Great Stage Directors – serie
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31 produkter
31 produkter
Great North American Stage Directors Volume 1
David Belasco, Arthur Hopkins, Margaret Webster
Inbunden, Engelska, 2024
1 279 kr
Skickas inom 5-8 vardagar
This volume assesses the contributions of David Belasco, Arthur Hopkins, and Margaret Webster, whose careers shaped the artistic and specialist identity of the Broadway director. Their work spans almost a century and captures the rapidly changing social and cultural landscape of 20th-century America. While their aesthetic styles differed greatly, they were united in their mastery of theatre craft and their impact on theatrical collaboration. The essays in this volume explore how these directors established and exploited Broadway as the epicentre of theatre in the United States, blended the role of producer and director, and managed the tensions between commercial success and artistic ambition.The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.
Great North American Stage Directors Volume 2
Harold Clurman, Orson Welles, Margo Jones
Inbunden, Engelska, 2024
1 279 kr
Skickas inom 5-8 vardagar
This volume assesses the accomplishments of three mid-20th century, North American stage directors: Harold Clurman, Orson Welles, and Margo Jones. Though their theatre-making endeavours were distinct, each produced work that challenged preconceived notions of theatre-making, all while working within the structure of a company. As directors drawn to the potential rewards of collaboration, all also were keenly adept at understanding how the relationship with a company of collaborators is often marked by struggle and crisis. The essays in this volume explore how these accomplished directors not only created bold work, but also drew on the complex energies of the theatre companies with which they worked to reimagine the shape and scope of theatre directing.The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each major North American theatre director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.
Great North American Stage Directors Volume 3
Elia Kazan, Jerome Robbins, Lloyd Richards
Inbunden, Engelska, 2024
1 279 kr
Skickas inom 5-8 vardagar
This volume chronicles the lives and artistry of Elia Kazan, Jerome Robbins, and Lloyd Richards. Their commitment to staging new works, which often focused on the experiences of immigrant and working-class families, significantly expanded the scope and possibilities of American theatre across the 20th century. It illuminates too their collaborations with a range of innovative theatre artists, including Lee Strasberg, Clifford Odets, Marlon Brando, Arthur Miller, Tennessee Williams, Lorraine Hansberry, Leonard Bernstein, Stephen Sondheim, and August Wilson.The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work oftwenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.
Great North American Stage Directors Volume 4
George Abbott, Vinnette Carroll, Harold Prince
Inbunden, Engelska, 2024
1 279 kr
Skickas inom 5-8 vardagar
George Abbott, Vinnette Carroll, and Harold (Hal) Prince were trailblazing figures who helped shape and define the Broadway musical over the course of the 20th century. Their careers expanded the boundaries of the genre, highlighting the critical role of the director in the creation of a new musical. As theatre history, the essays in this volume help to complicate and deepen the reader’s understanding of the musical genre of Broadway and of the enduring legacies of these three pioneers. As lessons in theatrical direction, they illustrate the particular issues involved in directing musicals, as well as the stakes of working commercially at the highest levels of the industry.The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.
Great North American Stage Directors Volume 5
Richard Schechner, Lee Breuer, Anne Bogart
Inbunden, Engelska, 2024
1 279 kr
Skickas inom 5-8 vardagar
Richard Schechner, Lee Breuer, and Anne Bogart share a spirit of profound adventure and that adventure is the redefinition of theatre itself. They are rare hybrids; the confluence of their theatrical roles as directors, scholars, theorists and teachers has placed them among the most influential thinker/practitioners of their generation. This book reveals the ways in which their consistent inquiry enabled them to re-examine, re-frame, and re-invent their own practice. The essays in this volume explore the ways in which Schechner, Breuer and Bogart have established powerful legacies of consistently innovative theatre most often created in the company of an ensemble of collaborative artists. Their influence is undeniable in the reformulation of theatre practices from the 1970s onward.The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.
Great North American Stage Directors Volume 6
Meredith Monk, Richard Foreman, Robert Wilson
Inbunden, Engelska, 2024
1 279 kr
Skickas inom 5-8 vardagar
This volume assesses the work of Meredith Monk, Richard Foreman, and Robert Wilson, three artists who have revolutionized the craft of directing and the art of theatre in both related and unique ways. Though their early artistic backgrounds differ, ranging from architecture, music and dance to writing, they are similar in that none of them began their career as a director per se or received formal training as such. They each assumed the director’s role based on the demands of their complex artistic visions, which combine art forms, but resist synthesis, finding expression in the differences and tensions between the forms. The essays in this volume explore how these auteur directors combine text, movement, film, sound and music, installation and visual arts to achieve their visions, employing multi-perceptual modes to evoke full and rich theatrical experiences.The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.
