New York Times bestseller When The Kinfolk Table was published in 2013, it transformed the way readers across the globe thought about small gatherings. In this much-anticipated follow-up, Kinfolk founder Nathan Williams showcases how embracing that same ethos-of slowing down, simplifying your life, and cultivating community-allows you to create a more considered, beautiful, and intimate living space. The Kinfolk Home takes readers inside 35 homes around the world, from the United States, Scandinavia, Japan, and beyond. Some have constructed modern urban homes from blueprints, while others nurture their home's long history. What all of these spaces have in common is that they've been put together carefully, slowly, and with great intention. Featuring inviting photographs and insightful profiles, interviews, and essays, each home tour is guaranteed to inspire.

Kinfolk magazine-launched to great acclaim and instant buzz in 2011-is a quarterly journal about understated, unfussy entertaining. The journal has captured the imagination of readers nationwide, with content and an aesthetic that reflect a desire to go back to simpler times; to take a break from our busy lives; to build a community around a shared sensibility; and to foster the endless and energizing magic that results from sharing a meal with good friends. Now there's The Kinfolk Table, a cookbook from the creators of the magazine, with profiles of 45 tastemakers who are cooking and entertaining in a way that is beautiful, uncomplicated, and inexpensive. Each of these home cooks-artisans, bloggers, chefs, writers, bakers, crafters-has provided one to three of the recipes they most love to share with others, whether they be simple breakfasts for two, one-pot dinners for six, or a perfectly composed sandwich for a solo picnic.

In Issue Sixty, Kinfolk looks to the past. History functions as a cultural and political undercurrent, and we consider how it informs the stories nations tell about themselves, the identities individuals construct and the structures of power that societies accept. Across the issue, we hear from leading voices who are reinterpreting the past and shaping how the present is understood. In London, we spend a morning with Nicholas Cullinan, director of the British Museum, who reflects on the challenge of stewarding the institution in an era increasingly defined by questions of restitution and accountability. In New York, Nikole Hannah-Jones - the Pulitzer Prize-winning journalist behind the 1619 Project - explains why revisiting foundational national narratives remains urgent today, while in Paris, writer Daphnee Denis examines the politics of remembering figures precisely because they were forgotten. Elsewhere, we meet David Chipperfield, the seminal architect known for his sensitive work with historic buildings. We also visit a series of homes, each with a history of its own: in Helsinki, the atelier apartment of artist Tove Jansson; in Los Angeles, the glamorous midcentury properties restored by design studio Ome Dezin, and Flamingo Estate, Richard Christiansen's botanical pleasureland. Since 2011, Kinfolk has become a leading art and culture magazine devoted to design, architecture, interiors, fashion, and slow living. Sold in over 100 countries and published in three languages, Kinfolk makes the perfect coffee table magazine or gift for creatives - a beautifully photographed lifestyle publication for readers seeking meaning, connection, and creative inspiration.

What does it mean to be a good friend? In Kinfolk Issue Fifty-Seven, we explore the many dimensions of friendship - its intimacy and ambiguity, its power and promise - in search of an answer. Along the way, we speak with leading philosophers, anthropologists, and psychotherapists, including Orna Guralnik, star of Showtime's Couples Therapy, who believes 'the best manifestation of humanity is in friendship.' In Los Angeles, musicians Kelly Zutrau and Buddy Ross reflect on the creative trust behind their music, while in Accra, painter Amoako Boafo reveals how close friendships shape both his art and worldview. As psychotherapist Mark Vernon notes, 'We humans find ourselves in others.' This issue also features a conversation with novelist Ottessa Moshfegh and visits to a mid-century home in Hawai'i, a centuries-old textile workshop in Kyoto, and the London studio of design duo Barber Osgerby. Since 2011, Kinfolk has been a global leader in art and culture, design and aesthetics, architecture, and interiors. Published quarterly in three languages and sold in over 100 countries, Kinfolk pairs thoughtful storytelling with inspiring photography, making it the perfect coffee table magazine or gift for creative minds.

