Duncan Kincaid/Gemma James – serie

Gemma, Duncan, and the boys are back in their Notting Hill house and enjoying a quiet spring in London when Gemma receives a plea for help from her friend and neighbor, Erika Rosenthal.Erika has never shared much of her past, other than telling Gemma that she and her husband came to London before the war as refugees from the emerging Nazi regime in Germany. Her husband was a historian and was found murdered in a local park. His death was never solved. Now Erika tells Gemma that a necklace from her past has come up for auction - a necklace which was taken from her. Now Erika asks Gemma to find out where the necklace came from.As Gemma works backwards, interviewing the staff at the auction house and looking into the records of David Rosenthal's death, her viewpoint is interwoven with Erika's vivid memories of her life as a young woman in London during and after the war. Then a young woman at the auction house is murdered and suddenly the case becomes very much centred in the present.

Olympic rowing hopeful and senior Metropolitan Police officer DCI Rebecca Meredith goes out alone to train on the river in Henley on a dark afternoon in late October – and doesn’t return. When a desperate search by the police and a K9 team reveals the possibility of foul play, Scotland Yard wants one of their own on the case. Detective Superintendent Duncan Kincaid, returning from celebrating his marriage to long-time partner Detective Inspector Gemma James, is called to Henley to investigate. He soon finds that the world of elite rowing can be brutal, and that Rebecca Meredith’s ex-husband was not the only person with good reason for wanting her dead.Then, when a search-and-rescue team member is threatened, Kincaid realizes the case may be even more complex and more dangerous than he believed. But it is only when he enlists Gemma’s aid that they find that the answers lie closer to home than they could have imagined – and are infinitely more deadly. It seems that more than one innocent life depends on their ability to track down the killer.

Jack Montfort grew up in the shadow of Glastonbury Tor in a town revered as the mythical burial place of King Arthur, and, according to New Age followers, a source of strong druid power. Montfort has little more than a passing interest in the history of the area - until he comes across an extraordinary chronicle almost a thousand years old . . . The unsettling way this record comes into his hands brings Montfort into contact with a disparate group of townspeople, including Nick Carlisle, a student of Glastonbury's myths; Faith Wills, a pregnant teenage runaway; and Winnie Catesby, the Anglican priest who is now Jack's lover. When a member of Jack's circle is attacked and left for dead, he appeals to his cousin, Superintendent Duncan Kincaid, for help. For something terrible and bloody shattered Glastonbury Abbey's peace long ago - and now it is about to spark a violence that will reach forward into the present . . .

In the past: It is September 1939 and thousands of children are being evacuated from London. Among them 12-year-olds Lewis Finch and William Hammond, both billeted on the Surrey estate of the formidable Regina Burne-Jones. Both become allies, then friends, and thus begins a story of choice and betrayal the repercussions of which will echo down the years . . .In the present: Duncan Kincaid and Gemma James are called out to investigate a death in London's East End. A young woman known as Annabelle Hammond has been strangled. Prime suspect is a busker she was seen talking to just before she disappeared. And when he turns out to be Gordon Finch, Duncan decides to investigate events which occurred more than fifty years before.

Five years ago, the talented Cambridge poet Lydia Brooks apparently committed suicide. Now Victoria McClellan, is writing a biography about the renowned Lydia. However as she digs deeply into the background of the deceased poet, Vic begins to question whether Lydia actually killed herself or was murdered. She turns to her estranged former spouse, Scotland Yard Superintendent Duncan Kincaid for help.

When Superintendant Duncan Kincaid takes Gemma, Kit and Toby to visit his family in Cheshire, Gemma is soon entranced with Nantwich town's pretty buildings and the historic winding canal, and young Kit is instantly smitten with his cousin Lally.But their visit is marred when, on Christmas Eve, Duncan's sister discovers a mummified infant's body interred in the wall of an old dairy barn; a tragedy hauntingly echoed by the recent drowning of Peter Llewellyn, a schoolmate of Lally's.Meanwhile, on her narrowboat, former social worker Annie Lebow is living a life of self-imposed isolation, preparing for a lonely Christmas, made more disturbing by an unexpected meeting earlier in the day.As the police make enquiries into the infant’s death, Kincaid discovers that life in the lovely town of his childhood is far from idyllic, and that the dreaming reaches of the Shropshire Union Canal hold dark and deadly secrets . . .

