Field Poetry (Paperback) - Böcker

Winner of the 2006 FIELD Poetry Prize, Red Studio is a collection of startling lyricism, vivid sensuality, and keen precision. Cornish's poems tell about life and art and their interdependence. They are fierce, funny, and filled with a love of the world that acknowledges candidly how precarious it is--or rather, how brief our time in it must be.

Winner of the 2007 FIELD Poetry prize, poems on recovery from injury, materialism, aging, love, and death

It’s rare for a first book to demonstrate the confidence and distinctive voice of Blood Hyphen. Through the publication of individual poems in journals over several years, readers have become aware of Kenny Williams as a strikingly original writer, but the range and depth of his achievement in this collection are remarkable. Williams handles big concerns—faith, hurricanes, history, the conundrum of the body—with sly humor, assurance, and poise, instantly establishing himself as a mature and memorable presence.

High-spirited and unpredictable, Marcia Southwick's third collection is, among other things, a remarkable mirror of our place and time. With unrelenting curiosity and brio, she reflects our materialistic culture right back at us, showing us the world we live in with unflinching honesty and compassionate affection.

Jon Loomis's new collection of poems visits big subjects by way of the commonplace. While The Pleasure Principle is full of surprises, both narrative and metaphoric, it is more than anything a humane and thoughtful exploration of the human condition: passion, mortality, cross-dressing, time, tourism, art, the shifty nature of reality, and, always considered in Loomis's work, the unknowable absolute.

In her third collection, Carol Moldaw explores new territory in poems that are thematically far-reaching and technically superb. The book includes three long sequences based on art and artifact in various stages of completeness: preliminary pen-and-ink studies, Turkish ruins, and, at the center, the site-specific art installation that gives the book its title and impetus. Attracting charged material as a lightning field attracts lightning, the poems reference narrative but move beneath and beyond it through a restless and rewarding insistence on making and remaking, on seeing by degrees and seeing whole.