Intellect China Library – serie

The Beijing Film Academy (BFA) is one of the most revered film institutions in the world. Since 1984, the BFA’s Department of Film Studies has been publishing the Journal of the Beijing Film Academy, the only journal of film theory that integrates film education in higher learning with film theory studies. Now, coinciding with dramatically increased interest in Chinese cinema, comes the Beijing Film Academy Yearbook, showcasing the best academic debates, discussions and research from the academy in 2015 – all available for the first time in English. Aimed at narrowing the cultural gap for cross-cultural research, the book contributes not only to scholarly work on Chinese cinema, but also to film and media studies more generally.

The Beijing Film Academy Yearbook is a collection of specially selected articles chosen from issues of the Journal of Beijing Film Academy. This volume collates articles published in the journal throughout 2016, and are translated for an English-speaking readership. Due to the increased academic focus on Chinese cinema, the Beijing Film Academy Yearbook project aims to contribute to this research with a first-hand perspective in order to narrow the gap for cross-culture scholarly dialogue.

Film Studies in China is a collection of articles selected from issues of the Contemporary Cinema journal, published throughout the year and translated for an English-speaking audience. As one of the most prestigious academic film studies journals in China, Contemporary Cinema has been active not only in publishing Chinese scholarship for Chinese readers but also in reaching out to academics from across the globe. This anthology hopes to encourage a cross-cultural academic conversation on the fields of Chinese cinema and media studies. Following the successful release of the first volume, this is the second collection to be released in Intellect’s Film Studies in China series.  Contemporary Cinema is a Chinese academic journal focusing on film theory and film criticism. It publishes monthly as an associate publication of the China Film Archive.

This volume gathers articles by Chinese scholars dealing with developments in Shanghai’s cultural industries over the past thirty years. Like many cities in China and elsewhere, Shanghai has explicitly stated that fostering the creative economy is its top economic and political priority over the next decade. This book examines, among other aspects of Shanghai’s approach to culture, the effects of this policy focus on the city’s creative growth in economic terms.

The annual Beijing Film Academy Yearbook showcases the best academic debates, discussions and research from the previous year, as previously published in the highly prestigious Journal of Beijing Film Academy. This volume brings together specially selected articles, appearing for the first time in English, in order to bridge the gap in cross-cultural research in cinema and media studies.The book is the latest in the Intellect China Library series to produce work by Chinese scholars that have not previously been available to English language academia. Covering the subjects of film studies, visual arts, performing arts, media and cultural studies, the series aims to foster intellectual debate and to promote closer cross-cultural intellectual exchanges by introducing important works of Chinese scholarship to readers.

The annual Beijing Film Academy Yearbook showcases the best academic debates, discussions and research from the previous year, as previously published in the highly prestigious Journal of Beijing Film Academy. This volume brings together specially selected articles, appearing for the first time in English, in order to bridge the gap in cross-cultural research in cinema and media studies.The book is the latest in the Intellect China Library series to produce work by Chinese scholars that have not previously been available to English language academia. Covering the subjects of film studies, visual arts, performing arts, media and cultural studies, the series aims to foster intellectual debate and to promote closer cross-cultural intellectual exchanges by introducing important works of Chinese scholarship to readers.

Film Studies in China 2 is a collection of selected articles chosen from issues of the journal Contemporary Cinema published throughout the year and translated for an English-speaking audience. As one of the most prestigious academic film studies journals in China, Contemporary Cinema has been active not only in publishing Chinese scholarship for Chinese readers but also in reaching out to academics from across the globe. This anthology hopes to encourage a cross-cultural academic conversation on the fields of Chinese cinema and media studies. Following the successful release of the first volume this is the second collection to be released in the Film Studies in China series.

Dance Studies in China is a collection of articles selected from issues of the Journal of Beijing Dance Academy, translated for an English-speaking audience. Beijing Dance Academy is a full-time institution of higher learning with commitment to developing excellent professional dancers, choreographers and dance researchers. This collection includes an interview with Shen Wei, the Chinese-American choreographer, painter and director living in New York City, USA.Founded in 1954, the former Beijing Dance School was the first professional dance school ever established since the founding of People’s Republic of China. Beijing Dance Academy (BDA) officially established in 1978, it provides BA and MA degrees and has become the only institution of higher learning for professional dance education in China, as well as the largest prestigious dance school with comprehensive concentrations in the world.In recent years, BDA has committed to develop its research profile specialising in dance, the Journal of Beijing Dance Academy is one of such outcomes. The Academy is also actively engaging with international collaboration.The Intellect China Library is a series of new English translations of the latest scholarship in Chinese that have not previously been available. Subjects covered include visual arts, performing arts, popular culture, media and the broader creative industries. The series aims to foster intellectual debate and to promote closer cross-cultural knowledge exchange by introducing unique Chinese scholarship and ideas to our readers.

