Dover Fine Art, History of Art – serie

Detailed plates from the Bible: the Creation scenes, Adam and Eve, horrifying visions of the Flood, the battle sequences with their monumental crowds, depictions of the life of Jesus and visions of the new Jerusalem. Each of the 241 plates is accompanied by the appropriate verses from the King James version of the Bible.

Gustave Doré (1832–83) was perhaps the most successful illustrator of the nineteenth century. His Doré Bible was a treasured possession in countless homes, and his best-received works continued to appear through the years in edition after edition. His illustrations for Dante's Divine Comedy constitute one of his most highly regarded efforts and were Doré's personal favorites.The present volume reproduces with excellent clarity all 135 plates that Doré produced for The Inferno, Purgatory, and Paradise. From the depths of hell onto the mountain of purgatory and up to the empyrean realms of paradise, Doré's illustrations depict the passion and grandeur of Dante's masterpiece in such famous scenes as the embarkation of the souls for hell, Paolo and Francesca (four plates), the forest of suicides, Thaïs the harlot, Bertram de Born holding his severed head aloft, Ugolino (four plates), the emergence of Dante and Virgil from hell, the ascent up the mountain, the flight of the eagle, Arachne, the lustful sinners being purged in the seventh circle, the appearance of Beatrice, the planet Mercury, and the first splendors of paradise, Christ on the cross, the stairway of Saturn, the final vision of the Queen of Heaven, and many more.Each plate is accompanied by appropriate lines from the Henry Wadsworth Longfellow translation of Dante's work.

In this famous work by a pioneer in the movement to free art from the bonds of tradition — a work long considered essential to understanding the evolution of 20th-century art — Kandinsky explores the role of the line, point, and other key elements of non-objective painting. 127 illustrations.

Collection of portraits, selected from public and private holdings by art historian Trevor J. Fairbrother, reveal the technical skill and intuitive eye for which American portrait painter John Singer Sargent is renowned. Drawings in pencil, pastels and charcoal — a lesser-known aspect of Sargent's oeuvre — are shown. List of Plates. Introduction. Captions.

Comprised of 40 full-page, two-color plates of finished drawings in several media, this new volume reproduces Mucha's extraordinary 1905 style book, Figures Décoratives, a summation of Art Nouveau art and design. New introduction.

Throughout his long life, Michelangelo Buonarroti (1475–1564) never ceased to practice drawing with pen, pencil, or chalk. In the 60 years of creative activity encompassed by this volume, the artist produced scores of sketches, drawings, and studies – nudes, heads, figure studies, Madonnas, anatomical drawings, studies of children and animals, mythical representations, and religious works. This book reproduces 46 of his finest drawings, embodying most of his artistic themes and techniques, and executed in his characteristic media of pen and ink, and red and black chalk. The extraordinary strength, grace, and clarity of his renderings are beautifully illustrated on every page.The compositions, carefully reproduced on fine-quality paper, range from youthful studies modeled after ancient sculpture and early Renaissance frescoes to the otherworldly religious creations of his old age. Many are preliminary drawings executed in connection with some of his most important commissions: the marble David of 1501–04; the famous cartoon of 1504 for the projected fresco in the Palazzo Vecchio, The Battle of Cascina; the paintings on the vaulted ceiling of the Sistine Chapel, executed 1508–12; and the imposing fresco of The Last Judgment in the same chapel, executed 1535–14; as well as several of the more highly finished allegorical presentation drawings of the early 1530s. In some cases, e.g. The Battle of Cascina, the drawings are all that remain of a lost masterpiece. All drawings are accompanied by brief descriptive captions including date, medium, size, and current location.

Comprising the finest plates from the great illustrator's work, this collection features outstanding engravings from such literary classics as Milton's Paradise Lost, The Divine Comedy by Dante, Coleridge's The Rime of the Ancient Mariner, The Raven by Edgar Allan Poe, Sue's The Wandering Jew, and many others. Captions.

