Everyman's Library P G WODEHOUSE – serie

Typical. Just when Bertie thinks that God's in his heaven and all's right with the world, things start to go wrong again...There's young Bingo Little, who's in love for the umpteenth time and needs Bertie to put in a good word for him with his uncle; Aunt Agatha, who forces Bertie to get engaged to the formidable Honoria Glossop; and the troublesome twins, Claude and Eustace, whose antics when let loose in London know no bounds.Add to that some friction in the Wooster home over a red cummerbund, purple socks and some snazzy old Etonian spats, and poor Bertie's really in the soup...Only one man can save the day - the inimitable Jeeves.Characters Bertie Wooster - Narrator who went to school with Bingo. Won a prize at his first school for the best collection of wild flowers. Jeeves - Bertie's valet who has an aunt who loves the romantic novels of Rosie M. Banks Bingo Little - Mortimer's nephew who loves Mabel. Tells his uncle that Bertie is really Rosie M. Banks. Mabel - Waitress in a tea shop Mortimer Little - Retired fat businessman who owned Little's Liniment - "It Limbers Up the Legs." He is a gourmet. Jane Watson - Mortimer's cook engaged to Jeeves, but not for long

Nothing but trouble can ensue when Bertie Wooster's Aunt Dahlia instructs him to steal a silver jug from Totleigh Towers, home of magistrate and hell-hound, Sir Watkin Bassett. First he must face the peril of Sir Watkin's droopy daughter, Madeleine, and then the terrors of would-be Dictator, Roderick Spode and his gang of Black Shorts. But when duty calls, Bertram answers, and so there follows what he himself calls the 'sinister affair of Gussie Fink-Nottle, Madeleine Bassett, old Pop Bassett, Stiffy Byng, the Rev. H. P. ('Stinker') Pinker, the eighteenth-century cow-creamer and the small, brown, leather-covered notebook'. In a plot with more twists than an English country lane, it takes all the ingenuity of Jeeves to extract his master from the soup again.

The titles of the first story in this collection – 'Jeeves Takes Charge' – and the last – 'Bertie Changes His Mind' – sum up the relationship of twentieth-century fiction's most famous comic characters. In between them, the various feeble-minded men and lively young women who populate Wooster's world appeal to Jeeves to solve their problems and are never disappointed.

Containing drafts of stories later rewritten for other collections (including Carry On, Jeeves), My Man Jeeves offers a fascinating insight into the genesis of comic literature's most celebrated double-act. All the stories are set in New York, four of them featuring Jeeves and Wooster themselves; the rest concerning Reggie Pepper, an earlier version of Bertie. Plots involve the usual cast of amiable young clots, choleric millionaires, chorus-girls and vulpine aunts, but towering over them all is the inscrutable figure of Jeeves, manipulating the action from behind the scenes.Early or not, these stories are masterly examples of Wodehouse's art,turning the most ordinary incidents into golden farce.

This is the first of the Blandings Castle novels, introducing Lord Emsworth, his family, his secretary - the Efficient Baxter - and the mandatory Wodehouse cast of butlers, aunts, younger sons, detectives, lovers and imposters. Take the 4.15 from Paddington Station to Shropshire and arrive in heaven.

It is an intriguing collection, where most of the stories concern relationships, sports and household pets, and interestingly does not feature any of Wodehouse's regular characters; one however, "Extricating Young Gussie", is remarkable as the first appearance of some of Wodehouse's most well-known and beloved characters, Jeeves and his master Bertie Wooster (although here Bertie's surname appears to be Mannering-Phipps, and Jeeves' role is very small), along with Bertie's fearsome Aunt Agatha.

At Deverill Hall, an idyllic Tudor manor in the picture-perfect village of King's Deverill, impostors are in the air. The prime example is man-about-town Bertie Wooster, doing a good turn to Gussie Fink-Nottle by impersonating him while he enjoys fourteen days away from society after being caught taking an unscheduled dip in the fountains of Trafalgar Square. Bertie is of course one of nature's gentlemen, but the stakes are high: if all is revealed, there's a danger that Gussie's simpering fiancée Madeline may turn her wide eyes on Bertie instead. It's a brilliant plan - until Gussie himself turns up, imitating Bertram Wooster. After that, only the massive brain of Jeeves (himself in disguise) can set things right.

J. Wellington Gedge seems to have everything a man could desire: a rich wife, a chateau, a life of ease in the south of France. But all he really wants is to return to California, not least because Mrs Gedge, who holds the purse-strings, is scheming to have him appointed as American ambassador in Paris, which means he will have to wear a sissy uniform. Fortunately, her plans are thwarted by a complicated series of events which involves French aristocrats, American crooks, an English novelist and the appalling Senator Opal, whose daughter, Jane, has a mind of her own.

