Insubordinate Spaces – serie

Despite being characterized as a “nation of immigrants,” the United States has seen a long history of immigrant rights struggles. In her timely book Against the Deportation Terror, Rachel Ida Buff uncovers this multiracial history. She traces the story of the American Committee for the Protection of the Foreign Born (ACPFB) from its origins in the 1930s through repression during the early Cold War, to engagement with “new” Latinx and Caribbean immigrants in the 1970s and early 1980s.Functioning as a hub connecting diverse foreign-born communities and racial justice advocates, the ACPFB responded to various, ongoing crises of what they called “the deportation terror.” Advocates worked against repression, discrimination, detention, and expulsion in migrant communities across the nation at the same time as they supported reform of federal immigration policy. Prevailing in some cases and suffering defeats in others, the story of the ACPFB is characterized by persistence in multiracial organizing even during periods of protracted repression.By tracing the work of the ACPFB and its allies over half a century, Against the Deportation Terror provides important historical precedent for contemporary immigrant rights organizing. Its lessons continue to resonate today.

Despite being characterized as a “nation of immigrants,” the United States has seen a long history of immigrant rights struggles. In her timely book Against the Deportation Terror, Rachel Ida Buff uncovers this multiracial history. She traces the story of the American Committee for the Protection of the Foreign Born (ACPFB) from its origins in the 1930s through repression during the early Cold War, to engagement with “new” Latinx and Caribbean immigrants in the 1970s and early 1980s.Functioning as a hub connecting diverse foreign-born communities and racial justice advocates, the ACPFB responded to various, ongoing crises of what they called “the deportation terror.” Advocates worked against repression, discrimination, detention, and expulsion in migrant communities across the nation at the same time as they supported reform of federal immigration policy. Prevailing in some cases and suffering defeats in others, the story of the ACPFB is characterized by persistence in multiracial organizing even during periods of protracted repression.By tracing the work of the ACPFB and its allies over half a century, Against the Deportation Terror provides important historical precedent for contemporary immigrant rights organizing. Its lessons continue to resonate today.

Is there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds? The Palestinian Idea argues that it is precisely through film and media that hope can occasionally emerge amidst hopelessness, emancipation amidst oppression, freedom amidst apartheid. Greg Burris employs the work of Edward W. Said, Jacques RanciÈre, and Cedric J. Robinson in order to locate Palestinian utopia in the heart of the Zionist present.He analyzes the films of prominent directors Annemarie Jacir (Salt of This Sea, When I Saw You) and Hany Abu-Assad (Paradise Now) to investigate the emergence and formation of Palestinian identity. Looking at Mais Darwazah’s documentary My Love Awaits Me By the Sea, Burris considers the counterhistories that make up the Palestinian experience-stories and memories that have otherwise been obscured or denied. He also examines Palestinian (in)visibility in the global media landscape, and how issues of Black-Palestinian transnational solidarity are illustrated through social media, staged news spectacles, and hip hop music.

Is there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds? The Palestinian Idea argues that it is precisely through film and media that hope can occasionally emerge amidst hopelessness, emancipation amidst oppression, freedom amidst apartheid. Greg Burris employs the work of Edward W. Said, Jacques RanciÈre, and Cedric J. Robinson in order to locate Palestinian utopia in the heart of the Zionist present.He analyzes the films of prominent directors Annemarie Jacir (Salt of This Sea, When I Saw You) and Hany Abu-Assad (Paradise Now) to investigate the emergence and formation of Palestinian identity. Looking at Mais Darwazah’s documentary My Love Awaits Me By the Sea, Burris considers the counterhistories that make up the Palestinian experience-stories and memories that have otherwise been obscured or denied. He also examines Palestinian (in)visibility in the global media landscape, and how issues of Black-Palestinian transnational solidarity are illustrated through social media, staged news spectacles, and hip hop music.

