Copper Nickel – serie

Copper Nickel is a meeting place for multiple aesthetics, bringing work that engages with our social and historical context to the world with original pieces and dynamic translations. Since the journal’s relaunch in 2015, work published in Copper Nickel has been selected for inclusion in Best American Poetry, Best American Short Stories, and the Pushcart Prize Anthology, and has been listed as “notable” in the Best American Essays. Contributors to Copper Nickel have received numerous honors for their work, including the National Book Critics Circle Award; the Kingsley Tufts Poetry Award; the Kate Tufts Discovery Award; the Laughlin Award; the American, California, Colorado, Minnesota, and Washington State Book Awards; the Georg Büchner Prize; the Prix Max Jacob; the Lenore Marshall Prize; the T. S. Eliot and Forward Prizes; the Anisfield-Wolf Book Award; the Alice Fay Di Castagnola Award; the Lambda Literary Award; as well as fellowships from the NEA and the Guggenheim, Ingram Merrill, Witter Bynner, Soros, Rona Jaffee, Bush, and Jerome Foundations.  Issue 24 features twenty-two “flash fictions” by established and emerging fiction writers, including Ed Falco, Robert Long Foreman, Stephanie Dickinson, Pedro Ponce, Matthew Salesses, Ruth Joffre, Danielle Lazarin, Joseph Aguilar, Thomas Legendre, Patricia Murphy, Wendy Oleson, Alicita Rodríguez, and Thaddeus Rutkowski. Also featured are translation folios by Italian experimental poet and computer scientist Lorenzo Carlucci, Brazilian poet and PEN Brazil National Prize Winner Denise Emmer, and internationally renowned Russian poet Tatiana Shcherbina. Other contributors include poets Kaveh Akbar, Adam Tavel, David Dodd Lee, Kerri French, Ashley Keyser, Ryan Sharp, Kevin Craft, J. Allyn Rosser, Zeina Hashem Beck, Ed Bok Lee, John A. Nieves, &c.; fiction writers Bradley Bazzle, Erin Kate Ryan, and T. D. Storm; and nonfiction writers Aimée Baker, Dan Beachy-Quick, and S. Farrell Smith.

Copper Nickel is a meeting place for multiple aesthetics, bringing work that engages with our social and historical context to the world with original pieces and dynamic translations.Issue 28 includes:Fiction by Preeta Samarasan, whose debut novel Evening Is the Whole Day was translated into 15 languages; Asako Serizawa, who has received a Pushcart Prize and two O. Henry Prizes; Scottish fiction writer Kirsty Logan; and NEA Fellow Sarah Strickley.Nonfiction by Guggenheim and NEA fellow Paisley Rekdal; novelist Sheena McAuliffe; and poets Rebecca Lehman and Celia Bland.Poetry by MacArthur “Genius” and National Book Award finalist Edward Hirsch; regular NPR reviewer Tess Taylor; Cave Canem Poetry Prize winner Gary Jackson; Guggenheim fellow Geoffrey Brock; co-founder of VIDA Ann Townsend; Stegner fellow Brian Tierney; NEA fellows Sandra Beasley and Michael Bazzett; Yale Younger winner Sean Singer; Best American Poetry contributor Andrew Feld; author of four poetry collections Heather Christle and author of three collections Catherine Pierce; and numerous emerging poets, such as Dominica Phetteplace, Mejdulene B. Shomali, and Samuel Cheney.Translation Folios featuring work by Israeli poet and editor of the newspaper Haaretz Eli Eliahu, translated by Marcela Sulak; Younger French poet Muriel Pic, writing about the massive, ruined Nazi vacation structure Rügen, and translated by Samuel Martin; contemporary German poet Ute Von Funcke, translated by Stuart Friebert; and ancient Roman poet Martial in new, highly contemporary translations by Tyler Goldman.The cover features work by New York-based artist Xaviera Simmons, whose work has been shown at the MoMA and MoMA PS1 (NYC); the Museum of Contemporary Art, Chicago; the Contemporary Arts Museum, Houston; the Walker Art Center (Minneapolis); the Pérez Art Museum Miami, the Institute of Contemporary Art, Boston; and the Radcliffe Institute for Advanced Study at Harvard, among other venues.

