Emerging Voices – serie

for CBar and pianoAn entry-level piece, this arrangement of the well-known folk song provides a gentle challenge for two-part mixed choir of cambiata and baritone voices, with supporting piano accompaniment.

for CCBar and pianoThis imaginative setting of Burns to an original tune by Pascoe is a masterful display of vocal textures and writing for male voices. It was a run-away success at the Cornwall International Male Voice Choral Festival. Founder of the Cornwall Youth Chamber Choir, Pascoe is Head of Music at Richard Lander School, Cornwall.

for cambiata 1, cambiata 2, baritone, and pianoAn original composition on a traditional and well-loved text, this is a pulsating, rhythmic piece that displays Tarney's keen sense of texture and lines that appeal to young singers. The harmonic language is folk-inspired but with exciting chromatic shifts that are part of the composer's accomplished style.

for CBar, piano, and percussionThis original composition sets the composer's own text celebrating freedom of expression and the music within each of us. Accompanied by hand-drum and piano, the piece is an exciting and engaging sing filled with teachable moments and opportunities for musical growth, with simple legato and two-part passages, and vocal percussion.

for CCBar & pianoThis fine arrangement of the popular sea-shanty 'Haul away' provides enjoyment and learning opportunities through call-and-response, opportunities for solos, amusing (and historical) lyrics, and an appealing, catchy chorus. A footnote makes further suggestions for choreography and how to inject the drama of the open seas.

for CCBar and piano This original suite, written for the Warwickshire Youth Choir, represents an extended concert item at the centre of the Emerging Voices series. It sets anonymous instructions found in packaging to general household goods, providing amusing and theatrical highlights as well as musical interplay and formal episodes.

for CBar and pianoThis original composition combines several traditional proverbs (Good things come to those who wait, What goes up..., Where there's a will...), a quirky melody, a laid-back swing feel, a whispering section, and an immediate melodic 'hook'. Sufficient unison writing supports effective learning, for this age group, and challenging duplet rhythms are made accessible within helpful longer phrases. The music is well-suited to the text and displays Bullard's accessible but highly accomplished compositional technique.

for CCBar and piano This is an imaginative and modern-sounding setting of John Masefield's popular poem (2017 marks the 50th anniversary of Masefield's death). This expressive piece ebbs and flows, and provides imitative textures and well-crafted narrative.

for CCBarBar and piano This celebrated Spiritual has a strong, appealing, comfortable melody suitable for boys' choirs, and is arranged skilfully here for four-part choir and piano, with Ia cappella sections and affecting modulations. Suited to more established choirs, it has plenty of opportunities for musical growth.

for CCBar and piano This arrangement meets the demand for timeless popular songs, designed to appeal to teachers and students alike. For three-part choir, it contains that memorable tune, Joel's clever lyrics, riffs associated with the original, and an exciting piano part that supports the singers and provides short interludes.

for CCBar unaccompaniedThis title features the celebrated spirituals 'Steal away' and 'My Lord, what a morning!'. With their repeating choruses and verses, the arrangements are quick to learn yet effective concert items, with healthy amounts of contrast and pleasing dramatic effect, and sensitive treatment of the text.

for CCBar and pianoThis arrangement of the well-loved spiritual celebrates gospel style in all its colours, through rhythm, close harmony, memorable melody, and piano riffs. Ian Crawford is Director of Music at The King's School in Macclesfield and musical director of Cambiata North West.

for CCBar and pianoThis beautiful arrangement of the well-loved folksong gradually grows from simple one- and two-part vocal writing to a delightful display of interweaving imitation in three parts, before an eventual ebbing away. The flowing piano accompaniment provides harmonic support throughout.

for CCBar and pianoThis entertaining three-part arrangement of the popular sea shanty was written for Cambiata North West. The humorous lyrics are complemented by a jovial piano accompaniment and the piece includes several key changes, allowing different parts to take the lead with the melody.

for CCBar and pianoIan Crawford's arrangement of Schubert's famous and brilliantly dramatic Erlkönig enables choirs to explore dramaturgy and storytelling while learning a staple of Schubert's rich output for voices. The text is presented in English, with a simplified part for piano to increase accessibility.

for CCBar and pianoScored for cambiata male voices and piano, Somos cambiata combines syncopated Latin rhythmic patterns with a catchy melody alongside a humorous dual-language text in Spanish and English. This new arrangement is popular yet educational and ideally suited for voices at this stage of development.

for CCBar and piano Slow Down has a relaxed swing feel, with imaginative lyrics by the composer that encourage us to take time out of our busy lives. The baritones have fun with a scat bassline while the upper parts enjoy exploring a swung quaver style, all underpinned by a supportive yet characterful piano part.

for cambiata (opt. div.), baritone, and piano Brooke's arrangement of this traditional sea shanty is invigorating and atmospheric. Changing voices will enjoy the theme of trains and ships in the text, as well as the boisterous call-and-response texture, which is well-supported by the piano. The verses break into a reflective a cappella section before giving way to a rousing finish!

for CCBar, piano, and opt. alto sax Red Boots On is a funky setting of a poem by Kit Wright, brought to life by Chilcott's jazzy chords and groovy syncopated rhythms. The melody begins in unison and grows in texture throughout the piece, and is accompanied by a characterful piano part. This new arrangement for cambiata voices also includes an optional alto saxophone part. Also available in a version for upper voices and piano.

for CCBar and piano This sensitive, authentic arrangement of a well-known Yiddish folksong introduces singers to the harmonic characteristics of Yiddish music. Clapping and body percussion is employed to great effect, and a pronunciation guide and English translation are included, along with a fascinating contextual note.

for CCBar and piano Ian Crawford breathes new life into this traditional American tune by employing a bluegrass-inspired style, jaunty syncopations, and an upbeat tempo. The light but supportive piano accompaniment uses punchy clustered chords, and the melody is shared between the voice parts. This flexible arrangement is accommodating and idiomatically written for changing male voices.

for CCBar and piano This is a beautiful reworking of a popular folk hymn. The parts are arranged sensitively for changing male voices and there are optional solos at the beginning and end. Crawford employs a powerful homophonic texture, as well as interweaving countermelodies that allow each section to take the lead.

A hybrid collection that explores the dual nature of water as both a destructive and healing force, mirroring the experiences of Black women and girls.  A hybrid collection of poetry and photography, Beyond the Watershed explores the various experiences of a Haitian American daughter and her Haitian immigrant mother. Nadia Alexis crafts a moving portrayal of generational trauma, domestic violence, survival, and reclamation, using stunning imagery drawing from the body, spirit, nature, and cityscapes. Alexis traces journeys to break free–documenting pain, making space for light, becoming a reckoning, connecting with spirit, and writing oneself into new seasons of safe waters, healthy love, and transformation. This vital debut affirms that there's "nothing like the thirst / of Black girls who believe in their own dreams," even as they navigate nonlinear paths to healing. "Sometimes the clouds speak to me / & tell me to look beyond the burning," the daughter declares, as she charts her own path forward.

An unflinching look at the intimate, dwindling natural world and our desire for human connection. Noah Davis’s The Last Beast We Revel In coalesces around love for one’s romantic partner, family, community, and the natural world. As the Appalachian Mountains continue to suffer from environmental catastrophes and abuses, the need to discover joy within the human and greater-than-human world is essential. In these poems, we travel with black bears and brook trouts, exploring old tunnel mines, summer rivers, the remains of meth houses, and tasting the sweetness of August tomatoes. Davis’s poems balance revery, mourning, lust, and love while wading the rivers and meandering through the deep hollows of Appalachia’s enduring landscape.