Insubordinate spaces are places of possibility, products of acts of accompaniment and improvisation that deepen capacities for democratic social change. Barbara Tomlinson and George Lipsitz’s Insubordinate Spaces explores the challenges facing people committed to social justice in an era when social institutions have increasingly been reconfigured to conform to the imperatives of a market society.In their book, the authors argue that education, the arts, and activism are key terrains of political and ideological conflict. They explore and analyze exemplary projects responding to current social justice issues and crises, from the Idle No More movement launched by Indigenous people in Canada to the performance art of Chingo Bling, Fandango convenings, the installation art of Ramiro Gomez, and the mass protests proclaiming “Black Lives Matter" in Ferguson, MO. Tomlinson and Lipsitz draw on key concepts from struggles to advance ideas about reciprocal recognition and co-creation as components in the construction of new egalitarian and democratic social relations, practices, and institutions.

Insubordinate spaces are places of possibility, products of acts of accompaniment and improvisation that deepen capacities for democratic social change. Barbara Tomlinson and George Lipsitz’s Insubordinate Spaces explores the challenges facing people committed to social justice in an era when social institutions have increasingly been reconfigured to conform to the imperatives of a market society.In their book, the authors argue that education, the arts, and activism are key terrains of political and ideological conflict. They explore and analyze exemplary projects responding to current social justice issues and crises, from the Idle No More movement launched by Indigenous people in Canada to the performance art of Chingo Bling, Fandango convenings, the installation art of Ramiro Gomez, and the mass protests proclaiming “Black Lives Matter" in Ferguson, MO. Tomlinson and Lipsitz draw on key concepts from struggles to advance ideas about reciprocal recognition and co-creation as components in the construction of new egalitarian and democratic social relations, practices, and institutions.

Black queer lives often exist outside conventional civic institutions and therefore have to explore alternative intimacies to experience a sense of belonging. Civic Intimacies examines how-and to what extent-these different forms of intimacy catalyze the values, aspirations, and collective flourishing of Black queer denizens of Baltimore. Niels van Doorn draws on 18 months of immersive ethnographic fieldwork for his innovative cross-disciplinary analysis of contemporary debates in political and cultural theory. Van Doorn describes the way that these systematically marginalized communities improvise on citizenship not just to survive but also to thrive despite the proliferation of violence and insecurity in their lives. By reimagining citizenship as the everyday reparative work of building support structures, Civic Intimacies highlights the extent to which sex, kinship, memory, religious faith, and sexual health are rooted in collective practices that are deeply political. These systems sustain the lives of Black queer Baltimoreans who find themselves stuck in a city they cannot give up on-even though it has in many ways given up on them.

Black queer lives often exist outside conventional civic institutions and therefore have to explore alternative intimacies to experience a sense of belonging. Civic Intimacies examines how-and to what extent-these different forms of intimacy catalyze the values, aspirations, and collective flourishing of Black queer denizens of Baltimore. Niels van Doorn draws on 18 months of immersive ethnographic fieldwork for his innovative cross-disciplinary analysis of contemporary debates in political and cultural theory. Van Doorn describes the way that these systematically marginalized communities improvise on citizenship not just to survive but also to thrive despite the proliferation of violence and insecurity in their lives. By reimagining citizenship as the everyday reparative work of building support structures, Civic Intimacies highlights the extent to which sex, kinship, memory, religious faith, and sexual health are rooted in collective practices that are deeply political. These systems sustain the lives of Black queer Baltimoreans who find themselves stuck in a city they cannot give up on-even though it has in many ways given up on them.

An adept improviser can find ways forward amid impasse, agency amid oppression, and community amid division. The editors and contributors to The Improviser’s Classroom present an array of critical approaches intended to reimagine pedagogy through the prisms of activism, reciprocity, and communal care.Demonstrating how improvisation can inform scenes of teaching and learning, this volume also outlines how improvisatory techniques offer powerful, if not vital, tools for producing connection, creativity, accompaniment, reciprocity, meaningful revelation, and lifelong curiosity.The Improviser's Classroom champions activist pedagogies and the public work essential for creating communities bound together by reciprocal care and equity.Contributors: Sibongile Bhebhe, Judit Csobod, Michael Dessen, jashen edwards, Kate Galloway, Tomie Hahn, Petro Janse van Vuuren, Lauren Michelle Levesque, George Lipsitz, Rich Marsella, Tracy McMullen, Hafez Modirzadeh, Ed Sarath, Joe Sorbara, Jesse Stewart, Ellen Waterman, Carey West, and the editors

