Fleming Museum of Art – serie

What does it mean when an item within a museum talks back? How are the concepts of the trained gaze, the panopticon, and the sacred feminine connected? Artist and writer Shanta Lee Gander probes these questions and more in Dark Goddess: An Exploration of the Sacred Feminine.This book accompanies the exhibition of Gander's photo series of the same name, on view at the Fleming Museum of Art at the University of Vermont from February 8 to December 9, 2022. This innovative exhibition catalogue features essays by University of Vermont professors Dr. Vicki L. Brennan (Department of Religion) and Dr. Emily Bernard (Department of English), alongside interviews with Gander's models for the Dark Goddess series, and original written work inspired by items in the Fleming Museum of Art's collection. Conceived in tandem, the publication and exhibition weave together themes of the human gaze, an artist's self-inquiry, history, ethnography, and an exploration of the duality of sacred and profane.

Arcitectural Improvisations examines the work of a group of architects who converged in Vermont's Mad River Valley in the mid-1960s. Lead essayist Danny Sagan traces the development of the Design/Build movement from its roots in Bauhaus theory at Yale School of Architecture in the early 1960s to the architectural manifestations of its radical aesthetic, social, and technological experimentation. An essay by historian Kevin Dann explores Vermont's draw, throughout the 20th century, on individuals seeking creative freedoms in a rural setting. The publication includes archival photographs and drawings, new architectural photographs, and documentary materials that explicate the design-builders' theory, process, and resulting structures. The text and illustrations come together in a stunning celebration of the Design/Build movement.

This is a catalogue with full-page colour reproductions of sheets selected from Ree Morton's notebook and sketchbook from 1968 to 1977. Back material includes an exhibition checklist, a 3-page essay by Allen Schwartzman titled Ree Morton - a reconsideration; an afterword by Barbara Zucker, and acknowledgments by Janie Cohen. The catalog was published on the occasion of an exhibition by the same title held at the Robert Hull Fleming Museum, University of Vermont.