Flavia Albia – serie

'Davis's prose is a lively joy, and Flavia's Rome is sinister and gloriously real' The Times on SaturdayFlavia Albia's day-old marriage is in trouble - her new husband may be permanently disabled and they have no funds. So when Palace officials ask her to expose a traitor in their midst she is ready for the task.Ever since the Emperor Nero committed suicide in AD 68, Rome has been haunted by reports that he is actually alive and ready to reclaim his throne. Two Nero pretenders have emerged from the East and met grisly fates.But now a new pretender has been smuggled into Rome by the traitor. Flavia must negotiate with spies, dodge assassins and reveal this third Nero before he can make his move. Will she act in time or will Rome once more be plunged into civil war?

Life is sweet for Flavia Albia and her soon-to-be husband Faustus. But his new job as a building contractor runs into a problem: At the Garden of the Hesperides a barmaid went missing years before; now the workmen start unearthing her bones.Albia takes on the task of finding out what happened. Five more skeletons are discovered. Despite the fact that nobody seems to know or care who died, violent attempts are made to stop her enquiries.Soon Albia is exploring the world of Roman streetlife, where bars are brothels, workers lead brutal lives, foreigners are muscling in on the gambling syndicates, and extortion is commonplace. What's more there's little time to solve the mystery before the wedding day when Albia is expected to show Rome that her affair with Manlius is a much more than a casual fling. The gods, however, have other ideas...

Rome, the very end of December. The Field of Mars is packed with monuments, none more beautiful than Domitian's new Odeon and Stadium. But the area has been overtaken by ugly events: elaborately staged murders. Someone bears a spectacular grudge against the theatrical community, and intends to get revenge in the most spectacular way possible. The killer's method is to re-enact bloody scenes from the gruesome side of popular theatre, where characters in plays really die on stage.A figure from the past wants Flavia Albia's father to investigate, but Falco is out of Rome for the holidays. Albia seizes the commission. And begins to regret doing so almost immediately. 'The undertaker did it!' the first victim croaks before expiring. This seems to make no sense, because surely people are already dead when they go to their funeral?Though there is a serial killer at large, the authorities would prefer a cover-up but Albia is driven to discover what is going on. How much blood must be shed before the mania ends? And could her own family be on the list for a frightful stage death?Praise for Lindsey Davis and the Flavia Albia series'It positively crackles with knowledge of the city and its people, mixed with social comment, ingenious and bloody plots and sharp observational skills leavened by more than a smattering of genuine and sometimes earthy humour' Crime Review'Lighthearted, witty and effortlessly clever, just like its wonderful heroine, this is a window into ancient Rome, and a tonic and a joy to read' The Observer'For a totally exhilarating romp through Ancient Rome, Lindsey Davis' latest Flavia Alba novel won't be beaten and offers an immersive experience of a vibrant world full of real, recognisable characters' Shotsmag'In this witty novel by the mistress of Roman crime, the reader is transported behind the scenes of a Triumph into a fascinating world of actors, costumiers and animal trainers, all united in their hatred of the murdered man' Sunday Express Magazine

***The Sunday Times Crime Club Star Pick***'Lighthearted, witty and effortlessly clever, just like its wonderful heroine, this is a window into ancient Rome, and a tonic and a joy to read' The Observer'It positively crackles with knowledge of the city and its people, mixed with social comment, ingenious and bloody plots and sharp observational skills leavened by more than a smattering of genuine and sometimes earthy humour' Crime ReviewSaturnalia, the Romans' mid-December feast, nominally to celebrate the sun's rebirth but invariably a drunken riot. Flavia Albia needs a case to investigate, but all work is paused.The Aventine is full of fracturing families. Wives plot to leave their husbands, husbands plot to spend more time with their mistresses. Masters must endure slaves taking obscene liberties, while aggressive slaves are learning to ape dangerous masters. But no one wants to hire an investigator during the holiday.Albia is lumped with her own domestic stress: overexcited children and bilious guests, too many practical jokes, and her magistrate husband Tiberius preoccupied with local strife. He fears a Nut War. Nuts are both the snack and missile of choice of tipsy celebrants, so there is a fortune to be made. This year a hustling gang from the past is horning in on the action.As the deadly menace strikes even close to home, and with law and order paused for partying, Albia and Tiberius must go it alone. The Emperor has promised the people a spectacular entertainment - but Domitian himself is a target for the old criminals' new schemes. Can the Undying Sun survive the winter solstice, or will criminal darkness descend upon Rome?Praise for Lindsey Davis and the Flavia Albia series'For a totally exhilarating romp through Ancient Rome, Lindsey Davis' latest Flavia Alba novel won't be beaten and offers an immersive experience of a vibrant world full of real, recognisable characters' Shotsmag'In this witty novel by the mistress of Roman crime, the reader is transported behind the scenes of a Triumph into a fascinating world of actors, costumiers and animal trainers, all united in their hatred of the murdered man' Sunday Express Magazine'Davis does her usual brilliant job of integrating the history of the period, warts and all, with a fast-paced and fair whodunit' Publishers Weekly