One of the last great names in the Japanese ukiyo-e style, Kuniyoshi was an undisputed master of the warrior woodblock print — and these 18th-century illustrations represent the pinnacle of his craft. One hundred and one full-color portraits of renowned Japanese samurais pulse with movement, passion, and remarkably fine detail. Includes brief captions and a new introduction.

Irreverent, bizarre, whimsical, and mocking, Kley's pen-and-ink drawings rank among the most imaginative satirical cartoons of all time. This compilation draws upon his Skizzenbuch I and II (1909–10) to present 200 fantastic images that blend savage humor with brilliant draughtsmanship in sketches of humans, animals, and curious combinations of the two.

Demonstrating the artist's major themes, techniques, and styles, 44 drawings — dating from 1905 to 1954 — perfectly capture the master draughtsman's incredible line: 1905 circus family, portraits of Diaghilev and Balzac, cubist studies, neo-classical nudes, and mythological scenes. Media include lithograph, drypoint, etching, and pen-and-ink.

A comprehensive look at a prominent artist from the Golden Age of Illustration, this volume features brilliant color plates of Edmund Dulac's images from books published between 1908 and 1928. Featured titles include Shakespeare's The Tempest, The Arabian Nights, The Rubáiyát of Omar Khayyam, and the fairy tales of Hans Christian Andersen.

Gustave Doré's magnificent engravings for The Rime of the Ancient Mariner are among the later works of the great French illustrator. The intensely evocative poem provided Doré with the long-awaited opportunity to convey limitless space on a gigantic scale, and he exploited the poem's fantastic range of atmosphere to the limits of its possibilities. The terrifying space of the open sea, the storms and whirlpools of an unknown ocean, the vast icy caverns of Antarctica, the hot equatorial sea swarming with monsters, all of the amazing visual elements that make Coleridge's masterpiece one of the most exciting and most memorable poems in the English language are unforgettably engraved in Doré's plates.This edition reproduces all of the plates to perfection, in their original size. The illustrations and the text of the poem appear on facing pages, so that the imaginative kinship of Doré and Coleridge is delightfully evident on every page: the illustrations capture all the moods of the poem in their full intensity, bringing the images evoked by the words into clear visual focus.Unabridged and slightly rearranged republication of the 1878 American edition. Text slightly amended to conform to the authoritative 1834 edition of the poem.Reprint of the 1878 American edition.

Splendid selection of 218 black-and-white inventions from legendary designer's productions for Harper's Bazar, 1918–32. Also 8 pages of full-color covers, originals now prized collector's items. Captions. Publisher's Note.

A representative selection of Leonardo's various achievements: drawings of plants, landscapes, human face and figure, and more, as well as studies for The Adoration of the Magi, The Last Supper, the Sforza monument, and more. 60 illustrations.

Doré's sympathy to Cervantes' satire was so complete that, of numerous interpretations by many artists, his has become standard. Here are 190 wood-engraved plates, 120 full-page: charging the windmill, traversing Spanish plains, valleys, mountains, ghostly visions of dragons, knights, flaming lake. Marvelous detail, minutiae, accurate costumes, architecture, enchantment, pathos, humor. Captions.

Visual indictment of war's horrors, modeled after Spanish insurrection (1808), the resultant Peninsular War and following famine. Miseries of war graphically demonstrated in 83 prints; includes veiled attacks on various people, the Church, and the State. Captions reprinted with new English translations plus the original title page and preface.

Old Testament, St. Jerome, Passion, Life of Virgin, Apocalypse, 346 in all. Introduction by Campbell Dodgson. "It was in woodcut design that the creative genius of Dürer reached its highest expression . . . the only available source for many of these works." — Antique Monthly.

