Fleming Museum of Art – serie

On the occasion of the University of Vermont's 225th anniversary, the Fleming Museum of Art presents an exhibition and accompanying catalogue featuring works from the outstanding art collections of the University's alumni. Highlights include painting, sculpture, and works on paper by John Singer Sargent, Childe Hassam, Wassily Kandinsky, Jean Dubuffet, Willem de Kooning, Robert Motherwell, Henry Moore, Andy Warhol, Howard Hodgkin, Keith Haring, and Jean-Michel Basquiat; and prints and photographs by Pablo Picasso, Frank Stella, Vik Muniz, Cindy Sherman, and Nan Goldin. The catalogue features essays by Anthony E. Grudin, Alexander Nemerov, Andrea P. Rosen, and Charles Russell, as well as short contributions by Claude Cernuschi, Janie Cohen, Lily deJongh Downing, Martha Richardson, and Philip Sprayregen.

What does it mean when an item within a museum talks back? How are the concepts of the trained gaze, the panopticon, and the sacred feminine connected? Artist and writer Shanta Lee Gander probes these questions and more in Dark Goddess: An Exploration of the Sacred Feminine.This book accompanies the exhibition of Gander's photo series of the same name, on view at the Fleming Museum of Art at the University of Vermont from February 8 to December 9, 2022. This innovative exhibition catalogue features essays by University of Vermont professors Dr. Vicki L. Brennan (Department of Religion) and Dr. Emily Bernard (Department of English), alongside interviews with Gander's models for the Dark Goddess series, and original written work inspired by items in the Fleming Museum of Art's collection. Conceived in tandem, the publication and exhibition weave together themes of the human gaze, an artist's self-inquiry, history, ethnography, and an exploration of the duality of sacred and profane.

Arcitectural Improvisations examines the work of a group of architects who converged in Vermont's Mad River Valley in the mid-1960s. Lead essayist Danny Sagan traces the development of the Design/Build movement from its roots in Bauhaus theory at Yale School of Architecture in the early 1960s to the architectural manifestations of its radical aesthetic, social, and technological experimentation. An essay by historian Kevin Dann explores Vermont's draw, throughout the 20th century, on individuals seeking creative freedoms in a rural setting. The publication includes archival photographs and drawings, new architectural photographs, and documentary materials that explicate the design-builders' theory, process, and resulting structures. The text and illustrations come together in a stunning celebration of the Design/Build movement.