Issue Fifty-Nine of Kinfolk considers the meaning of 'clean' as a ritual, a feeling and an instinct. If you're starting to think about spring cleaning, you can read our longform essay, which examines how clean we really need to be; or else find solace in Dirty Habits, which turns its attention to the universal pockets of imperfection we all have - dead plants, missing mugs or a junk drawer. We chart the boom in public bathing culture among younger generations in Tokyo and ask five perfumers and an expert to identify what 'clean' actually smells like. We also meet David Bronner, whose soap company has taken on a life of its own: a family business turned countercultural force. And while you may expect to see an issue full of 'clean lines' and minimalist design, we instead speak to Leonard Koren, one of the world's leading aesthetes, who has an entirely different proposition. Elsewhere, we meet Jessie Ware - the down-to-earth, bluntly funny British pop star who turned her mother's weekly Friday night dinners for family and friends into a beloved podcast. Plus, our contributors spend time with a dry cleaner, a dermatologist and a saxophonist, ask whether culture is dead, and try to make sense of Theseus' paradox. Since 2011, Kinfolk has become a leading art and culture magazine devoted to design, architecture, interiors, fashion and slow living. Sold in over 100 countries and published in three languages, Kinfolk makes the perfect coffee table magazine or gift for creatives - a beautifully photographed lifestyle publication for readers seeking meaning, connection and creative inspiration.

Whatever you think about religion, it continues to shape our cultures, communities and cities. This issue of Kinfolk takes a look at just some of the ways in which faith undergirds society and touches people's lives. Over the course of several months, we documented the construction of a new Lutheran church in Denmark. Mindful of the building's longevity, the local parish asked some of the nation's biggest architects and designers to rethink how Christianity might be carried into the future. Elsewhere, Christianity's history comes under scrutiny - we speak to Ekemini Uwan, the public theologian holding the Christian church accountable for its complicity in racial violence over the centuries. We also meet two Jewish duos from opposite sides of the Atlantic: the Kleins, creators of the kosher food and travel magazine Fleishigs, and Sara Moon and Samson Hart, founders of Miknaf Ha'aretz, a community focused on Jewish land justice. Elsewhere, we meet Ramy Youssef, the actor, screenwriter and director extraordinaire whose work is giving comedic nuance to the Muslim American narrative. And we interviewed the late surrealist film director David Lynch, who practiced Transcendental Meditation twice a day since 1973. The words by which he lived: 'The key to all of it is, Does it make you feel better? Does it change your life?' Since 2011, Kinfolk has established itself as a leader in art and culture, design and aesthetics, architecture, and homes and interiors. Our quarterly lifestyle magazine is sold in over 100 countries, published in three languages and makes the perfect coffee table magazine or gift for a creative. Featuring inspiring photography, fashion and style, as well as examinations of slow living, Kinfolk is an art and design publication that seeks to promote quality of life and connect a community of creative thinkers.

Kinfolk Issue Fifty-Six explores California as both a real place and a mythic ideal. The Golden State has long embodied the art of living well - an effortless, sun-drenched vision where nature meets glamour and innovation shapes everyday life. But beyond the dreamscape, California remains a powerful engine of culture, wellness and technology: a proving ground for human potential. This issue traces the state's enduring allure. In Silver Lake, we visit record producer Emile Haynie - known for his work with Adele and Lana Del Rey - as he hosts community dinners in his music studio. Further north, we tour the handcrafted Blunk House, home of artist JB Blunk, whose legacy is rooted in California's natural landscape and back-to-the-land ideals. Food writer Rebekah Peppler shares a seasonal menu shaped by local ease and ingredients, while 103-year-old Betty Reid Soskin reflects on a century of Californian history through her own remarkable life. Since 2011, Kinfolk has set the standard for independent publishing in art, design, aesthetics, architecture, homes and interiors. Our quarterly lifestyle magazine is sold in over 100 countries, published in three languages and makes the perfect coffee table magazine or gift for a creative. Featuring inspiring photography, fashion and style, as well as examinations of slow living, Kinfolk is an art and design publication that seeks to promote quality of life and connect a community of creative thinkers.

