Rhythm of Yuloh is Chen Duxi’s new monograph collecting recent artworks and spatial projects. Titled after the traditional sound of the yuloh — an oar used in Chinese sculling — the book reflects Chen’s origin in the water-rich region of Sichuan and his sustained engagement with Chinese traditions across art, philosophy, and music. This book presents Chen Duxi’s systematic aesthetic paradigm grounded in an Eastern sense of poetic realm. It documents his reflections on life, investigations into fundamental patterns, and the ways he maps cognitive structures onto image and space — rendering those inquiries onto the page for readers and viewers to engage.

Primal Chaos, Works Of Xu Shanxun,1970-2025 (Chinese title: Hongmeng) compiles artworks created by contemporary artist Xu Shanxun between 1970 and 2025, divided into three volumes: Essence in the Greatest Form, All Things As One, and Sketches of Xu Shanxun.

Xu Shanxun is a painter who keeps pace with the times and constantly seeks change. Before this, his painting underwent several transformations. Hongmeng is both the overall title of the three volumes and the name of his Mindscape Painting series, which was completed in 2023. His works are usually not completely separate, and there is overlap in time. He simultaneously created works on different themes and in different languages, advancing his innovation step by step through in depth research and a steady, solid approach. Through brush, rice paper, and ink, using lines as the means of expression and employing various techniques such as ink wash, thick oil painting, and acrylic dripping, Xu Shanxun integrates calligraphic lines into modern painting.

Li Qiang: The Negative Sent to Future is a collection of photographic works by artist Li Qiang, taken between the 1980s and 2020s. It includes three series: Northern Homeland, Distant Memories, and City Encounter. Li Qiang's photographs are predominantly black and white, capturing portraits, cityscapes, rural society, and plateau landscapes against specific cultural and historical backdrops. In his photographic language, Li Qiang maintains an existentialist style: profound yet not oppressive, as if the subjects themselves are speaking, seemingly saying everything, yet saying nothing at all. The Northern Homeland series takes us back to the countryside and wilderness of Northwest China, back to the existential realm of solitary wandering in the wilderness; the Distant Memories series records life under the pure sky of the Southwest Plateau, mostly indistinct silhouettes, as if embraced by the heavens while maintaining an impressionistic distance from them; while the City Encounter series transforms the commonplace things of the city into fresh experiences for the soul, as if the reader themselves has just arrived from the distant countryside, only having caught a fleeting glimpse of the dazzling lights of the big city. The three themes intertwine, leading readers back and forth between the city of real life and the distant spiritual homeland.

Rhythm of Yuloh is Chen Duxi’s new monograph collecting recent artworks and spatial projects. Titled after the traditional sound of the yuloh — an oar used in Chinese sculling — the book reflects Chen’s origin in the water-rich region of Sichuan and his sustained engagement with Chinese traditions across art, philosophy, and music. This book presents Chen Duxi’s systematic aesthetic paradigm grounded in an Eastern sense of poetic realm. It documents his reflections on life, investigations into fundamental patterns, and the ways he maps cognitive structures onto image and space — rendering those inquiries onto the page for readers and viewers to engage.

Primal Chaos, Works Of Xu Shanxun,1970-2025 (Chinese title: Hongmeng) compiles artworks created by contemporary artist Xu Shanxun between 1970 and 2025, divided into three volumes: Essence in the Greatest Form, All Things As One, and Sketches of Xu Shanxun.

Xu Shanxun is a painter who keeps pace with the times and constantly seeks change. Before this, his painting underwent several transformations. Hongmeng is both the overall title of the three volumes and the name of his Mindscape Painting series, which was completed in 2023. His works are usually not completely separate, and there is overlap in time. He simultaneously created works on different themes and in different languages, advancing his innovation step by step through in depth research and a steady, solid approach. Through brush, rice paper, and ink, using lines as the means of expression and employing various techniques such as ink wash, thick oil painting, and acrylic dripping, Xu Shanxun integrates calligraphic lines into modern painting.

Li Qiang: The Negative Sent to Future is a collection of photographic works by artist Li Qiang, taken between the 1980s and 2020s. It includes three series: Northern Homeland, Distant Memories, and City Encounter. Li Qiang's photographs are predominantly black and white, capturing portraits, cityscapes, rural society, and plateau landscapes against specific cultural and historical backdrops. In his photographic language, Li Qiang maintains an existentialist style: profound yet not oppressive, as if the subjects themselves are speaking, seemingly saying everything, yet saying nothing at all. The Northern Homeland series takes us back to the countryside and wilderness of Northwest China, back to the existential realm of solitary wandering in the wilderness; the Distant Memories series records life under the pure sky of the Southwest Plateau, mostly indistinct silhouettes, as if embraced by the heavens while maintaining an impressionistic distance from them; while the City Encounter series transforms the commonplace things of the city into fresh experiences for the soul, as if the reader themselves has just arrived from the distant countryside, only having caught a fleeting glimpse of the dazzling lights of the big city. The three themes intertwine, leading readers back and forth between the city of real life and the distant spiritual homeland.