A corpse, burned beyond recognition, has been uncovered in a vacant warehouse in Southwark . . . A young, beautiful hospital administrator has vanished without a trace, her past a mystery to even her closest friend . . .And across the City, within an old, dark, rambling house, a rigidly controlling, anonymous woman is holding ten-year-old Harriet hostage.While innocent lives hang in the balance, sinister truths unfurl and DS Duncan Kincaid and DI Gemma James must call upon all resources to work together on their most menacing case yet . . .‘Deborah Crombie just keeps getting better and better. In a Dark House is utterly compelling’ PETER ROBINSON

The murder at Holmbury St Mary was not one that Superintendent Duncan Kincaid of Scotland Yard would relish investigating. A man has been beaten to death in his own home. A man who just happened to be Commander Alastair Gilbert of the Metropolitan Police...Only adding to Kincaid's problems are his tangled personal feelings for Sergeant Gemma James. And in an investigation of this importance neither can afford a breakdown in their relationship.Combining subtle emotional nuances and psychological insights with the intricacies of police procedure, Deborah Crombie produces a powerful contemporary mystery in the classic tradition.

A week's holiday in a luxurious Yorkshire time-share is just what Scotland Yard's Superintendent Duncan Kincaid needs. But the discovery of a body floating in the whirlpool bath ends Kincaid's vacation before it's begun. One of his new acquaintances at Followdale House is dead; another is a killer.Despite a distinct lack of cooperation from the local constabulary, Kincaid's keen sense of duty won't allow him to ignore the heinous crime, impelling him to send for his enthusiastic young assistant, Sergeant Gemma James. But the stakes are raised dramatically when a second murder occurs, and Kincaid and James find themselves in a determined hunt for a fiendish felon who enjoys homicide a bit too much.

Perhaps it is a blessing when Jasmine Dent dies in her sleep. At long last an end has come to the suffering of a body horribly ravaged by disease.It may well have been suicide; she had certainly expressed her willingness to speed the inevitable. But small inconsistencies lead her neighbor, Superintendent Duncan Kincaid of Scotland Yard, to a startling conclusion: Jasmine Dent was murdered.But if not for mercy, why would someone destroy a life already so fragile and doomed?As Kincaid and his capable and appealing assistant Sergeant Gemma James sift through the dead woman's strange history, a troubling puzzle begins to take shape -- a bizarre amalgam of good and evil, of charity and crime . . . and of the blinding passions that can drive the human animal to perform cruel and inhuman acts.

When a body is found floating in the Thames river lock one damp and dreary morning, Superintendent Duncan Kincaid and Sergeant Gemma James are summoned from Scotland Yard to the Chiltern Hills outside London. The dead man is Connor Swann, son-in-law of London’s most renowned opera personalities. And prints on his neck suggest that Swann was strangled.As Duncan and Gemma explore the quiet woods above the Thames and the flamboyant world of London opera in search of answers, they discover a tangled web of family secrets and hidden emotions. And when Duncan finds himself dangerously drawn to a suspect, he and Gemma must sort out their complicated feelings for one another…

On a winter's evening in Notting Hill, Dawn Arrowood drives home after a doctor's appointment confirming her pregnancy. She is terrified. Her older husband has made it clear that he wants no children, and Dawn is not even sure that the child is his. But as Dawn arrives home, she is attacked as she gets out of her car. In the ensuing struggle, her assailant whispers in her ear 'I'm sorry'. And he cuts her throat.Gemma Jones and Duncan Kincaid are called to the crime scene. The gripping case that develops forces them to investigate 1960s Notting Hill and its racial tensions, the Russian mafia and a possible serial killer. . .And at the same time, Gemma, pregnant herself with Kincaid's child, has to cope with her own rollercoaster of emotions in a case that is rather too close to home for comfort.

