Fondation Gandur – serie

Aesthetic seduction, superb workmanship, and historical interest are the three central themes in thecollection of Fondation Gandur pour l'Art (Geneva), created in 2010 andstill expanding. The aim of this first volume is to catalogue the worksin the collection, whose decorative aspects are every bit as important as their narrative content. The works are for the most part sculptures -statuettes and ornamental reliefs - although two-dimensional decorations depicting figurative scenes associated with classical antiquity or Christianity are no less important.The periods represented by the sculptural works discussed in this book reflect the scope of the whole collection, which ranges from the 12th to the 18th century. And since the goal of the collection is to document centuries of cultural exchange between France and neighbouring countries, all the works included in the book come from these latter regions. The hybrid styles are closely linked, and this is an aspect of considerable importance, as is the originality certain pieces display and, last but not least, their aesthetic quality.The book is arranged by topic,which brings out the great originality and extraordinary richness of the collection, as well as the extremely varied nature of the subjects, narrative episodes, and figures portrayed. More specifically, the topicsare divided into five sections: ancient gods and heroes; biblical and allegorical figures; scenes from the life of the Virgin; episodes from the life of Christ; and saints and intercessors. Each work has its own entry that describes the historical and geographical context in which itwas made, analyses its iconographic content, and includes a bibliography and a list of the exhibitions where the work was exhibited.

This stunning 2-volume set introduces the Geneva-based Fondation Gandur’s collection of classical antiquities gathered over the past 40 years by founder Jean Claude Gandur. These two volumes are complementary: The first volume investigates the subject of ancient religion by observing images of idols, goddesses, gods, and devotees, and through them related rituals and religious practices; while the second focuses on especially exquisite objects, luxurious trifles known since ancient times as deliciæ. These two volumes interact with each other, forming a whole that offers a sparkling view of Greek-Roman antiquity, from Italy to the Roman Orient of the Later Empire, through archaic Cyprus, classical Greece, and Hellenistic Egypt.