Issue 31/2 is a special double issue, featuring nationally renowned American writers and nine translation folios with generous selections of work by internationally known writers from Argentina, French-Speaking Belgium, Germany, Greece, Mexico, Poland, the , South Korea, and the Galician Region of Spain.The issue includes:Poetry by Pulitzer Prize winner Yusef Komunyakaa; National Book Award finalist and Los Angeles Times Book Prize winner Carl Phillips; Guggenheim Fellows Terese Svoboda, David Kirby, and Mark Halliday; two-time Lambda Literary Award winner Maureen Seaton; Rockefeller Foundation Fellow Pablo Medina; Lenore Marshall Prize winner Craig Morgan Teicher; Kresge Arts Foundation and Kundiman Fellow Matthew Olzmann; Ohioana Book Award winner Ruth Awad; Kundiman Prize winner Janine Joseph; Alice Fay Di Castagnola Award winner G. C. Waldrep; Lambda Literary Award finalist Randall Mann; as well as Michael Bazzett, Jehanne Dubrow, Sarah Gridley, Joy Katz, Hailey Leithauser, Claire Wahmanholm, and many others.Fiction by Maxim Loskutoff, an NPR Best Book author and New York Times Editor’s Pick; as well as by Cara Blue Adams, Gerri Brightwell, Aidan Forster, Ryan Habermeyer, Nihal Mubarak, and Carolyn Oliver.Nonfiction by PEN Center USA Literary Award and California Book Award winner Victoria Chang, art and literature critic Robert Archambeau (writing on the “spirituality” of Andy Warhol), and relative newcomer Caroline Plasket.Translation Folios with poetry by Filipino poet Mesándel Virtusio Arguelles (translated by Kristine Ong Muslim), Mexican poet Cesar Cañedo (translated by Whitney DeVos), (translated by Jennifer Kronovet), Franco-Belgian poet Guy Goffette (translated by Marilyn Hacker), Greek poet Dimitra Kotoula (translated by Maria Nazos), Polish poet Ewa Lipska (translated by Robin Davidson and Ewa Elżbieta Nowakowska, South Korean poet Moon Bo Young (translated by Hedgie Choi), Galician/Spanish poet Chus Pato (translated by Erín Moure), and Argentinian fiction writer, journalist, and political martyr Rodolfo Walsh (translated by Cindy Schuster).The cover features work by New York-based artist and Gordon Parks Foundation fellow Derrick Adams, whose work has shown nationally and been featured on the television shows Empire and Insecure.

Copper Nickel is a meeting place for multiple aesthetics, bringing work that engages with our social and historical context to the world with original pieces and dynamic translations. A nationally distributed literary journal housed at the University of Colorado, Denver, Copper Nickel was Founded by poet Jake Adam York in 2002. On hiatus since York's sudden death in 2012, it is now being revitalized under the editorship of Wayne Miller, the former Editor-in-Chief (2010-14) of the award winning journal Pleiades. Working with Miller are poetry editors Brian Barker and Nicky Beer, and fiction editors Teague Bohlen and Joanna Luloff. Starting in 2015, Copper Nickel will be published twice a year, in March and September. Copper Nickel 20 -- the first issue produced by this new staff -- will feature poetry, fiction, and nonfiction, including work by National Book Critics Circle Award-winning poets Troy Jollimore and D. A. Powell; National Book Award and Pulitzer Prize finalist Adrian Matejka; National Poetry Series winner Erika Meitner; along with Pushcart Prize winners, Guggenheim Fellows, and many other decorated writers.The issue will also feature two Translation Folios, focused on Cape Verdean poet Corsino Fortes and German poet Jan Wagner.

This 21st issue of Copper Nickel features poetry, fiction, and nonfiction, including work by National Book Award and National Book Critics Circle Award finalist James Richardson; Anisfield-Wolf Award recipient Martha Collins; Alice Fay Di Castagnola Award winner Jehanne Dubrow; Guggenheim Fellow Mark Halliday; NEA Fellows David Hernandez, Henry Israeli, and Kevin Prufer; PEN/O. Henry Prize recipient Polly Rosenwaike; James Laughlin Award winner Tony Hoagland; James Merrill Fellow Anna B. Sutton; Lambda Literary Award winner Julie Marie Wade; Lannan Foundation Fellow Ed Skoog; as well as a number of writers at earlier stages in their careers. The issue will also include three "Translation Folios" introducing and contextualizing for an American audience the Chinese poet Yi Lu, the Danish fiction writer Christina Hesselholdt, and three Uruguayan poets: Laura Cesarco Eglin, Circe Maia, and Karen Wild. The cover of Issue 21 features new work by renowned artist, musician, and composer Mark Mothersbaugh.