Ten years after the eruption of Vesuvius, the surrounding countryside lies buried and barren. But the destroyed cities and luxury villas on the Bay of Naples are not utterly lost.Flavia Albia and her husband Tiberius Manlius are tasked with restoring one villa and identifying any surviving remains.What they unearth is beyond disturbing. When the volcano erupted some people were left to their fate here, unable to escape. They included the previous owner, Publius Primus - laid out carefully and covered by falling ash.Was Primus murdered? And, if so, why? Can Flavia Albia solve the mystery?There Will Be Bodies looks beyond the well-known tragic events to what must have happened afterwards. It is the most intriguing crime novel of Lindsey Davis's long and celebrated career.

Rome is in chaos. The empire of a mobster chief is falling apart following his death. Rivals, fearsome relatives and associates are taking up position to vie for the spoils. With hideous murders in the streets of Rome, a lone female traveller arrives with an agenda of her own. But when her corpse is dragged out of the river bearing signs of foul play, Flavia Albia is drawn in, concerned about her fellow Briton's fate.Albia's quest to find the killer becomes deeply personal when she discovers a man at the centre of the plot is an old adversary of hers. Will she be obsessed by revenge? Can she let the past go, or will it consume her?

Rome is in chaos. The empire of a mobster chief is falling apart following his death. Rivals, fearsome relatives and associates are taking up position to vie for the spoils. With hideous murders in the streets of Rome, a lone female traveller arrives with an agenda of her own. But when her corpse is dragged out of the river bearing signs of foul play, Flavia Albia is drawn in, concerned about her fellow Briton's fate.Albia's quest to find the killer becomes deeply personal when she discovers a man at the centre of the plot is an old adversary of hers. Will she be obsessed by revenge? Can she let the past go, or will it consume her?

Rome is in chaos. The empire of a mobster chief is falling apart following his death. Rivals, fearsome relatives and associates are taking up position to vie for the spoils. With hideous murders in the streets of Rome, a lone female traveller arrives with an agenda of her own. But when her corpse is dragged out of the river bearing signs of foul play, Flavia Alba is drawn in, concerned about her fellow Briton's fate. Alba's quest to find the killer becomes deeply personal when she discovers a man at the centre of the plot is an old adversary of hers. Will she be obsessed by revenge? Can she let the past go, or will it consume her?

Chosen by The Times as one of the Top Ten Crime Novels Written by Women since 2000Flavia Albia is the adopted daughter of a famous investigating family. In defiance of tradition, she lives alone on the colourful Aventine Hill, and battles out a solo career in a male-dominated world. As a woman and an outsider, Albia has special insight into the best, and worst, of life in ancient Rome.A female client dies in mysterious circumstances. Albia investigates and discovers there have been many other strange deaths all over the city, yet she is warned off by the authorities. The vigils are incompetent. The local magistrate is otherwise engaged, organising the Games of Ceres, notorious for its ancient fox-burning ritual. Even Albia herself is preoccupied with a new love affair: Andronicus, an attractive archivist, offers all that a love-starved young widow can want, even though she knows better than to take him home to meet the parents...As the festival progresses, her neighbourhood descends into mayhem and becomes the heartless killer's territory. While Albia and her allies search for him, he stalks them through familiar byways and brings murder ever closer to home.The Ides of April is vintage Lindsey Davis, offering wit, intrigue, action and a brilliant new heroine who promises to be as celebrated as Marcus Didius Falco and Helena Justina, her fictional predecessors.