The annual Beijing Film Academy Yearbook highlights the best academic debates, discussions and research from the previous year, as previously published in the highly prestigious Journal of Beijing Film Academy. This volume brings together specially selected articles, appearing for the first time in English, to bridge the gap in cross-cultural research in cinema and media studies.The book is the latest in the Intellect China Library series to produce work by Chinese scholars that have not previously been available to English language academia. Covering the subjects of film studies, visual arts, performing arts, media and cultural studies, the series aims to foster intellectual debate and to promote closer cross-cultural intellectual exchanges by introducing important works of Chinese scholarship to readers.

The annual Beijing Film Academy Yearbook highlights the best academic debates, discussions and research from the previous year, as previously published in the highly prestigious Journal of Beijing Film Academy. This volume brings together specially selected articles, appearing for the first time in English, to bridge the gap in cross-cultural research in cinema and media studies.The book is the latest in the Intellect China Library series to produce work by Chinese scholars that have not previously been available to English language academia. Covering the subjects of film studies, visual arts, performing arts, media and cultural studies, the series aims to foster intellectual debate and to promote closer cross-cultural intellectual exchanges by introducing important works of Chinese scholarship to readers.

Additional Prefaces from Hazel Henderson, Randeep Sudan, and new additional original material has been added in each chapter.New material has a particular focus on the impact of Covid-19 and its influence, which has gone beyond the fields of health and hygiene, deeply impacting the economic, social and even geopolitical affairs worldwide, subverting many aspects of the traditional market economy and disrupting social norms. This unexpected disaster is forcing human beings to rethink the axioms of what has long called “civilization.” find ways to coexist with other creatures who share the earth, and change many of our long-established behaviour patterns, including lifestyle, working practices and diet.The world ushered in explosive technology development, giving human beings unlimited opportunities and reverie. At the same time, mankind faces a deeper crisis - beyond the climate change, ecological environment, the gap between rich and poor, regional conflicts and terrorist threats that people already recognize. That is the human evolution crisis, science and technology crisis and human civilization crisis brought by the development and application of technology, which makes us stand at the crossroads in the history of human civilization. This book calls on human beings to prepare for the future - to actively promote the transformation of Industrial Civilization, to promote the progress of human civilization, to meet Global Civilization and even Great Civilization.Zhouying Jin contends that if human beings who share an earth cannot correctly grasp the direction of human evolution; if they cannot alter their destructive relationship with nature, and abandon “people-centred” and ‘’self-centred” thinking everywhere; if they cannot alleviate the threat of war and terrorism “as soon as possible” through the sublimation and perfection of human nature, and create a more advanced civilization; if they cannot deal with the planet’s common crises - climate change, species extinction, land and food shortages, water pollution, etc.; in short, if they cannot correctly learn the lessons of the current global catastrophe caused by the COVID-19; if they cannot promote the real awakening of all mankind; and cooperate to establish a new world order and accelerate the pace of civilizational transformation, then indeed the human race is doomed to move toward self-destruction long before the dangers posed by gene-enhanced Super-beings or robots endowed with artificial intelligence robots ever emerge.Primary audience will be at university level across a broad range of subjects and disciplines, wherever students are studying topics connected to the future of mankind and the world.

A collection of publications from the Journal of Beijing Film Academy. The annual Beijing Film Academy Yearbook highlights the best academic debates, discussions, and research from the previous year, as previously published in the highly prestigious Journal of Beijing Film Academy. This volume brings together specially selected articles, appearing for the first time in English, to bridge the gap in cross-cultural research in cinema and media studies. The book is the latest in the Intellect China Library series to produce work by Chinese scholars that have not previously been available to English-language academia. Covering the subjects of film studies, visual arts, performing arts, and media and cultural studies, the series aims to foster intellectual debate and to promote closer cross-cultural intellectual exchanges by introducing important works of Chinese scholarship to readers.

The annual Beijing Film Academy Yearbook highlights the best academic debates, discussions and research from the previous year, as previously published in the highly prestigious Journal of Beijing Film Academy. This volume brings together specially selected articles, appearing for the first time in English, to bridge the gap in cross-cultural research in cinema and media studies.The book is the latest in the Intellect China Library series to produce work by Chinese scholars that have not previously been available to English language academia. Covering the subjects of film studies, visual arts, performing arts, media and cultural studies, the series aims to foster intellectual debate and to promote closer cross-cultural intellectual exchanges by introducing important works of Chinese scholarship to readers.