Copper Nickel Issue 22 will feature three essays on contemporary publishing by Dalkey Archive Press founder John O'Brien, Bookslut founder Jessa Crispin, and Virginia Quarterly Review digital editor and Publishers Weekly columnist Jane Friedman. It will also include poetry, fiction, and nonfiction by Norma Farber First Book Award winner Cathy Linh Che, Alice Fay Di Castagnola winner G. C. Waldrep, Soros Foundation Fellow David Keplinger, California Book Award winner Alexandra Teague, Thom Gunn Award winner Charlie Bondhus, Hopwood fellow Rachel Richardson, and numerous emerging and established writers including Jaswinder Bolina, Elyse Fenton, and Bernard Farai Matambo. Additionally, the issue will include three "Translation Folios" introducing and contextualizing for an American audience work by renowned Turkish poet Haydar Ergulen, Georg Buchner Prize winner Karl Krolow, and Prix Max-Jacob winner Emmanuel Moses in translations by (respectively) Derick Mattern, Stuart Friebert, and National Book Award and Lenore Marshall Prize winner Marilyn Hacker. The cover of Issue 22 features work by Los Angeles-based artist Christina Stormberg.

Copper Nickel issue 23 will feature poetry by two-time Pushcart Prize winner Jennifer Atkinson, Kate Tufts Discovery Award winner Adrian Blevins, National Poetry Series winner Justin Boening, renowned poet and critic Stephen Burt, Ruth Lilly Fellow Chloe Honum, two-time NEA Fellow Christopher Howell, Lambda Literary Award finalist Randall Mann, Stegner Fellow L.S. McKee, and Guggenheim Fellow Eric Pankey, as well as emerging voices such as Belfast, Northern Ireland, based poet Andrew Deloss Eaton and Hong Kong based poet Nicholas Wong; fiction by George Brookings, Dan Mancilla, Evelyn Sommers, and Liz Wyckoff; nonfiction by Bangladeshi-American writer Anuradha Bhowmik and NEA Fellow Traci Brimhall; and translation folios featuring Polish poet, critic, and scholar of Roma culture Jerzy Ficowski (translated by Jennifer Grotz and Piotr Sommer), Bosnian visual and performance artist Šoba (translated by Paula Gordon) who “publishes” his prose on facebook, and Polish poet Gzegorz Wróblewski (translated by Piotr Gwiazda).The cover of Issue 23 features collage work by Denver-based visual artist Mario Zoots.

Copper Nickel is a meeting place for multiple aesthetics, bringing work that engages with our social and historical context to the world with original pieces and dynamic translations.Issue 25 of Copper Nickel is aesthetically diverse, featuring translation “folios” by 12th century Chinese poet Li Qingzhao, Chilean Nobel Prize-winner Gabriela Mistral, and Iranian short story writer Payam Yazdanjoo; poetry by Dilruba Ahmed, Michael Bazzett, Talia Bloch, Graham Foust, John Gallaher, Tony Hoagland, Cynthia Hogue, Ashley Keyser, Sara Eliza Johnson, Peter LaBerge, Shara Lessley, Adrian C. Louis, Kevin Prufer, Elizabeth Scanlon, Analicia Sotelo, Juned Subhan, Ellen Doré Watson, Lesley Wheeler, &c.; fiction by Meagan Ciesla, Viet Dinh, Joel Morris, Joanna Pearson, and Pete Stevens; and nonfiction by Robert Archambeau, Alex McElroy, and Hasanthika Sirisena.The cover of this issue features work by Denver-based painter and collagist Daisy Patton.

