Her name is Lori Bright. You might remember seeing her in "A Week in Palm Springs," lounging enticingly in the bathtub while an aging and flustered Cary Grant tries to find her a suitably revealing towel. Jack Liffey remembers, and even now he can't help but fall for her just a little. The problem is that she's paying him good money to locate her missing daughter—a case that is about to get Jack stuck between the seedy violence of the old City of Angels and the new gleaming bloodlust of contemporary Los Angeles.
The Dark Streets takes private investigator Jack Liffey to LA's glitzy, exotic Koreatown, where a young film student, Soon-Lin Kim, has apparently gone missing. Early in his search for her, Jack learns that Soon-Lin has been tangling with a giant Korean conglomerate. Again, as in all the Liffey mysteries, the superbly-crafted action that makes John Shannon one of the most exciting detective-fiction writers on the California scene envelops Jack, and ultimately he finds himself under torturously intense interrogation at the secret compound of a private security agency—and for a climax as explosive as the violent lightning storm in the desert sky.