The trouble which begins with Gussie Fink-Nottle wandering the streets of London dressed as Mephistopheles reaches its awful climax in his drunken speech to the boys of Market Snodsbury Grammar School. For Bertie Wooster's old friend has fallen in love with Madeline Bassett and, as usual, makes a hash of the affair until Jeeves comes to the rescue. In the meantime, Jeeves must also solve the mystery of the white mess jacket, while sorting out the lives of Bertie's cousin Angela, her mother, and her mother's French chef. In short, a normal working day for that prince among gentlemen's gentlemen in what must be a candidate for the name of the funniest novel in the English language.

While pursuing the love of his life, American heiress Pauline Stoker, Lord 'Chuffy' Chuffnell borrows the services of Jeeves, the perfect gentleman's gentleman. But when Chuffy finds out that Jeeves's employer, Bertie Wooster, was once engaged to Pauline himself – until the engagement was broken by her tough-egg father, abetted by loony-doctor Sir Roderick Glossop – such fearsome complications ensue that even Jeeves has difficulty securing a happy ending.

Very Good Jeeves! (1930) is a collection of eleven short stories starring Bertie Wooster in eleven alarming predicaments from which he has to be rescued by his peerless gentleman's gentleman. Whether Bertie is tangling with a red-headed ball of fire such as Roberta Wickham, dealing with an irate headmistress, placating a rampaging aunt, puncturing the wrong hot water bottle, singing 'Sonny Boy', or simply trying to concentrate on his golf handicap, Jeeves is always there to help - though rarely in ways which his employer expects. These brilliantly plotted stories give the essence of Wodehousian comedy.

Who but P.G. Wodehouse could have extraced high comedy from the most noble and ancient game of golf? And who else could have combined this comedy with a real appreciation of the game, drawn from personal experience? Wodehouse's brilliant but humane brand of humour is perfectly suited to these stories of love, rivalry, revenge and fulfilment on the links. While the oldest member sits inside the clubhouse quoting Marcus Aurelius on patience and wisdom, outside on the green the strongest human passions burn. All human life is here, from Sandy McHoots, the cocky professional, to shy Ramsden Waters, whose only consolation in life is golf. Even golf-haters will not be able to resist stories which perfectly combine physical farce and verbal wit with a gallery of unforgettable characters.

Sir George was disappointed in his son, he was not a chip off the old block and lacked the aggressive drive required of a business tycoon. So why not marry him off to Felicia she has plenty of spark and could manage any man, all was going well until the arrival from New York of Bill West.Felicia - a sprightly girl calculated to put the stuffing into any man - is about to be married off to the dreary Roderick Pyke when Bill arrives from New York and she suddenly recognizes in him the man for whom she should forsake all others.

It all starts with an umbrella, the best to be found in the Drones Club. From such an innocent beginning Wodehouse weaves a comic tale of suspense and romance involving one of his most distinctive early heroes, Ronald Eustace Psmith, monocled wit and devil-may-care boulevardier. Unusually for Wodehouse, this is not only a light comedy but also an adventure story in which crime and even gun-play drive the plot.

When Sam Marlowe falls in love with his cousin's sparky ex-fiancée he finds himself up against stiff opposition from her millionaire father, her father's best friend and the best friend's son for whom she is destined, all of them travelling together aboard the RMS Atlantic. Nothing daunted, Sam perseveres in his suit: though he fails at sea he eventually triumphs on land. This Anglo-American musical comedy in prose begins in New York, crosses the Atlantic in leisurely fashion and ends in an English country house where all manner of things go bump in the night.

The Adventures of Sally is a transatlantic comedy set in worlds Wodehouse knew well: American theatres, English country houses, and the theatrical boarding-houses where young men and women dream of finding fame and fortune. Coming into an inheritance, one of these young women, Sally, is able to leave her boarding-house at last, and looks forward to a quiet life in a small apartment. Instead, she finds herself swept up in a series of adventures with her ambitious brother, an accident-prone, dog-loving Englishman she meets on a French beach, and his supercilious cousin who pursue her across the Atlantic. While losing her inheritance backing a play, and then retrieving it, she sheds an unsatisfactory fiancé, falls in love with the accident-prone, dog-loving Englishman, rejects the supercilious cousin, and finds happiness in a kennel on Long Island.

When rich and imperious American widow Beatrice Chavender eats a forkful of inferior ham at her sister's country house near London, it affects the lives of everyone around her - her sister, her brother-in-law, her sister's butler, her sister's poor relation Sally, Sally's fiance Lord Holberton, and, most of all, Mrs Chavender's own one-time fiance, 'Ham King' J. B. Duff, whose rotten product spoils her breakfast.

Blandings Castle lacks its usual balm for the Earl of Emsworth, as his stern sister Lady Constance Keeble is once more in residence. The Duke of Dunstable is also infesting the place again, along with the standard quota of American millionaires, romantic youths, con artists, imposters and so on. With a painting of reclining nude at the centre of numerous intrigues, Gally's genius is once again required to sort things out.