Richly detailed, brilliantly imaginative scenes for The Bible, Paradise Lost, Don Quixote, The Divine Comedy, and other works are filled with amazing creatures of land, sea, and air. An invaluable source of royalty-free art for illustrators and designers, and a delight for lovers of fine art and anyone fascinated by creatures of myth and fantasy. Over 90 illustrations.

Cats were Steinlen's perpetual study and signature. He put them in his famous belle epoque posters, lithographs, and magazine illustrations, and sketched them endlessly. These 66 drawings and 8 picture-stories represent the best of his scattered, rare cat depictions, available nowhere else. Artists will learn cat dynamics from the spare, expressive lines.

Original compilation of 41 full-page and 6 half-page drawings — some finished sketches, others studies — depict dancers on stage, in the classroom, and at rehearsals. Charming, spirited views of dancers pirouetting, executing grand battements and ports de bras, practicing at the barre, adjusting their costumes in moments of repose, and more.

Along with Arthur Rackham and Edmund Dulac, Kay (pronounced "kigh") Nielsen was one of a triumvirate of great artists from the golden age of illustration. Known for his soft yet ornate pastels and a splendid use of various design elements, the Danish-American artist became famous for his memorable illustrations of stories by the Brothers Grimm and Hans Christian Andersen, as well as the Nordic fables recounted in East o' the Sun and West o' the Moon and the tales collected in In Powder and Crinoline.This enchanting compilation of 59 full-color illustrations draws upon Nielsen's images from scores of beloved tales, from the nasty characters in Rumpelstiltskin to the mysterious and magical figures in The Blue Belt, The Hardy Tin Soldier, The Nightingale, The Real Princess, Hansel and Gretel, Snowdrop, and many more.Certain to delight fans of fairy tales, this dazzling collection will also thrill lovers of fine art, as well as Nielsen admirers.

Considered Goya's most brilliant work, this collection combines corrosive satire and exquisite technique to depict 18th-century Spain as a nation of grotesque monsters sprung up in the absence of reason. 80 plates, Prado manuscript included.

This definitive edition combines the best plates and text from the great anatomist's Renaissance treasures, including Tabulae Sex, De Humani Corporis Fabrica, and the Epitome. Reproduced from a rare edition, these 96 plates recapture the vitality of the originals. Includes a discussion of the illustrations, a biographical sketch of Vesalius, annotations, and translations.

Seventy large-size illustrations trace Mucha's skills as a draftsman over more than 40 years. Among the more famous examples are original plans and drawings for "The Seasons," sketches for the Sarah Bernhardt poster, studies from Mucha's stunning and innovative stylebooks, and a sketch for the St. Louis World's Fair poster.

Lord Alfred Douglas' translation of Wilde's great play — originally written in French — with all well-known Beardsley illustrations, including suppressed plates. Features 28 Beardsley illustrations and an introduction by Robert Ross.

Eighty-one plates show development from youth to full style. Many favorites, many are new. Introduction by Alfred Werner. Includes Self-Portrait at the Age of Thirteen, Female Nude (with Headcloth and Slippers), Orpheus Slain by Bacchantes, with Boy Running Away. "The fascination of the drawings is inexhaustible; the skill incredible; the upshot — delight." — Boston Globe.

Rake's Progress, Harlot's Progress, Ilustrations for Hudibras, Before and After, Beer Street, and Gin Lane, 96 more. Commentary by Sean Shesgreen.

All of Dürer's works in three mediums are reproduced in this edition. Among them are his most famous works, Knight, Death and Devil; Melencolia I; and St. Jerome in His Study. Also included are portraits of his contemporaries, including Erasmus of Rotterdam and Frederick the Wise, as well as six engravings formerly attributed to Dürer.

Nearly 275 19th-century woodcuts by Mexico's most illustrious graphic artist. Created for publisher A. Vanegas Arroyo in Mexico City, the images commemorate all sorts of occasions, from disasters to political events, glorify popular heroes such as Zapata, and showcase Posada's famous calaveras, the lively skeletons of The Day of the Dead.