Great North American Stage Directors Volume 7
Elizabeth LeCompte, Ping Chong, Robert Lepage
Inbunden, Engelska, 2024
1 241 kr
Skickas inom 5-8 vardagar
This volume focuses on three artists who embrace media and technology as essential elements of their theatrical expression: Elizabeth LeCompte, Ping Chong, and Robert Lepage. Diverse in their aesthetic interests, they nevertheless share an approach to directing that includes technological media on stage as central to a rigorously crafted production concept. Technological elements live alongside and negotiate with the theatre’s human players, disclosing, shaping, and even intruding on the dramas they enact. The essays in this volume explore how all three directors have provided decisive responses to a question that has dogged the theatre for at least the last century: what relationship can theatre, an art form grounded in live, ephemeral, expression, have to technology?The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.
Great North American Stage Directors Volume 8
Jesusa Rodriguez, Peter Sellars, Reza Abdoh
Inbunden, Engelska, 2024
1 279 kr
Skickas inom 5-8 vardagar
The three directors gathered in this volume all approach theatre-making in part as an act of citizenship. Jesusa Rodríguez, Peter Sellars, and Reza Abdoh differ markedly in many important respects, but they all come to the theatre as an intervention in the public sphere. Rodríguez, Sellars, and Abdoh blend a spirit of social critique with acts of democratic community building. These essays examine how theatre, for them, is not a sphere of aesthetic experience insulated from the divisions, antagonisms, and alliances of a conflicted society. It is a way to forge fleeting but consequential communities that might reverberate through that society and affect its future development.The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.
Great North American Stage Directors Set 1
Volumes 1-4: Establishing Directorial Terrains, pre-1970
2021
6 393 kr
Skickas inom 5-8 vardagar
The Great North American Stage Directors: Set 1 offers an authoritative account of the work, lineage and legacy of the major theatre directors prior to 1970, where the role of the director is seen primarily as interpreter. Across the four volumes it provides a uniquely rich study of the genealogy and development of a practice through focus on individual directors and the wider context and artform in which they worked. For professional practitioners and those developing their skills, as well as those engaged in the analysis of theatre practices, forms and history, it will prove an essential resource.Each volume provides substantial treatment of three major directors, with each director considered by two specialists, combining analysis of the director’s practical craft with accounts of the historical, cultural and theoretical context of their practice. Links between the featured directors and other artists and directors from the period are traced to round out the picture of influences and artistic development. Volume 1: David Belasco, Arthur Hopkins, Margaret Webster: Broadway Luminaries (edited by Cheryl Black, University of Missouri, USA)Volume 2: Harold Clurman, Orson Welles, Margo Jones: The Director in the Company (edited by Jonathan Chambers, Bowling Green State University, USA)Volume 3: Elia Kazan, Jerome Robbins, Lloyd Richards: Urban Spaces, Poetic Realisms (edited by Harvey Young, Boston University, USA)Volume 4: George Abbott, Vinnette Carroll, Harold Prince: Musical Theatre Innovators (edited by Henry Bial, University of Kansas, USA, and Chase Bringardner, Auburn University, USA)Featuring 36 illustrations, the eight volumes from Sets 1 and 2 of The Great North American Stage Directors series combine to present the most authoritative survey available on North American theatre directors.
6 069 kr
Skickas inom 5-8 vardagar
Across the four volumes this set provides a uniquely rich study of the genealogy and development of a practice through focus on individual directors and the wider context and art form in which they worked. For professional practitioners and those developing their skills, as well as those engaged in the analysis of theatre practices, forms and history, it will prove an essential resource.Each volume provides substantial treatment of three major directors, with each director considered by two specialists, combining analysis of the director’s practical craft with accounts of the historical, cultural and theoretical context of their practice. Links between the featured directors and other artists and directors from the period are traced to round out the picture of influences and artistic development.Volume 5: Richard Schechner, Lee Breuer, Anne Bogart: Company Experiments (edited by Joan Herrington, Western Michigan University, USA)Volume 6: Meredith Monk, Richard Foreman, Robert Wilson: Landscapes of Perception (edited by Ann Shanahan, Purdue University, USA)Volume 7: Elizabeth LeCompte, Ping Chong, Robert Lepage: Multi-Media Interrogations (edited by Claudia Orenstein, Hunter College and the Graduate Center, CUNY, USA, and James Peck, Muhlenberg College, USA)Volume 8: Jesusa Rodriguez, Peter Sellars, Reza Abdoh: Theatre in the Public Sphere (edited by James Peck, Muhlenberg College, USA)Featuring 64 illustrations, the eight volumes from Sets 1 and 2 of The Great North American Stage Directors series combine to present the most comprehensive and authoritative survey available on North American theatre directors.
