Indiana Repertoire Guides – serie

Guide to the Pianist's Repertoire continues to be the go-to source for piano performers, teachers, and students. Newly updated and expanded with more than 250 new composers, this incomparable resource expertly guides readers to solo piano literature and provides answers to common questions: What did a given composer write? What interesting work have I never heard of? How difficult is it? What are its special musical features? How can I reach the publisher? New to the fourth edition are enhanced indexes identifying black composers, women composers, and compositions for piano with live or recorded electronics; a thorough listing of anthologies and collections organized by time period and nationality, now including collections from Africa and Slovakia; and expanded entries to account for new material, works, and resources that have become available since the third edition, including websites and electronic resources. The "newest Hinson" will be an indispensible guide for many years to come.

This comprehensive, annotated resource of solo repertoire for the horn documents in detail the rich catalogue of original solo compositions for the instrument. Intended as a guide for practical use and easy reference, it is organized into three large sections: works for unaccompanied horn, works for horn and keyboard, and works for horn and ensemble. Each entry includes publisher information, a brief description of the form and character of a work, technical details of the horn writing, and information on dedication and premiere. The authors also include commentary on the various techniques required and the performance challenges of each piece. Representing over ten years of careful compilation and notation by an expert in horn performance and pedagogy, and by a seasoned music librarian and natural horn performer, Guide to the Solo Horn Repertoire will be an invaluable resource for performers, educators, and composers.

This comprehensive, annotated resource of solo repertoire for the horn documents in detail the rich catalogue of original solo compositions for the instrument. Intended as a guide for practical use and easy reference, it is organized into three large sections: works for unaccompanied horn, works for horn and keyboard, and works for horn and ensemble. Each entry includes publisher information, a brief description of the form and character of a work, technical details of the horn writing, and information on dedication and premiere. The authors also include commentary on the various techniques required and the performance challenges of each piece. Representing over ten years of careful compilation and notation by an expert in horn performance and pedagogy, and by a seasoned music librarian and natural horn performer, Guide to the Solo Horn Repertoire will be an invaluable resource for performers, educators, and composers.

Since the 1981 publication of the first edition, Cameron McGraw's Piano Duet Repertoire has been a trusted guide for duet performers. This second edition, edited and substantially expanded by Christopher and Katherine Fisher, brings the volume into the 21st century, adding over 500 new or updated composer entries and nearly 1,000 new work entries to the volume, a testament to the renewed interest in piano duet playing. Entries are arranged alphabetically by composer and include both pedagogical and concert repertoire. The annotations and the grade-level indications provide piano teachers a wealth of instructional guidance. The book also contains updated appendices listing collections and duet works with voice and other instruments. This new edition features a title index and a list of composers by nationality, making it a convenient and indispensable resource.

Fifteen years since the publication of its first volume, this invaluable guide to some of the most challenging aria excerpts continues with Volume II. Featuring an entirely new selection of arias, Guide to the Aria Repertoire, Volume II brings together many sources to aid the singer on their journey toward powerful, informed performances. Volume I of this guide has proven a tried-and-true resource for the developing operatic singer, with a wealth of insightful commentary from world-famous singers, directors, and other professionals as well as comments on interpreting arias and roles. Volume II follows in this tradition, discussing additional works and including some contemporary and lesser-known works beyond the standard selection. The arias in this guide are organized by voice type, and represent canonical, contemporary, and obscure works from different languages. Each reference listing addresses level of difficulty, voice and character type, special techniques, tessitura, accompaniment, and more. Guide to the Aria Repertoire, Volume II will be invaluable to the performer, student, and teacher of operatic repertoire throughout their developing careers.

Fifteen years since the publication of its first volume, this invaluable guide to some of the most challenging aria excerpts continues with Volume II. Featuring an entirely new selection of arias, Guide to the Aria Repertoire, Volume II brings together many sources to aid the singer on their journey toward powerful, informed performances. Volume I of this guide has proven a tried-and-true resource for the developing operatic singer, with a wealth of insightful commentary from world-famous singers, directors, and other professionals as well as comments on interpreting arias and roles. Volume II follows in this tradition, discussing additional works and including some contemporary and lesser-known works beyond the standard selection. The arias in this guide are organized by voice type, and represent canonical, contemporary, and obscure works from different languages. Each reference listing addresses level of difficulty, voice and character type, special techniques, tessitura, accompaniment, and more. Guide to the Aria Repertoire, Volume II will be invaluable to the performer, student, and teacher of operatic repertoire throughout their developing careers.

A reference guide to the vast array of art song literature and composers from Latin America, this book introduces the music of Latin America from a singer's perspective and provides a basis for research into the songs of this richly musical area of the world. The book is divided by country into 22 chapters, with each chapter containing an introductory essay on the music of the region, a catalog of art songs for that country, and a list of publishers. Some chapters include information on additional sources. Singers and teachers may use descriptive annotations (language, poet) or pedagogical annotations (range, tessitura) to determine which pieces are appropriate for their voices or programming needs, or those of their students. The guide will be a valuable resource for vocalists and researchers, however familiar they may be with this glorious repertoire.