Drinking Gourd Chapbook Poetry Prize – serie

The Poetry and Poetics Colloquium, in conjunction with Northwestern University Press, is delighted to announce that Nicole Sealey is the winner of the fourth annual Drinking Gourd Chapbook Poetry Prize. The Animal After Whom Other Animals Are Named will be published by Northwestern University Press with a planned launch party at the Poetry Foundation in Chicago in January 2016.At turns humorous and heartbreaking, The Animal After Whom Other Animals Are Named explores in both formal and free verse what it means to die, which is to say, also, what it means to live. In this collection, Sealey displays an exquisite sense of the lyric, as well as an acute political awareness. Never heavy-handed or dogmatic, the poems included in this slim volume excavate the shadows of both personal and collective memory and are, at all points, relentless. To quote the poet herself, here is a debut as luminous and unforgiving ""as the unsparing light at tunnel’s end.

Blood of the Air creates a new mythology, repurposing spectacle, stereotype, and song. Inspired by the fictions and frictions of the past, each poem in this collection complicates the next. Lush lyrical moments give way to fracture, vulnerability, and reinvention. The title poem—one of several found poems—calls attention to stories told in the wake of sexual violence. In “She Said,” the collection’s longest piece, language culled from the transcript of a seventeenth-century rape trial feels eerily familiar. Formally dexterous and refreshingly bold, the poems in Blood of the Air are urgent, moving, and fiercely imagined. Though blood can flow from the site of a wound, Codjoe seems to say, blood is also a sign of life.

Migrant Psalms prays for a way to make sense of immigration to the United States—now that we realize the American Dream was always an impossible one. Both reverent and daring, this verse interrogates religion, race, class, family, and sexuality. Written as a call to action, the collection pulls together prayer, popular culture, and technology to tell a twenty-first-century migrant story.Migrant Psalms gives us a rare look inside a Panamanian experience of migration, describing the harsh realities of mothers, children, and teens who entered the United States—or tried to do so. Holnes’s poems find the universal through specificity; their exploration of expatriation, assimilation, and naturalization transcends the author’s personal experience to speak to what it means to be “other” anywhere.The collection begins with “Kyrie,” a coming-to-America chronicle that spans three years in Texas, modeled after the liturgical Christian prayer Kyrie Eleison (Lord, have mercy). Other poems experiment with macaronic language and form to parallel shifts in the speaker’s status from immigrant to citizen, ending with “The 21st Century Poem,” which probes what’s “real” in today’s New York City. Through the speaker’s quest to become an American, this collection asks: Who are we becoming as individuals, as a society, as a nation, as a world? And is faith enough to enact change? Or is it just the first step?

Winner of the 2023 Drinking Gourd Chapbook Poetry PrizeThis Is My Body readily and unapologetically examines issues of race and ethnicity, ancestry and community, mental illness and recovery, queer sexuality and identity, and the body and disability. Traditionally religious language and hopeful imagery abound; so, too, do their spiritual antagonists: doubt, loss, isolation, and despair. But even in the darkest moments of a troubled inner life, insight and triumph intervene and sometimes even linger. An intimate exploration of the human experience, this debut collection proves itself more than the sum of its interior encounters—however revelatory or transformative any one given experience might be. It is a timely and necessary exercise in faith.