Jack Montfort grew up in the shadow of Glastonbury Tor in a town revered as the mythical burial place of King Arthur, and, according to New Age followers, a source of strong druid power. Montfort has little more than a passing interest in the history of the area - until he comes across an extraordinary chronicle almost a thousand years old . . . The unsettling way this record comes into his hands brings Montfort into contact with a disparate group of townspeople, including Nick Carlisle, a student of Glastonbury's myths; Faith Wills, a pregnant teenage runaway; and Winnie Catesby, the Anglican priest who is now Jack's lover. When a member of Jack's circle is attacked and left for dead, he appeals to his cousin, Superintendent Duncan Kincaid, for help. For something terrible and bloody shattered Glastonbury Abbey's peace long ago - and now it is about to spark a violence that will reach forward into the present . . .

In the past: It is September 1939 and thousands of children are being evacuated from London. Among them 12-year-olds Lewis Finch and William Hammond, both billeted on the Surrey estate of the formidable Regina Burne-Jones. Both become allies, then friends, and thus begins a story of choice and betrayal the repercussions of which will echo down the years . . .In the present: Duncan Kincaid and Gemma James are called out to investigate a death in London's East End. A young woman known as Annabelle Hammond has been strangled. Prime suspect is a busker she was seen talking to just before she disappeared. And when he turns out to be Gordon Finch, Duncan decides to investigate events which occurred more than fifty years before.

Five years ago, the talented Cambridge poet Lydia Brooks apparently committed suicide. Now Victoria McClellan, is writing a biography about the renowned Lydia. However as she digs deeply into the background of the deceased poet, Vic begins to question whether Lydia actually killed herself or was murdered. She turns to her estranged former spouse, Scotland Yard Superintendent Duncan Kincaid for help.

When Detective Inspector Gemma James is persuaded by her friend, Hazel, to take a trip to the misty Scottish Highlands, she jumps at the chance. But upon their arrival it becomes clear that Hazel has been concealing a dangerous secret.At their remote B&B the pair encounter Donald Brodie, the owner of a local distillery . . . and Hazel’s former lover. Their relationship had ended abruptly years before. Now Donald is convinced he can win Hazel back.But the lovers' reunion yields shocking - and mortal - consequences. Gemma soon discovers that, in this tight-knit community, there is no shortage of murder suspects. And beneath the hospitable surface, there lurks a hundred years of bitter family rivalry waiting to emerge . . .‘As rich and history laden as a tartan plaid . . . this is a pure gem’ Publishers Weekly (starred review)

Once the haunt of Jack the Ripper, London's East End is a vibrant mix of history and new ideas, but the trendy galleries of Brick Lane disguise a seedy underside where unthinkable crimes bring terror to the innocent.Artist and young mother Sandra Gilles disappears without trace after leaving her three-year-old daughter, Charlotte, with a friend at the Columbia Road Flower Market. Her lawyer husband, Naz Malik, is devastated - but he's also the prime suspect in a murder investigation. When Naz vanishes shortly afterwards, Gemma James and her partner Superintendent Duncan Kincaid agree to work together again to solve the case before the murderer can get his hands on the real prize, Charlotte.But just as the case grows more dangerous, a personal issue threatens to throw Gemma and Duncan off the trail. In the end, it is up to them to stop a vicious killer and protect the child whose fate hangs in the balance.

On a winter's evening in Notting Hill, Dawn Arrowood drives home after a doctor's appointment confirming her pregnancy. She is terrified. Her older husband has made it clear that he wants no children, and Dawn is not even sure that the child is his. But as Dawn arrives home, she is attacked as she gets out of her car. In the ensuing struggle, her assailant whispers in her ear 'I'm sorry'. And he cuts her throat.Gemma Jones and Duncan Kincaid are called to the crime scene. The gripping case that develops forces them to investigate 1960s Notting Hill and its racial tensions, the Russian mafia and a possible serial killer. . .And at the same time, Gemma, pregnant herself with Kincaid's child, has to cope with her own rollercoaster of emotions in a case that is rather too close to home for comfort.

