unrevised or in note form. It considers his drama translations as well. Coleridge's practical engagement with theater over a span of twenty years influenced his approach to other, lyric forms as well as, for example, his assessments of Shakespeare and of public taste.As in the first and second parts, all known manuscript, printed, and annotated versions have been collated to produce reading texts, and much new information, historical as well as textual, is presented in the commentary. The index covers proper names and prominent themes and features of all three parts. The presentation of four plays is of particular interest. Coleridge's translations of Schiller's Piccolomini and Death of Wallenstein are accompanied by facing texts of the German originals (the first reconstructed by Joyce Crick, the second from a manuscript authorized by Schiller himself) so that, for the first time, Coleridge's practice as translator can be properly assessed. Secondly, Remorse is presented in stage and printed-text versions; the former demonstrates how Coleridge's play evolved in the course of the rehearsal process and during performance, how it was received and how it enjoyed an afterlife in contemporary theatres, whereas the printed-text version developed quite differently. This authoritative volume offers a revealing and comprehensive portrait of Coleridge's work in the dramatic form.

In his introduction to this edition of Coleridge's Marginalia, the late George Whalley wrote, "There is no body of marginalia--in English, or perhaps in any other language--comparable with Coleridge's in range and variety and in the sensitiveness, scope, and depth of his reaction to what he was reading." The Princeton edition of the Marginalia, of which this is the fifth volume, will bring together over eight thousand notes, many never before printed, varying from a single word to substantial essays. In alphabetical order of authors, the notes are presented literatim from the original manuscripts whenever the annotated volumes can be found. Each note is preceded by the passage of the original text that appears to have provoked Coleridge's comment. Texts in foreign languages are followed by translations. The present volume comprises annotations on more than sixty books (from Sherlock to "Unidentified"), including well-known works by Sir Philip Sidney, Southey, Spinoza, Swift, and Tennyson. There are extensive notes on texts by Heinrich Steffens, Emanuel Swedenborg, and Jeremy Taylor; on two histories of philosophy by Thomas Stanley and W. G.Tennemann; and also on the writings of St. Teresa of Avila. The subjects addressed range from literature and philosophy through religion, politics, history, and biography, to travel-writing and science.

Based on a comparison of early editions, manuscripts, and copies annotated by the poet himself, this edition provides a reliable text of Coleridge's last prose work, first published in 1830. Originally intended to influence public opinion on the Catholic Emancipation Bill of 1829, the work became a brief but brilliant synthesis of Coleridge's political and theological thought, whose influence extended well beyond the nineteenth century. John Colmer's introduction and notes place the work in its literary and historical context and they illuminate Coleridge's process of composition and the development of his ideas on Church and State. John Comer's introduction and notes place the work in its literary and historical context and they illuminate Coleridge's process of composition and the development of his ideas on Church and State. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions.The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Published originally in 1809-1810, The Friend was revised in 1812, by public demand. In 1818, a three-volume rifacimento appeared in which Coleridge attempted to dispel obscurity, tie up loose threads of reasoning, and provide more mature apercus. Now, in the Collected Works, The Friend has been re-edited to return to Coleridge's 1818 text. His emendations, cuts, and marginal comments noted in six copies of the work, as well as manuscript additions and deletions, have been included as footnotes. The editor's footnotes also elucidate sources and themes and provide translations of the many Latin and Greek passages. The entire periodical Friend is given as an appendix, with the 1812 revisions. Originally published in 1969. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions.The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Published originally in 1809-1810, The Friend was revised in 1812, by public demand. In 1818, a three-volume rifacimento appeared in which Coleridge attempted to dispel obscurity, tie up loose threads of reasoning, and provide more mature apercus. Now, in the Collected Works, The Friend has been re-edited to return to Coleridge's 1818 text. His emendations, cuts, and marginal comments noted in six copies of the work, as well as manuscript additions and deletions, have been included as footnotes. The editor's footnotes also elucidate sources and themes and provide translations of the many Latin and Greek passages. The entire periodical Friend is given as an appendix, with the 1812 revisions. Originally published in 1969. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions.The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Published originally in 1809-1810, The Friend was revised in 1812, by public demand. In 1818, a three-volume rifacimento appeared in which Coleridge attempted to dispel obscurity, tie up loose threads of reasoning, and provide more mature apercus. Now, in the Collected Works, The Friend has been re-edited to return to Coleridge's 1818 text. His emendations, cuts, and marginal comments noted in six copies of the work, as well as manuscript additions and deletions, have been included as footnotes. The editor's footnotes also elucidate sources and themes and provide translations of the many Latin and Greek passages. The entire periodical Friend is given as an appendix, with the 1812 revisions. Originally published in 1969. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions.The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.