Great Poets Series – serie

“Better to reign in Hell than serve in Heaven.”Blind, broken by the death of his wife and bitterly disappointed by the Restoration, Milton dictated his sweeping biblical epic Paradise Lost to a series of helpers. While the struggle between God and Satan rages across the cosmos, the human tragedy of Adam and Eve – the temptation and fall – is movingly depicted in language unsurpassed in its musicality and beauty.A staggering and audacious undertaking – seeking, in Milton’s words, to “justify the ways of God to men” – Paradise Lost has been revered since its initial publication, inspiring writers from Mary Shelley to William Wordsworth, and is widely considered to be the greatest poem ever written in the English language.

First published in 1855 and extended by the author over the course of more than three decades, Leaves of Grass embodies Walt Whitman’s lifetime ambition to create a new voice that could capture the spirit and vibrancy of the young American nation, while celebrating at the same time “Nature without check with original energy”.Famously written in free verse and brimming with sensuous imagery and an unbridled love of nature and life in all its forms, and containing celebrated poems such as the ebullient ‘Song of Myself’ – described by Jay Parini as the greatest American poem ever written – and the elegiac ‘When Lilacs Last in the Dooryard Bloom’d’, Leaves of Grass is not only the finest achievement of a highly unique poet, but a founding text for American literature and modern poetry.Considered one of the most influential poets in American literature and a pioneer of free verse, Walt Whitman (1819–92) was also a prolific writer of essays and articles. Controversial in its time, his sprawling collection Leaves of Grass is regarded as his magnum opus.

Already with thee! tender is the night, And haply the Queen-Moon is on her throne, Cluster’d around by all her starry Fays; But here there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways. Despite his tragically short life, John Keats, a self-confessed “rebel Angel”, endures for many as a personification of the Romantic age. While contemporary critics mocked him as a “Cockney poet” and an uneducated lower-class “apothecary” who aspired to poetry, subsequent generations began to see and appreciate both the rich and impassioned sensuousness and the love of beauty and liberty that pervade his work. From Endymion and Hyperion to ‘The Eve of St Agnes’, ‘La Belle Dame sans Merci’ and the Odes, this collection, which presents Keats’s oeuvre in chronological order, displays his rapid poetic growth, the development of his philosophical and spiritual beliefs and the voluptuous, silken nature of his verse.