Emerging Voices from the Middle East – serie

The rules may differ from country to country, but the dating game is a universal constant. After years of searching for Mr. Right in living-room meetings arranged by family or friends, Ghada Abdel Aal, a young Egyptian professional, decided to take to the blogosphere to share her experiences and vent her frustrations at being young, single, and female in Egypt. Her blog, I Want to Get Married!, quickly became a hit with both men and women in the Arab world. With a keen sense of humor and biting social commentary, Abdel Aal recounts in painful detail her adventures with failed proposals and unacceptable suitors. There's Mr. Precious, who storms out during their first meeting when he feels his favorite athlete has been slighted, and another suitor who robs her in broad daylight, to name just a few of the characters she runs across in her pursuit of wedded bliss. I Want to Get Married! has since become a best-selling book in Egypt and the inspiration for a television series.This witty look at dating challenges skewed representations of the Middle East and presents a realistic picture of what it means to be a single young woman in the Arab world, where, like elsewhere, a good man can be hard to find.

In Hilal Chouman’s Limbo Beirut, a gay artist, a struggling novelist, a pregnant woman, a disabled engineering student, a former militia member, and a medical intern all take turns narrating the violent events of May 2008, when Hezbollah militants and Sunni fighters clashed in the streets of Beirut. For most of these young men and women, the Lebanese Civil War (1975–1990) is but a vague recollection, but the brutality of May 2008 serves to reawaken forgotten memories and stir up fears of a revival of sectarian violence. Yet despite these fears, the violence these characters witness helps them to break free from the mundane details of their lives and look at the world anew.The multiple narrative voices and the dozens of pen-and-ink illustrations that accompany the text allow Chouman to achieve a mesmerizing cinematic quality with this novel that is unique in modern Arabic fiction. Not only will readers appreciate the meaningful exploration of the effects of violence on the psyche, but they will also enjoy discovering how the lives of these characters-almost all of whom are strangers to one another-intersect in surprising ways.

Upon its initial release in Arabic in the fall of 2014, Using Life received acclaim in Egypt and the wider Arab world. But in 2016, Ahmed Naji was sentenced to two years in prison after a reader complained that an excerpt published in a literary journal harmed public morality. His imprisonment marks the first time in modern Egypt that an author has been jailed for a work of literature. Writers and literary organizations around the world rallied to support Naji, and he was released in December 2016. His original conviction was overturned in May 2017 but, at the time of printing, he is awaiting retrial and banned from leaving Egypt.Set in modern-day Cairo, Using Life follows a young filmmaker, Bassam Bahgat, after a secret society hires him to create a series of documentary films about the urban planning and architecture of Cairo. The plot in which Bassam finds himself ensnared unfolds in the novel’s unique mix of text and black-and-white illustrations.The Society of Urbanists, Bassam discovers, is responsible for centuries of world-wide conspiracies that have shaped political regimes, geographical boundaries, reigning ideologies, and religions. It is responsible for today’s Cairo, and for everywhere else, too. Yet its methods are subtle and indirect: it operates primarily through manipulating urban architecture, rather than brute force. As Bassam immerses himself in the Society and its shadowy figures, he finds Cairo on the brink of a planned apocalypse, designed to wipe out the whole city and rebuild anew.

This collection of poetry by the celebrated southern Iranian poet and filmmaker Roja Chamankar (b. 1981) introduces English-speaking readers to one of the most accomplished and well-loved poets of her generation. Chamankar’s work blends surrealism and the southern coastal landscape of the poet’s upbringing with everyday experiences in rapidly urbanizing Tehran. While locating herself in the modernist tradition of Iranian poets like Forugh Farrokhzad and Ahmad Shamlu through form and imagery, Chamankar infuses this tradition with concerns unique to a generation that grew up in post-revolutionary Iran and endured the effects of the Iran-Iraq war. Seascapes, love and eroticism, the disconnection of modern life, and myths and fairytales figure prominently in these vivid, lyrical poems.In the rich miniature worlds of Chamankar’s poetry, readers become privy to a range of experiences, from desire and pain to rage and humor. Sometimes abstract, other times surreal-Chamankar’s unique poetic voice, like the sea she returns to again and again, combines and sweeps these experiences to shore with assurance, strength, and beauty.

Told through the voice of a canine narrator, WÛf is a surrealist wartime love story set in Turkey in the 1990s. The novel follows Mikasa, a street dog who recounts a tale of tragic wartime love at a kennel where he finds solace in storytelling and cigarettes. A book that took the Turkish literary world by storm, Kemal Varol’s WÛf tackles universal themes of love and loss with both humor and pathos. Translated by PEN/Heim Award winner Dayla Rogers, the novel renders in English a one-of-a-kind love story with a narrator its readers won’t soon forget.

My Heart Became a Bomb is the first collection of poetry by Syrian-Palestinian poet Ramy al-Asheq to be translated into English. Poignant and raw, these poems take the reader along a path of forced emigration from Bashar al-Assad's prisons in Syria to Amsterdam to Auschwitz to Berlin, Germany, where Al-Asheq is now creating a new home. By turns melancholy and reflective, celebratory and hopeful, Al-Asheq's newly translated poems offer the English-reading audience a contemporary perspective on the experience of exile in a world facing the phenomeno of mass migration, whether for political or environmental reasons. The translations are the result of a long collaboration between Al-Asheq and Thompson (who also edited this collection). Raising questions about the nature of love, identity, and the role of poetry in the face of constant flux and great uncertainty, My Heart Became a Bomb introduces an important new voice to the world of contemporary poetry.