When Detective Inspector Gemma James is persuaded by her friend, Hazel, to take a trip to the misty Scottish Highlands, she jumps at the chance. But upon their arrival it becomes clear that Hazel has been concealing a dangerous secret.At their remote B&B the pair encounter Donald Brodie, the owner of a local distillery . . . and Hazel’s former lover. Their relationship had ended abruptly years before. Now Donald is convinced he can win Hazel back.But the lovers' reunion yields shocking - and mortal - consequences. Gemma soon discovers that, in this tight-knit community, there is no shortage of murder suspects. And beneath the hospitable surface, there lurks a hundred years of bitter family rivalry waiting to emerge . . .‘As rich and history laden as a tartan plaid . . . this is a pure gem’ Publishers Weekly (starred review)

A corpse, burned beyond recognition, has been uncovered in a vacant warehouse in Southwark . . . A young, beautiful hospital administrator has vanished without a trace, her past a mystery to even her closest friend . . .And across the City, within an old, dark, rambling house, a rigidly controlling, anonymous woman is holding ten-year-old Harriet hostage.While innocent lives hang in the balance, sinister truths unfurl and DS Duncan Kincaid and DI Gemma James must call upon all resources to work together on their most menacing case yet . . .‘Deborah Crombie just keeps getting better and better. In a Dark House is utterly compelling’ PETER ROBINSON

Once the haunt of Jack the Ripper, London's East End is a vibrant mix of history and new ideas, but the trendy galleries of Brick Lane disguise a seedy underside where unthinkable crimes bring terror to the innocent.Artist and young mother Sandra Gilles disappears without trace after leaving her three-year-old daughter, Charlotte, with a friend at the Columbia Road Flower Market. Her lawyer husband, Naz Malik, is devastated - but he's also the prime suspect in a murder investigation. When Naz vanishes shortly afterwards, Gemma James and her partner Superintendent Duncan Kincaid agree to work together again to solve the case before the murderer can get his hands on the real prize, Charlotte.But just as the case grows more dangerous, a personal issue threatens to throw Gemma and Duncan off the trail. In the end, it is up to them to stop a vicious killer and protect the child whose fate hangs in the balance.

Gemma, Duncan, and the boys are back in their Notting Hill house and enjoying a quiet spring in London when Gemma receives a plea for help from her friend and neighbor, Erika Rosenthal.Erika has never shared much of her past, other than telling Gemma that she and her husband came to London before the war as refugees from the emerging Nazi regime in Germany. Her husband was a historian and was found murdered in a local park. His death was never solved. Now Erika tells Gemma that a necklace from her past has come up for auction - a necklace which was taken from her. Now Erika asks Gemma to find out where the necklace came from.As Gemma works backwards, interviewing the staff at the auction house and looking into the records of David Rosenthal's death, her viewpoint is interwoven with Erika's vivid memories of her life as a young woman in London during and after the war. Then a young woman at the auction house is murdered and suddenly the case becomes very much centred in the present.

Olympic rowing hopeful and senior Metropolitan Police officer DCI Rebecca Meredith goes out alone to train on the river in Henley on a dark afternoon in late October – and doesn’t return. When a desperate search by the police and a K9 team reveals the possibility of foul play, Scotland Yard wants one of their own on the case. Detective Superintendent Duncan Kincaid, returning from celebrating his marriage to long-time partner Detective Inspector Gemma James, is called to Henley to investigate. He soon finds that the world of elite rowing can be brutal, and that Rebecca Meredith’s ex-husband was not the only person with good reason for wanting her dead.Then, when a search-and-rescue team member is threatened, Kincaid realizes the case may be even more complex and more dangerous than he believed. But it is only when he enlists Gemma’s aid that they find that the answers lie closer to home than they could have imagined – and are infinitely more deadly. It seems that more than one innocent life depends on their ability to track down the killer.