In Place – serie

One day, Jesse Donaldson wakes up in Portland, Oregon, and asks his wife to uproot their life together and move to his native Kentucky. As he searches for the reason behind this sudden urge, Donaldson examines both the place where he was born and the life he’s building. The result is a hybrid—part memoir, part meditation on nostalgia, part catalogue of Kentucky history and myth. Organised according to Kentucky geography, with one passage for each of the commonwealth’s 120 counties, On Homesickness examines whether we can ever return to the places we’ve called home.

Cassandra Kircher was in her twenties when she was hired by the National Park Service, landing a life that allowed her to reinvent herself. For four years she collected entrance fees and worked in the dispatch office before being assigned as the first woman to patrol an isolated backcountry district of Colorado’s Rocky Mountain National Park. There, Kircher encountered wonder and beauty, accidents and death. Although she always suspected the mountains might captivate her, she didn’t realize that her adopted landscape would give her strength to confront where she was from—both the Midwest that Willa Cather fans will recognize, and a childhood filled with problems and secrets.Divided and defined by geographic and psychological space, Far Flung begins in the Rockies but broadens its focus as Kircher negotiates places as distant as Alaska’s Kenai Peninsula, Russia’s Siberian valleys, and Wisconsin’s lake country, always with Colorado as a heartfelt pivot. These thirteen essays depict a woman coming to terms with her adoration for the wilds of the West and will resonate with all of us longing to better understand ourselves and our relationships to the places and people we love most.

One of the most famous political activists of all time, Emma Goldman was also infamous for her radical anarchist views and her “scandalous” personal life. In public, Goldman was a firebrand, confidently agitating for labor reform, anarchism, birth control, and women’s independence. But behind closed doors she was more vulnerable, especially when it came to the love of her life. Love, Anarchy, & Emma Goldman is an account of Goldman’s legendary career as a political activist. But it is more than that—it is a biography that offers an intimate look at how Goldman’s passion for social reform dovetailed with her passion for one man: Chicago activist, hobo king, and red-light district gynecologist Ben Reitman. Candace Falk takes us into the heart of their tumultuous love affair, finding that even as Goldman lectured on free love, she confronted her own intense jealousy.   As director of the Emma Goldman papers, Falk had access to over 40,000 writings by Goldman—including her private letters and notes—and she draws upon these archives to give us a rare insight into this brilliant, complex woman’s thoughts. The result is both a riveting love story and a primer on an exciting, explosive era in American politics and intellectual life.

In this often-surprising book of essays, Krista Eastman explores the myths we make about who we are and where we’re from. The Painted Forest uncovers strange and little-known "home places" —not only the picturesque hills and valleys of the author's childhood in rural Wisconsin, but also tourist towns, the "under-imagined and overly caricatured" Midwest, and a far-flung station in Antarctica where the filmmaker Werner Herzog makes an unexpected appearance.The Painted Forest upends easy narratives of place, embracing tentativeness and erasing boundaries. But it is Eastman's willingness to play—to follow her curiosity down every odd path, to exude a skeptical wonder—that gives this book depth and distinction. An unlikely array of people, places, and texts meet for close conversation, and tension is diffused with art, imagination, and a strong sense of there being some other way forward. Eastman offers a smart and contemporary take on how we wander and how we belong.

Going back to her ancestral homeland, a Greek American girl discovers she is a lesbian in love with God, so her questions about home and belonging will not be easily answered.This Way Back dramatizes a childhood split between Queens, New York, and Cyprus, an island nation with a long colonial history and a culture to which Joanna Eleftheriou could never quite adjust. The book avows a Greek-Cypriot-American lesbian's existence by documenting its scenes: reenacting an 1829 mass suicide by jumping off a school stage onto gym mats at St. Nicholas, harvesting carobs on ancestral land, purchasing UNESCO-protected lace, marching in the island's first gay pride parade, visiting Cyprus's occupied north against a dying father's wish, and pruning geraniums, cypress trees, and jasmine after her father grew too weak to lift the shears. While the author's life binds the essays in This Way Back into what reads like a memoir, the book questions memoir's conventional boundaries between the individual and her community, and between political and personal loss, the human and the environment, and the living and the dead.

A dreamlike, evocative reckoning with a lost epoch in popular culture—and with old, weird America.At the heart of American Vaudeville is one strange, unsettling fact: for nearly fifty years, from the late nineteenth century to the 1930s, vaudeville was everywhere—then, suddenly, it was nowhere. This book tells the story of what was once the most popular form of entertainment in the country using lists, creation myths, thumbnail biographies, dreams, and obituaries. A lyric history—part social history, part song—American Vaudeville sits at the nexus between poetry, experimental nonfiction, and, because it includes historic images, art books.Geoffrey Hilsabeck's book grows out of extensive archival research. Rather than arranging that research—the remains of vaudeville—into a realistic picture or tidy narrative, Hilsabeck dreams vaudeville back into existence, drawing on photographs, letters, joke books, reviews, newspaper stories, anecdotes, and other material gathered from numerous archives, as well as from memoirs by vaudeville performers like Buster Keaton, Eva Tanguay, and Eddie Cantor. Some of this research is presented as-is, a letter from a now forgotten vaudeville performer to her booking agent, for example; some is worked up into brief scenes and biographies; and some is put to even more imaginative uses, finding new life in dialogues and prose poems.American Vaudeville pulls the past into the present and finds in the beauty and carnivalesque grotesqueness of vaudeville a fitting image of American life today.

This collection of fourteen essays by Charles Dodd White—praised by Silas House as "one of the best prose stylists of Appalachian literature"—explores the boundaries of family, loss, masculinity, and place. Contemplating the suicides of his father, uncle, and son, White meditates on what it means to go on when seemingly everything worth living for is lost. What he discovers is an intimate connection to the natural world, a renewed impulse to understand his troubled family history, and a devotion to following the clues that point to the possibility of a whole life.Avoiding easy sentiment and cliché, White's transformative language drives toward renewal. A Year without Months introduces lively and memorable characters, as the author draws on a wide range of emotions to analyze everything, including himself.

Acclaimed author Erik Reece spends a year beside a rural Kentucky stream, in close observation of the natural world’s cycles, revelations, and redemptions.A critic once wrote that Rebecca West’s Black Lamb and Grey Falcon was about two things: Yugoslavia and everything else. Something similar might be said about Clear Creek. In this boundary-defying work, Erik Reece spends a year beside the stream in his rural Kentucky homeplace, tracking the movements of the seasons, the animals, and the thoughts passing through his mind. Clear Creek is a series of vignettes that calls us out of our frenzied, digitized world to a slower, more contemplative way of being. Reece’s subjects range from solitude and solidarity to the intricacies of forest communities, and from the genius of songwriter Tom T. Hall to reforestation projects on abandoned strip mines. A work of close observation and carefully grounded insights, Clear Creek articulates a nature-based philosophy for pondering humanity’s current plight.