We first met Flavia Albia, Falco's feisty adopted daughter, in The Ides of April.Albia is a remarkable woman in what is very much a man's world: young, widowed and fiercely independent, she lives alone on the Aventine Hill in Rome and makes a good living as a hired investigator. An outsider in more ways than one, Albia has unique insight into life in ancient Rome, and she puts it to good use going places no man could go, and asking questions no man could ask.Even as the dust settles from her last case, Albia finds herself once again drawn into a web of lies and intrigue. Two mysterious deaths at a local villa may be murder and, as the household slaves are implicated, Albia is once again forced to involve herself. Her fight is not just for truth and justice, however; this time, she's also battling for the very lives of people who can't fight for themselves.Enemies at Home presents Ancient Rome as only Lindsey Davis can, offering wit, intrigue, action and the further adventures of a brilliant new heroine who promises to be as celebrated as Marcus Didius Falco and Helena Justina, her fictional predecessors.

In the blazing July heat of imperial Rome, Flavia Albia inspects a decomposing corpse. It has been discovered in lots to be auctioned by her family business, so she's determined to identify the dead man and learn how he met his gruesome end.The investigation will give her a chance to work with the magistrate, Manlius Faustus, the friend she sadly knows to be the last chaste man in Rome. But he's got other concerns than her anonymous corpse. It's election time and with democracy for sale at Domitian's court, tension has come to a head. Faustus is acting as an agent for a 'good husband and father', whose traditional family values are being called into question. Even more disreputable are his rivals, whom Faustus wants Albia to discredit.As Albia's and Faustus' professional and personal partnership deepens they have to accept that, for others, obsession can turn sour, and become a deadly strain that leads, tragically, to murder.

Life is sweet for Flavia Albia and her soon-to-be husband Faustus. But his new job as a building contractor runs into a problem: At the Garden of the Hesperides a barmaid went missing years before; now the workmen start unearthing her bones.Albia takes on the task of finding out what happened. Five more skeletons are discovered. Despite the fact that nobody seems to know or care who died, violent attempts are made to stop her enquiries.Soon Albia is exploring the world of Roman streetlife, where bars are brothels, workers lead brutal lives, foreigners are muscling in on the gambling syndicates, and extortion is commonplace. What's more there's little time to solve the mystery before the wedding day when Albia is expected to show Rome that her affair with Manlius is a much more than a casual fling. The gods, however, have other ideas...

'Lindsey Davis has seen off all her competitors to become the unassailable market leader in the 'crime in Ancient Rome' genre . . . Davis's squalid, vibrant Rome is as pleasurable as ever' - Guardian'For fans of crime fiction set in the ancient world, this one is not to be missed' - BooklistPrivate investigator Flavia Albia is always drawn to an intriguing puzzle - even if it is put to her by her new husband's hostile ex-wife.On the Quirinal Hill, a young girl named Clodia has died, apparently poisoned with a love potion. Only one person could have supplied such a thing: a local witch who goes by the name of Pandora, whose trade in herbal beauty products is hiding something far more sinister.The supposedly sweet air of the Quirinal is masking the stench of loose morality, casual betrayal and even gangland conflict and, when a friend of her own is murdered, Albia determines to expose as much of this local sickness as she can - beginning with the truth about Clodia's death.****************Praise for Lindsey Davis and the Flavia Albia series'Davis's prose is a lively joy, and Flavia's Rome is sinister and gloriously real'The Times on Sunday'Davis's books crackle with wit and knowledge . . . She has the happy knack of making the reader feel entirely immersed in Rome'

A tragic accident . . . or was it?Emperor Domitian has been awarded (or rather, has demanded) yet another Triumph to celebrate two so-called victories. Preparations are going smoothly until one of the men overseeing arrangements for the celebration accidentally falls to his death from a cliff on the symbolic Capitoline Hill. But Flavia Albia suspects there's more to the incident than meets the eye, as there are plenty of people who would have been delighted to be rid of the overseer. He was an abusive swine who couldn't organise a booze-up in a winery and was caught up in a number of scams, including one surrounding the supply of imperial purple dye and a family of shellfish-boilers.As Flavia finds herself drawn into a theatrical world of carnival floats, musicians, incense and sacrificial beasts, can she see to the heart of the matter and catch those responsible for the unpopular man's untimely death?*************Praise for Lindsey Davis and the Flavia Albia series'Lindsey Davis has seen off all her competitors to become the unassailable market leader in the 'crime in Ancient Rome' genre . . . Davis's squalid, vibrant Rome is as pleasurable as ever' - Guardian'Davis's prose is a lively joy, and Flavia's Rome is sinister and gloriously real' - The Times on Sunday'For fans of crime fiction set in the ancient world, this one is not to be missed' - Booklist'Davis's books crackle with wit and knowledge . . . She has the happy knack of making the reader feel entirely immersed in Rome' - The Times

