Dubious Equalities and Embodied Differences explores cosmetic surgery as a cultural phenomenon of late modernity. From its onset as a medical specialty at the end of the nineteenth century, cosmetic surgery has been intimately liked to discourses of ''normalcy,'' as well as to gender, race, and other categories of difference that have shaped its technologies and techniques, its professional ideologies, and the objects of its interventions. Davis considers how cosmetic surgery is taken up in representations of cosmetic surgery in medical discourse and in popular culture, drawing on a wide range of cultural manifestations including televised ''infotainment,'' popular music, performance art, surgeon biographies, stories of patients, public debates, and medical texts. Davis critically engages with the notion of cosmetic surgery as a neutral technology and shows how it is implicated in the surgical erasure of embodied difference.

In Mass Hysteria, Rebecca Kukla examines the present-day medical and cultural practices surrounding pregnancy, new motherhood, and infant feeding. In the late-eighteenth century, the configuration of the maternal body underwent a radical transformation and the two maternal bodies that emerged out of this transformation still govern our imagination and rituals surrounding pregnancy and lactation. Exploring the history and the current life of these two maternal bodies within medical institutions, popular culture, and politics, Kukla offers a critical assessment of the lived repercussions of these ideological figures and practices for contemporary women's and infants' health and well-being.

In Mass Hysteria, Rebecca Kukla examines the present-day medical and cultural practices surrounding pregnancy, new motherhood, and infant feeding. In the late-eighteenth century, the configuration of the maternal body underwent a radical transformation and the two maternal bodies that emerged out of this transformation still govern our imagination and rituals surrounding pregnancy and lactation. Exploring the history and the current life of these two maternal bodies within medical institutions, popular culture, and politics, Kukla offers a critical assessment of the lived repercussions of these ideological figures and practices for contemporary women's and infants' health and well-being.

For decades, medical professionals have betrayed the public's trust by accepting various benefits from the pharmaceutical industry. Both drug company representatives and doctors employ artful spin to portray this behavior positively to the public, and to themselves. In Hooked, Howard Brody argues that we can neither understand the problem, nor propose helpful solutions until we identify the many levels of activity connecting these purportedly noble industries. We can pass laws and enact regulations, but ultimately the medical profession must take responsibility for its own integrity. Hooked is a wake-up call for anyone expecting high quality, ethical medical care.

For decades, medical professionals have been betraying the public's trust by accepting various benefits from the pharmaceutical industry. Drug company representatives and doctors alike have promulgated creative rationalizations to portray this behavior positively, as if it really serves the interest of the public. In Hooked: Ethics, the Medical Profession, and the Pharmaceutical Industry, Howard Brody claims that we can neither understand the problem, nor propose helpful solutions until we fully recognize the many levels of activity that connect these two industries. Then, for real improvement to occur, the doctors themselves need to not only change their behavior, but also change how they view the actions of their peers and colleagues. We can pass laws and enact regulations, so that those physicians that do choose to focus on ethics won't be in an environment where they feel as if they are swimming against too strong a current to make meaningful change, but ultimately a profession has to take responsibility for its own integrity.

Dubious Equalities and Embodied Differences explores cosmetic surgery as a cultural phenomenon of late modernity. From its onset as a medical specialty at the end of the nineteenth century, cosmetic surgery has been intimately liked to discourses of ''normalcy,'' as well as to gender, race, and other categories of difference that have shaped its technologies and techniques, its professional ideologies, and the objects of its interventions. Davis considers how cosmetic surgery is taken up in representations of cosmetic surgery in medical discourse and in popular culture, drawing on a wide range of cultural manifestations including televised ''infotainment,'' popular music, performance art, surgeon biographies, stories of patients, public debates, and medical texts. Davis critically engages with the notion of cosmetic surgery as a neutral technology and shows how it is implicated in the surgical erasure of embodied difference.

In Mass Hysteria, Rebecca Kukla examines the present-day medical and cultural practices surrounding pregnancy, new motherhood, and infant feeding. In the late-eighteenth century, the configuration of the maternal body underwent a radical transformation and the two maternal bodies that emerged out of this transformation still govern our imagination and rituals surrounding pregnancy and lactation. Exploring the history and the current life of these two maternal bodies within medical institutions, popular culture, and politics, Kukla offers a critical assessment of the lived repercussions of these ideological figures and practices for contemporary women's and infants' health and well-being.

In Mass Hysteria, Rebecca Kukla examines the present-day medical and cultural practices surrounding pregnancy, new motherhood, and infant feeding. In the late-eighteenth century, the configuration of the maternal body underwent a radical transformation and the two maternal bodies that emerged out of this transformation still govern our imagination and rituals surrounding pregnancy and lactation. Exploring the history and the current life of these two maternal bodies within medical institutions, popular culture, and politics, Kukla offers a critical assessment of the lived repercussions of these ideological figures and practices for contemporary women's and infants' health and well-being.

For decades, medical professionals have betrayed the public's trust by accepting various benefits from the pharmaceutical industry. Both drug company representatives and doctors employ artful spin to portray this behavior positively to the public, and to themselves. In Hooked, Howard Brody argues that we can neither understand the problem, nor propose helpful solutions until we identify the many levels of activity connecting these purportedly noble industries. We can pass laws and enact regulations, but ultimately the medical profession must take responsibility for its own integrity. Hooked is a wake-up call for anyone expecting high quality, ethical medical care.

For decades, medical professionals have been betraying the public's trust by accepting various benefits from the pharmaceutical industry. Drug company representatives and doctors alike have promulgated creative rationalizations to portray this behavior positively, as if it really serves the interest of the public. In Hooked: Ethics, the Medical Profession, and the Pharmaceutical Industry, Howard Brody claims that we can neither understand the problem, nor propose helpful solutions until we fully recognize the many levels of activity that connect these two industries. Then, for real improvement to occur, the doctors themselves need to not only change their behavior, but also change how they view the actions of their peers and colleagues. We can pass laws and enact regulations, so that those physicians that do choose to focus on ethics won't be in an environment where they feel as if they are swimming against too strong a current to make meaningful change, but ultimately a profession has to take responsibility for its own integrity.