Independent Curators International (ICI) – serie
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4 produkter
4 produkter
Inbunden, Engelska, 2001
234 kr
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Pictures, Patents, Monkeys, and More...On Collecting examines the collecting impulse in its various incarnations, raising fundamental questions about why we collect and why we collect what we collect. Surprising and eccentric, this publication features three utterly different collections: Pictures (and other contemporary art objects) from the renowned Robert Shiffler Foundation in Ohio; Patents, a selection of the Smithsonian's collection of patent models submitted to the US Patent Office in the nineteenth century; and finally Monkeys, from a private New York-based collection of approximately 1,600 sock monkeys toys. Running the gamut from high art to the unmapped inspirational dregs of American culture, Pictures, Patents, Monkeys, and More...On Collecting draws on such diverse talents as Ingrid Schaffner--adjunct curator at ICA Philadelphia--and artist Arne Svenson, whose photographs of the sock monkeys combine the haunting and the beautiful. Also included are such artists as Janine Antoni, Willie Coles, Felix Gonzalez-Torres, Christian Marclay, Alan Rath, Jason Rhoades, Kay Rosen, Jessica Stockholder and Lisa Yuskavage, among many others.
Häftad, Engelska, 2006
211 kr
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Family photographs are a universally familiar genre, and an intimate one, which makes this collection an accessible entry point for its deceptively simple but deeply complex social and representational issues. In turning their cameras on their own households,17 artists including Miguel Calder*n, Ari Markopoulos, Chris Verene and Gillian Wearing consider the family as a dynamic social institution, and confirm, if there was any doubt, that its affairs are never simply personal, but rather are entwined with and illustrative of broader historical, anthropological and economic considerations. Using the languages of snapshots, documentary and staged photography, as well as conceptual and performance art, and focusing on the undercurrents of contemporary domestic life, these artists link the family to class and financial issues, gender and ethnic stereotypes, shifting marital and generational roles, and the impacts of war and immigration. Emotionally incisive and visually inventive, Shoot the Family transforms that most common artifact--the family photograph--into an illuminating investigation of contemporary culture. Essay by Ralph Rugoff and a short story by Lynne Tillman.
Häftad, Engelska, 2008
211 kr
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Slightly Unbalanced surveys the prevalence of psychological neurosis as a subject in contemporary art. During the past 15 years, inspired by the work of several prominent older artists, a younger generation has expanded the contemporary art vocabulary to encompass a subject that is now well known by the general public. Cumulatively, they make use of psychology as a kind of lingua franca--we all know what the symptoms of neurosis are, if not the particular diagnoses. Beginning with historical work by Louise Bourgeois, Mike Kelley, Bruce Nauman and Cindy Sherman and proceeding to more recent work by artists including Alex Bag, Sophie Calle, Beth Campbell, Harry Dodge and Stanya Kahn, Sarah Hobbs, Sean Landers, Cary Leibowitz, Dave McKenzie, Tony Oursler, Danica Phelps, William Pope.L, Ada Ruilova, Ward Shelley and David Shrigley, this exhibition catalogue encompasses the range of media prevalent today: video art, installations, photographs, paintings and drawings.
Häftad, Engelska, 2012
211 kr
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What is contemporary curatorial thought? Current discourse on the topic is heating up with a new cocktail of bold ideas and ethical imperatives. These include: cooperative curating, especially with artists; the reimagination of museums; curating as knowledge production; the historicization of exhibition-making; and commitment to extra-artworld participatory activism. Less obvious, but increasingly of concern, are issues such as rethinking spectatorship, engaging viewers as co-curators and the challenge of curating contemporaneity itself. In these five essays, art historian and theorist Terry Smith surveys the international landscape of current thinking by curators; explores a number of exhibitions that show contemporaneity in recent, present and past art; describes the enormous growth world wide of exhibition infrastructure and the instability that haunts it; re-examines the contribution of artist-curators and questions the rise of curators utilizing artistic strategies; and, finally, assesses a number of key tendencies in curating as responses to contemporary conditions. Thinking Contemporary Curating is the first book to comprehensively chart the variety of practices of curating undertaken today, and to think through, systematically, what is distinctive about contemporary curatorial thought.