If you liked What We Do in the Shadows, you should buy this book. If you hated Twilight, you should also buy this book.

Immortal beloveds Rebekah and Hugh are on vacation! Against a backdrop of ongoing war, this pair of chic emotional vampires from San Francisco sets off on a queer Black Sea Cruise, eager to relax, join an orgy, and feast upon their fellow passengers’ desires and sorrows. When Hugh becomes enchanted by an alluring—and possibly magical—nonbinary social media influencer named Heaven, Rebekah’s reality capsizes, and her true nature is unleashed.

A smutty horror-comedy featuring unbridled narcissism, Vampires at Sea is a hilarious snack!

Shot through with gallows humor and speaking in the voice of a trusted best friend, this self-deprecating horror novel explores medical trauma through Irish folklore, asking “Can a sick woman ever be trusted?"

Brigid—that’s the Irish Breej, not “Bridge-id,” though it’s not like she’d correct you—has had a rough go of it. Her mother abused her when she was little, her best friend (and secret crush) is too busy chasing some blonde to answer Brigid’s calls, and she lost her job thanks to chronic pelvic pain with no identifiable cause. As a self-doubting, disabled adult, she’s certain that everything that has happened to her is her fault.

Now her mother has gone missing and Brigid’s only option is to move back into her childhood home in the idyllic Midwestern town of St. Charles, Illinois. Soon the uncanny begins: A particular crow that once harassed her reappears, following her everywhere. A painting of Jesus keeps coming back, no matter how many times she throws it away. Frozen body parts show up in places rubber band balls and door stoppers ought to be. Every night the same nightmare repeats: her real mother is dead and decaying in the closet, and the identical mother who raised her is not her mother. But it’s all in Brigid’s head. It’s all her fault. It must be. What other explanation could there be?

After all, since when can a sick woman be trusted?

Copper City’s bloody history is steeped in ghost stories and whispers of serial killers, but three girls have caught the attention of something far more sinister.

A grandmother tormented by visions tried to warn the town, but no one listened. Now, a haunted inheritance has passed to her granddaughters, Audrey and Mara. When Mara’s body is discovered in the old mine, Audrey fears her grandmother’s premonition is manifesting.

The nightmare begins as Mara’s spirit returns—lurking under Audrey’s skin, hellbent on vengeance and desperate to rekindle things with her former girlfriend, Zadie. Willing to hijack Audrey’s body to get what she wants, Mara drags them both into a deadly pursuit.

When another girl in town goes missing, Audrey, Mara, and Zadie know the killer has struck again. In a fight to solve Mara's death and uncover the mystery of disappearances in Copper City, the girls soon find themselves at war with each other. How do you survive long enough to hunt a murderer on the loose if the person inside you might kill you first?

If you liked What We Do in the Shadows, you should buy this book. If you hated Twilight, you should also buy this book.

Immortal beloveds Rebekah and Hugh are on vacation! Against a backdrop of ongoing war, this pair of chic emotional vampires from San Francisco sets off on a queer Black Sea Cruise, eager to relax, join an orgy, and feast upon their fellow passengers’ desires and sorrows. When Hugh becomes enchanted by an alluring—and possibly magical—nonbinary social media influencer named Heaven, Rebekah’s reality capsizes, and her true nature is unleashed.

A smutty horror-comedy featuring unbridled narcissism, Vampires at Sea is a hilarious snack!

Shot through with gallows humor and speaking in the voice of a trusted best friend, this self-deprecating horror novel explores medical trauma through Irish folklore, asking “Can a sick woman ever be trusted?"

Brigid—that’s the Irish Breej, not “Bridge-id,” though it’s not like she’d correct you—has had a rough go of it. Her mother abused her when she was little, her best friend (and secret crush) is too busy chasing some blonde to answer Brigid’s calls, and she lost her job thanks to chronic pelvic pain with no identifiable cause. As a self-doubting, disabled adult, she’s certain that everything that has happened to her is her fault.

Now her mother has gone missing and Brigid’s only option is to move back into her childhood home in the idyllic Midwestern town of St. Charles, Illinois. Soon the uncanny begins: A particular crow that once harassed her reappears, following her everywhere. A painting of Jesus keeps coming back, no matter how many times she throws it away. Frozen body parts show up in places rubber band balls and door stoppers ought to be. Every night the same nightmare repeats: her real mother is dead and decaying in the closet, and the identical mother who raised her is not her mother. But it’s all in Brigid’s head. It’s all her fault. It must be. What other explanation could there be?

After all, since when can a sick woman be trusted?

Copper City’s bloody history is steeped in ghost stories and whispers of serial killers, but three girls have caught the attention of something far more sinister.

A grandmother tormented by visions tried to warn the town, but no one listened. Now, a haunted inheritance has passed to her granddaughters, Audrey and Mara. When Mara’s body is discovered in the old mine, Audrey fears her grandmother’s premonition is manifesting.

The nightmare begins as Mara’s spirit returns—lurking under Audrey’s skin, hellbent on vengeance and desperate to rekindle things with her former girlfriend, Zadie. Willing to hijack Audrey’s body to get what she wants, Mara drags them both into a deadly pursuit.

When another girl in town goes missing, Audrey, Mara, and Zadie know the killer has struck again. In a fight to solve Mara's death and uncover the mystery of disappearances in Copper City, the girls soon find themselves at war with each other. How do you survive long enough to hunt a murderer on the loose if the person inside you might kill you first?