It wasn't Archie's fault, really. It's true he went to America and fell in love with Lucille, the daughter of a millionaire hotel proprietor . . . and if he did marry her -- well, what else was there to do? From his point of view, the whole thing was a thoroughly good egg; but Mr. Brewster, his father-in-law, thought differently, Archie had neither money nor occupation, which was distasteful in the eyes of the industrious Mr. Brewster; but the real bar was the fact that he had once adversely criticized one of his hotels. Archie did his best to heal the breach; but, being something of an ass, genus priceless, he found it almost beyond his powers to placate the "man-eating fish" whom Providence had given him as a father-in-law. . . .

When Jill Mariner is arrested for fighting over a parrot and then loses all her money on the same day, she is abandoned by her pompous fiancé and goes to stay with her rich relations on Long Island. Uncle Elmer is delighted to see her – until he finds out that Jill is penniless. Heading for New York, she ends up in the chorus of a musical comedy on Broadway where she eventually finds the man of her dreams. A light romantic comedy in Wodehouse’s most charming manner.

The Coming of Bill (1920) is the nearest Wodehouse ever came to a serious novel, although the influence of the musical comedies he was writing at the time is never far away. Bill is the child of Ruth, a spoilt heiress, and Kirk, an impecunious artist of perfect physique. Their marriage has been arranged by Ruth's aunt, a believer in eugenics who then takes charge of the baby. The story, set entirely in New York and Connecticut, concerns the young couple's campaign to retrieve their child from the overbearing Mrs Porter and establish a normal family life. They are eventually successful, but only after a series of comic mishaps in a story which features a galaxyof vintage Wodehouse characters, including the bossy aunt, a tetchy millionaire, a good-natured ex-boxer and an orotund English butler.

Frederick, Earl of Ickenham, is not the man to run away from other people’s romantic problems, not even when faced with the tangled relationships of his godson, Johnny, Johnny’s girlfriend, Belinda, butler Albert Peasemarch and Peasemarch’s beloved, Phoebe, who happens to be the sister of his employer, bad-tempered Sir Raymond ‘Beefy’ Bastable. Sir Raymond is himself in pursuit of Barbara Crowe. Everything turns on the fate of the script for a film called Cocktail-Time by Bastable’s nephew, Cosmo Wisdom – but just to stir the mixture a little further, Wodehouse throws in American con-artist Oily Carlisle. Now read on...

Lord Emsworth's prized pig, the Empress of Blandings, is at the centre of Wodehouse's hilarious tale of mistaken identity, the triumph of young love, and general mayhem among the twits at Blandings Castle.

A damsell in distress - an Almost Blandings novel set in Belphi Castle, Hampshire and a two week house party for the son-and-heir's 21st.

This sparkling story of transatlantic manners follows the fortunes of playboy Jimmy Crocker in England and America. When Jimmy falls for a girl in London and vows to reform himself as a result, the quest for love leads him to his Aunt Nesta’s house in New York, where his escapades involve impersonating himself and attempting to kidnap Nesta’s odious son Ogden – with the boy demanding a cut of the ransom money. A full flush of minor characters – pretentious poets, butlers, boxers, put-upon husbands and Wall Street businessmen – make the comedy crackle as only Wodehouse knew how.

Psmith helps acting editor Billy Windsor change the image of Cosy Moments magazine and they are stalked by gangsters when their expose of slum tenements angers an unscrupulous landlord.

The Little Nugget (1913) is one of the novels in which Wodehouse found his feet, a light comic thriller set in an English prep school for the children of the nobility and gentry. Into their midst comes eleven-year-old Ogden Ford, the mouthy, overweight, chain-smoking son of an American millionaire. Ogden (whom we meet again in Piccadilly Jim) is the object of a kidnap attempt which forms the basis of the plot. The comedy arises from Wodehouse's favourite topics of Anglo-American misunderstanding and the absurdities of school life.

Wodehouse's well-known gift for satisfying plots and comic surprises is evident on every page, but there are also signs of his debt to earlier writers in the realistic tradition. Set mainly in London or New York, many of the stories concern ordinary people - shopassistants, schoolmasters, secretaries, servants, unsuccessful writers - living the life of rented rooms and cheap cafés Wodehouse knew well from his own experience. Yet there is nothing sad or gloomy about these tales. Far from it: they are brimming with life and energy, beautifully written and invariably delightful. And for Wodehouse addicts there is also a goodly sprinkling of goofy young men about town and their valets to satisfy the strongest appetites

A classic musical comedy plot turned into a novel, The Prince and Betty is the story of a man who gives up everything for his girl. Fortunately, she chances to be the step-daughter of a millionaire. John Maude and Betty Silver are in love, but when John turns out to be heir to the principality of Mervo, a small Mediterranean island not a thousand miles from Monte Carlo, he finds himself ensnared in the establishment of a new casino on the island, much to his beloved’s high-minded disgust. She leaves him and takes a job with an American family in London; he abandons his post to follow her. Eventually their misunderstandings are disentangled: the pair are reunited, betrothed and bound for a new life in the United States. And so it is that, in the process of telling their story, published early in his career, Wodehouse constructs the critique of Europe versus America, privilege versus enterprise, decadence versus adventure, which was to underpin many of his later tales.