New York Times bestseller When The Kinfolk Table was published in 2013, it transformed the way readers across the globe thought about small gatherings. In this much-anticipated follow-up, Kinfolk founder Nathan Williams showcases how embracing that same ethos-of slowing down, simplifying your life, and cultivating community-allows you to create a more considered, beautiful, and intimate living space. The Kinfolk Home takes readers inside 35 homes around the world, from the United States, Scandinavia, Japan, and beyond. Some have constructed modern urban homes from blueprints, while others nurture their home's long history. What all of these spaces have in common is that they've been put together carefully, slowly, and with great intention. Featuring inviting photographs and insightful profiles, interviews, and essays, each home tour is guaranteed to inspire.

Kinfolk magazine-launched to great acclaim and instant buzz in 2011-is a quarterly journal about understated, unfussy entertaining. The journal has captured the imagination of readers nationwide, with content and an aesthetic that reflect a desire to go back to simpler times; to take a break from our busy lives; to build a community around a shared sensibility; and to foster the endless and energizing magic that results from sharing a meal with good friends. Now there's The Kinfolk Table, a cookbook from the creators of the magazine, with profiles of 45 tastemakers who are cooking and entertaining in a way that is beautiful, uncomplicated, and inexpensive. Each of these home cooks-artisans, bloggers, chefs, writers, bakers, crafters-has provided one to three of the recipes they most love to share with others, whether they be simple breakfasts for two, one-pot dinners for six, or a perfectly composed sandwich for a solo picnic.

In Issue Sixty, Kinfolk looks to the past. History functions as a cultural and political undercurrent, and we consider how it informs the stories nations tell about themselves, the identities individuals construct and the structures of power that societies accept. Across the issue, we hear from leading voices who are reinterpreting the past and shaping how the present is understood. In London, we spend a morning with Nicholas Cullinan, director of the British Museum, who reflects on the challenge of stewarding the institution in an era increasingly defined by questions of restitution and accountability. In New York, Nikole Hannah-Jones - the Pulitzer Prize-winning journalist behind the 1619 Project - explains why revisiting foundational national narratives remains urgent today, while in Paris, writer Daphnee Denis examines the politics of remembering figures precisely because they were forgotten. Elsewhere, we meet David Chipperfield, the seminal architect known for his sensitive work with historic buildings. We also visit a series of homes, each with a history of its own: in Helsinki, the atelier apartment of artist Tove Jansson; in Los Angeles, the glamorous midcentury properties restored by design studio Ome Dezin, and Flamingo Estate, Richard Christiansen's botanical pleasureland. Since 2011, Kinfolk has become a leading art and culture magazine devoted to design, architecture, interiors, fashion, and slow living. Sold in over 100 countries and published in three languages, Kinfolk makes the perfect coffee table magazine or gift for creatives - a beautifully photographed lifestyle publication for readers seeking meaning, connection, and creative inspiration.

What does it mean to be a good friend? In Kinfolk Issue Fifty-Seven, we explore the many dimensions of friendship - its intimacy and ambiguity, its power and promise - in search of an answer. Along the way, we speak with leading philosophers, anthropologists, and psychotherapists, including Orna Guralnik, star of Showtime's Couples Therapy, who believes 'the best manifestation of humanity is in friendship.' In Los Angeles, musicians Kelly Zutrau and Buddy Ross reflect on the creative trust behind their music, while in Accra, painter Amoako Boafo reveals how close friendships shape both his art and worldview. As psychotherapist Mark Vernon notes, 'We humans find ourselves in others.' This issue also features a conversation with novelist Ottessa Moshfegh and visits to a mid-century home in Hawai'i, a centuries-old textile workshop in Kyoto, and the London studio of design duo Barber Osgerby. Since 2011, Kinfolk has been a global leader in art and culture, design and aesthetics, architecture, and interiors. Published quarterly in three languages and sold in over 100 countries, Kinfolk pairs thoughtful storytelling with inspiring photography, making it the perfect coffee table magazine or gift for creative minds.