Rome, the very end of December. The Field of Mars is packed with monuments, none more beautiful than Domitian's new Odeon and Stadium. But the area has been overtaken by ugly events: elaborately staged murders. Someone bears a spectacular grudge against the theatrical community, and intends to get revenge in the most spectacular way possible. The killer's method is to re-enact bloody scenes from the gruesome side of popular theatre, where characters in plays really die on stage.A figure from the past wants Flavia Albia's father to investigate, but Falco is out of Rome for the holidays. Albia seizes the commission. And begins to regret doing so almost immediately. 'The undertaker did it!' the first victim croaks before expiring. This seems to make no sense, because surely people are already dead when they go to their funeral?Though there is a serial killer at large, the authorities would prefer a cover-up but Albia is driven to discover what is going on. How much blood must be shed before the mania ends? And could her own family be on the list for a frightful stage death?Praise for Lindsey Davis and the Flavia Albia series'It positively crackles with knowledge of the city and its people, mixed with social comment, ingenious and bloody plots and sharp observational skills leavened by more than a smattering of genuine and sometimes earthy humour' Crime Review'Lighthearted, witty and effortlessly clever, just like its wonderful heroine, this is a window into ancient Rome, and a tonic and a joy to read' The Observer'For a totally exhilarating romp through Ancient Rome, Lindsey Davis' latest Flavia Alba novel won't be beaten and offers an immersive experience of a vibrant world full of real, recognisable characters' Shotsmag'In this witty novel by the mistress of Roman crime, the reader is transported behind the scenes of a Triumph into a fascinating world of actors, costumiers and animal trainers, all united in their hatred of the murdered man' Sunday Express Magazine

Rome, the very end of December. The Field of Mars is packed with monuments, none more beautiful than Domitian's new Odeon and Stadium. But the area has been overtaken by ugly events: elaborately staged murders. Someone bears a spectacular grudge against the theatrical community, and intends to get revenge in the most spectacular way possible. The killer's method is to re-enact bloody scenes from the gruesome side of popular theatre, where characters in plays really die on stage.A figure from the past wants Flavia Albia's father to investigate, but Falco is out of Rome for the holidays. Albia seizes the commission. And begins to regret doing so almost immediately. 'The undertaker did it!' the first victim croaks before expiring. This seems to make no sense, because surely people are already dead when they go to their funeral?Though there is a serial killer at large, the authorities would prefer a cover-up but Albia is driven to discover what is going on. How much blood must be shed before the mania ends? And could her own family be on the list for a frightful stage death?Praise for Lindsey Davis and the Flavia Albia series'It positively crackles with knowledge of the city and its people, mixed with social comment, ingenious and bloody plots and sharp observational skills leavened by more than a smattering of genuine and sometimes earthy humour' Crime Review'Lighthearted, witty and effortlessly clever, just like its wonderful heroine, this is a window into ancient Rome, and a tonic and a joy to read' The Observer'For a totally exhilarating romp through Ancient Rome, Lindsey Davis' latest Flavia Alba novel won't be beaten and offers an immersive experience of a vibrant world full of real, recognisable characters' Shotsmag'In this witty novel by the mistress of Roman crime, the reader is transported behind the scenes of a Triumph into a fascinating world of actors, costumiers and animal trainers, all united in their hatred of the murdered man' Sunday Express Magazine

An unpaid bar bill leads Flavia Albia to her most bitter and complex case yet. Decades earlier Appius Tranquillus Surus wrote his will: it freed his slaves and bequeathed his businesses to them. He left an orchard to the Prisci, a family he was friendly with, on the condition that his freedmen could still take its harvest. The convoluted arrangement has led to a feud between the two families, each of which has its own internal strife. Endless claims and counterclaims lead to violence and even death. Lawyers have given up in exasperation as the case limps on. The original will has disappeared, along with a falsified codicil - and might there be another one?But is there a solution? Two youngsters from each side of the divide, Gaius Venuleius and Cosca Sabatina, have fallen in love, which could unite the feuding families. There is only one problem: were Sabatina's grandmother and father really liberated in the Surus will? If not, the stigma of slavery will stop the marriage and the dispute will rage on forever.Reconciliation seems impossible, but Albia will try. Her investigation must cut through decades of secrets, arguments, lies and violence to reach a startling truth.Praise for Lindsey Davis and the Flavia Albia series'It positively crackles with knowledge of the city and its people, mixed with social comment, ingenious and bloody plots and sharp observational skills leavened by more than a smattering of genuine and sometimes earthy humour' Crime Review'Fiendishly twisted mystery' Mail on Sunday'Great fun, shot through with sharp observations' SHOTS'In this witty novel by the mistress of Roman crime, the reader is transported behind the scenes of a Triumph into a fascinating world of actors, costumiers and animal trainers, all united in their hatred of the murdered man' Sunday Express Magazine