Copper Nickel is a meeting place for multiple aesthetics, bringing work that engages with our social and historical context to the world with original pieces and dynamic translations.Issue 26 of Copper Nickel features a diverse collection including translation “folios” of work by Norwegian poet Paal-Helge Gaugen, Franco-Algerian poet Samira Negrouche, and Austrian poet Elisabeth Schmeidel; poems by National Book Award and National Book Critics Circle Award Finalist Ada Limón, four-time Pushcart Prize winner Kevin Prufer, Yale Younger Poetry Series winner Fady Joudah, National Poetry Series winner Noah Eli Gordon, Canto Mundo fellow Rosebud Ben-Oni, NEA fellows James Hoch, Aimee Nezhukumatathil and Melissa Stein, Rockefeller Foundation fellow Robert Wrigley, Lambda Literary Award winner Maureen Seaton, as well as numerous emerging poets; fiction by Rona Jaffe Foundation Writer’s Award recipient Ladee Hubbard, Story Prize finalist Daphne Kalotay, as well as emerging writers Kaitlyn Andrews-Rice, Emily Chiles, and Gianni Skaragas; and nonfiction by NEA fellows Don Bogen and James Allen Hall, Kudiman Fellow Shamala Gallagher, Best American Essays contributor Matthew Vollmer, and newcomer Sari Boren.The cover features work by Denver-based artist Rebecca Berlin.

Copper Nickel is a meeting place for multiple aesthetics, bringing work that engages with our social and historical context to the world with original pieces and dynamic translations.Issue 27 is particularly international—even for Copper Nickel—and features an expansive folio of younger and less-established Irish and UK poets, including Irish poets Martin Dyar, Elaine Feeney, Victoria Kennefick, Conor O'Callaghan, Paul Perry, Stephen Sexton, Lorna Shaughnessy, and Jessica Traynor; and UK poets James Byrne, Vahni Capildeo, Manuela Moser, Sam Riviere, Zoë Brigley Thompson, and Chrissy Williams. The oldest poet in the folio was born in 1968; the youngest poets were born in the 1990s.Issue 27 also features three translation folios (which are a regular feature in Copper Nickel): (1) a group of five prose poems by Danish poet Carsten Rene Nielsen (b. 1966), translated and introduced by David Keplinger; (2) three longer poems by Mexican poet Cristina Rivera Garza (b. 1964), translated by Julia Leverone; and (3) four poems by Mauritian poet Khal Torabully (b. 1956), translated and introduced by Nancy Naomi Carlson.This issue also includes fiction by Farah Ali, Amy Stuber, Jyotsna Sreenivasan, and Jacinda Townsend.Nonfiction includes a personal essay on Günter Grass by poet and German translator Stuart Friebert, a lyric essay on hexes by Laughlin award winner Kathryn Nuernberger, and a lyric essay on hide-and-seek by Ira Sukrungruang. Poets in issue 27 include two-time Pushcart Prize winner T. R. Hummer, NEA Fellow Christopher Kempf, Kingsley Tufts Award winner John Koethe, Whitman Award winner Emily Skaja, Best American Poetry contributor Corey Van Landingham, Jenny Boychuk, Juan Morales, Paul Otremba, Paige Quiñones, Arthur Russell, Francis Santana, and Chelsea Wagenaar.The cover features work by Denver-based photographer Kristen Hatgi Sink.

Issue 29 includes fiction by Berlin Prize winner and NEA Fellow V.V. Ganeshananthan, as well as relative newcomers Kimberly Garza, Maria Kuznetsova, Sam Simas, and Jennifer Wortman.Nonfiction by Best American Essays and Pushcart Prize: Best of the Small Presses contributor Paul Crenshaw and experimental lyric prose writer Debra Di Blasi.Poetry by Roethke Memorial Prize winner and Guggenheim Fellow David Baker, Anisfield-Wolf Book Award winner Martha Collins, Rome Prize winner Mark Halliday, Kate Tufts Discovery Award winner Janice N. Harrington, Jake Adam York Prize winner Brooke Matson, NEA Fellows Kaveh Bassiri and Matt Morton, Cité Internationale des Arts Fellow Jacques J. Rancourt, Alice Fay Di Castagnola Award winner Natasha Sajé, as well as Jan Beatty, TR Brady, Jenna Le, Samantha Lê, John A. Nieves, Roy White, and many others.Translation Folios featuring short fiction by Galician writer Xavier Queipo, translated by Jacob Rogers; and poetry by Catalan poet Gemma Gorga, translated by Sharon Dolin; Chinese dissident poet Shen Haobo, translated by Liang Yuing; and Slovenian poet Aleš Šteger, translated by Brian Henry.The cover features work by Denver-based artist Michael Gadlin, who was educated at the Pratt Institute in Brooklyn, NY, and whose work has been shown all over Denver, as well as in New York City and France. Gadlin is represented by K Contemporary Gallery in Denver.