Genre Film Auteurs – serie
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3 produkter
3 produkter
Häftad, Engelska, 2007
733 kr
Skickas inom 10-15 vardagar
Few other contemporary Hollywood filmmakers fit the category of 'genre stylist' as well as Michael Mann, the director of such films as Heat, The Insider, Ali, Collateral, Manhunter, Thief, and Miami Vice. Mann's film style marks him as a director who chooses the iconographic backdrop of a genre as a canvas upon which he and his collaborators can craft a unique cinematic vision. The Cinema of Michael Mann traces the innovative and under-explored stylistic contours of Mann's work, the director's inflection upon and innovation within preexisting genre frameworks, and the relationship of both style and genre to issues of authorship and film criticism. Steven Rybin's critical study of Mann's cinema, and the importance of the filmmaker's themes to our contemporary world, is valuable for both film scholars and cinephiles alike.
Häftad, Engelska, 2012
733 kr
Skickas inom 10-15 vardagar
Acclaimed British director Michael Winterbottom is renowned for the abundance and diversity of his output. His films span a wide range of genres in art house and mainstream cinema alike, from the heritage film to neo-noir. Working with different genres gives Winterbottom a framework in which to explore favored themes, while incorporating new ideas and taking on new challenges. At the same time, his manner of undermining familiar generic qualities and frustrating audience expectations also refreshes the genres he explores. In The Cinema of Michael Winterbottom, Deborah Allison investigates Winterbottom’s contributions to contemporary cinema, using ideas of genre as a critical tool. Focusing on eight films, Allison examines the ways he adopts, inflects, and challenges the main attributes of the films’ associated genres, enriching a highly personal and idiosyncratic style of filmmaking. The potency and integrity of his authorship unites films as generically diverse as the road movie Butterfly Kiss, western drama The Claim, sci-fi romance Code 46, and docudrama The Road to Guantanamo.
Inbunden, Engelska, 2010
1 386 kr
Skickas inom 10-15 vardagar
In John Dahl and Neo-Noir: Examining Auteurism and Genre, Paul Monaco provides a focused inquiry into the first three feature films that director John Dahl made for theatrical release: Kill Me Again (1989), Red Rock West (1993), and The Last Seduction (1994). Subsequent to their releases, these three films became identified in academic film criticism as neo-noir, and Dahl was labeled a "noir-meister" who made "a cottage industry of neo-noir."The importance of these three films, and Monaco's investigation of them, is how they illuminate a modern director's creative process in relation to an emerging genre. Dahl is rightly recognized for his directorial vision and his creative style. His approach to film direction, and his distinctiveness of vision, is thoroughly explored in the book. Using interviews with the professionals with whom Dahl has worked closely, Monaco also explores basic notions about auteurism and how genre is defined. Considering Dahl's extensive directing for television alongside his first three films, John Dahl and Neo-Noir ultimately demonstrates how this groundbreaking director is a prime example of a modern "director for hire."