An unpaid bar bill leads Flavia Albia to her most bitter and complex case yet. Decades earlier Appius Tranquillus Surus wrote his will: it freed his slaves and bequeathed his businesses to them. He left an orchard to the Prisci, a family he was friendly with, on the condition that his freedmen could still take its harvest. The convoluted arrangement has led to a feud between the two families, each of which has its own internal strife. Endless claims and counterclaims lead to violence and even death. Lawyers have given up in exasperation as the case limps on. The original will has disappeared, along with a falsified codicil - and might there be another one?But is there a solution? Two youngsters from each side of the divide, Gaius Venuleius and Cosca Sabatina, have fallen in love, which could unite the feuding families. There is only one problem: were Sabatina's grandmother and father really liberated in the Surus will? If not, the stigma of slavery will stop the marriage and the dispute will rage on forever.Reconciliation seems impossible, but Albia will try. Her investigation must cut through decades of secrets, arguments, lies and violence to reach a startling truth.Praise for Lindsey Davis and the Flavia Albia series'It positively crackles with knowledge of the city and its people, mixed with social comment, ingenious and bloody plots and sharp observational skills leavened by more than a smattering of genuine and sometimes earthy humour' Crime Review'Fiendishly twisted mystery' Mail on Sunday'Great fun, shot through with sharp observations' SHOTS'In this witty novel by the mistress of Roman crime, the reader is transported behind the scenes of a Triumph into a fascinating world of actors, costumiers and animal trainers, all united in their hatred of the murdered man' Sunday Express Magazine

An unpaid bar bill leads Flavia Albia to her most bitter and complex case yet. Decades earlier Appius Tranquillus Surus wrote his will: it freed his slaves and bequeathed his businesses to them. He left an orchard to the Prisci, a family he was friendly with, on the condition that his freedmen could still take its harvest. The convoluted arrangement has led to a feud between the two families, each of which has its own internal strife. Endless claims and counterclaims lead to violence and even death. Lawyers have given up in exasperation as the case limps on. The original will has disappeared, along with a falsified codicil - and might there be another one?But is there a solution? Two youngsters from each side of the divide, Gaius Venuleius and Cosca Sabatina, have fallen in love, which could unite the feuding families. There is only one problem: were Sabatina's grandmother and father really liberated in the Surus will? If not, the stigma of slavery will stop the marriage and the dispute will rage on forever.Reconciliation seems impossible, but Albia will try. Her investigation must cut through decades of secrets, arguments, lies and violence to reach a startling truth.Praise for Lindsey Davis and the Flavia Albia series'It positively crackles with knowledge of the city and its people, mixed with social comment, ingenious and bloody plots and sharp observational skills leavened by more than a smattering of genuine and sometimes earthy humour' Crime Review 'Fiendishly twisted mystery' Mail on Sunday 'Great fun, shot through with sharp observations' SHOTS'In this witty novel by the mistress of Roman crime, the reader is transported behind the scenes of a Triumph into a fascinating world of actors, costumiers and animal trainers, all united in their hatred of the murdered man' Sunday Express Magazine

'For a totally exhilarating romp through Ancient Rome, Lindsey Davis' latest Flavia Alba novel won't be beaten and offers an immersive experience of a vibrant world full of real, recognisable characters' Mike Ripley, ShotsmagDon't go to the Grove . . .Julius Caesar left his gardens to the citizens of Rome, a peaceful sanctuary across the Tiber. Now the gardens and their sacred grove are dangerous haunts, especially for women alone.'Don't go to the Grove,' people mutter, but when her husband has to leave Rome, it falls to Albia to supervise his building project in an old grotto. Why has someone buried tattered scrolls by obscure philosophers - and does it involve a worse crime than terrible writing?Soon that puzzle is overtaken. A woman disappears from her husband's birthday party; she meets a dire fate, then Albia learns that on the same night, two louche slaves given to her family by the brooding Emperor Domitian also vanished in the gardens. Apparently, it is well known that a killer lurks there.The vigiles have failed to investigate properly for decades and this won't improve when the sinister agent Karus arrives. Albia must co-operate, in order to give the many victims justice and find answers for grieving relatives. But can she herself remain safe? And, after others have failed, can she at last identify the predator who has made the Grove his killing ground?Praise for Lindsey Davis and the Flavia Albia series'Lindsey Davis has seen off all her competitors to become the unassailable market leader in the 'crime in Ancient Rome' genre . . . Davis's squalid, vibrant Rome is as pleasurable as ever' - Guardian'Davis's prose is a lively joy, and Flavia's Rome is sinister and gloriously real' - The Times on Sunday'For fans of crime fiction set in the ancient world, this one is not to be missed' - Booklist'Davis's books crackle with wit and knowledge . . . She has the happy knack of making the reader feel entirely immersed in Rome' - The Times