Issue Fifty-Nine of Kinfolk considers the meaning of 'clean' as a ritual, a feeling and an instinct. If you're starting to think about spring cleaning, you can read our longform essay, which examines how clean we really need to be; or else find solace in Dirty Habits, which turns its attention to the universal pockets of imperfection we all have - dead plants, missing mugs or a junk drawer. We chart the boom in public bathing culture among younger generations in Tokyo and ask five perfumers and an expert to identify what 'clean' actually smells like. We also meet David Bronner, whose soap company has taken on a life of its own: a family business turned countercultural force. And while you may expect to see an issue full of 'clean lines' and minimalist design, we instead speak to Leonard Koren, one of the world's leading aesthetes, who has an entirely different proposition. Elsewhere, we meet Jessie Ware - the down-to-earth, bluntly funny British pop star who turned her mother's weekly Friday night dinners for family and friends into a beloved podcast. Plus, our contributors spend time with a dry cleaner, a dermatologist and a saxophonist, ask whether culture is dead, and try to make sense of Theseus' paradox. Since 2011, Kinfolk has become a leading art and culture magazine devoted to design, architecture, interiors, fashion and slow living. Sold in over 100 countries and published in three languages, Kinfolk makes the perfect coffee table magazine or gift for creatives - a beautifully photographed lifestyle publication for readers seeking meaning, connection and creative inspiration.

Whatever you think about religion, it continues to shape our cultures, communities and cities. This issue of Kinfolk takes a look at just some of the ways in which faith undergirds society and touches people's lives. Over the course of several months, we documented the construction of a new Lutheran church in Denmark. Mindful of the building's longevity, the local parish asked some of the nation's biggest architects and designers to rethink how Christianity might be carried into the future. Elsewhere, Christianity's history comes under scrutiny - we speak to Ekemini Uwan, the public theologian holding the Christian church accountable for its complicity in racial violence over the centuries. We also meet two Jewish duos from opposite sides of the Atlantic: the Kleins, creators of the kosher food and travel magazine Fleishigs, and Sara Moon and Samson Hart, founders of Miknaf Ha'aretz, a community focused on Jewish land justice. Elsewhere, we meet Ramy Youssef, the actor, screenwriter and director extraordinaire whose work is giving comedic nuance to the Muslim American narrative. And we interviewed the late surrealist film director David Lynch, who practiced Transcendental Meditation twice a day since 1973. The words by which he lived: 'The key to all of it is, Does it make you feel better? Does it change your life?' Since 2011, Kinfolk has established itself as a leader in art and culture, design and aesthetics, architecture, and homes and interiors. Our quarterly lifestyle magazine is sold in over 100 countries, published in three languages and makes the perfect coffee table magazine or gift for a creative. Featuring inspiring photography, fashion and style, as well as examinations of slow living, Kinfolk is an art and design publication that seeks to promote quality of life and connect a community of creative thinkers.

Kinfolk Issue Fifty-Six explores California as both a real place and a mythic ideal. The Golden State has long embodied the art of living well - an effortless, sun-drenched vision where nature meets glamour and innovation shapes everyday life. But beyond the dreamscape, California remains a powerful engine of culture, wellness and technology: a proving ground for human potential. This issue traces the state's enduring allure. In Silver Lake, we visit record producer Emile Haynie - known for his work with Adele and Lana Del Rey - as he hosts community dinners in his music studio. Further north, we tour the handcrafted Blunk House, home of artist JB Blunk, whose legacy is rooted in California's natural landscape and back-to-the-land ideals. Food writer Rebekah Peppler shares a seasonal menu shaped by local ease and ingredients, while 103-year-old Betty Reid Soskin reflects on a century of Californian history through her own remarkable life. Since 2011, Kinfolk has set the standard for independent publishing in art, design, aesthetics, architecture, homes and interiors. Our quarterly lifestyle magazine is sold in over 100 countries, published in three languages and makes the perfect coffee table magazine or gift for a creative. Featuring inspiring photography, fashion and style, as well as examinations of slow living, Kinfolk is an art and design publication that seeks to promote quality of life and connect a community of creative thinkers.