An adept improviser can find ways forward amid impasse, agency amid oppression, and community amid division. The editors and contributors to The Improviser’s Classroom present an array of critical approaches intended to reimagine pedagogy through the prisms of activism, reciprocity, and communal care.Demonstrating how improvisation can inform scenes of teaching and learning, this volume also outlines how improvisatory techniques offer powerful, if not vital, tools for producing connection, creativity, accompaniment, reciprocity, meaningful revelation, and lifelong curiosity.The Improviser's Classroom champions activist pedagogies and the public work essential for creating communities bound together by reciprocal care and equity.Contributors: Sibongile Bhebhe, Judit Csobod, Michael Dessen, jashen edwards, Kate Galloway, Tomie Hahn, Petro Janse van Vuuren, Lauren Michelle Levesque, George Lipsitz, Rich Marsella, Tracy McMullen, Hafez Modirzadeh, Ed Sarath, Joe Sorbara, Jesse Stewart, Ellen Waterman, Carey West, and the editors

Diseases Have No Eyes investigates how communities in Central Valley, California deal with Valley Fever, a painful illness caused by a soil fungus. The airborne disease's symptoms can last from two months to a patient's lifetime and may be fatal. Nearly a third of the national cases are reported in California, where those infected are disproportionately farmworkers and people incarcerated in the region. Poverty, pollution, and prison expose these groups to cumulative environmental and health risks that deny Valley Fever patients adequate medical treatment.Sarah M. Rios examines how these populations face racial health disparities and develop strategies of care. She connects environmental justice activists as well as prison advocates and abolitionists who mobilize protests and issue calls to action to the past and ongoing efforts for medical autonomy and healthy communities. Diseases Have No Eyes emphasizes that vulnerable groups have developed an expertise and understanding of Valley Fever out of necessity. In the process, these community members offer an alternative public health response that extends beyond the individual body.In the series Insubordinate Spaces

Diseases Have No Eyes investigates how communities in Central Valley, California deal with Valley Fever, a painful illness caused by a soil fungus. The airborne disease's symptoms can last from two months to a patient's lifetime and may be fatal. Nearly a third of the national cases are reported in California, where those infected are disproportionately farmworkers and people incarcerated in the region. Poverty, pollution, and prison expose these groups to cumulative environmental and health risks that deny Valley Fever patients adequate medical treatment.Sarah M. Rios examines how these populations face racial health disparities and develop strategies of care. She connects environmental justice activists as well as prison advocates and abolitionists who mobilize protests and issue calls to action to the past and ongoing efforts for medical autonomy and healthy communities. Diseases Have No Eyes emphasizes that vulnerable groups have developed an expertise and understanding of Valley Fever out of necessity. In the process, these community members offer an alternative public health response that extends beyond the individual body.In the series Insubordinate Spaces

What is the work that music festivals do in the world? In asking this question, Ripple Effects explores the varied ways in which festivals can act as spaces where new social relations are cultivated, as places for envisioning and enacting repertories of embodied memory and care, as alternatives to fragmented private consumption of culture, as sites for unexpected conversations.While some case studies discuss structures of dominance inside mammoth corporate-sponsored festivals, other chapters find insubordinate spaces in independent, artist-run festivals designed to honor traditional folk musics, to protest the proliferation of nuclear weapons, to deploy cultural exchanges in defiance of Cold War politics, to build pan-African unity, and to embrace the links between humans and the more-than-human world.Ripple Effects brings together leading and emerging scholars, artists, and arts presenters to consider the challenges, rewards, and responsibilities associated with the improvisational culture and ethos of music festivals as alternative public spheres.Contributors: Amina Boubia, Jody H. Cripps, Chris Dodd, Ben Finley, Simon Frith, Maria Giaever Lopez, Chris Greencorn, Jo Haynes, Michael J. Kramer, David A. McDonald, Patricia Nicholson, Melissa Noventa, William Parker, Jeremy Reed, Andrew Snyder, Cheryl Thompson, Steve Waksman, Katharine White, Deborah Wong, and the editors.In the series Insubordinate Spaces