'For a totally exhilarating romp through Ancient Rome, Lindsey Davis' latest Flavia Alba novel won't be beaten and offers an immersive experience of a vibrant world full of real, recognisable characters' Mike Ripley, ShotsmagDon't go to the Grove . . .Julius Caesar left his gardens to the citizens of Rome, a peaceful sanctuary across the Tiber. Now the gardens and their sacred grove are dangerous haunts, especially for women alone.'Don't go to the Grove,' people mutter, but when her husband has to leave Rome, it falls to Albia to supervise his building project in an old grotto. Why has someone buried tattered scrolls by obscure philosophers - and does it involve a worse crime than terrible writing?Soon that puzzle is overtaken. A woman disappears from her husband's birthday party; she meets a dire fate, then Albia learns that on the same night, two louche slaves given to her family by the brooding Emperor Domitian also vanished in the gardens. Apparently, it is well known that a killer lurks there.The vigiles have failed to investigate properly for decades and this won't improve when the sinister agent Karus arrives. Albia must co-operate, in order to give the many victims justice and find answers for grieving relatives. But can she herself remain safe? And, after others have failed, can she at last identify the predator who has made the Grove his killing ground?Praise for Lindsey Davis and the Flavia Albia series'Lindsey Davis has seen off all her competitors to become the unassailable market leader in the 'crime in Ancient Rome' genre . . . Davis's squalid, vibrant Rome is as pleasurable as ever' - Guardian'Davis's prose is a lively joy, and Flavia's Rome is sinister and gloriously real' - The Times on Sunday'For fans of crime fiction set in the ancient world, this one is not to be missed' - Booklist'Davis's books crackle with wit and knowledge . . . She has the happy knack of making the reader feel entirely immersed in Rome' - The Times

***The Sunday Times Crime Club Star Pick***'Lighthearted, witty and effortlessly clever, just like its wonderful heroine, this is a window into ancient Rome, and a tonic and a joy to read' The Observer'It positively crackles with knowledge of the city and its people, mixed with social comment, ingenious and bloody plots and sharp observational skills leavened by more than a smattering of genuine and sometimes earthy humour' Crime ReviewSaturnalia, the Romans' mid-December feast, nominally to celebrate the sun's rebirth but invariably a drunken riot. Flavia Albia needs a case to investigate, but all work is paused. The Aventine is full of fracturing families. Wives plot to leave their husbands, husbands plot to spend more time with their mistresses. Masters must endure slaves taking obscene liberties, while aggressive slaves are learning to ape dangerous masters. But no one wants to hire an investigator during the holiday. Albia is lumped with her own domestic stress: overexcited children and bilious guests, too many practical jokes, and her magistrate husband Tiberius preoccupied with local strife. He fears a Nut War. Nuts are both the snack and missile of choice of tipsy celebrants, so there is a fortune to be made. This year a hustling gang from the past is horning in on the action.As the deadly menace strikes even close to home, and with law and order paused for partying, Albia and Tiberius must go it alone. The Emperor has promised the people a spectacular entertainment - but Domitian himself is a target for the old criminals' new schemes. Can the Undying Sun survive the winter solstice, or will criminal darkness descend upon Rome?Praise for Lindsey Davis and the Flavia Albia series'For a totally exhilarating romp through Ancient Rome, Lindsey Davis' latest Flavia Alba novel won't be beaten and offers an immersive experience of a vibrant world full of real, recognisable characters' Shotsmag'In this witty novel by the mistress of Roman crime, the reader is transported behind the scenes of a Triumph into a fascinating world of actors, costumiers and animal trainers, all united in their hatred of the murdered man' Sunday Express Magazine'Davis does her usual brilliant job of integrating the history of the period, warts and all, with a fast-paced and fair whodunit' Publishers Weekly