Complete Funky Winkerbean – serie

It was the best of times, it was the OK of times In this fourth volume, award-winning cartoonist Tom Batiuk continues to chronicle the lives of the students and teachers at the fictitious Westview High School.By the 1980s Batiuk's talent for character- and story-driven work comes into its own. Harry L. Dinkle, the World's Greatest Band Director and Funky's first breakout character, is still marching along happily. He makes the first of two visits to the Tournament of Roses Parade, and his ego grows even larger. Harry proves a good match for the sitcom style of writing into which Batiuk's work on Funky is developing, and Crazy Harry thrives as the repository for the more outré ideas and situations. Whether it is living in his locker and playing frozen pizzas on his stereo, battling the Eliminator at Space Invaders, announcing that he is an air guitar player, or inviting Carl Sagan and ET to the Star Trek Convention that he and the school computer would host, Crazy becomes Funky Winkerbean's natural-born outlier. Meanwhile, Les Moore continues his angst-filled journey as the leader of the school's out crowd. He's still at his machine-gun-fortified hall monitor's post, trying to avoid getting beaten up by Bull Bushka, and generally dealing with school life as best he can.The strip-within-a-strip about John Darling and his bottom-of-the-ratings-barrel TV station, Channel One, which had spun off into its own strip called Darling, remains popular. And Batiuk introduces readers to a new character - the school mascot, a vest-wearing scapegoat that can speak its thoughts directly to the reader.In the 1980s we begin to see hints of the change in tone that will come to characterize Funky Winkerbean's later years. Starting with the coach's heart attack and his reflections on life and relationships, then shifting to teacher Ann Randall and her job loss, these story arcs intertwine with others to mark the shift from a simpler sitcom mode to a more complex narrative with subplots.Fans will enjoy each variety of comedy in Funky's subtle evolution from gags to situational humor to behavioral humor.

In this seventh volume, we see the changes in tone that now characterize Funky Winkerbean. Funky becomes more of a reality-based comic strip that depicts contemporary issues in a thought-provokingand sensitive manner. In 1992 Tom Batiuk did something even more radical: he rebooted and restructured the strip, establishing that the characters had graduated from high school. From then on the series progresses in real time.Funky Winkerbean placed Batiuk at the forefront of a new genre in comic art history. His bold characterizations and dramatic plots are engaging for his readers—teens, parents, and educators alike—because they are universal stories that people can identify with. Realizing there are many comic strips for readers interested in a fantasy world, Batiuk provides an alternative by creating stories that are powerful, real, and inspiring.“My job is to present stories that will interest and engage readers,” he says. “In doing so, I try to make the humor authentic and natural so that my characters are reacting just as the reader might. I think that mixing humor with serious and real themes heightens the readers’ interest.” Following his own muse has roused a fervent following for Batiuk. Funky has “become an untouchable comic strip,” even if its creator “does do work that’s different from the other comics on the comics page,” said Brendan Burford, general manager, syndication, at King Features.

Follow award-winning cartoonist Tom Batiuk as he chronicles Funky's evolution from gags to situational humor to behavioral humor In this eighth volume, Funky Winkerbean continues to move forward in real time, tackling issues of relevance and substance with characters whose lives are increasingly fateful and destined. Funky has placed Batiuk at the forefront of a new genre in comic art history as the strip pursues stories ahead of their time: guns in schools and teen suicide. The humor in Funky continues to grow as it evolves from sitcom gags to a deeper and more engaging behavioral style of humor.