322 kr
Skickas inom 5-8 vardagar
This volume assesses the contributions of André Antoine, Konstantin Stanislavski and Michel Saint-Denis, whose work has influenced theatre and training for over a century. These directors pioneered Naturalism and refined Realism as they experimented with theatrical form including non-Realism. Antoine and Stanislavski’s theatre direction proved foundational to the creation of the director’s role and artistic vision, and their influential ideas progressively developed through the stylized theatre of Saint-Denis to the innovative contemporary theatre direction of Max Stafford-Clark, Declan Donnellan and Katie Mitchell.
322 kr
Skickas inom 5-8 vardagar
This volume surveys and assesses the contributions of Vsevolod Meyerhold, Erwin Piscator and Bertolt Brecht to theatre-making, which richly exemplify the range of ways that directors address dramatic material, theatrical space and their audiences. Their directorial work marks an unmistakeable interest in developing the political potential of theatre in the early 20th century, although each director offered more to their actors, collaborators and spectators than simply the staging of politics and the political.
327 kr
Skickas inom 10-15 vardagar
This volume examines the work of directors Jacques Copeau, Theodore Komisarjevsky and Tyrone Guthrie. It explores in detail many of the directors’ key productions, including Copeau’s staging of Molière’s The Tricks of Scapin, Komisarjevsky’s signature season of Chekhov plays at the Barnes Theatre and Guthrie’s pioneering direction of Shakespeare’s plays in North America. This study argues that their work exemplifies the complexity and novelty of the role of theatre directing in the first three-quarters of the 20th century, as Komisarjevsky was in the middle of the genesis of directing in Russia, Copeau launched his directorial career just as the role was gaining definition, and Guthrie was at the vanguard of directing in Britain, at last shaking off the traditions of the actor-manager to formulate the new role of artistic director.
322 kr
Skickas inom 5-8 vardagar
In this volume leading scholars assess the contributions of Max Reinhardt, Leopold Jessner and Harley Granville Barker to European theatre. Their work represents the cultural shift from traditional theatre practices of the 19th century to the rise of Modernism and its means of establishing theatre as an art form in its own right. Uncovering the theories and visions of theatre held by Reinhardt, Jessner and Barker, this volume establishes the contribution and importance of these directors in the development of modern theatre and their significance alongside the better-known names of Stanislavski and Brecht.
327 kr
Skickas inom 10-15 vardagar
This volume provides a fresh assessment of the pioneering practices of theatre directors Jerzy Grotowski, Peter Brook and Eugenio Barba, whose work has challenged and extended ideas about what theatre is and does. Contributors demonstrate how each was instrumental in rethinking and reinventing theatre’s possibilities: where it takes place – whether in theatres or beyond – and who the audience might then be, as well as how actors train and perform, highlighting the importance of the group and collaboration. The volume examines their role in establishing intercultural dialogues and practices, and the wider influence of this work on theatre. Consideration is also given to each director’s documentation of their practice in print and film and the influence this has had on 21st-century performance.
327 kr
Skickas inom 10-15 vardagar
This volume examines the work of Joan Littlewood, Giorgio Strehler and Roger Planchon, demonstrating how these three directors take up key aesthetic prompts from earlier innovators – Stanislavski, the modernist avant-garde and not least Brecht – and thereby prepare the ground for contemporary, politically-engaged ‘directors’ theatre’. It argues that, in creating their major productions in the prosperous ‘glorious decades’ that followed the devastation of the Second World War, they represent a first expressly ‘European’ generation of theatre directors. Revisiting works from the classical dramatic canon by drawing on popular theatre traditions, and reaching out to spectators beyond the educated middle-class elite, they put theatre in the service of uniting a traumatized continent. This study posits that for Littlewood, Strehler and Planchon, theatre has the capacity to create communities.
