Indian Philology & South Asian Studies – Serie
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6 produkter
6 produkter
2 983 kr
Skickas inom 7-10 vardagar
No detailed description available for "The Indo-Aryans of Ancient South Asia".
3 039 kr
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The two great epics of (old) India, the Mahabharata and the Ramayana, are written in a language, which differs from so-called classical Sanskrit in many details. Both texts still are of an enormous importance in India and other countries. Because of this, a grammar describing all the different characteristics of epic Sanskrit has been missed until now. The Grammar of Epic Sanskrit will now close this gap.
2 123 kr
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No detailed description available for "A Handbook of Pali Literature".
1 115 kr
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The Handbook surveys the whole of Pali Theravada Buddhist literature (Ceylon, South East Asia). It reviews previous research in the field, and then concentrates on new methodological approaches and a treatment of later Pali literature (after the twelfth century).
Pali
A Grammar of the Language of the Theravada Tipitaka. With a Concordance to Pischel's Grammatik der Prakrit-Sprachen
Inbunden, Engelska, 2001
2 494 kr
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The grammar presents a full decription of Pali, the language used in the Theravada Buddhist canon, which is still alive in Ceylon and South-East Asia. The development of its phonological and morphological systems is traced in detail from Old Indic. Comprehensive references to comparable features and phenomena from other Middle Indic languages mean that this grammar can also be used to study the literature of Jainism.
Del 4 - Indian Philology & South Asian Studies
Laghukatha
A Historical and Literary Analysis of a Modern Hindi Prose Genre
Inbunden, Engelska, 2002
2 431 kr
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The book presented here is the first work of Western literary criticism to examine the Hindi laghukathā - a modern Indian prose genre that has been published since the 1970s in Hindi newspapers and magazines and is characterised by its concise form (500 words on average) and socio-political agenda. The importance of the genre within the Hindi literary scene lies in the fact that the laghukathā is based on indigenous genres which have been modernised, whereas the Hindi short story and the novel are Western genres that have been appropriated and Indianised.A thorough investigation of around 280 primary texts accompanied by an evaluation of the relevant Hindi criticism gives a comprehensive literary analysis of this genre and its historical development. This allows, in conclusion, to delineate an "ideal type" of laghukathā, suggesting a range of compulsory, desirable and optional features. English translations of almost 50 representative Hindi texts complete the picture and thus provide an insight into this genre so far unknown to a Western audience.