A groundbreaking collection of experimental short fiction by award-winning Syrian author and Booker International Prize for Arabic Fiction nominee Shahla Ujayli, A Bed for the King’s Daughter uses surrealism and irony to examine such themes as women’s agency, the decline of collective life and imagination under modernity, and the effects of social and political corruption on daily life. In “The Memoir of Cinderella’s Shoes,” Cinderella uses her famous glass slipper as a weapon in order to take justice into her own hands. In “Tell Me About Surrealism,” an art history professor’s writing assignment reveals the slipperiness of storytelling, and in “Merry Christmas,” the realities of apartheid interfere with one family’s celebration. Through twenty-two short stories, Ujayli animates-with brevity and inventiveness-themes relevant to both the particularities of life in the Arab world and life outside it.

A girl must save herself and her family after discovering her society's secrets in this sci-fi novel in translation.I Want Golden Eyes is set on the Comoros Islands at the end of this century in a futuristic city called Quartzia, the home of a genetically privileged minority called the Golden Eyes. The rest of the population, the Limiteds, live in a cavity called the Hive beneath the city. Dalia is a sixteen-year-old girl who lives in the Hive but works with her family in Quartzia at Professor Adam’s house, where she cleans, her sister grows organic food in the garden, and her deaf father works as the cook. Because books are forbidden in the Hive, Dalia secretly borrows math texts from the professor’s library and smuggles them to read in the Hive. When Professor Adam, who is famous for engineering embryos with enhanced genes, discovers Dalia’s crime, he enslaves her for two years in his library. Dalia seeks to flee the city with her family after overhearing the professor being ordered to design genetic traits for the president’s expected baby and realizes that Golden Eyes are not privileged by nature’s selection, as she was led to believe, but by authority and money.

Shortlisted for the 2023 Saif Ghobash Banipal Prize for Arabic Literary Translation, Society of AuthorsA Palestinian girl travels to the past in a magical quest to save the world.The Thunderbird trilogy is a fast-paced time-traveling fantasy adventure centered on Noor, a young orphaned Palestinian girl who starts in the present and must go back in time to get four magical bird feathers and save the world. Aided by a djinn cat and girls who look identical to Noor and who each have one of the bird’s powers, in this initial volume Noor begins her journey through different historical periods, striving to keep the wall between worlds intact.

Shortlisted for the 2023 Saif Ghobash Banipal Prize for Arabic Literary Translation, Society of AuthorsA Palestinian girl travels to the past in a magical quest to save the world.The Thunderbird trilogy is a fast-paced time-traveling fantasy adventure centered on Noor, a young orphaned Palestinian girl who starts in the present and must go back in time to get four magical bird feathers and save the world. In this second installment, Noor finds herself in the year 1177 in Jerusalem, during the Crusades. With the help of Sabeeka, Zainab, a girl who has the power to become invisible, and her local resistance group, Noor must once again find a feather belonging to the thunderbird before it burns, in order to prevent the world of the djinn from collapsing into the human world. Along the way, Noor helps the resistance group save hundreds of books and manuscripts from being burned. Like the first book in the Thunderbird trilogy, Book Two combines the magical with real events from Palestinian history to take the reader on a wild and adventurous ride through time.

I Saw Her in My Dreams is a powerful novel about interpersonal and systemic violence, examined through the lens of a relationship between Zahiyya, an anxious middle-class Omani artist, and Faneesh, the Ethiopian domestic worker she hires. When Zahiyya’s husband Amer, a novelist, leaves for Zanzibar in search of his biological mother, Zahiyya is left to confront her anxieties and prejudices. Both Zahiyya and Faneesh begin to suffer a recurring nightmare, prompting Zahiyya to read Fanheesh’s diaries in search of answers. Alone and afraid, Zahiyya reads excerpts from Amer’s novel, written from his father’s diaries about living in Zanzibar, where he fell in love with Amer’s mother, a Zanzibari woman whose absence still haunts him. Weaving between multiple perspectives and stories within stories, the novel explores honestly-but without sensationalizing or self-Orientalizing-the anti-Blackness that has endured in the Arab world and elsewhere.

The third book in a fast-paced time-traveling fantasy adventure trilogy centered on a young orphaned Palestinian girl who starts in the present and must go back in time to save the world.In the third and final book of the Thunderbird trilogy, Noor finds herself in Byzantine Jerusalem, in the year 638 CE, where the city is under siege. She is joined by Sabeeka, the djinn who takes the form of a cat, and meets the twins Helena and Julian, who have the power of healing. The four team up to find the thunderbird. But before they can, they are swallowed by a giant wormlike creature called a bakasola, which takes them to the world beyond the wall that separates the world of the djinn from our ordinary human world. From the terrifying, dark, gloomy world of the bakasola, Noor and her friends are rescued and delivered to the colorful and peaceful world of the sakarik, where they discover the bakasola are stealing the golden liquid that keeps the sakarik alive. Will Noor and her friends rescue the sakarik and return to the human world in time to find the last two thunderbird feathers that will save the world?