322 kr
Skickas inom 5-8 vardagar
This volume offers a compelling account of Jean-Louis Barrault, Ariane Mnouchkine and Peter Stein, who not only won international recognition as directors whose repertoires ranged from classical Greek to Shakespeare to the avant-garde, but also succeeded as leaders of their own companies. The ensembles they nurtured and kept afloat despite setbacks represent the artistic vision of each: the Compagnie Madeleine Renaud–Jean-Louis Barrault, the Théâtre du Soleil and the Schaubühne. Selected landmark productions illuminate the achievements of these three directors and their companies.
322 kr
Skickas inom 5-8 vardagar
This volume foregrounds Pina Bausch, Romeo Castellucci and Jan Fabre as three leading directors who have each left an indelible mark on post-war European theatre. Combining in-depth discussions of the artists’ poetics with detailed case studies of several famous and lesser-known key works, the authors featured in this volume trace a range of foundational aesthetic strategies that are central to the directors’ work: the dynamics of repetition vis-à-vis fragmentation, the continued significance of language in experimental theatre and dance, the tension between theatricality and the performative reality of the stage, and the equal importance attached to text, image and body. This volume develops a vivid picture of how European stage directors have continued to redefine their own position and role throughout the latter half of the 20th century.
1 463 kr
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The Great European Stage Directors Set 1 offers an authoritative account of the work, lineage and legacy of the major theatre directors from the late nineteenth and first half of the twentieth centuries. Across the four volumes and the companion series Set 2: Post-1950, it provides a uniquely rich study of the genealogy and development of a practice through focus on individual directors and the wider context and artform in which they worked. For professional practitioners and those developing their skills, as well as those engaged in the analysis of theatre practices, forms and history, it will prove an essential resource.Each volume provides substantial treatment of three major directors, with each director considered by two specialists, combining analysis of the director’s practical craft with accounts of the historical, cultural and theoretical context of their practice. Links between the featured directors and other artists and directors from the period are traced to round out the picture of influences and artistic development.Volume 1: Antoine, Stanislavski and Saint-Denis (edited by Professor Peta Tait, La Trobe University, Melbourne, Australia): the engagement with ‘realism’Volume 2: Meyerhold, Piscator, Brecht (edited by Professor David Barnett, University of York, UK): directors' experiments with understandings of 'the political' in the theatre - in acting practice, scenic arrangement and audience positioningVolume 3: Copeau, Komisarjevsky, Guthrie (edited by Professor Jonathan Pitches, University of Leeds, UK): the director as migrant shaping new approaches to the classicsVolume 4: Reinhardt, Jessner, Barker (edited by Professor Michael Patterson, De Montfort University, Leicester, UK): the engagement with aesthetic modernism as part of a set of formal languages, leading to new approaches to the expressive apparatus
Great North American Stage Directors Volume 1
David Belasco, Arthur Hopkins, Margaret Webster
Häftad, Engelska, 2025
309 kr
Skickas inom 5-8 vardagar
This volume assesses the contributions of David Belasco, Arthur Hopkins, and Margaret Webster, whose careers shaped the artistic and specialist identity of the Broadway director. Their work spans almost a century and captures the rapidly changing social and cultural landscape of 20th-century America. While their aesthetic styles differed greatly, they were united in their mastery of theatre craft and their impact on theatrical collaboration. The essays in this volume explore how these directors established and exploited Broadway as the epicentre of theatre in the United States, blended the role of producer and director, and managed the tensions between commercial success and artistic ambition.The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.
Great North American Stage Directors Volume 2
Harold Clurman, Orson Welles, Margo Jones
Häftad, Engelska, 2025
313 kr
Skickas inom 10-15 vardagar
This volume assesses the accomplishments of three mid-20th-century, North American stage directors: Harold Clurman, Orson Welles, and Margo Jones. Though their theatre-making endeavours were distinct, each produced work that challenged preconceived notions of theatre-making, all while working within the structure of a company. As directors drawn to the potential rewards of collaboration, all also were keenly adept at understanding how the relationship with a company of collaborators is often marked by struggle and crisis. The essays in this volume explore how these accomplished directors not only created bold work, but also drew on the complex energies of the theatre companies with which they worked to reimagine the shape and scope of theatre directing.The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each major North American theatre director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.
Great North American Stage Directors Volume 3
Elia Kazan, Jerome Robbins, Lloyd Richards
Häftad, Engelska, 2025
309 kr
Skickas inom 5-8 vardagar
This volume chronicles the lives and artistry of Elia Kazan, Jerome Robbins, and Lloyd Richards. Their commitment to staging new works, which often focused on the experiences of immigrant and working-class families, significantly expanded the scope and possibilities of American theatre across the 20th century. It illuminates too their collaborations with a range of innovative theatre artists, including Lee Strasberg, Clifford Odets, Marlon Brando, Arthur Miller, Tennessee Williams, Lorraine Hansberry, Leonard Bernstein, Stephen Sondheim, and August Wilson.The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.
Great North American Stage Directors Volume 4
George Abbott, Vinnette Carroll, Harold Prince
Häftad, Engelska, 2025
309 kr
Skickas inom 5-8 vardagar
George Abbott, Vinnette Carroll, and Harold (Hal) Prince were trailblazing figures who helped shape and define the Broadway musical over the course of the 20th century. Their careers expanded the boundaries of the genre, highlighting the critical role of the director in the creation of a new musical. As theatre history, the essays in this volume help to complicate and deepen the reader’s understanding of the musical genre of Broadway and of the enduring legacies of these three pioneers. As lessons in theatrical direction, they illustrate the particular issues involved in directing musicals, as well as the stakes of working commercially at the highest levels of the industry.The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.
Great North American Stage Directors Set 1
Volumes 1-4: Establishing Directorial Terrains, pre-1970
2025
1 382 kr
Skickas inom 5-8 vardagar
The Great North American Stage Directors: Set 1 offers an authoritative account of the work, lineage and legacy of the major theatre directors prior to 1970, where the role of the director is seen primarily as interpreter. Across the four volumes it provides a uniquely rich study of the genealogy and development of a practice through focus on individual directors and the wider context and artform in which they worked. For professional practitioners and those developing their skills, as well as those engaged in the analysis of theatre practices, forms and history, it will prove an essential resource.Each volume provides substantial treatment of three major directors, with each director considered by two specialists, combining analysis of the director’s practical craft with accounts of the historical, cultural and theoretical context of their practice. Links between the featured directors and other artists and directors from the period are traced to round out the picture of influences and artistic development.Volume 1: David Belasco, Arthur Hopkins, Margaret Webster: Broadway Luminaries (edited by Cheryl Black, University of Missouri, USA)Volume 2: Harold Clurman, Orson Welles, Margo Jones: The Director in the Company (edited by Jonathan Chambers, Bowling Green State University, USA)Volume 3: Elia Kazan, Jerome Robbins, Lloyd Richards: Urban Spaces, Poetic Realisms (edited by Harvey Young, Boston University, USA)Volume 4: George Abbott, Vinnette Carroll, Harold Prince: Musical Theatre Innovators (edited by Henry Bial, University of Kansas, USA, and Chase Bringardner, Auburn University, USA)The eight volumes from Sets 1 and 2 of The Great North American Stage Directors series combine to present the most authoritative survey available on North American theatre directors.
Great North American Stage Directors Volume 5
Richard Schechner, Lee Breuer, Anne Bogart
Häftad, Engelska, 2025
309 kr
Skickas inom 5-8 vardagar
Richard Schechner, Lee Breuer, and Anne Bogart share a spirit of profound adventure and that adventure is the redefinition of theatre itself. They are rare hybrids; the confluence of their theatrical roles as directors, scholars, theorists and teachers has placed them among the most influential thinker/practitioners of their generation. This book reveals the ways in which their consistent inquiry enabled them to re-examine, re-frame, and re-invent their own practice. The essays in this volume explore the ways in which Schechner, Breuer and Bogart have established powerful legacies of consistently innovative theatre most often created in the company of an ensemble of collaborative artists. Their influence is undeniable in the reformulation of theatre practices from the 1970s onward.The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.
Great North American Stage Directors Volume 6
Meredith Monk, Richard Foreman, Robert Wilson
Häftad, Engelska, 2025
318 kr
Skickas inom 5-8 vardagar
This volume assesses the work of Meredith Monk, Richard Foreman, and Robert Wilson, three artists who have revolutionized the craft of directing and the art of theatre in both related and unique ways. Though their early artistic backgrounds differ, ranging from architecture, music and dance to writing, they are similar in that none of them began their career as a director per se or received formal training as such. They each assumed the director’s role based on the demands of their complex artistic visions, which combine art forms, but resist synthesis, finding expression in the differences and tensions between the forms. The essays in this volume explore how these auteur directors combine text, movement, film, sound and music, installation and visual arts to achieve their visions, employing multi-perceptual modes to evoke full and rich theatrical experiences.The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.
Great North American Stage Directors Volume 7
Elizabeth LeCompte, Ping Chong, Robert Lepage
Häftad, Engelska, 2025
309 kr
Skickas inom 5-8 vardagar
This volume focuses on three artists who embrace media and technology as essential elements of their theatrical expression: Elizabeth LeCompte, Ping Chong, and Robert Lepage. Diverse in their aesthetic interests, they nevertheless share an approach to directing that includes technological media on stage as central to a rigorously crafted production concept. Technological elements live alongside and negotiate with the theatre’s human players, disclosing, shaping, and even intruding on the dramas they enact. The essays in this volume explore how all three directors have provided decisive responses to a question that has dogged the theatre for at least the last century: what relationship can theatre, an art form grounded in live, ephemeral, expression, have to technology?The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.
Great North American Stage Directors Volume 8
Jesusa Rodriguez, Peter Sellars, Reza Abdoh
Häftad, Engelska, 2025
318 kr
Skickas inom 5-8 vardagar
The three directors gathered in this volume all approach theatre-making in part as an act of citizenship. Jesusa Rodríguez, Peter Sellars, and Reza Abdoh differ markedly in many important respects, but they all come to the theatre as an intervention in the public sphere. Rodríguez, Sellars, and Abdoh blend a spirit of social critique with acts of democratic community building. These essays examine how theatre, for them, is not a sphere of aesthetic experience insulated from the divisions, antagonisms, and alliances of a conflicted society. It is a way to forge fleeting but consequential communities that might reverberate through that society and affect its future development.The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.
1 382 kr
Skickas inom 5-8 vardagar
Across the four volumes this set provides a uniquely rich study of the genealogy and development of a practice through focus on individual directors and the wider context and art form in which they worked. For professional practitioners and those developing their skills, as well as those engaged in the analysis of theatre practices, forms and history, it will prove an essential resource.Each volume provides substantial treatment of three major directors, with each director considered by two specialists, combining analysis of the director’s practical craft with accounts of the historical, cultural and theoretical context of their practice. Links between the featured directors and other artists and directors from the period are traced to round out the picture of influences and artistic development.Volume 5: Richard Schechner, Lee Breuer, Anne Bogart: Company Experiments (edited by Joan Herrington, Western Michigan University, USA)Volume 6: Meredith Monk, Richard Foreman, Robert Wilson: Landscapes of Perception (edited by Ann Shanahan, Purdue University, USA)Volume 7: Elizabeth LeCompte, Ping Chong, Robert Lepage: Multi-Media Interrogations (edited by Claudia Orenstein, Hunter College and the Graduate Center, CUNY, USA, and James Peck, Muhlenberg College, USA)Volume 8: Jesusa Rodriguez, Peter Sellars, Reza Abdoh: Theatre in the Public Sphere (edited by James Peck, Muhlenberg College, USA)The eight volumes from Sets 1 and 2 of The Great North American Stage Directors series combine to present the most comprehensive and authoritative survey available on North American theatre directors.
6 878 kr
Skickas inom 5-8 vardagar
The Great European Stage Directors Set 1 offers an authoritative account of the work, lineage and legacy of the major theatre directors from the late nineteenth and first half of the twentieth centuries. Across the four volumes and the companion series Set 2: Post-1950, it provides a uniquely rich study of the genealogy and development of a practice through focus on individual directors and the wider context and artform in which they worked. For professional practitioners and those developing their skills, as well as those engaged in the analysis of theatre practices, forms and history, it will prove an essential resource.Each volume provides substantial treatment of three major directors, with each director considered by two specialists, combining analysis of the director’s practical craft with accounts of the historical, cultural and theoretical context of their practice. Links between the featured directors and other artists and directors from the period are traced to round out the picture of influences and artistic development. Volume 1: Antoine, Stanislavski and Saint-Denis (edited by Professor Peta Tait, La Trobe University, Melbourne, Australia): the engagement with ‘realism’Volume 2: Meyerhold, Piscator, Brecht (edited by Professor David Barnett, University of York, UK): directors' experiments with understandings of 'the political' in the theatre - in acting practice, scenic arrangement and audience positioningVolume 3: Copeau, Komisarjevsky, Guthrie (edited by Professor Jonathan Pitches, University of Leeds, UK): the director as migrant shaping new approaches to the classicsVolume 4: Reinhardt, Jessner, Barker (edited by Professor Michael Patterson, De Montfort University, Leicester, UK): the engagement with aesthetic modernism as part of a set of formal languages, leading to new approaches to the expressive apparatus